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Venture into the enchanting realms where the mystical and the mundane intertwine, as suggested by the title "Goblins and Pagodas." This podcast invites listeners to explore a rich tapestry of...
show more
Venture into the enchanting realms where the mystical and the mundane intertwine, as suggested by the title "Goblins and Pagodas." This podcast invites listeners to explore a rich tapestry of folklore, fantasy, and cultural reflections, each episode featuring a new complete audiobook that delves into the magical and the mysterious. With stories that draw upon ancient traditions, mythical creatures, and the serene beauty of pagodas, this series offers a diverse array of narratives that celebrate the imaginative spirit of storytelling. Each unique exploration invites you to experience different worlds, from the whimsical to the profound, while reflecting on themes of wonder, conflict, and the nature of humanity. Discover a new book with every episode and immerse yourself in the captivating intersections of myth and reality.
show less
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28 AUG 2026 · John Gould Fletcher (1886 – 1950) is considered by many literary scholars to be among the most innovative twentieth-century poets. He enjoyed an international reputation for much of his long career and earned the Pulitzer Prize in poetry in 1939. Fletcher lived in England from 1909 to 1932 and while in Europe he associated closely with Amy Lowell, Ezra Pound, and other Imagist poets. In addition to being an adherent of Imagism, which used free verse and was dedicated to replacing traditional poetics with new rhythms, concise use of language, and a concrete rather than symbolic treatment of subject, Fletcher also wrote poetry that drew from such varied sources as French Symbolism, Oriental art and philosophy, and music. The 1st part of this book, "Ghosts of an Old House," evoke, out of the furniture and surroundings of a certain old house, emotions and childish terror which the poet had concerning them. In the "Symphonies," which form the second part of this volume, the poet narrates certain important phases of the emotional and intellectual development—in short, the life—of an artist. - Summary by Nemo
27 AUG 2026 · John Gould Fletcher (1886 – 1950) is considered by many literary scholars to be among the most innovative twentieth-century poets. He enjoyed an international reputation for much of his long career and earned the Pulitzer Prize in poetry in 1939. Fletcher lived in England from 1909 to 1932 and while in Europe he associated closely with Amy Lowell, Ezra Pound, and other Imagist poets. In addition to being an adherent of Imagism, which used free verse and was dedicated to replacing traditional poetics with new rhythms, concise use of language, and a concrete rather than symbolic treatment of subject, Fletcher also wrote poetry that drew from such varied sources as French Symbolism, Oriental art and philosophy, and music. The 1st part of this book, "Ghosts of an Old House," evoke, out of the furniture and surroundings of a certain old house, emotions and childish terror which the poet had concerning them. In the "Symphonies," which form the second part of this volume, the poet narrates certain important phases of the emotional and intellectual development—in short, the life—of an artist. - Summary by Nemo
26 AUG 2026 · John Gould Fletcher (1886 – 1950) is considered by many literary scholars to be among the most innovative twentieth-century poets. He enjoyed an international reputation for much of his long career and earned the Pulitzer Prize in poetry in 1939. Fletcher lived in England from 1909 to 1932 and while in Europe he associated closely with Amy Lowell, Ezra Pound, and other Imagist poets. In addition to being an adherent of Imagism, which used free verse and was dedicated to replacing traditional poetics with new rhythms, concise use of language, and a concrete rather than symbolic treatment of subject, Fletcher also wrote poetry that drew from such varied sources as French Symbolism, Oriental art and philosophy, and music. The 1st part of this book, "Ghosts of an Old House," evoke, out of the furniture and surroundings of a certain old house, emotions and childish terror which the poet had concerning them. In the "Symphonies," which form the second part of this volume, the poet narrates certain important phases of the emotional and intellectual development—in short, the life—of an artist. - Summary by Nemo
25 AUG 2026 · John Gould Fletcher (1886 – 1950) is considered by many literary scholars to be among the most innovative twentieth-century poets. He enjoyed an international reputation for much of his long career and earned the Pulitzer Prize in poetry in 1939. Fletcher lived in England from 1909 to 1932 and while in Europe he associated closely with Amy Lowell, Ezra Pound, and other Imagist poets. In addition to being an adherent of Imagism, which used free verse and was dedicated to replacing traditional poetics with new rhythms, concise use of language, and a concrete rather than symbolic treatment of subject, Fletcher also wrote poetry that drew from such varied sources as French Symbolism, Oriental art and philosophy, and music. The 1st part of this book, "Ghosts of an Old House," evoke, out of the furniture and surroundings of a certain old house, emotions and childish terror which the poet had concerning them. In the "Symphonies," which form the second part of this volume, the poet narrates certain important phases of the emotional and intellectual development—in short, the life—of an artist. - Summary by Nemo
24 AUG 2026 · John Gould Fletcher (1886 – 1950) is considered by many literary scholars to be among the most innovative twentieth-century poets. He enjoyed an international reputation for much of his long career and earned the Pulitzer Prize in poetry in 1939. Fletcher lived in England from 1909 to 1932 and while in Europe he associated closely with Amy Lowell, Ezra Pound, and other Imagist poets. In addition to being an adherent of Imagism, which used free verse and was dedicated to replacing traditional poetics with new rhythms, concise use of language, and a concrete rather than symbolic treatment of subject, Fletcher also wrote poetry that drew from such varied sources as French Symbolism, Oriental art and philosophy, and music. The 1st part of this book, "Ghosts of an Old House," evoke, out of the furniture and surroundings of a certain old house, emotions and childish terror which the poet had concerning them. In the "Symphonies," which form the second part of this volume, the poet narrates certain important phases of the emotional and intellectual development—in short, the life—of an artist. - Summary by Nemo
23 AUG 2026 · John Gould Fletcher (1886 – 1950) is considered by many literary scholars to be among the most innovative twentieth-century poets. He enjoyed an international reputation for much of his long career and earned the Pulitzer Prize in poetry in 1939. Fletcher lived in England from 1909 to 1932 and while in Europe he associated closely with Amy Lowell, Ezra Pound, and other Imagist poets. In addition to being an adherent of Imagism, which used free verse and was dedicated to replacing traditional poetics with new rhythms, concise use of language, and a concrete rather than symbolic treatment of subject, Fletcher also wrote poetry that drew from such varied sources as French Symbolism, Oriental art and philosophy, and music. The 1st part of this book, "Ghosts of an Old House," evoke, out of the furniture and surroundings of a certain old house, emotions and childish terror which the poet had concerning them. In the "Symphonies," which form the second part of this volume, the poet narrates certain important phases of the emotional and intellectual development—in short, the life—of an artist. - Summary by Nemo
22 AUG 2026 · John Gould Fletcher (1886 – 1950) is considered by many literary scholars to be among the most innovative twentieth-century poets. He enjoyed an international reputation for much of his long career and earned the Pulitzer Prize in poetry in 1939. Fletcher lived in England from 1909 to 1932 and while in Europe he associated closely with Amy Lowell, Ezra Pound, and other Imagist poets. In addition to being an adherent of Imagism, which used free verse and was dedicated to replacing traditional poetics with new rhythms, concise use of language, and a concrete rather than symbolic treatment of subject, Fletcher also wrote poetry that drew from such varied sources as French Symbolism, Oriental art and philosophy, and music. The 1st part of this book, "Ghosts of an Old House," evoke, out of the furniture and surroundings of a certain old house, emotions and childish terror which the poet had concerning them. In the "Symphonies," which form the second part of this volume, the poet narrates certain important phases of the emotional and intellectual development—in short, the life—of an artist. - Summary by Nemo
21 AUG 2026 · John Gould Fletcher (1886 – 1950) is considered by many literary scholars to be among the most innovative twentieth-century poets. He enjoyed an international reputation for much of his long career and earned the Pulitzer Prize in poetry in 1939. Fletcher lived in England from 1909 to 1932 and while in Europe he associated closely with Amy Lowell, Ezra Pound, and other Imagist poets. In addition to being an adherent of Imagism, which used free verse and was dedicated to replacing traditional poetics with new rhythms, concise use of language, and a concrete rather than symbolic treatment of subject, Fletcher also wrote poetry that drew from such varied sources as French Symbolism, Oriental art and philosophy, and music. The 1st part of this book, "Ghosts of an Old House," evoke, out of the furniture and surroundings of a certain old house, emotions and childish terror which the poet had concerning them. In the "Symphonies," which form the second part of this volume, the poet narrates certain important phases of the emotional and intellectual development—in short, the life—of an artist. - Summary by Nemo
20 AUG 2026 · John Gould Fletcher (1886 – 1950) is considered by many literary scholars to be among the most innovative twentieth-century poets. He enjoyed an international reputation for much of his long career and earned the Pulitzer Prize in poetry in 1939. Fletcher lived in England from 1909 to 1932 and while in Europe he associated closely with Amy Lowell, Ezra Pound, and other Imagist poets. In addition to being an adherent of Imagism, which used free verse and was dedicated to replacing traditional poetics with new rhythms, concise use of language, and a concrete rather than symbolic treatment of subject, Fletcher also wrote poetry that drew from such varied sources as French Symbolism, Oriental art and philosophy, and music. The 1st part of this book, "Ghosts of an Old House," evoke, out of the furniture and surroundings of a certain old house, emotions and childish terror which the poet had concerning them. In the "Symphonies," which form the second part of this volume, the poet narrates certain important phases of the emotional and intellectual development—in short, the life—of an artist. - Summary by Nemo
19 AUG 2026 · John Gould Fletcher (1886 – 1950) is considered by many literary scholars to be among the most innovative twentieth-century poets. He enjoyed an international reputation for much of his long career and earned the Pulitzer Prize in poetry in 1939. Fletcher lived in England from 1909 to 1932 and while in Europe he associated closely with Amy Lowell, Ezra Pound, and other Imagist poets. In addition to being an adherent of Imagism, which used free verse and was dedicated to replacing traditional poetics with new rhythms, concise use of language, and a concrete rather than symbolic treatment of subject, Fletcher also wrote poetry that drew from such varied sources as French Symbolism, Oriental art and philosophy, and music. The 1st part of this book, "Ghosts of an Old House," evoke, out of the furniture and surroundings of a certain old house, emotions and childish terror which the poet had concerning them. In the "Symphonies," which form the second part of this volume, the poet narrates certain important phases of the emotional and intellectual development—in short, the life—of an artist. - Summary by Nemo
Venture into the enchanting realms where the mystical and the mundane intertwine, as suggested by the title "Goblins and Pagodas." This podcast invites listeners to explore a rich tapestry of...
show more
Venture into the enchanting realms where the mystical and the mundane intertwine, as suggested by the title "Goblins and Pagodas." This podcast invites listeners to explore a rich tapestry of folklore, fantasy, and cultural reflections, each episode featuring a new complete audiobook that delves into the magical and the mysterious. With stories that draw upon ancient traditions, mythical creatures, and the serene beauty of pagodas, this series offers a diverse array of narratives that celebrate the imaginative spirit of storytelling. Each unique exploration invites you to experience different worlds, from the whimsical to the profound, while reflecting on themes of wonder, conflict, and the nature of humanity. Discover a new book with every episode and immerse yourself in the captivating intersections of myth and reality.
show less
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