Continuing on with our location recording discussion, John Ballentine of Campfire Radio Theater talks about the making of the brilliant Hungry Hollow…

“We used a Zoom recorder, it’s a Zoom H2N, and we actually used the built in microphones, we didn’t use an external microphone to record with. The Zoom is a handy little recorder; it does a lot of things really well, it fits in the palm of your hand, you can take it anywhere.

One of the things I thought my main use for it would be was recording sound effects and ambient environments for use in the show. The more I played with it I thought “well this thing sounds pretty good”, I think it sounds more or less as good as my studio mic setup.

So I felt pretty confident about taking it in the field, taking it on location, and trying to record a show with it. We put it on a tripod, took it out in the woods, and that’s how we recorded Hungry Hollow.

We sort of blocked some movement around the Zoom, and sat it on a tripod. We didn’t actually do any movement with the recorder itself, we just kind of kept it stationary and have actors move around it. And we didn’t do a lot of movement, not nearly as much as I really probably would’ve liked to.

We did some very basic blocking, and had an actor positioned off to one side, or another actor positioned more centrally, and then we might have somebody that enters the scene, and they might enter from the far left or far right, then somebody exits the scene and you have that movement.”