Though modernist ballet is often associated with European companies such as the Ballets Russes, the ideas and concepts that emerged from this movement soon found their way around the globe. In Latin countries such as Cuba, this foreign cultural form was adapted to meet local needs and provided an important way to articulate national identity.

In this podcast, Lester Tomé, associate professor of dance at Smith College, discusses how artists such as Alejo Carpentier adopted and reimagined the formal methods of modernist ballet in order to promote an indigenous form of Afro-Cuban culture. In doing so, he suggests, they developed a distinctive visual language through which to resist and oppose widespread colonial stereotypes.

nationalhumanitiescenter.org/lester-tome-movement-modernism-carpentiers-transatlantic-ballet