This week the Gruesome Twosome heads back to the ol' Dana Andrews well for a research-free look at the World War II thriller Berlin Correspondent (1942). We discuss the film's extremely poor attempts at emulating Foreign Correspondent (1940), the evolution of Hollywood's approach to the war as it unfolded, Hans Gruber's Super Cool Postage Stamp Emporium, and that time Dana's adult braces fused his jaw shut.
This episode was recorded prior to the onset of protests against racism and police brutality across the United States and around the world. If you're unsure how to help, a list of resources can be found at https://blacklivesmatters.carrd.co
This week the Gruesome Twosome heads back to the ol' Dana Andrews well for a research-free look at the World War II thriller Berlin Correspondent (1942). We discuss the film's extremely poor attempts at emulating Foreign Correspondent (1940), the evolution of Hollywood's approach to the war as it unfolded, Hans Gruber's Super Cool Postage Stamp Emporium, and that time Dana's adult braces fused his jaw shut.
This episode was recorded prior to the onset of protests against racism and police brutality across the United States and around the world. If you're unsure how to help, a list of resources can be found at https://blacklivesmatters.carrd.co
Show Notes & Sources: https://wp.me/pbeIfn-9M
Theme Music by Kevin MacLeod (https://incompetech.filmmusic.io): "Dark Hallway (Distressed)" and "The Show Must Be Go"
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3 years ago
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