9 DEC 2019 · Inspiration from Iconic Disney Animator Aaron Blaise
Internationally renowned artist and animator Aaron Blaise. (Courtesy of Aaron Blaise)
Today's Guest:
Aaron Blaise is an internationally renowned artist and animator, having spent over 30 years in the industry, working for Disney on "Beauty and the Beast," "Aladdin," "The Lion King," "Mulan," and many other films that have stood as beloved treasures of our time. Aaron currently teaches animation and art in classes and workshops around the world, sharing his passion and love of nature, and illustration. He has a popular YouTube channel called “The Art of Aaron Blaise,” where he gives tutorials and insights into his techniques and inspirations in art. You can check out his website at CreatureArtTeacher.com.
The Beast from "Beauty and the Beast." (Courtesy of Aaron Blaise)
A Passion for Natural History-type Art
So as we were talking here, you said that you've been in the industry for about 32 years now. So when and how did you develop an interest in art and animation?
Aaron Blaise: Well, it's funny how I ended up in animation. I just happened to fall into it. You know, a lot of the guys that I've worked with over the years, all they ever wanted to be was animators. They pushed their whole lives to achieve that goal. And I was a little bit different.
I grew up down in South Florida, kind of in the swamps in this little single wide trailer. And all I ever wanted to do was draw animals. And I was always running around out in the woods, chasing, tracking, drawing. I was a creepy little kid. You know, I'd bring home roadkill to study anatomy–if it wasn't too smooshed. And I would draw it to understand animal anatomy. I wanted to learn everything I could.
I would go back and forth between wanting to be an animal artist or vet. I went through a little stint where I wanted to go into forestry, but it always brought me back to my art. And so I really grew up wanting to do natural history-type art, whether it's animal drawing and painting or whatever. And a big part of my life when I was living in that little trailer were National Geographic magazines, and I had piles of them. Those were my escape to the rest of the world. And I loved the illustrations in those magazines. And as I got older, I thought, man, wouldn't it be great to be on staff at National Geographic and do these illustrations? So that kind of became my goal.
By the time I got to art school when I was 18, I decided I wanted to work for National Geographic. And so I went to the Ringling College of Art and Design. And it was towards the end of my first year that I found out that National Geographic really didn't have staff illustrators doing the illustrations that I love so much. Those were all freelance. And I had spent my whole college career freelancing my way through school in order to pay rent and buy my groceries and all that. And I really didn't want to freelance anymore. I wanted to find a staff position somewhere. So I had to re-pivot and find a different vision.
Aaron Blaise has gone far afield to study and sketch wildlife in person to better understand their different physiques, personalities, movements, and how they interact with the world around them to be able to accurately portray and animate them in film. (Courtesy of Aaron Blaise)
Becoming an Animator at Disney
Aaron Blaise: It just so happened that there were two companies coming to our school to interview at the end of that year. One was Hallmark Cards and the other one was Disney. And so I thought, I'll put together a portfolio for both and just see what happens. And lucky for me, Disney was the first to come in. And so I put together a portfolio of human figure drawings and animal drawings. And they were doing this test, Disney was. It was the first time they'd ever gone outside of animation schools. And Ringling at th