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From series creator and producer Cam Tait My love of listening to voices, sound effects and music goes back to my teenage days. Radio personality Bob Comfort did a piece...
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From series creator and producer Cam Tait
My love of listening to voices, sound effects and music goes back to my teenage days. Radio personality Bob Comfort did a piece on 630 CHED called Posters for Your Mind, combining his voice telling a story and then, very cleverly, picking a current piece of music to drive home the point.
It made an impeccable impact.
And, it inspired me to, maybe, make a profession as a radio producer.
Back in the early 1970s, though, technology was … well, a turntable, a cassette tape recorder and a microphone.
Add in my shaky and unco-ordinated hand — I have cerebral palsy — and, for some reason, my family and friends weren’t very pleased to find multiple scratches on their records.
Record needles and me? Not a marriage made in heaven.
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Same with audio tape: my good friend Brian Wilkes lent me his favourite eight-track cartridge for one of my projects.
When the tape got twisted between those two plastic heads on the top, no problem, I thought.
I can do this.
Oops!
Tape was all over the basement. And the harder I tried the bigger mess I made.
Sorry, Brian.
But something whispered in my ear to keep chasing my producer idea.
Off to NAIT I went to take Radio and Television Arts. To my instructor’s astute credit, they didn’t let me within 100 yards of their state-of-the-art turntables and impressive record library.
Yet, I learned about writing copy — good, crisp copy — for the ear.
My love for the spoken word continued but my dream of producing audio was put on pause until 2009, when my good friend Doug Woolgar told me about Afghanada on CBC radio.
The half-hour drama was about Canadian soldiers serving in Afghanistan. I was hooked.
And it gave my an idea about writing my own fictional drama about a police chief who becomes physically disabled and returns home.
Home care, government funding, equipment challenges are in the storyline. Also mental toughness, acceptance and denial, and family dynamics.
Spending lots of time at home over the past year, I’ve had time to surf the internet. I found Voicemaker.in, a text-to-speech program with over 100 different voices.
I admit: they aren’t like the real thing and they don’t have much inflection or tone. But we’re working on it.
I have a 24-part series called The Awkward Homecoming, with the first three episodes on Apple Podcasts, Spotify and other podcast platforms.
I am having a blast.
But … this isn’t about me. It’s about technology allowing disabled people to creatively enter the booming podcast industry.
It’s another form of storytelling. And, for me, that never gets old.
show less
My love of listening to voices, sound effects and music goes back to my teenage days. Radio personality Bob Comfort did a piece on 630 CHED called Posters for Your Mind, combining his voice telling a story and then, very cleverly, picking a current piece of music to drive home the point.
It made an impeccable impact.
And, it inspired me to, maybe, make a profession as a radio producer.
Back in the early 1970s, though, technology was … well, a turntable, a cassette tape recorder and a microphone.
Add in my shaky and unco-ordinated hand — I have cerebral palsy — and, for some reason, my family and friends weren’t very pleased to find multiple scratches on their records.
Record needles and me? Not a marriage made in heaven.
Story continues below
This advertisement has not loaded yet, but your article continues below.
Same with audio tape: my good friend Brian Wilkes lent me his favourite eight-track cartridge for one of my projects.
When the tape got twisted between those two plastic heads on the top, no problem, I thought.
I can do this.
Oops!
Tape was all over the basement. And the harder I tried the bigger mess I made.
Sorry, Brian.
But something whispered in my ear to keep chasing my producer idea.
Off to NAIT I went to take Radio and Television Arts. To my instructor’s astute credit, they didn’t let me within 100 yards of their state-of-the-art turntables and impressive record library.
Yet, I learned about writing copy — good, crisp copy — for the ear.
My love for the spoken word continued but my dream of producing audio was put on pause until 2009, when my good friend Doug Woolgar told me about Afghanada on CBC radio.
The half-hour drama was about Canadian soldiers serving in Afghanistan. I was hooked.
And it gave my an idea about writing my own fictional drama about a police chief who becomes physically disabled and returns home.
Home care, government funding, equipment challenges are in the storyline. Also mental toughness, acceptance and denial, and family dynamics.
Spending lots of time at home over the past year, I’ve had time to surf the internet. I found Voicemaker.in, a text-to-speech program with over 100 different voices.
I admit: they aren’t like the real thing and they don’t have much inflection or tone. But we’re working on it.
I have a 24-part series called The Awkward Homecoming, with the first three episodes on Apple Podcasts, Spotify and other podcast platforms.
I am having a blast.
But … this isn’t about me. It’s about technology allowing disabled people to creatively enter the booming podcast industry.
It’s another form of storytelling. And, for me, that never gets old.
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EPISODE 7 -- Your Worst Nightmare
1 SEP 2021 · Tom meets his occupational therapist for the first time, and makes remarks on purses and shoes, COSTCO and Walmart, chocolate chip cookies and people with disabilities as consumers5m 56s -
Explicit
Can WE Talk_ Episode 6
28 JUL 2021 · Bernie finally confronts Tom ... Noah wants to be with his Papa; a heartfelt apology ... but, what happened to Tom?10m 7s -
Episode 5 - Driving Love Away
14 JUN 2021 · Nick makes a difficult decision; Ruth scolds Tom; Bernie expresses tremendous regret10m 21s -
Episode 5 - Drving Love Away - PREVIEW
14 JUN 20211m 8s -
Episode 4 - The fork In The Road
3 JUN 2021 · Nick comes back to Calgary to buy a house; Ruth is asked awkward question; Fireworks explode when Nick tells Tom he and Nancy are moving home .... and, the return of Bernie. Hang on there, Grandpa23m 31s -
Explicit
EPISODE 3 - MAPLE WALNUT CHOCOLATE CHIP
23 APR 2021 · Ruth walks out on Tom; Tricia tries to mediate; and, finally, it all goes to the birds17m 35s -
24m 52s
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20m 21s
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AWKWARD HOMECOMING PROMO
6 MAR 2021 · An explanation of The Awkward Homecoming56s
From series creator and producer Cam Tait My love of listening to voices, sound effects and music goes back to my teenage days. Radio personality Bob Comfort did a piece...
show more
From series creator and producer Cam Tait
My love of listening to voices, sound effects and music goes back to my teenage days. Radio personality Bob Comfort did a piece on 630 CHED called Posters for Your Mind, combining his voice telling a story and then, very cleverly, picking a current piece of music to drive home the point.
It made an impeccable impact.
And, it inspired me to, maybe, make a profession as a radio producer.
Back in the early 1970s, though, technology was … well, a turntable, a cassette tape recorder and a microphone.
Add in my shaky and unco-ordinated hand — I have cerebral palsy — and, for some reason, my family and friends weren’t very pleased to find multiple scratches on their records.
Record needles and me? Not a marriage made in heaven.
Story continues below
This advertisement has not loaded yet, but your article continues below.
Same with audio tape: my good friend Brian Wilkes lent me his favourite eight-track cartridge for one of my projects.
When the tape got twisted between those two plastic heads on the top, no problem, I thought.
I can do this.
Oops!
Tape was all over the basement. And the harder I tried the bigger mess I made.
Sorry, Brian.
But something whispered in my ear to keep chasing my producer idea.
Off to NAIT I went to take Radio and Television Arts. To my instructor’s astute credit, they didn’t let me within 100 yards of their state-of-the-art turntables and impressive record library.
Yet, I learned about writing copy — good, crisp copy — for the ear.
My love for the spoken word continued but my dream of producing audio was put on pause until 2009, when my good friend Doug Woolgar told me about Afghanada on CBC radio.
The half-hour drama was about Canadian soldiers serving in Afghanistan. I was hooked.
And it gave my an idea about writing my own fictional drama about a police chief who becomes physically disabled and returns home.
Home care, government funding, equipment challenges are in the storyline. Also mental toughness, acceptance and denial, and family dynamics.
Spending lots of time at home over the past year, I’ve had time to surf the internet. I found Voicemaker.in, a text-to-speech program with over 100 different voices.
I admit: they aren’t like the real thing and they don’t have much inflection or tone. But we’re working on it.
I have a 24-part series called The Awkward Homecoming, with the first three episodes on Apple Podcasts, Spotify and other podcast platforms.
I am having a blast.
But … this isn’t about me. It’s about technology allowing disabled people to creatively enter the booming podcast industry.
It’s another form of storytelling. And, for me, that never gets old.
show less
My love of listening to voices, sound effects and music goes back to my teenage days. Radio personality Bob Comfort did a piece on 630 CHED called Posters for Your Mind, combining his voice telling a story and then, very cleverly, picking a current piece of music to drive home the point.
It made an impeccable impact.
And, it inspired me to, maybe, make a profession as a radio producer.
Back in the early 1970s, though, technology was … well, a turntable, a cassette tape recorder and a microphone.
Add in my shaky and unco-ordinated hand — I have cerebral palsy — and, for some reason, my family and friends weren’t very pleased to find multiple scratches on their records.
Record needles and me? Not a marriage made in heaven.
Story continues below
This advertisement has not loaded yet, but your article continues below.
Same with audio tape: my good friend Brian Wilkes lent me his favourite eight-track cartridge for one of my projects.
When the tape got twisted between those two plastic heads on the top, no problem, I thought.
I can do this.
Oops!
Tape was all over the basement. And the harder I tried the bigger mess I made.
Sorry, Brian.
But something whispered in my ear to keep chasing my producer idea.
Off to NAIT I went to take Radio and Television Arts. To my instructor’s astute credit, they didn’t let me within 100 yards of their state-of-the-art turntables and impressive record library.
Yet, I learned about writing copy — good, crisp copy — for the ear.
My love for the spoken word continued but my dream of producing audio was put on pause until 2009, when my good friend Doug Woolgar told me about Afghanada on CBC radio.
The half-hour drama was about Canadian soldiers serving in Afghanistan. I was hooked.
And it gave my an idea about writing my own fictional drama about a police chief who becomes physically disabled and returns home.
Home care, government funding, equipment challenges are in the storyline. Also mental toughness, acceptance and denial, and family dynamics.
Spending lots of time at home over the past year, I’ve had time to surf the internet. I found Voicemaker.in, a text-to-speech program with over 100 different voices.
I admit: they aren’t like the real thing and they don’t have much inflection or tone. But we’re working on it.
I have a 24-part series called The Awkward Homecoming, with the first three episodes on Apple Podcasts, Spotify and other podcast platforms.
I am having a blast.
But … this isn’t about me. It’s about technology allowing disabled people to creatively enter the booming podcast industry.
It’s another form of storytelling. And, for me, that never gets old.
Information
| Author | Cam Tait |
| Categories | Drama |
| Website | - |
| cam@camtait.com |
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