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IFH 208: Cinematic Masterclass with Philip Bloom

IFH 208: Cinematic Masterclass with Philip Bloom
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Dec 19, 2017 · 1h 24m 50s

Cinematic Masterclass with Philip Bloom Today on the show we have a legend in the filmmaking blogosphere, award-winning cinematographer Philip Bloom. Philip is a world-renowned filmmaker who, for the past...

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Cinematic Masterclass with Philip Bloom
Today on the show we have a legend in the filmmaking blogosphere, award-winning cinematographer Philip Bloom. Philip is a world-renowned filmmaker who, for the past 10 years of his 27-year career has specialized in creating incredible cinematic images no matter what the camera. He started blogging back in the early 2000's before anyone was really doing it. I personally have been following him for years.
Here's some more info on Philip Bloom:
Some of his most iconic work was created with Canon DSLRs. As one of the biggest evangelists for their use in productions his website became the place to go to for budding filmmakers as well as experienced ones keen to embrace the new technology. His site now regularly has over 1,000,000 visitors a month.
His use of Canon DSLRs to shoot part of Lucasfilms’ last movie “Red Tails” proved a huge point to the naysayers. This technology was proved very viable in large-scale productions.
He has become very well known for his in-depth video reviews of various cameras, which have helped many people in the huge decision of buying a camera. He has worked for all the major UK broadcasters, such as the BBC, ITV, C4 and Sky, as well as countless independent production companies and many others around the world including CNN, CBS, Discovery, FOX and NBC. 
Independent projects are key to Philip and he splits his time between bigger projects and small independent ones. One of his most successful independent projects was “How To Start A Revolution” which won a BAFTA in 2012 and was also awarded prizes at several film festivals including Best Documentary at the 2011 Raindance festival. 
Enjoy my conversation with Philip Bloom.
 
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