In this episode of TrueFire Live, we sit down with slide guitarist extraordinaire, Luther Dickinson, to discuss his guitar course on Mississippi Slide guitar. To learn more and watch the video from this live session, please visit truefire.com/live.

About Luther Dickinson: Luther Dickinson is the lead guitarist and vocalist for the North Mississippi Allstars and the son of record producer Jim Dickinson. He was born in West Tennessee to Mary Lindsay and Jim Dickinson, a Memphis record producer. Dickinson grew up playing concerts and gaining recording experience with his father and brother, Cody. The family moved to the hills of North Mississippi in 1985. Dickinson befriended the musical families of Otha Turner, R. L. Burnside, and Junior Kimbrough. They were the inspiration for Luther and Cody Dickinson to form the North Mississippi Allstars in 1996. The North Mississippi Allstars have been nominated for three Grammy Awards in the Best Contemporary Blues category. Dickinson produced two records on Otha Turner, Everybody Hollerin' Goat and From Senegal To Senatobia. Jazz critic Ted Gioia chose Blues & Ballads: A Folksinger's Songbook, Volumes 1 & 2 (New West, 2016) for the eleventh spot on his list of the top 100 albums of the year.

In November 2007 Dickinson joined The Black Crowes. His recording debut with the band was on Warpaint in 2008, and he has since appeared on the 2009 Black Crowes release Before the Frost - Until the Freeze. Dickinson decided not to join The Black Crowes for their 2013 tour. Dickinson currently tours with the North Mississippi Allstars[5] and as a member of the Southern Soul Assembly. In 2014, Gibson issued a signature model for him, the Luther Dickinson ES-335, with the most notable modification being the P-90 pickups replacing the standard humbuckers.

Luther Dickinson and Sisters of the Strawberry Moon’s debut album, Solstice, comes complete with a great soundtrack and an impeccable guest list, one that boasts Amy Helm, Birds of Chicago, Amy LaVere, and Shardé Thomas among others. And like any good host, Dickinson manages to put the spotlight on his friends here, taking a step back from the microphone in order to focus his efforts behind the scenes and flex his considerable muscles as both a producer and a guitarist. The result is an album that stands apart in Dickinson’s extensive catalog, a collection that brings together some of the most captivating female voices in modern American roots music and filters each of their distinctive personalities through a singular vision of artistic community and musical exploration.