We have the honor of speaking with battle rapper and musician Chilla Jones about his unique career journey, pursuing your dreams, navigating between the full-time and entrepreneurship space, and the difficulty of juggling your passion and your 9-5. 

Check out Chilla's website, IG, and Twitter!




TRANSCRIPT

Zach: What's up, y'all? It's Zach with Living Corporate, and yes, you're listening to another B-Side. Now, look, we talked about B-Sides in season one. This is season two of Living Corporate. For those who don't know, B-Sides are basically random episodes in-between our larger episodes where we just kind of kick it, you know? Sometimes we have conversations with just me and Ade. Sometimes they're, like, kind of extended monologues, just me or Ade. Often times though, most times, they're conversations with, like, special guests, like, one-on-one discussions, and I'ma tell you, this time--this time this one's special for me, okay? Now, y'all might not know, but I'm actually a huge--I love rap in general, right? I love rap, and I love battle rap a lot. Y'all know those air horns y'all hear in the shows, like [imitating them]? That's actually inspired by battle rap, specifically Ultimate Rap Battle League, URL, and the reason why is because battle rap, to me, it combines public speaking, retention, charisma, improvisation, crowd control, all at the same time, right? And clearly y'all can tell I enjoy talking, so it's obviously a clear intersect for me. Anyway, I was always a big follower of it as a kid, but, you know, life goes on. I kind of let it fade. Well, back when I was in college I stumbled upon a battle rapper who really got me back in the game. If you can imagine Jay-Z but as a battle rapper, that's a crude reduction of who and kind of what this style is, okay? So our guest for today's B-Side is Jerome Jones, A.K.A. Kingpin, A.K.A. Juggernaut, A.K.A. Chilla, A.K.A. Bosstown, A.K.A. your favorite writer's favorite writer, Chilla Jones. Chilla Jones is a musician and battle rapper hailing from Boston, Massachusetts, New England. He has released several projects, but you most likely know him from battle rap. He's traveled all across the world. He's making a name for himself as one of the biggest writers to ever engage the arena. Chilla, how's it going, man?




Chilla: My guy. What's going on, man? Peace up. What's good? We out here, man.




Zach: We out here, man. Look, man--so look, today, man, we're talking about pursuing your dreams, you know, navigating between your full-time and the entrepreneur space. What was it like for you, and like--and you working your 9-5. When did you start really being like, "Look, I need to pursue this battle rap thing. I want to pursue this music thing."? What has it been like to juggle that? What did it look like when you got started? You know, of course we see you now. You're in--you know, you've gone to London, you've been all over the world. Of course all over the U.S., but [inaudible], you know, you've been to parts in Europe. Of course you've been in Canada often. You know, what has that journey been like for you?




Chilla: It's huge, bro, and, you know, back in the day--you know, I'd been, you know, doing the 9-5 thing since I was, you know, fresh out of high school, 18 years old, and so, you know, that's kind of always been a part of my adult life, but, you know, as time went on I really devoted more and more of my personal time into music or into battle rap, depending on the era, and so--it's very interesting having to juggle both because--you know, especially nowadays. I have so many opportunities that present themselves that might require me to, you know, as you said, be in Canada or be in London or, you know, I went to Australia recently, which was a really eye-opening experience, you know? I get offers to go everywhere from, you know, Ireland to New Zealand to Amsterdam to--you know, all off the strength of my talent and my ability, so, you know, I never quite thought that I would get to travel the world and, you know, kind of expand my horizons just off the strength of my God-given talent. It's definitely a blessing, but it definitely is a sacrifice, man. You know, it's definitely--when you're thinking of transitioning from that 9-5 to, you know, doing something you love full-time, or even if you're not doing it full-time, if you're deciding to kind of devote a little bit more time to it than the normal person, you're literally having to decide and juggle between, you know, kind of having that steady income or, you know, kind of--kind of diving into something where you might be eating ramen noodles for a week, you know, waiting on your next gig, you know what I'm saying? And so I've kind of--I've kind of balanced both sides of that, and so, you know, luckily I have a job that is very understanding. They're aware of my career and very supportive, so, you know, they give me all of the flexibility that I might need, whether that's--you know, I might only be at work a couple days of the month because I might be, you know, traveling so much during that particular month, you know? And they support me, and they're very supportive in that, and I'm very lucky to kind of that situation to where I can always know that if I don't have any battles or if I don't have any shows or, you know, if I don't have anything on the rap side that's helping to contribute to my income, I have a job that I can--that I can kind of rely on for that, and, you know, when I do have all of these gigs and stuff like that, I'm not--you know, I'm not having to sacrifice the 9-5 that I have, and so I kind of have a really, really good situation worked out for me right now, but it's definitely--you know, I've been in situations where my job wasn't so supportive, and so I've had to make decisions like, "Okay, I can take this offer and go to Canada for 4 days, and I don't have any more paid time off at work, and I know if I can't make these two shifts, then I might not have a job when I get back. So, you know, I've had to make those decisions and kind of try to--try to do what's best for me in the long run, and so you really just gotta believe in yourself at the end of the day. You really just have to believe that you're doing the right thing, and you gotta follow your dreams, man. There's nothing--there's nothing worse than, you know, feeling like you didn't give it your all, and that's always just kind of what I've--what I've always kind of gone by and stood by, is like I would rather, you know, go for my dreams and fail than to stay stuck at a 9-5 and just always wonder "What if?" Like, you never want to wonder--you never want to wonder "What if," you know what I mean? That's my stance.




Zach: Yeah, man. Yeah, and it's funny you talk about your job. That was actually another question I had. So, like, what does it look like, right, when you--so you show up--of course for those who don't know, right, like, who haven't seen you do your thing, whatever whatever. You know, you're a black man, and you're a moderately tall person. You're a--I wouldn't say, like, you're a scary, imposing--you're not, like, you know, sloppy like Suge or nothing like that, but, you know, you're a large black man. Like, what does it look like when you articulate to people, "Hey," you know? When you talk to your employer, "Hey, I'm a battle rapper." Like, how do those conversations go, and how does that--you know, you say they're supportive. You know, what does that--what does that look like, just to kind of, like, broach the topic and then talk about your profession?




Chilla: Right. I mean, honestly it was--you know, initially it was something that I--that I hid, you know? And I think a lot of us, us battle rappers, do that, you know? I hid my career from my job, and so, you know, at first I would say "Oh, I'm going out of town for this reason," or that reason, and, you know, "I need to be off. I need to leave on Friday," and, you know, "I'll be back Sunday night or Monday morning," and so I'd name this shift or that shift that I'm scheduled for, and, you know, doing that a couple of times, they really--they really don't trip, but as it--as it happens more often and more consistently, I kind of--I kind of just thought in my head, like, you know, "The only way this is going to work and work in my favor is if I'm honest," and so I actually had just got offered a promotion, and, you know, the promotion was kind of to a lofty position, and they--you know, as we were in the office and we were discussing salary and everything like that, you know, I figured that was a really good time to kind of be honest, and so--you know, I told them I was interested in the position and I would love to the job, but I have a career, and this is what I do, and this is what that looks like, and this is what I need from you if you want me to do this position for you. And so, you know, I need flexibility on your end for me to be able to do A, B, and C, and if I can do that, then when I'm here and I'm working I will give you flexibility on D, E, and F, you know what I mean? And so it's definitely a compromise there, and like I said, they are in support of it. They will even watch my battles, and they'll come to work and quote certain things that I've said, and it's so weird because it's such a--you know, the environment that I work in, you would never expect, you know, to have, you know, 40-year old, 50-year old, you know, Caucasian men and women or [inaudible] with all types of different, you know, backgrounds and, you know, all types of different, you know, places that they've grown up in and things that they're interested in. Like, you know, I don't think anybody where I work is even interested in hip hop to be for real, you know what I mean? It's other things like that, but, you know, they take an interest in it because, you know, they see that I'm good at it, that I have a talent, and they see where it takes me and where I go and ho