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𝗖𝗥𝗢𝗪𝗡 | fighting the lockdown through radio

☛ 24.3.2020 - Episode XIV
• Roberto Paci Dalò & Robert Lippok

Avant-garde German visual artist and composer Robert Lippok has been an influential player in Berlin’s thriving experimental music scene from a very early age. In 1983, he co-founded dissident punk band Ornament und Verbrechen with his brother Ronald, inspired by industrial trailblazers Throbbing Gristle. An open platform to explore jazz, electronic, and industrial concepts with like-minded collaborators of the East German underground persuasion, the group remained active until the mid-1990s, at which point it was overtaken by the brothers’ next and most well-known collaboration, the palindromic To Rococo Rot. A significant post-rock/electronic outfit started by the Lippok brethren and Düsseldorf bass guitarist Stefan Schneider, the Krautrockish band ushered in a new generation of electronic acts committed to acoustic investigations and improvisation of all stripes.

Known for his expansive imagination, inventive rhythmic reflexes, and layers of fuzzy tones, Lippok’s solo work is just as wide-ranging – from funky, glitch-y, twisted techno record Redsuperstructure for Raster-Noton (2011), to stage design for operas, gallery exhibitions, and notable collaborations with Italian harpist Beatrice Martini, Canadian percussionist Debashis Sinha or brother Ronald and Italian composer Ludovico Einaudi (the latter trio as Whitetree).

☛ Check out our "mystery box" interview with Robert taken during Acusmatiq Festival XII in summer 2017, our spot was set next to the stages on the ravishing Ancona's harbour within audio soundscape of sunset time.
http://spreaker.com/user/usma_radio/acusmatiq-xii-robert-lippok
𝗖𝗥𝗢𝗪𝗡 | fighting the lockdown through radio ☛ 24.3.2020 - Episode XIV • Roberto Paci Dalò & Robert Lippok Avant-garde German visual artist and composer Robert Lippok has been an influential player in Berlin’s thriving experimental music scene from a very early age. In 1983, he co-founded dissident punk band Ornament und Verbrechen with his brother Ronald, inspired by industrial trailblazers Throbbing Gristle. An open platform to explore jazz, electronic, and industrial concepts with like-minded collaborators of the East German underground persuasion, the group remained active until the mid-1990s, at which point it was overtaken by the brothers’ next and most well-known collaboration, the palindromic To Rococo Rot. A significant post-rock/electronic outfit started by the Lippok brethren and Düsseldorf bass guitarist Stefan Schneider, the Krautrockish band ushered in a new generation of electronic acts committed to acoustic investigations and improvisation of all stripes. Known for his expansive imagination, inventive rhythmic reflexes, and layers of fuzzy tones, Lippok’s solo work is just as wide-ranging – from funky, glitch-y, twisted techno record Redsuperstructure for Raster-Noton (2011), to stage design for operas, gallery exhibitions, and notable collaborations with Italian harpist Beatrice Martini, Canadian percussionist Debashis Sinha or brother Ronald and Italian composer Ludovico Einaudi (the latter trio as Whitetree). ☛ Check out our "mystery box" interview with Robert taken during Acusmatiq Festival XII in summer 2017, our spot was set next to the stages on the ravishing Ancona's harbour within audio soundscape of sunset time. http://spreaker.com/user/usma_radio/acusmatiq-xii-robert-lippok read more read less

3 years ago #broadcasting, #crown, #electronics, #liveconcert, #radio, #robertlippok, #robertopacidalo