Zach has the honor of speaking with Howard Bryant, an award-winning author and senior writer at ESPN, about what prompted Howard to write his latest book, Full Dissidence, and how he landed on the title, and Howard also talks a bit about some of the differences between power and money. Howard also touches on his coverage of Colin Kaepernick's workout, and he graciously shares his concerns about the direction of this country, particularly in the area of journalism.

Connect with Howard on Twitter, Instagram, and LinkedIn, and don't forget to check out his website.

Learn more about Howard's latest book, Full Dissidence, by clicking here.

Interested in finding out more about Howard's other books? Click here to be redirected to his Amazon page.

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TRANSCRIPT

Zach: What's up, y'all? It's Zach with Living Corporate, and you know what we do. Every single week we're having real talk in a corporate world. We do that by what? Having authentic conversations with black and brown thought leaders, activists, educators, executives, recruiters, entrepreneurs, anybody really who's willing to center underrepresented experiences in the workplace. And man, I'm just really excited, because this week we have Howard Bryant on the podcast. Howard Bryant is the author of nine books, the most recent being Full Dissidence: Notes From an Uneven Playing Field, and he's contributed essays to 14 others. He is a two-time Casey Award winner for best baseball book of the year, and a 2003 finalist for the Society for American Baseball Research Seymour Medal. The Heritage was the recipient of the 2019 Nonfiction Award from the American Library Association’s Black Caucus and the Harry Shaw and Katrina Hazard Donald Award for Outstanding Work in African American Studies awarded by the Popular Culture Association. He has been a senior writer for ESPN since 2007 and has served as the sports correspondent for NPR’s Weekend Edition Saturday since 2006. In 2017, he served as the guest editor for the Best American Sports Writing anthology. He has won numerous awards, as y'all should've heard by now, [laughs] and he was a finalist for the National Magazine Award in 2016 and 2018, both for commentary, and earned the 2016 Salute to Excellence Award from the National Association of Black Journalists. In addition, Mr. Bryant has appeared in several documentaries, including Baseball: The Tenth Inning and Jackie Robinson, both directed by Ken Burns, and Major League Legends: Hank Aaron, produced by the Smithsonian and Major League Baseball. Mr. Bryant, welcome to the show, man. How are you doing?




Howard: I'm good. Thank you for having me.




Zach: Man, thank you for being here. Let me start off by saying I was familiar with your work because, you know, I'm an ESPN consumer, but it was over the past few months in your--and really, like, frankly the past over a year or so of your coverage of Kaepernick, but particularly the workout that had me really investigate your work and pre-order Full Dissidence. Can we talk a little bit about what prompted you to write this book and how you got to the title for the book?




Howard: Well, I think that the first question is... I think time, you know, got me--when you work on projects and when you write, it's an organic process in so many different ways. You don't really even know what you're gonna be working on, but the environment around you begins to dictate an urgency, and things start telling you that, "Okay, these are subjects--" As I always say, if an idea comes and goes, it's really not that important. If it keeps staying with you and keeps staying with you, then you have to pay attention to it. And what was happening I think in this country, if you start to look at the accumulation of the election of Barack Obama followed by Trayvon Martin followed by Jordan Davis and Ferguson and Eric Garner and all of these different things that were happening, also then followed by Kaepernick and then followed by the election of Donald Trump. You've got so many issues here that you have to pay attention to, and especially as African-Americans, you feel certainly that--the racial component of all of these ideas hit you close to home. They're not just topics. It's not just a subject for you. And I think for me what was really becoming more and more clear was that they were all connected and that the connectedness of it told you that there was something else happening that you need to explore, especially--to be more specific, I would think certainly the 2016 election made me think--it made me re-examine the relationship that I had with my white friends and my white colleagues and the people that I grew up with and all of these folks that you associate with who, in so many different ways, would want you to believe and that you would want to believe were your friends for life or that you had great relationships with and that you had great professional relationships with, and then you get to a place like this, you know, election-wise, and you start to see the gap, or when you start talking to your white colleagues about policing and you start hearing how wide the gap is between you, and then you start looking at the gap as well between what was being said about--you know, about America and its post-racial potential during the Obama administration, and then you go from that to this presidency. It just made me look at all of these different components as a black man, and you had to start reassessing the relationships and what they meant and what it meant for me personally.




Zach: Man, that's just a really--well, thank you for that and the context. You're absolutely right. I recall--it's interesting because I've had long-standing relationships with white folks, and I recall during the election, leading up to it and then of course after the results, having certain conversations that I just made a presumption that we agreed about or that I would just think that--




Howard: "We're on the same side."




Zach: [laughs] Right? And then you have a conversation or you say something and you say--you know, you have a point of view on something that's pretty pointed or matter-of-fact, and then not to get that same level of acknowledgement back almost like--you know, you might say something like, "You know, this is clearly wrong," and then, you know, you get back a "Well, is it? I don't know." 




Howard: They're like, "Oh, is it really clearly wrong?" Yeah. I mean, for me the first moment of it was October 1st, 2008, and I remember this specifically because I was driving to Logan Airport in Boston. I was going down to Atlanta to go to Hank Aaron's house. I was interviewing him for my Hank Aaron biography, so I remember the date clearly. And I was on the phone with a friend of mine who I had known since we were in middle school, and she was--you know, she's a white woman, and I'm driving to the airport, and we were talking, and at some point she sort of said out loud that Sarah Palin was far more qualified to be president than Barack Obama, and that stopped me--I almost drove off the road.




Zach: That would've stopped me dead. [laughs]




Howard: Right? So that was the first moment where it was like, "You know what? You can't assume anything," and it really started to begin this reassessment. And it wasn't simply that we had differences of opinion. You can vote for whoever you want to vote for and I can vote for whoever I want to vote for, but the issue was more about values, and it was more about what's being said and how white people are able to balance these viewpoints and the values of these people that they're supporting and still be able to consider themselves great, great, close friends with black people, and it struck me that the reason why they're able to do this is because for them race and politics and these things, they're just topics. It's just a subject, and--




Zach: They're like thought exercises, right?




Howard: Well, exactly. And it may be more to them on some level, that it's not just a topic because you care about the dolphins or you care about the environment or you care about whatever, but what it is is that they're able to co-exist. They're not line-in-the-sand "I can't hang out with you" issues. It's like, "Okay." The thing that had struck me was the number of times that you've had people talk about, during the impeachment, the end of democracy, and they would use these apocalyptic terms. You know, January 21st, 2020, the day democracy died, and then in the very next sentence talk about, you know, "I can't believe how my Trump-loving friends are--" You know? I'm like, "Well, wait a minute. If you're able to break bread with these folks, and you're able to just flip the switch that it's a difference of opinion, then it's not apocalyptic." Apocalyptic means I need to make life and death choices here. I need to make survival or non-survival choices. That's what apocalyptic means to me. It means the apocalypse is coming, right? And so for me I was realizing that as a black man and as a writer and somebody who thinks about these issues as more than just topics, I wanted to re-assess the people in my life, and I wanted to re-assess these issues, and I wanted--and I think one of the things in the book that was so important to me was in that re-assessment I couldn't help but keep coming back to the importance of where Colin Kaepernick fit in this in the first chapter. I remember right when the election hit I said to a bunch of friends, "A lot of relationships are gonna change after this day," and I was really in some ways talking about myself. But what I meant about Kaepernick is here was a guy who hadn't played football since 2016 and yet he still finds himself completely at the center of the culture. He still creates or elicits such an enormous physical response from people, and my question in that first essay, what Colin Kaepernick taught us, was really to ask one major question. I mea