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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Hollywood Stars and Secrets</title><link>https://www.spreaker.com/podcast/hollywood-stars-and-secrets--7289308</link><description><![CDATA[So, everyone knew the star on the screen—but what was happening when the cameras stopped rolling? Behind the premieres, glamorous photographs and carefully managed public images were rivalries, secret romances, broken friendships and stories Hollywood preferred to keep quiet. Hollywood Stars and Secrets explores the hidden side of famous careers and the private lives that existed beyond the spotlight.<br /><br /> From Old Hollywood scandals and unexpected relationships to career-changing controversies, studio secrets and revelations that transformed how the public saw its biggest stars, each story looks beyond the polished image. It follows the rumors that sparked questions, the details that emerged later and the secrets hiding behind Hollywood’s carefully constructed illusions. Because when an entire industry depends on controlling the story, what happens when the story they buried finally gets out?]]></description><atom:link href="https://www.spreaker.com/show/7289308/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Film History</category><copyright>Copyright OBOMEDIA ENTERTAINMENT</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg</url><title>Hollywood Stars and Secrets</title><link>https://www.spreaker.com/podcast/hollywood-stars-and-secrets--7289308</link></image><lastBuildDate>Wed, 14 Oct 2026 08:01:04 +0000</lastBuildDate><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:owner><itunes:name>OBOMEDIA ENTERTAINMENT</itunes:name><itunes:email>creators@obomedia.com</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:subtitle>So, everyone knew the star on the screen—but what was happening when the cameras stopped rolling? Behind the premieres, glamorous photographs and carefully managed public images were rivalries, secret romances, broken friendships and stories Hollywood...</itunes:subtitle><itunes:summary><![CDATA[So, everyone knew the star on the screen—but what was happening when the cameras stopped rolling? Behind the premieres, glamorous photographs and carefully managed public images were rivalries, secret romances, broken friendships and stories Hollywood preferred to keep quiet. Hollywood Stars and Secrets explores the hidden side of famous careers and the private lives that existed beyond the spotlight.<br /><br /> From Old Hollywood scandals and unexpected relationships to career-changing controversies, studio secrets and revelations that transformed how the public saw its biggest stars, each story looks beyond the polished image. It follows the rumors that sparked questions, the details that emerged later and the secrets hiding behind Hollywood’s carefully constructed illusions. Because when an entire industry depends on controlling the story, what happens when the story they buried finally gets out?]]></itunes:summary><itunes:category text="TV &amp; Film"><itunes:category text="Film History"/></itunes:category><itunes:category text="Society &amp; Culture"><itunes:category text="Documentary"/></itunes:category><itunes:category text="News"><itunes:category text="Entertainment News"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>ce95b197-af9f-5c26-a971-d94f46e53449</podcast:guid><itunes:type>episodic</itunes:type><item><title>The oversized coat made two bodies read as one - and erased her name</title><link>https://www.spreaker.com/episode/the-oversized-coat-made-two-bodies-read-as-one-and-erased-her-name--74841749</link><description><![CDATA[A fourteen-year-old girl in an oversized coat became the hidden movement of an iconic animated princess. Her uncredited work shaped Hollywood's first feature-length animation.<br /><br />The oversized coat made two bodies read as one - and erased her name<br /><br />This episode explores the story of Marjorie Celeste Belcher, a professional dancer whose movements brought an animated princess to life, yet whose name remained uncredited for decades. It asks how one absorbs such invisibility without disappearing entirely.<br /><br />Person: Marjorie Celeste Belcher<br />Date: 1934<br />Location: Walt Disney Studios<br />Film: Snow White and the Seven Dwarfs<br />Father: Ernest Belcher<br /><br />- In 1934, a 14-year-old Marjorie Celeste Belcher began working for Walt Disney Studios, wearing an oversized coat to make two bodies appear as one for animation reference.<br />- Her father, Ernest Belcher, ran a respected dance studio in Los Angeles, teaching students like Shirley Temple and Joan Crawford to move for the camera.<br />- Marjorie began studying dance with her father at five and was teaching classes in his studio by age twelve, making her a trained professional by the time Disney hired her.<br />- Her first regular dance partner, Louis Hightower, was also hired by Disney as the live-action reference model for the Prince in Snow White.<br />- Walt Disney made a deliberate decision not to credit Marjorie, fearing that audiences would believe the animators had simply traced her movements, diminishing the perceived artistry.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841749</guid><pubDate>Thu, 15 Oct 2026 08:00:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841749/0083.mp3" length="10781524" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A fourteen-year-old girl in an oversized coat became the hidden movement of an iconic animated princess. Her uncredited work shaped Hollywood's first feature-length animation.&#13;
&#13;
The oversized coat made two bodies read as one - and erased her name...</itunes:subtitle><itunes:summary><![CDATA[A fourteen-year-old girl in an oversized coat became the hidden movement of an iconic animated princess. Her uncredited work shaped Hollywood's first feature-length animation.<br /><br />The oversized coat made two bodies read as one - and erased her name<br /><br />This episode explores the story of Marjorie Celeste Belcher, a professional dancer whose movements brought an animated princess to life, yet whose name remained uncredited for decades. It asks how one absorbs such invisibility without disappearing entirely.<br /><br />Person: Marjorie Celeste Belcher<br />Date: 1934<br />Location: Walt Disney Studios<br />Film: Snow White and the Seven Dwarfs<br />Father: Ernest Belcher<br /><br />- In 1934, a 14-year-old Marjorie Celeste Belcher began working for Walt Disney Studios, wearing an oversized coat to make two bodies appear as one for animation reference.<br />- Her father, Ernest Belcher, ran a respected dance studio in Los Angeles, teaching students like Shirley Temple and Joan Crawford to move for the camera.<br />- Marjorie began studying dance with her father at five and was teaching classes in his studio by age twelve, making her a trained professional by the time Disney hired her.<br />- Her first regular dance partner, Louis Hightower, was also hired by Disney as the live-action reference model for the Prince in Snow White.<br />- Walt Disney made a deliberate decision not to credit Marjorie, fearing that audiences would believe the animators had simply traced her movements, diminishing the perceived artistry.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>674</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Mr. Magoo voice that made Marilyn laugh-and hollowed his life</title><link>https://www.spreaker.com/episode/the-mr-magoo-voice-that-made-marilyn-laugh-and-hollowed-his-life--74841747</link><description><![CDATA[A character actor's career is built on playing the ultra-rich, but the pretense of wealth becomes both his greatest asset and his undoing.<br /><br />The Mr. Magoo voice that made Marilyn laugh-and hollowed his life<br /><br />This episode explores the life and career of Jim Backus, a voice actor whose portrayal of wealthy, oblivious characters like Mr. Magoo brought him fame. It delves into how his mimicry of the upper class, learned from his childhood in Bratenahl, became the foundation of his success and the defining aspect of his identity.<br /><br />Person: Jim Backus<br />Born: February 25, 1913<br />Birthplace: Cleveland, Ohio<br />Parents: Russell Gould Backus, Daisy Taylor Backus<br />Sister: Katherine Jane<br /><br />- Jim Backus's childhood in Bratenahl, a suburb near Cleveland, exposed him to the lifestyles of the wealthy.<br />- He attended Shaw High School and University School in Shaker Heights, observing the manners and diction of established families.<br />- Backus developed a talent for mimicking the accent of the rich, which he used as a survival intelligence.<br />- In the 1940s, he found success in radio, playing millionaire characters like Dexter Hayes and Hubert Updike the Third.<br />- In 1952, Marilyn Monroe requested Backus to perform the voice of Mr. Magoo in her dressing room.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841747</guid><pubDate>Wed, 14 Oct 2026 08:00:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841747/0082.mp3" length="18044400" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A character actor's career is built on playing the ultra-rich, but the pretense of wealth becomes both his greatest asset and his undoing.&#13;
&#13;
The Mr. Magoo voice that made Marilyn laugh-and hollowed his life&#13;
&#13;
This episode explores the life and...</itunes:subtitle><itunes:summary><![CDATA[A character actor's career is built on playing the ultra-rich, but the pretense of wealth becomes both his greatest asset and his undoing.<br /><br />The Mr. Magoo voice that made Marilyn laugh-and hollowed his life<br /><br />This episode explores the life and career of Jim Backus, a voice actor whose portrayal of wealthy, oblivious characters like Mr. Magoo brought him fame. It delves into how his mimicry of the upper class, learned from his childhood in Bratenahl, became the foundation of his success and the defining aspect of his identity.<br /><br />Person: Jim Backus<br />Born: February 25, 1913<br />Birthplace: Cleveland, Ohio<br />Parents: Russell Gould Backus, Daisy Taylor Backus<br />Sister: Katherine Jane<br /><br />- Jim Backus's childhood in Bratenahl, a suburb near Cleveland, exposed him to the lifestyles of the wealthy.<br />- He attended Shaw High School and University School in Shaker Heights, observing the manners and diction of established families.<br />- Backus developed a talent for mimicking the accent of the rich, which he used as a survival intelligence.<br />- In the 1940s, he found success in radio, playing millionaire characters like Dexter Hayes and Hubert Updike the Third.<br />- In 1952, Marilyn Monroe requested Backus to perform the voice of Mr. Magoo in her dressing room.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>1128</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The arrival of sound silenced the name that once sold tickets</title><link>https://www.spreaker.com/episode/the-arrival-of-sound-silenced-the-name-that-once-sold-tickets--74841746</link><description><![CDATA[A brakeman becomes a silent film star, his first name a brand that sells tickets. But a new technology threatens to silence his career.<br /><br />The arrival of sound silenced the name that once sold tickets<br /><br />This episode explores the life of Otto Elmo Linkenhelt, a man whose physical presence made him a foundational figure in early American cinema and the first Tarzan. How did the industry that built him also leave him behind?<br /><br />Person: Otto Elmo Linkenhelt (Elmo Lincoln)<br />Born: February 6, 1889<br />Birthplace: Rochester, Indiana<br />First Tarzan film: Tarzan of the Apes<br />Technology shift: Sound in film<br /><br />- Otto Elmo Linkenhelt began his working life as a brakeman, boxer, merchant sailor, and stevedore.<br />- Director D.W. Griffith renamed him Elmo Lincoln and cast him in foundational films like The Birth of a Nation and Intolerance.<br />- In 1918, Elmo Lincoln was cast as Tarzan, despite objections from author Edgar Rice Burroughs.<br />- His first name, Elmo, became a brand that sold films like Elmo the Mighty and Elmo the Fearless.<br />- By 1929, the arrival of sound in cinema led to studios no longer calling him for roles.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841746</guid><pubDate>Tue, 13 Oct 2026 08:00:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841746/0081.mp3" length="12794415" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A brakeman becomes a silent film star, his first name a brand that sells tickets. But a new technology threatens to silence his career.&#13;
&#13;
The arrival of sound silenced the name that once sold tickets&#13;
&#13;
This episode explores the life of Otto Elmo...</itunes:subtitle><itunes:summary><![CDATA[A brakeman becomes a silent film star, his first name a brand that sells tickets. But a new technology threatens to silence his career.<br /><br />The arrival of sound silenced the name that once sold tickets<br /><br />This episode explores the life of Otto Elmo Linkenhelt, a man whose physical presence made him a foundational figure in early American cinema and the first Tarzan. How did the industry that built him also leave him behind?<br /><br />Person: Otto Elmo Linkenhelt (Elmo Lincoln)<br />Born: February 6, 1889<br />Birthplace: Rochester, Indiana<br />First Tarzan film: Tarzan of the Apes<br />Technology shift: Sound in film<br /><br />- Otto Elmo Linkenhelt began his working life as a brakeman, boxer, merchant sailor, and stevedore.<br />- Director D.W. Griffith renamed him Elmo Lincoln and cast him in foundational films like The Birth of a Nation and Intolerance.<br />- In 1918, Elmo Lincoln was cast as Tarzan, despite objections from author Edgar Rice Burroughs.<br />- His first name, Elmo, became a brand that sold films like Elmo the Mighty and Elmo the Fearless.<br />- By 1929, the arrival of sound in cinema led to studios no longer calling him for roles.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>800</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The ship's doctor vanished - a single credit removed his name</title><link>https://www.spreaker.com/episode/the-ship-s-doctor-vanished-a-single-credit-removed-his-name--74841744</link><description><![CDATA[A Star Trek doctor vanishes without explanation, his credit removed. Explore the career of a prolific character actor who built American cinema's architecture.<br /><br />The ship's doctor vanished - a single credit removed his name<br /><br />This episode delves into the career of Paul Fix, an actor whose name was erased from Star Trek's early credits. It explores how a man can be so essential to film and television while remaining largely invisible to the public.<br /><br />Person: Paul Fix<br />Born: 1904<br />Location: Providence, Rhode Island<br />Career length: 56 years<br />Notable appearances: To Kill a Mockingbird, Giant, The Rifleman<br /><br />- Paul Fix deserted the United States Navy twice before he was seventeen years old.<br />- He began his acting career performing in a Navy Relief production of H.M.S. Pinafore.<br />- Fix became a reliable contract player in Hollywood, known for making leading actors look more interesting.<br />- He maintained a decades-long working friendship with John Wayne, coaching him on acting and co-writing a screenplay.<br />- Fix appeared in 123 episodes of The Rifleman, providing a consistent presence that lent plausibility to the show's world.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841744</guid><pubDate>Mon, 12 Oct 2026 08:00:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841744/0080.mp3" length="9863267" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A Star Trek doctor vanishes without explanation, his credit removed. Explore the career of a prolific character actor who built American cinema's architecture.&#13;
&#13;
The ship's doctor vanished - a single credit removed his name&#13;
&#13;
This episode delves...</itunes:subtitle><itunes:summary><![CDATA[A Star Trek doctor vanishes without explanation, his credit removed. Explore the career of a prolific character actor who built American cinema's architecture.<br /><br />The ship's doctor vanished - a single credit removed his name<br /><br />This episode delves into the career of Paul Fix, an actor whose name was erased from Star Trek's early credits. It explores how a man can be so essential to film and television while remaining largely invisible to the public.<br /><br />Person: Paul Fix<br />Born: 1904<br />Location: Providence, Rhode Island<br />Career length: 56 years<br />Notable appearances: To Kill a Mockingbird, Giant, The Rifleman<br /><br />- Paul Fix deserted the United States Navy twice before he was seventeen years old.<br />- He began his acting career performing in a Navy Relief production of H.M.S. Pinafore.<br />- Fix became a reliable contract player in Hollywood, known for making leading actors look more interesting.<br />- He maintained a decades-long working friendship with John Wayne, coaching him on acting and co-writing a screenplay.<br />- Fix appeared in 123 episodes of The Rifleman, providing a consistent presence that lent plausibility to the show's world.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>617</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The flower-wreathed key that turned a vaudeville sketch into a city coronation</title><link>https://www.spreaker.com/episode/the-flower-wreathed-key-that-turned-a-vaudeville-sketch-into-a-city-coronation--74841741</link><description><![CDATA[A vaudeville star is crowned by a city for his portrayal of an Italian immigrant, a role he meticulously crafted without ever speaking the language. This is the story of George Beban.<br /><br />The flower-wreathed key that turned a vaudeville sketch into a city coronation<br /><br />This episode explores the career of George Beban, an American entertainer who achieved widespread fame by embodying an Italian immigrant character. It delves into the complex origins of his performance and the public’s embrace of his carefully constructed persona.<br /><br />Person: George Beban<br />Date: May 1921<br />Location: Los Angeles<br />Topic: Vaudeville<br />Event: City coronation<br /><br />- George Beban was born in 1873 in San Francisco's Telegraph Hill, a diverse neighborhood where his Dalmatian father and Irish mother raised him.<br />- At eight years old, Beban began his stage career with the Reed and Emerson Minstrels, earning the nickname "The Boy Baritone."<br />- After a decade playing French comic characters on Broadway, Beban felt trapped by the typecasting and sought a new direction.<br />- He developed his Italian character by observing laborers at a Hudson River tunnel construction site, focusing on their body language and gestures rather than their spoken language.<br />- Beban's initial Italian sketch, "The Sign of the Rose," depicted a grieving Italian laborer and was later expanded into a full-length play and then a 1915 film titled "The Italian."<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841741</guid><pubDate>Sun, 11 Oct 2026 08:00:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841741/0079.mp3" length="14914304" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A vaudeville star is crowned by a city for his portrayal of an Italian immigrant, a role he meticulously crafted without ever speaking the language. This is the story of George Beban.&#13;
&#13;
The flower-wreathed key that turned a vaudeville sketch into a...</itunes:subtitle><itunes:summary><![CDATA[A vaudeville star is crowned by a city for his portrayal of an Italian immigrant, a role he meticulously crafted without ever speaking the language. This is the story of George Beban.<br /><br />The flower-wreathed key that turned a vaudeville sketch into a city coronation<br /><br />This episode explores the career of George Beban, an American entertainer who achieved widespread fame by embodying an Italian immigrant character. It delves into the complex origins of his performance and the public’s embrace of his carefully constructed persona.<br /><br />Person: George Beban<br />Date: May 1921<br />Location: Los Angeles<br />Topic: Vaudeville<br />Event: City coronation<br /><br />- George Beban was born in 1873 in San Francisco's Telegraph Hill, a diverse neighborhood where his Dalmatian father and Irish mother raised him.<br />- At eight years old, Beban began his stage career with the Reed and Emerson Minstrels, earning the nickname "The Boy Baritone."<br />- After a decade playing French comic characters on Broadway, Beban felt trapped by the typecasting and sought a new direction.<br />- He developed his Italian character by observing laborers at a Hudson River tunnel construction site, focusing on their body language and gestures rather than their spoken language.<br />- Beban's initial Italian sketch, "The Sign of the Rose," depicted a grieving Italian laborer and was later expanded into a full-length play and then a 1915 film titled "The Italian."<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>933</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Vault Fire: Hollywood's Lost Latina Star</title><link>https://www.spreaker.com/episode/the-vault-fire-hollywood-s-lost-latina-star--74841737</link><description><![CDATA[In 1931, a vault fire destroyed all known film of Beatriz Michelena - how did her career vanish so completely?<br /><br />The Vault Fire: Hollywood's Lost Latina Star<br /><br />This episode explores the life and career of Beatriz Michelena, a pioneering Latina star whose filmography was lost in a single afternoon. It delves into her rise from an opera family to the center of her own film studio, and the unexpected turn her career took.<br /><br />Person: Beatriz Michelena<br />Date: 1931<br />Location: San Rafael, California<br />Event: Vault fire<br />Value: $200,000 (nitrate film)<br /><br />- Beatriz Michelena was born in 1890 in New York City to a traveling opera family, with her father, Fernando Michelena, a tenor and her mother, Frances Lenord, a soprano and pianist.<br />- By 1904, the family settled in San Rafael, where Fernando began training Beatriz as a serious soprano, studying roles like Carmen and Violetta.<br />- She married George Middleton, manager of the Middleton Motor Car Company and son of a California timber baron, in 1907.<br />- In 1912, Middleton founded the California Motion Picture Company, initially to create promotional material for automobiles, but soon shifted focus to making his wife a film star.<br />- The studio in San Rafael was built with a glass building for optimal light, and camera equipment alone cost nearly $2,000, including a Bell and Howell camera capable of exposing two simultaneous negatives.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841737</guid><pubDate>Sat, 10 Oct 2026 08:00:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841737/0078.mp3" length="14019871" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>In 1931, a vault fire destroyed all known film of Beatriz Michelena - how did her career vanish so completely?&#13;
&#13;
The Vault Fire: Hollywood's Lost Latina Star&#13;
&#13;
This episode explores the life and career of Beatriz Michelena, a pioneering Latina star...</itunes:subtitle><itunes:summary><![CDATA[In 1931, a vault fire destroyed all known film of Beatriz Michelena - how did her career vanish so completely?<br /><br />The Vault Fire: Hollywood's Lost Latina Star<br /><br />This episode explores the life and career of Beatriz Michelena, a pioneering Latina star whose filmography was lost in a single afternoon. It delves into her rise from an opera family to the center of her own film studio, and the unexpected turn her career took.<br /><br />Person: Beatriz Michelena<br />Date: 1931<br />Location: San Rafael, California<br />Event: Vault fire<br />Value: $200,000 (nitrate film)<br /><br />- Beatriz Michelena was born in 1890 in New York City to a traveling opera family, with her father, Fernando Michelena, a tenor and her mother, Frances Lenord, a soprano and pianist.<br />- By 1904, the family settled in San Rafael, where Fernando began training Beatriz as a serious soprano, studying roles like Carmen and Violetta.<br />- She married George Middleton, manager of the Middleton Motor Car Company and son of a California timber baron, in 1907.<br />- In 1912, Middleton founded the California Motion Picture Company, initially to create promotional material for automobiles, but soon shifted focus to making his wife a film star.<br />- The studio in San Rafael was built with a glass building for optimal light, and camera equipment alone cost nearly $2,000, including a Bell and Howell camera capable of exposing two simultaneous negatives.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>877</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The comedies that kept Griffith afloat erased Dorothy Gish</title><link>https://www.spreaker.com/episode/the-comedies-that-kept-griffith-afloat-erased-dorothy-gish--74841734</link><description><![CDATA[A talented actress keeps a major studio afloat with her comedies, yet her contributions go uncredited and her legacy is erased by time. How does the better actress disappear from the story?<br /><br />The comedies that kept Griffith afloat erased Dorothy Gish<br /><br />This episode explores the life and career of Dorothy Gish, an actress whose comedic genius generated significant revenue for D.W. Griffith's productions but who remained largely unacknowledged. It questions how a highly talented performer could be overshadowed and forgotten while her sister became a legend.<br /><br />Person: Dorothy Gish<br />Date: March 11, 1898<br />Location: Dayton, Ohio<br />Event: Car accident<br />Studio: Biograph Studios<br /><br />- Dorothy Gish was born in 1898, the younger sister of Lillian Gish, and began acting on stage at age four.<br />- In 1912, Mary Pickford introduced both Gish sisters to D.W. Griffith at Biograph Studios, where they were hired as extras.<br />- Griffith initially distinguished the sisters by having Lillian wear a blue ribbon and Dorothy a red one.<br />- While Griffith favored Lillian's "fragile vulnerability," many at Biograph believed Dorothy was the more gifted actress due to her quick, physical, and combustible style.<br />- In 1914, Dorothy Gish was struck by a car in Los Angeles, an accident witnessed by D.W. Griffith.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841734</guid><pubDate>Fri, 09 Oct 2026 08:00:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841734/0077.mp3" length="15573008" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A talented actress keeps a major studio afloat with her comedies, yet her contributions go uncredited and her legacy is erased by time. How does the better actress disappear from the story?&#13;
&#13;
The comedies that kept Griffith afloat erased Dorothy Gish...</itunes:subtitle><itunes:summary><![CDATA[A talented actress keeps a major studio afloat with her comedies, yet her contributions go uncredited and her legacy is erased by time. How does the better actress disappear from the story?<br /><br />The comedies that kept Griffith afloat erased Dorothy Gish<br /><br />This episode explores the life and career of Dorothy Gish, an actress whose comedic genius generated significant revenue for D.W. Griffith's productions but who remained largely unacknowledged. It questions how a highly talented performer could be overshadowed and forgotten while her sister became a legend.<br /><br />Person: Dorothy Gish<br />Date: March 11, 1898<br />Location: Dayton, Ohio<br />Event: Car accident<br />Studio: Biograph Studios<br /><br />- Dorothy Gish was born in 1898, the younger sister of Lillian Gish, and began acting on stage at age four.<br />- In 1912, Mary Pickford introduced both Gish sisters to D.W. Griffith at Biograph Studios, where they were hired as extras.<br />- Griffith initially distinguished the sisters by having Lillian wear a blue ribbon and Dorothy a red one.<br />- While Griffith favored Lillian's "fragile vulnerability," many at Biograph believed Dorothy was the more gifted actress due to her quick, physical, and combustible style.<br />- In 1914, Dorothy Gish was struck by a car in Los Angeles, an accident witnessed by D.W. Griffith.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>974</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The "Sweetest Girl" Label That Trapped a Star in Innocence</title><link>https://www.spreaker.com/episode/the-sweetest-girl-label-that-trapped-a-star-in-innocence--74841733</link><description><![CDATA[A sixteen-year-old girl loses a beauty contest, but a chance encounter launches her into Hollywood stardom. She becomes "The Sweetest Girl in Pictures," a label that defines her career.<br /><br />The "Sweetest Girl" Label That Trapped a Star in Innocence<br /><br />This episode explores the life of Mary Brian, an actress whose career began with a twist of fate and was shaped by a studio-imposed image. It delves into how a carefully crafted persona can impact a star's journey in Hollywood.<br /><br />Person: Mary Brian (Louise Byrdie Byrdie)<br />Born: February 17, 1906<br />Birthplace: Corsicana, Texas<br />Debut Film: Peter Pan (1924)<br />Studio: Paramount Pictures<br /><br />- In 1922, a 16-year-old Louise Byrdie Byrdie entered a Long Beach bathing suit contest but did not win the $25 prize.<br />- Actress Esther Ralston, a judge at the contest, intervened, leading to an introduction with director Herbert Brenon.<br />- Brenon, recovering from eye surgery, offered her a screen test for his adaptation of J.M. Barrie's Peter Pan.<br />- Paramount signed her, renamed her Mary Brian, and falsified her age to 16 instead of 18 to fit the role of Wendy Darling.<br />- By 1926, the trade press had labeled her "The Sweetest Girl in Pictures," a persona that defined her roles.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841733</guid><pubDate>Thu, 08 Oct 2026 08:00:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841733/0076.mp3" length="15326830" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A sixteen-year-old girl loses a beauty contest, but a chance encounter launches her into Hollywood stardom. She becomes "The Sweetest Girl in Pictures," a label that defines her career.&#13;
&#13;
The "Sweetest Girl" Label That Trapped a Star in Innocence...</itunes:subtitle><itunes:summary><![CDATA[A sixteen-year-old girl loses a beauty contest, but a chance encounter launches her into Hollywood stardom. She becomes "The Sweetest Girl in Pictures," a label that defines her career.<br /><br />The "Sweetest Girl" Label That Trapped a Star in Innocence<br /><br />This episode explores the life of Mary Brian, an actress whose career began with a twist of fate and was shaped by a studio-imposed image. It delves into how a carefully crafted persona can impact a star's journey in Hollywood.<br /><br />Person: Mary Brian (Louise Byrdie Byrdie)<br />Born: February 17, 1906<br />Birthplace: Corsicana, Texas<br />Debut Film: Peter Pan (1924)<br />Studio: Paramount Pictures<br /><br />- In 1922, a 16-year-old Louise Byrdie Byrdie entered a Long Beach bathing suit contest but did not win the $25 prize.<br />- Actress Esther Ralston, a judge at the contest, intervened, leading to an introduction with director Herbert Brenon.<br />- Brenon, recovering from eye surgery, offered her a screen test for his adaptation of J.M. Barrie's Peter Pan.<br />- Paramount signed her, renamed her Mary Brian, and falsified her age to 16 instead of 18 to fit the role of Wendy Darling.<br />- By 1926, the trade press had labeled her "The Sweetest Girl in Pictures," a persona that defined her roles.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>958</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The single word "Jude" signed away Germany's highest-paid actor</title><link>https://www.spreaker.com/episode/the-single-word-jude-signed-away-germany-s-highest-paid-actor--74841730</link><description><![CDATA[In 1933 Berlin, Germany's highest-paid actor, Conrad Veidt, wrote "Jude" on a government form, knowing it would end his career.<br /><br />The single word "Jude" signed away Germany's highest-paid actor<br /><br />This episode explores the life and choices of Conrad Veidt, a prominent German actor who made a profound statement in 1933. It delves into the personal and professional costs of his decision and its lasting impact across decades and continents.<br /><br />Person: Conrad Veidt<br />Date: 1933<br />Location: Berlin<br />Studio: UFA<br />Films: Over 100<br /><br />- Conrad Veidt, a Lutheran, wrote "Jude" on a government form in 1933, despite not being Jewish.<br />- Born in 1893, Veidt's early life was marked by the loss of his brother Karl, which pushed him towards performance.<br />- He began his acting career under Max Reinhardt at the Deutsches Theater in 1913, earning 50 marks a month.<br />- After serving in World War I and being declared unfit for service, Veidt returned to Berlin and became a star in the silent film era.<br />- His role as Cesare in "The Cabinet of Dr. Caligari" in 1920 cemented his image and made him a landmark figure in world cinema.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841730</guid><pubDate>Wed, 07 Oct 2026 08:00:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841730/0075.mp3" length="12750947" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>In 1933 Berlin, Germany's highest-paid actor, Conrad Veidt, wrote "Jude" on a government form, knowing it would end his career.&#13;
&#13;
The single word "Jude" signed away Germany's highest-paid actor&#13;
&#13;
This episode explores the life and choices of Conrad...</itunes:subtitle><itunes:summary><![CDATA[In 1933 Berlin, Germany's highest-paid actor, Conrad Veidt, wrote "Jude" on a government form, knowing it would end his career.<br /><br />The single word "Jude" signed away Germany's highest-paid actor<br /><br />This episode explores the life and choices of Conrad Veidt, a prominent German actor who made a profound statement in 1933. It delves into the personal and professional costs of his decision and its lasting impact across decades and continents.<br /><br />Person: Conrad Veidt<br />Date: 1933<br />Location: Berlin<br />Studio: UFA<br />Films: Over 100<br /><br />- Conrad Veidt, a Lutheran, wrote "Jude" on a government form in 1933, despite not being Jewish.<br />- Born in 1893, Veidt's early life was marked by the loss of his brother Karl, which pushed him towards performance.<br />- He began his acting career under Max Reinhardt at the Deutsches Theater in 1913, earning 50 marks a month.<br />- After serving in World War I and being declared unfit for service, Veidt returned to Berlin and became a star in the silent film era.<br />- His role as Cesare in "The Cabinet of Dr. Caligari" in 1920 cemented his image and made him a landmark figure in world cinema.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>797</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Latin Lover label contained the man who built himself</title><link>https://www.spreaker.com/episode/the-latin-lover-label-contained-the-man-who-built-himself--74841728</link><description><![CDATA[A boy from the border climbs a freight train to Hollywood with nothing but ambition. The industry labels him a Latin lover-can he break free?<br /><br />The Latin Lover label contained the man who built himself<br /><br />This episode explores the life of Gilbert Roland, an actor who spent sixty years challenging the single label Hollywood assigned him. It delves into his journey from a young boy to a star, and the quiet struggle to define himself against the industry's expectations.<br /><br />Person: Gilbert Roland<br />Date: 1960<br />Location: Hollywood Boulevard<br />Status: Star on Hollywood Walk of Fame<br />Period: Silent film era to sound era<br /><br />- Luis Antonio Dámaso de Alonso, at 14, boarded a freight train in Texas to Hollywood with no ticket or luggage.<br />- He found work as a background extra and slept on the floor of a Catholic church between shifts.<br />- He chose his screen name, Gilbert Roland, from actors John Gilbert and Ruth Roland, a deliberate act of self-creation.<br />- His first significant screen credit was in 1925 opposite Clara Bow in "The Plastic Age."<br />- The advent of sound in Hollywood around 1927-1928 reclassified actors with foreign accents, impacting Roland's silent film identity.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841728</guid><pubDate>Tue, 06 Oct 2026 08:00:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841728/0074.mp3" length="15747297" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A boy from the border climbs a freight train to Hollywood with nothing but ambition. The industry labels him a Latin lover-can he break free?&#13;
&#13;
The Latin Lover label contained the man who built himself&#13;
&#13;
This episode explores the life of Gilbert...</itunes:subtitle><itunes:summary><![CDATA[A boy from the border climbs a freight train to Hollywood with nothing but ambition. The industry labels him a Latin lover-can he break free?<br /><br />The Latin Lover label contained the man who built himself<br /><br />This episode explores the life of Gilbert Roland, an actor who spent sixty years challenging the single label Hollywood assigned him. It delves into his journey from a young boy to a star, and the quiet struggle to define himself against the industry's expectations.<br /><br />Person: Gilbert Roland<br />Date: 1960<br />Location: Hollywood Boulevard<br />Status: Star on Hollywood Walk of Fame<br />Period: Silent film era to sound era<br /><br />- Luis Antonio Dámaso de Alonso, at 14, boarded a freight train in Texas to Hollywood with no ticket or luggage.<br />- He found work as a background extra and slept on the floor of a Catholic church between shifts.<br />- He chose his screen name, Gilbert Roland, from actors John Gilbert and Ruth Roland, a deliberate act of self-creation.<br />- His first significant screen credit was in 1925 opposite Clara Bow in "The Plastic Age."<br />- The advent of sound in Hollywood around 1927-1928 reclassified actors with foreign accents, impacting Roland's silent film identity.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>985</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The word autism that Nolan spoke shattered his family's silence</title><link>https://www.spreaker.com/episode/the-word-autism-that-nolan-spoke-shattered-his-family-s-silence--74841726</link><description><![CDATA[A Hollywood actor keeps his son's autism diagnosis a secret for 25 years, until a deliberate act shatters the silence and challenges the legal system.<br /><br />The word autism that Nolan spoke shattered his family's silence<br /><br />This episode explores the life of actor Lloyd Nolan, who maintained a profound secret about his son, Jay, for decades. It delves into the personal and public implications of his eventual decision to speak out about autism and its impact on American law and public understanding.<br /><br />Person: Lloyd Nolan<br />Date: 1972<br />Location: United States Congress<br />Status: Actor, advocate<br />Topic: Autism advocacy<br /><br />- Lloyd Nolan was a dependable working actor in Hollywood for 25 years, known for roles in films like "Every Day's a Holiday" and "Bataan."<br />- He created the role of Captain Queeg in the stage production of Herman Wouk's "The Caine Mutiny Court-Martial," earning an Emmy for the television adaptation.<br />- Nolan married Mell Efrid in 1933, and they had two children, Melinda and Jay.<br />- Their son, Jay, was among the first children in the United States to be diagnosed with autism in the early 1940s.<br />- Jay Nolan was institutionalized at age thirteen, remaining there for 25 years while his father continued his acting career.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841726</guid><pubDate>Mon, 05 Oct 2026 08:00:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841726/0073.mp3" length="11252146" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A Hollywood actor keeps his son's autism diagnosis a secret for 25 years, until a deliberate act shatters the silence and challenges the legal system.&#13;
&#13;
The word autism that Nolan spoke shattered his family's silence&#13;
&#13;
This episode explores the life...</itunes:subtitle><itunes:summary><![CDATA[A Hollywood actor keeps his son's autism diagnosis a secret for 25 years, until a deliberate act shatters the silence and challenges the legal system.<br /><br />The word autism that Nolan spoke shattered his family's silence<br /><br />This episode explores the life of actor Lloyd Nolan, who maintained a profound secret about his son, Jay, for decades. It delves into the personal and public implications of his eventual decision to speak out about autism and its impact on American law and public understanding.<br /><br />Person: Lloyd Nolan<br />Date: 1972<br />Location: United States Congress<br />Status: Actor, advocate<br />Topic: Autism advocacy<br /><br />- Lloyd Nolan was a dependable working actor in Hollywood for 25 years, known for roles in films like "Every Day's a Holiday" and "Bataan."<br />- He created the role of Captain Queeg in the stage production of Herman Wouk's "The Caine Mutiny Court-Martial," earning an Emmy for the television adaptation.<br />- Nolan married Mell Efrid in 1933, and they had two children, Melinda and Jay.<br />- Their son, Jay, was among the first children in the United States to be diagnosed with autism in the early 1940s.<br />- Jay Nolan was institutionalized at age thirteen, remaining there for 25 years while his father continued his acting career.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>704</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Screen Lover's Secret: One Leg, Hidden Pockets</title><link>https://www.spreaker.com/episode/the-screen-lover-s-secret-one-leg-hidden-pockets--74841724</link><description><![CDATA[A beloved Hollywood leading man hides a prosthetic and a room-sized illusion - how do you fall from that high?<br /><br />The Screen Lover's Secret: One Leg, Hidden Pockets<br /><br />In this episode, the story follows Herbert Marshall from a childhood of steadiness to a war injury that cost him a leg, and then into a film career built on concealment and composure. We trace the routines, wardrobe alterations, and social maneuvers that allowed him to appear effortlessly suave - but at what cost?<br /><br />Person: Herbert Marshall<br />Date: April 9, 1917<br />Location: Second Battle of Arras; Saint Thomas' Hospital (London)<br />Event: Amputation of left leg; fitted with a prosthetic; career as a celebrated screen actor<br />Period: 1917-1932 (war injury through peak Hollywood fame)<br /><br />- Lost his left leg to a sniper's bullet at the Second Battle of Arras and spent thirteen months hospitalized.<br />- Wore a prosthetic every day thereafter and managed pain privately through discreet gestures.<br />- Cut holes in every pair of trousers to reach and loosen the prosthetic strap without attracting attention.<br />- Built a stage and screen persona of stillness and poise that hid calibrated movement and concealment techniques.<br />- King George V once mistakenly identified Marshall's artificial leg as the injured one, a moment Marshall did not correct.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841724</guid><pubDate>Sun, 04 Oct 2026 08:00:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841724/0072.mp3" length="13845165" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A beloved Hollywood leading man hides a prosthetic and a room-sized illusion - how do you fall from that high?&#13;
&#13;
The Screen Lover's Secret: One Leg, Hidden Pockets&#13;
&#13;
In this episode, the story follows Herbert Marshall from a childhood of steadiness...</itunes:subtitle><itunes:summary><![CDATA[A beloved Hollywood leading man hides a prosthetic and a room-sized illusion - how do you fall from that high?<br /><br />The Screen Lover's Secret: One Leg, Hidden Pockets<br /><br />In this episode, the story follows Herbert Marshall from a childhood of steadiness to a war injury that cost him a leg, and then into a film career built on concealment and composure. We trace the routines, wardrobe alterations, and social maneuvers that allowed him to appear effortlessly suave - but at what cost?<br /><br />Person: Herbert Marshall<br />Date: April 9, 1917<br />Location: Second Battle of Arras; Saint Thomas' Hospital (London)<br />Event: Amputation of left leg; fitted with a prosthetic; career as a celebrated screen actor<br />Period: 1917-1932 (war injury through peak Hollywood fame)<br /><br />- Lost his left leg to a sniper's bullet at the Second Battle of Arras and spent thirteen months hospitalized.<br />- Wore a prosthetic every day thereafter and managed pain privately through discreet gestures.<br />- Cut holes in every pair of trousers to reach and loosen the prosthetic strap without attracting attention.<br />- Built a stage and screen persona of stillness and poise that hid calibrated movement and concealment techniques.<br />- King George V once mistakenly identified Marshall's artificial leg as the injured one, a moment Marshall did not correct.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>866</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The tulip garden that ended a career before it began</title><link>https://www.spreaker.com/episode/the-tulip-garden-that-ended-a-career-before-it-began--74841722</link><description><![CDATA[A Hollywood trade paper named Jim Hutton a star of tomorrow, but his career never reached that height. The story of his professional decline is a Hollywood tragedy.<br /><br />The tulip garden that ended a career before it began<br /><br />This episode explores the career of actor Jim Hutton, once predicted to be a major star alongside Warren Beatty. It examines the forces that shaped his path and the personal choices that led to his professional decline.<br /><br />Person: Jim Hutton<br />Date: February 1962<br />Location: Hollywood<br />Status: Rising star<br />Event: Named one of ten stars of tomorrow<br /><br />- Jim Hutton was expelled from five secondary schools and one boarding school.<br />- He drove an excavator through a tulip garden while drunk, leading to his expulsion from Syracuse University.<br />- While in the Army, Hutton founded the first English-language theater in Berlin.<br />- MGM paired Hutton with Paula Prentiss, modeling their duo on William Powell and Myrna Loy.<br />- A 1962 list of "stars of tomorrow" included Hutton alongside Warren Beatty and Hayley Mills.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841722</guid><pubDate>Sat, 03 Oct 2026 08:00:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841722/0071.mp3" length="11868636" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A Hollywood trade paper named Jim Hutton a star of tomorrow, but his career never reached that height. The story of his professional decline is a Hollywood tragedy.&#13;
&#13;
The tulip garden that ended a career before it began&#13;
&#13;
This episode explores the...</itunes:subtitle><itunes:summary><![CDATA[A Hollywood trade paper named Jim Hutton a star of tomorrow, but his career never reached that height. The story of his professional decline is a Hollywood tragedy.<br /><br />The tulip garden that ended a career before it began<br /><br />This episode explores the career of actor Jim Hutton, once predicted to be a major star alongside Warren Beatty. It examines the forces that shaped his path and the personal choices that led to his professional decline.<br /><br />Person: Jim Hutton<br />Date: February 1962<br />Location: Hollywood<br />Status: Rising star<br />Event: Named one of ten stars of tomorrow<br /><br />- Jim Hutton was expelled from five secondary schools and one boarding school.<br />- He drove an excavator through a tulip garden while drunk, leading to his expulsion from Syracuse University.<br />- While in the Army, Hutton founded the first English-language theater in Berlin.<br />- MGM paired Hutton with Paula Prentiss, modeling their duo on William Powell and Myrna Loy.<br />- A 1962 list of "stars of tomorrow" included Hutton alongside Warren Beatty and Hayley Mills.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>742</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The red light runner who wrecked the taxi and erased Janet Gaynor's final act</title><link>https://www.spreaker.com/episode/the-red-light-runner-who-wrecked-the-taxi-and-erased-janet-gaynor-s-final-act--74841720</link><description><![CDATA[Seventy-five-year-old Janet Gaynor lies in a taxi after a San Francisco red-light crash. How do you fall from that high?<br /><br />The red light runner who wrecked the taxi and erased Janet Gaynor's final act<br /><br />In this episode, we trace Janet Gaynor’s rise from Laura Gainor in Germantown to the first-ever Best Actress Oscar and her voluntary withdrawal from stardom, then follow the later decades that led to a single crash at California and Franklin. What does the shape of a life-built, dismantled, and then violently altered-tell us about fame, choice, and fate?<br /><br />Person: Janet Gaynor<br />Date: September 5, 1982<br />Location: California and Franklin Streets, San Francisco<br />Event: Taxi collision caused by a driver running a red light<br />Career highlights: First Academy Award Best Actress winner (for three films), youngest winner at age 22<br /><br />- Born Laura Augusta Gainor in 1906, she moved to California as a teenager and landed her first film work on December 26, 1924.<br />- Fox signed her in 1926, promoted her as a WAMPAS Baby Star alongside Joan Crawford and others, and paired her with Charles Farrell in twelve films.<br />- Her three defining silent films-Seventh Heaven, Sunrise, and Street Angel-earned her the inaugural Best Actress statuette at age 22 for all three performances combined.<br />- By the early 1930s she was one of Hollywood’s top box-office draws and then, at thirty-three, chose to walk away from her career and public life.<br />- On September 5, 1982, a taxi carrying Gaynor and three others was struck by a driver who ran a red light; Gaynor sustained multiple severe injuries that altered her final chapter.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841720</guid><pubDate>Fri, 02 Oct 2026 08:00:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841720/0070.mp3" length="14675649" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>Seventy-five-year-old Janet Gaynor lies in a taxi after a San Francisco red-light crash. How do you fall from that high?&#13;
&#13;
The red light runner who wrecked the taxi and erased Janet Gaynor's final act&#13;
&#13;
In this episode, we trace Janet Gaynor’s rise...</itunes:subtitle><itunes:summary><![CDATA[Seventy-five-year-old Janet Gaynor lies in a taxi after a San Francisco red-light crash. How do you fall from that high?<br /><br />The red light runner who wrecked the taxi and erased Janet Gaynor's final act<br /><br />In this episode, we trace Janet Gaynor’s rise from Laura Gainor in Germantown to the first-ever Best Actress Oscar and her voluntary withdrawal from stardom, then follow the later decades that led to a single crash at California and Franklin. What does the shape of a life-built, dismantled, and then violently altered-tell us about fame, choice, and fate?<br /><br />Person: Janet Gaynor<br />Date: September 5, 1982<br />Location: California and Franklin Streets, San Francisco<br />Event: Taxi collision caused by a driver running a red light<br />Career highlights: First Academy Award Best Actress winner (for three films), youngest winner at age 22<br /><br />- Born Laura Augusta Gainor in 1906, she moved to California as a teenager and landed her first film work on December 26, 1924.<br />- Fox signed her in 1926, promoted her as a WAMPAS Baby Star alongside Joan Crawford and others, and paired her with Charles Farrell in twelve films.<br />- Her three defining silent films-Seventh Heaven, Sunrise, and Street Angel-earned her the inaugural Best Actress statuette at age 22 for all three performances combined.<br />- By the early 1930s she was one of Hollywood’s top box-office draws and then, at thirty-three, chose to walk away from her career and public life.<br />- On September 5, 1982, a taxi carrying Gaynor and three others was struck by a driver who ran a red light; Gaynor sustained multiple severe injuries that altered her final chapter.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>918</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Draft Notice That Sent a Legend's Career Sideways</title><link>https://www.spreaker.com/episode/the-draft-notice-that-sent-a-legend-s-career-sideways--74841718</link><description><![CDATA[A musical star is drafted into WWII, and a stranger steps into his role. The war ends, but the career he almost touched remains out of reach.<br /><br />The Draft Notice That Sent a Legend's Career Sideways<br /><br />This episode explores the life and career of Dan Dailey, a performer whose talent for musicals was initially overlooked by Hollywood. It delves into the pivotal moment a draft notice redirected his path and the unexpected turns his career took afterward.<br /><br />Person: Daniel James Dailey Jr.<br />Date: December 14, 1915<br />Location: New York City<br />Event: United States Army draft<br />Studio: MGM<br /><br />- Dan Dailey began performing at age five in a minstrel show and worked various jobs before securing a contract on a South American cruise ship.<br />- By 1937, he was on Broadway in "Babes in Arms" and signed with MGM in 1940, where he was cast in dramatic roles despite his musical talents.<br />- MGM cast him opposite Judy Garland in the musical "For Me and My Gal," but he was drafted into the US Army before or during rehearsals.<br />- Gene Kelly replaced Dailey in "For Me and My Gal," which became one of Kelly's first major roles and launched his career in musicals.<br />- After returning from the war, MGM declined to renew Dailey's contract, and he signed with Twentieth Century Fox, where his musical "Mother Wore Tights" earned $5 million.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841718</guid><pubDate>Thu, 01 Oct 2026 08:00:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841718/0069.mp3" length="12498082" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A musical star is drafted into WWII, and a stranger steps into his role. The war ends, but the career he almost touched remains out of reach.&#13;
&#13;
The Draft Notice That Sent a Legend's Career Sideways&#13;
&#13;
This episode explores the life and career of Dan...</itunes:subtitle><itunes:summary><![CDATA[A musical star is drafted into WWII, and a stranger steps into his role. The war ends, but the career he almost touched remains out of reach.<br /><br />The Draft Notice That Sent a Legend's Career Sideways<br /><br />This episode explores the life and career of Dan Dailey, a performer whose talent for musicals was initially overlooked by Hollywood. It delves into the pivotal moment a draft notice redirected his path and the unexpected turns his career took afterward.<br /><br />Person: Daniel James Dailey Jr.<br />Date: December 14, 1915<br />Location: New York City<br />Event: United States Army draft<br />Studio: MGM<br /><br />- Dan Dailey began performing at age five in a minstrel show and worked various jobs before securing a contract on a South American cruise ship.<br />- By 1937, he was on Broadway in "Babes in Arms" and signed with MGM in 1940, where he was cast in dramatic roles despite his musical talents.<br />- MGM cast him opposite Judy Garland in the musical "For Me and My Gal," but he was drafted into the US Army before or during rehearsals.<br />- Gene Kelly replaced Dailey in "For Me and My Gal," which became one of Kelly's first major roles and launched his career in musicals.<br />- After returning from the war, MGM declined to renew Dailey's contract, and he signed with Twentieth Century Fox, where his musical "Mother Wore Tights" earned $5 million.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>782</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Willard Mudgett's birth at sea launched a star that fell from grace</title><link>https://www.spreaker.com/episode/the-willard-mudgett-s-birth-at-sea-launched-a-star-that-fell-from-grace--74841713</link><description><![CDATA[A Hollywood actress is found dead in a meticulously arranged room, her life's work displayed around her. The scene hints at a carefully constructed persona.<br /><br />The Willard Mudgett's birth at sea launched a star that fell from grace<br /><br />This episode explores the extraordinary origins of Clara Blandick, an actress whose life began in a most unusual setting and whose career spanned decades before a single, iconic role defined her public image. What led to such a deliberate final act?<br /><br />Person: Clara Blandick<br />Date: April 15, 1962<br />Location: Hollywood<br />Status: Deceased<br />Event: Discovery of her body<br /><br />- Clara Blandick was born on June 4, 1876, aboard the American sailing vessel Willard Mudgett in Victoria Harbour, British Hong Kong.<br />- Her first name came from Clara Pendleton Blanchard, the wife of a nearby ship captain who assisted with the delivery.<br />- By 1897, she was an understudy in a Boston production, making her debut at the Tremont Theatre.<br />- She married mining engineer Harry Stanton Elliott in 1905, but they separated within five years.<br />- Her stage name, Blandick, was a fusion of syllables from the names of the woman who delivered her and her father.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841713</guid><pubDate>Wed, 30 Sep 2026 08:00:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841713/0068.mp3" length="12162461" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A Hollywood actress is found dead in a meticulously arranged room, her life's work displayed around her. The scene hints at a carefully constructed persona.&#13;
&#13;
The Willard Mudgett's birth at sea launched a star that fell from grace&#13;
&#13;
This episode...</itunes:subtitle><itunes:summary><![CDATA[A Hollywood actress is found dead in a meticulously arranged room, her life's work displayed around her. The scene hints at a carefully constructed persona.<br /><br />The Willard Mudgett's birth at sea launched a star that fell from grace<br /><br />This episode explores the extraordinary origins of Clara Blandick, an actress whose life began in a most unusual setting and whose career spanned decades before a single, iconic role defined her public image. What led to such a deliberate final act?<br /><br />Person: Clara Blandick<br />Date: April 15, 1962<br />Location: Hollywood<br />Status: Deceased<br />Event: Discovery of her body<br /><br />- Clara Blandick was born on June 4, 1876, aboard the American sailing vessel Willard Mudgett in Victoria Harbour, British Hong Kong.<br />- Her first name came from Clara Pendleton Blanchard, the wife of a nearby ship captain who assisted with the delivery.<br />- By 1897, she was an understudy in a Boston production, making her debut at the Tremont Theatre.<br />- She married mining engineer Harry Stanton Elliott in 1905, but they separated within five years.<br />- Her stage name, Blandick, was a fusion of syllables from the names of the woman who delivered her and her father.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>761</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Navy enlistment that derailed Jack Pickford's rising stardom</title><link>https://www.spreaker.com/episode/the-navy-enlistment-that-derailed-jack-pickford-s-rising-stardom--74841711</link><description><![CDATA[A young woman dies in Paris after swallowing her husband's medicine. He is Jack Pickford, a rising star in silent film, and his life is a gamble.<br /><br />The Navy enlistment that derailed Jack Pickford's rising stardom<br /><br />This episode delves into the early life and career of Jack Pickford, exploring the forces that shaped him into a Hollywood sensation and the personal struggles that began to emerge during his ascent. It examines the choices that led him to a pivotal moment that would change his trajectory forever.<br /><br />Person: Jack Pickford<br />Date: September 5, 1920<br />Location: Hôtel Ritz, Paris<br />Age: 25 (Olive Thomas)<br />Status: Rising star<br /><br />- Jack Pickford was born John Charles Smith, the youngest child in a family that would become Hollywood royalty.<br />- His mother, Charlotte Hennessy Smith, managed his sister Gladys's (Mary Pickford) career, and later decided Jack would also pursue acting.<br />- Jack's early career at Biograph Company involved small parts and doubling for young actresses due to his slight build.<br />- By 1917, Jack was a star in his own right, known for roles in "Seventeen" and "The Dummy."<br />- In January 1918, at the peak of his earning power, Jack voluntarily enlisted in the Navy, leaving behind a turbulent marriage and a rising career.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841711</guid><pubDate>Tue, 29 Sep 2026 08:00:05 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841711/0067.mp3" length="15512404" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A young woman dies in Paris after swallowing her husband's medicine. He is Jack Pickford, a rising star in silent film, and his life is a gamble.&#13;
&#13;
The Navy enlistment that derailed Jack Pickford's rising stardom&#13;
&#13;
This episode delves into the early...</itunes:subtitle><itunes:summary><![CDATA[A young woman dies in Paris after swallowing her husband's medicine. He is Jack Pickford, a rising star in silent film, and his life is a gamble.<br /><br />The Navy enlistment that derailed Jack Pickford's rising stardom<br /><br />This episode delves into the early life and career of Jack Pickford, exploring the forces that shaped him into a Hollywood sensation and the personal struggles that began to emerge during his ascent. It examines the choices that led him to a pivotal moment that would change his trajectory forever.<br /><br />Person: Jack Pickford<br />Date: September 5, 1920<br />Location: Hôtel Ritz, Paris<br />Age: 25 (Olive Thomas)<br />Status: Rising star<br /><br />- Jack Pickford was born John Charles Smith, the youngest child in a family that would become Hollywood royalty.<br />- His mother, Charlotte Hennessy Smith, managed his sister Gladys's (Mary Pickford) career, and later decided Jack would also pursue acting.<br />- Jack's early career at Biograph Company involved small parts and doubling for young actresses due to his slight build.<br />- By 1917, Jack was a star in his own right, known for roles in "Seventeen" and "The Dummy."<br />- In January 1918, at the peak of his earning power, Jack voluntarily enlisted in the Navy, leaving behind a turbulent marriage and a rising career.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>970</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The billing as "Wolfe Hopper" sold his name-and drove him off the stage</title><link>https://www.spreaker.com/episode/the-billing-as-wolfe-hopper-sold-his-name-and-drove-him-off-the-stage--74841710</link><description><![CDATA[From infancy, William Hopper's life in Hollywood was dictated by his famous parents. Despite a decorated military career, he struggled to find his own identity.<br /><br />The billing as "Wolfe Hopper" sold his name-and drove him off the stage<br /><br />This episode explores the life of William Hopper, the son of stage legend DeWolf Hopper and powerful journalist Hedda Hopper. It delves into the unique pressures he faced growing up in the shadow of his parents and how he navigated a career he never truly chose.<br /><br />Person: William Hopper<br />Date: January 26, 1915<br />Location: Hollywood<br />Parents: DeWolf Hopper, Hedda Hopper<br />Films: Sunshine Dad, Stagecoach, The Maltese Falcon, Yankee Doodle Dandy<br /><br />- William Hopper first appeared on camera at eleven months old in the 1916 film "Sunshine Dad" with his father, DeWolf Hopper.<br />- His mother, Elda Furry, reinvented herself as Hedda Hopper, becoming one of the most powerful journalists in the United States by the 1930s.<br />- William's parents divorced when he was seven, and his mother brought him to Hollywood, placing him in the center of the image-conscious industry.<br />- Under his Paramount contract in 1936, he was often billed as "Wolfe Hopper" or "DeWolf Hopper," using his father's name instead of his own.<br />- He voluntarily enlisted in the United States Navy during the war, serving in an Underwater Demolition Team and earning a Bronze Star in the Pacific.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841710</guid><pubDate>Mon, 28 Sep 2026 08:00:05 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841710/0066.mp3" length="11129684" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>From infancy, William Hopper's life in Hollywood was dictated by his famous parents. Despite a decorated military career, he struggled to find his own identity.&#13;
&#13;
The billing as "Wolfe Hopper" sold his name-and drove him off the stage&#13;
&#13;
This episode...</itunes:subtitle><itunes:summary><![CDATA[From infancy, William Hopper's life in Hollywood was dictated by his famous parents. Despite a decorated military career, he struggled to find his own identity.<br /><br />The billing as "Wolfe Hopper" sold his name-and drove him off the stage<br /><br />This episode explores the life of William Hopper, the son of stage legend DeWolf Hopper and powerful journalist Hedda Hopper. It delves into the unique pressures he faced growing up in the shadow of his parents and how he navigated a career he never truly chose.<br /><br />Person: William Hopper<br />Date: January 26, 1915<br />Location: Hollywood<br />Parents: DeWolf Hopper, Hedda Hopper<br />Films: Sunshine Dad, Stagecoach, The Maltese Falcon, Yankee Doodle Dandy<br /><br />- William Hopper first appeared on camera at eleven months old in the 1916 film "Sunshine Dad" with his father, DeWolf Hopper.<br />- His mother, Elda Furry, reinvented herself as Hedda Hopper, becoming one of the most powerful journalists in the United States by the 1930s.<br />- William's parents divorced when he was seven, and his mother brought him to Hollywood, placing him in the center of the image-conscious industry.<br />- Under his Paramount contract in 1936, he was often billed as "Wolfe Hopper" or "DeWolf Hopper," using his father's name instead of his own.<br />- He voluntarily enlisted in the United States Navy during the war, serving in an Underwater Demolition Team and earning a Bronze Star in the Pacific.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>696</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The surname he inherited eclipsed his career and derailed his stardom</title><link>https://www.spreaker.com/episode/the-surname-he-inherited-eclipsed-his-career-and-derailed-his-stardom--74841707</link><description><![CDATA[A gifted actor earns an Academy Award nomination, but his famous family name casts a long shadow over his career. Can he escape its legacy?<br /><br />The surname he inherited eclipsed his career and derailed his stardom<br /><br />This episode explores the life of Michael Chekhov, an actor whose talent was recognized but whose career was shaped by his famous uncle. It examines how his family connections and his intense approach to acting influenced his journey.<br /><br />Person: Michael Chekhov<br />Date: 1945<br />Location: Saint Petersburg<br />Event: Academy Award nomination<br />Topic: Method acting<br /><br />- Michael Chekhov received an Academy Award nomination for Supporting Actor for his performance in the 1945 film Spellbound.<br />- Born in 1891, Michael Chekhov was the nephew of renowned playwright Anton Chekhov.<br />- In 1914, Anton Chekhov's widow, Olga Knipper, recommended Michael to Konstantin Stanislavski, a powerful figure in Russian theatre.<br />- Stanislavski accepted him into the First Studio of the Moscow Art Theatre and considered him his most brilliant student.<br />- Chekhov's intense application of Stanislavski's "affective memory" technique led to a breakdown, revealing limits to the method.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841707</guid><pubDate>Sun, 27 Sep 2026 08:00:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841707/0065.mp3" length="12390667" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A gifted actor earns an Academy Award nomination, but his famous family name casts a long shadow over his career. Can he escape its legacy?&#13;
&#13;
The surname he inherited eclipsed his career and derailed his stardom&#13;
&#13;
This episode explores the life of...</itunes:subtitle><itunes:summary><![CDATA[A gifted actor earns an Academy Award nomination, but his famous family name casts a long shadow over his career. Can he escape its legacy?<br /><br />The surname he inherited eclipsed his career and derailed his stardom<br /><br />This episode explores the life of Michael Chekhov, an actor whose talent was recognized but whose career was shaped by his famous uncle. It examines how his family connections and his intense approach to acting influenced his journey.<br /><br />Person: Michael Chekhov<br />Date: 1945<br />Location: Saint Petersburg<br />Event: Academy Award nomination<br />Topic: Method acting<br /><br />- Michael Chekhov received an Academy Award nomination for Supporting Actor for his performance in the 1945 film Spellbound.<br />- Born in 1891, Michael Chekhov was the nephew of renowned playwright Anton Chekhov.<br />- In 1914, Anton Chekhov's widow, Olga Knipper, recommended Michael to Konstantin Stanislavski, a powerful figure in Russian theatre.<br />- Stanislavski accepted him into the First Studio of the Moscow Art Theatre and considered him his most brilliant student.<br />- Chekhov's intense application of Stanislavski's "affective memory" technique led to a breakdown, revealing limits to the method.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>775</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The flower curtain that unveiled her coffin and ended her legacy</title><link>https://www.spreaker.com/episode/the-flower-curtain-that-unveiled-her-coffin-and-ended-her-legacy--74841706</link><description><![CDATA[A flower-draped curtain parts over Evelyn Preer's casket as she whispers, "Where is my baby?"-how does a celebrated Black actress vanish from history?<br /><br />The flower curtain that unveiled her coffin and ended her legacy<br /><br />In this episode, we trace Evelyn Preer's rise from Vicksburg to stages and race films, the sudden illness that ended her life, and the missing child she asked about in her final hours. What does it mean when a woman at the center of Black entertainment disappears from the record?<br /><br />Person: Evelyn Preer<br />Date: November 17, 1932<br />Location: funeral with a flower curtain above her casket<br />Event: died after a 48-hour illness; asked "Where is my baby?"<br />Career: nineteen films, Broadway, Lafayette Players, toured with Duke Ellington accompaniment<br /><br />- Born July 26, 1896 in Vicksburg, Mississippi, raised by Blanche Jarvis who preached publicly on Chicago streets<br />- Built a crowd-reading performance skill as a teenager that carried her into theater and film<br />- Married Frank Preer in 1915; performing under that name by 1919 when she met Oscar Micheaux<br />- Starred in nineteen Micheaux films from 1919-1932 and headlined Lafayette Players and a Broadway production in 1923<br />- Gave birth to a daughter, Edeve, in April 1932 and, after a sudden 48-hour illness, awoke briefly to ask about her child<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841706</guid><pubDate>Sat, 26 Sep 2026 08:00:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841706/0064.mp3" length="10577142" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A flower-draped curtain parts over Evelyn Preer's casket as she whispers, "Where is my baby?"-how does a celebrated Black actress vanish from history?&#13;
&#13;
The flower curtain that unveiled her coffin and ended her legacy&#13;
&#13;
In this episode, we trace...</itunes:subtitle><itunes:summary><![CDATA[A flower-draped curtain parts over Evelyn Preer's casket as she whispers, "Where is my baby?"-how does a celebrated Black actress vanish from history?<br /><br />The flower curtain that unveiled her coffin and ended her legacy<br /><br />In this episode, we trace Evelyn Preer's rise from Vicksburg to stages and race films, the sudden illness that ended her life, and the missing child she asked about in her final hours. What does it mean when a woman at the center of Black entertainment disappears from the record?<br /><br />Person: Evelyn Preer<br />Date: November 17, 1932<br />Location: funeral with a flower curtain above her casket<br />Event: died after a 48-hour illness; asked "Where is my baby?"<br />Career: nineteen films, Broadway, Lafayette Players, toured with Duke Ellington accompaniment<br /><br />- Born July 26, 1896 in Vicksburg, Mississippi, raised by Blanche Jarvis who preached publicly on Chicago streets<br />- Built a crowd-reading performance skill as a teenager that carried her into theater and film<br />- Married Frank Preer in 1915; performing under that name by 1919 when she met Oscar Micheaux<br />- Starred in nineteen Micheaux films from 1919-1932 and headlined Lafayette Players and a Broadway production in 1923<br />- Gave birth to a daughter, Edeve, in April 1932 and, after a sudden 48-hour illness, awoke briefly to ask about her child<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>662</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Hamlet role that crowned her also stranded her</title><link>https://www.spreaker.com/episode/the-hamlet-role-that-crowned-her-also-stranded-her--74841703</link><description><![CDATA[A Jewish immigrant actress becomes the "Jewish Bernhardt" on the Yiddish stage, but her ascent also strands her between two worlds.<br /><br />The Hamlet role that crowned her also stranded her<br /><br />This episode explores the life of Bertha Kalich, an actress who captivated audiences across continents and languages. It delves into her journey from a young girl with a hunger for the stage to a celebrated performer, and asks how such a figure could become a "relic of the theatrical past."<br /><br />Person: Bertha Kalich<br />Born: May 17, 1874<br />Birthplace: Lemberg, Galicia (now Lviv, Ukraine)<br />Profession: Actress<br />Theater: Thalia Theater<br /><br />- Beylke Kalakh was born in Lemberg, Galicia, to a brush-making father and a seamstress mother who instilled in her a deep love for opera and the stage.<br />- By age thirteen, she was singing in a Polish theater chorus and studying at the Lemberg conservatory, demonstrating a powerful instinct for emotional performance.<br />- During a performance in Romania, antisemitic spectators intending to throw onions instead threw flowers, swayed by her undeniable talent.<br />- Rumors of an assassination plot in 1894, attributed to theatrical rivals, prompted her decision to cross the Atlantic to New York.<br />- At the Thalia Theater on the Bowery, she quickly rose to prominence, eventually securing the lead role in Hamlet, traditionally reserved for senior male stars.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841703</guid><pubDate>Fri, 25 Sep 2026 08:00:05 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841703/0063.mp3" length="13849344" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A Jewish immigrant actress becomes the "Jewish Bernhardt" on the Yiddish stage, but her ascent also strands her between two worlds.&#13;
&#13;
The Hamlet role that crowned her also stranded her&#13;
&#13;
This episode explores the life of Bertha Kalich, an actress...</itunes:subtitle><itunes:summary><![CDATA[A Jewish immigrant actress becomes the "Jewish Bernhardt" on the Yiddish stage, but her ascent also strands her between two worlds.<br /><br />The Hamlet role that crowned her also stranded her<br /><br />This episode explores the life of Bertha Kalich, an actress who captivated audiences across continents and languages. It delves into her journey from a young girl with a hunger for the stage to a celebrated performer, and asks how such a figure could become a "relic of the theatrical past."<br /><br />Person: Bertha Kalich<br />Born: May 17, 1874<br />Birthplace: Lemberg, Galicia (now Lviv, Ukraine)<br />Profession: Actress<br />Theater: Thalia Theater<br /><br />- Beylke Kalakh was born in Lemberg, Galicia, to a brush-making father and a seamstress mother who instilled in her a deep love for opera and the stage.<br />- By age thirteen, she was singing in a Polish theater chorus and studying at the Lemberg conservatory, demonstrating a powerful instinct for emotional performance.<br />- During a performance in Romania, antisemitic spectators intending to throw onions instead threw flowers, swayed by her undeniable talent.<br />- Rumors of an assassination plot in 1894, attributed to theatrical rivals, prompted her decision to cross the Atlantic to New York.<br />- At the Thalia Theater on the Bowery, she quickly rose to prominence, eventually securing the lead role in Hamlet, traditionally reserved for senior male stars.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>866</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Casino at Cannes that began Jenny Dolly's eleven million dollar fall</title><link>https://www.spreaker.com/episode/the-casino-at-cannes-that-began-jenny-dolly-s-eleven-million-dollar-fall--74841702</link><description><![CDATA[A dancer wins eleven million dollars at the casino tables, wearing a ring the size of an ice cube. She is about to lose everything.<br /><br />The Casino at Cannes that began Jenny Dolly's eleven million dollar fall<br /><br />This episode explores the story of Jenny Dolly, one half of the famous Dolly Sisters, from her humble beginnings to her extraordinary winnings at the casino in Cannes. What happened between her peak winnings and her eventual financial ruin?<br /><br />Person: Jenny Dolly<br />Event: Casino winnings<br />Location: Cannes, France<br />Winnings: Eleven million dollars<br />Period: Early 20th century<br /><br />- Rózsika and Janka Deutsch were identical twins born in Balassagyarmat, Hungary in 1892 to parents with no theatrical background.<br />- By 1907, at ages 13 or 14, the girls were dancing in Hungarian beer halls and touring the Orpheum Circuit due to New York ordinances.<br />- In 1909, they joined the Keith Vaudeville Circuit as Rosie and Jenny Dolly, catching the attention of Florenz Ziegfeld.<br />- Ziegfeld signed them to two seasons in the Follies in 1911, bringing them to New York's most famous stage.<br />- By 1916, they reunited for Broadway and vaudeville, earning two thousand dollars a week, a sum most families earned in a year.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841702</guid><pubDate>Thu, 24 Sep 2026 08:00:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841702/0062.mp3" length="12954076" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A dancer wins eleven million dollars at the casino tables, wearing a ring the size of an ice cube. She is about to lose everything.&#13;
&#13;
The Casino at Cannes that began Jenny Dolly's eleven million dollar fall&#13;
&#13;
This episode explores the story of Jenny...</itunes:subtitle><itunes:summary><![CDATA[A dancer wins eleven million dollars at the casino tables, wearing a ring the size of an ice cube. She is about to lose everything.<br /><br />The Casino at Cannes that began Jenny Dolly's eleven million dollar fall<br /><br />This episode explores the story of Jenny Dolly, one half of the famous Dolly Sisters, from her humble beginnings to her extraordinary winnings at the casino in Cannes. What happened between her peak winnings and her eventual financial ruin?<br /><br />Person: Jenny Dolly<br />Event: Casino winnings<br />Location: Cannes, France<br />Winnings: Eleven million dollars<br />Period: Early 20th century<br /><br />- Rózsika and Janka Deutsch were identical twins born in Balassagyarmat, Hungary in 1892 to parents with no theatrical background.<br />- By 1907, at ages 13 or 14, the girls were dancing in Hungarian beer halls and touring the Orpheum Circuit due to New York ordinances.<br />- In 1909, they joined the Keith Vaudeville Circuit as Rosie and Jenny Dolly, catching the attention of Florenz Ziegfeld.<br />- Ziegfeld signed them to two seasons in the Follies in 1911, bringing them to New York's most famous stage.<br />- By 1916, they reunited for Broadway and vaudeville, earning two thousand dollars a week, a sum most families earned in a year.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>810</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Stolen Gingham: Hollywood's Million-Dollar Lie</title><link>https://www.spreaker.com/episode/the-stolen-gingham-hollywood-s-million-dollar-lie--74841700</link><description><![CDATA[A drama lecturer finds a blue-and-white gingham dress in a university box - what trouble will it stir over Hollywood costume history?<br /><br />The Stolen Gingham: Hollywood's Million-Dollar Lie<br /><br />In this episode, we trace how a simple checked cotton dress moved from MGM workrooms to auction houses and courtrooms, and why a garment meant to look home-sewn became one of cinema’s most contested artifacts. What does a dress tell us about star-making, studio power, and the value of authenticity?<br /><br />Person: Judy Garland<br />Person: Adrian Adolph Greenberg<br />Date: Summer 2021<br />Location: Washington university<br />Event: MGM studio liquidation<br /><br />- Adrian designed multiple prototypes and chose blue-and-light-pink gingham so it would read as blue-and-white under Technicolor.<br />- The dress was deliberately sewn unevenly to read as a homemade, childlike garment.<br />- Judy Garland, aged sixteen playing twelve, wore a corset and sewn-in panel beneath the dress to disguise her developing figure.<br />- Multiple dresses were made: at least ten total, with estimates of Garland wearing two to six and a grey version used by body double Bobbie Koshay.<br />- Kent Warner catalogued MGM’s stored inventory during the 1970s studio liquidation and later handled costumes that entered the market.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841700</guid><pubDate>Wed, 23 Sep 2026 08:00:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841700/0061.mp3" length="11849409" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A drama lecturer finds a blue-and-white gingham dress in a university box - what trouble will it stir over Hollywood costume history?&#13;
&#13;
The Stolen Gingham: Hollywood's Million-Dollar Lie&#13;
&#13;
In this episode, we trace how a simple checked cotton dress...</itunes:subtitle><itunes:summary><![CDATA[A drama lecturer finds a blue-and-white gingham dress in a university box - what trouble will it stir over Hollywood costume history?<br /><br />The Stolen Gingham: Hollywood's Million-Dollar Lie<br /><br />In this episode, we trace how a simple checked cotton dress moved from MGM workrooms to auction houses and courtrooms, and why a garment meant to look home-sewn became one of cinema’s most contested artifacts. What does a dress tell us about star-making, studio power, and the value of authenticity?<br /><br />Person: Judy Garland<br />Person: Adrian Adolph Greenberg<br />Date: Summer 2021<br />Location: Washington university<br />Event: MGM studio liquidation<br /><br />- Adrian designed multiple prototypes and chose blue-and-light-pink gingham so it would read as blue-and-white under Technicolor.<br />- The dress was deliberately sewn unevenly to read as a homemade, childlike garment.<br />- Judy Garland, aged sixteen playing twelve, wore a corset and sewn-in panel beneath the dress to disguise her developing figure.<br />- Multiple dresses were made: at least ten total, with estimates of Garland wearing two to six and a grey version used by body double Bobbie Koshay.<br />- Kent Warner catalogued MGM’s stored inventory during the 1970s studio liquidation and later handled costumes that entered the market.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>741</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Oscar Hidden in a Hardware Store</title><link>https://www.spreaker.com/episode/the-oscar-hidden-in-a-hardware-store--74841697</link><description><![CDATA[An Oscar sits on a shelf in a small-town hardware store: how did James Stewart end up keeping one in Indiana, Pennsylvania, and why did he give it away?<br /><br />The Oscar Hidden in a Hardware Store<br /><br />In this episode, we follow James Stewart’s life from an Indiana, Pennsylvania hardware store to Hollywood stardom and back again, tracing choices that kept redefining him outside the studio’s plans. What did Stewart’s private decisions - and a gold statuette on a shelf - reveal about who he refused to become?<br /><br />Person: James Stewart<br />Location: Indiana, Pennsylvania<br />Date: 1940 (Academy Award year)<br />Event: Academy Award for Best Actor placed in family hardware store<br />Institution: MGM seven-year contract<br /><br />- Born May 20, 1908, Stewart was raised in a family that expected him to inherit and run J.M. Stewart and Company Hardware Store.<br />- As a Princeton student in 1932 Stewart majored in architecture, accepted a thesis scholarship, then declined it after a transformative summer with the University Players.<br />- A summer on Cape Cod led to Broadway roles, a talent scout deal, and a seven-year MGM contract that aimed to cast him as a “lanky bumpkin” everyman.<br />- Margaret Sullavan put Stewart in a lead role in Next Time We Love (1936), rehearsed him herself, and helped him break out of the studio’s narrow plan.<br />- An Academy Award for Best Actor for The Philadelphia Story (1940) ended up on a shelf among medals and family photos in the Stewart hardware store, left there without public announcement.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841697</guid><pubDate>Tue, 22 Sep 2026 08:00:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841697/0060.mp3" length="14709922" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>An Oscar sits on a shelf in a small-town hardware store: how did James Stewart end up keeping one in Indiana, Pennsylvania, and why did he give it away?&#13;
&#13;
The Oscar Hidden in a Hardware Store&#13;
&#13;
In this episode, we follow James Stewart’s life from an...</itunes:subtitle><itunes:summary><![CDATA[An Oscar sits on a shelf in a small-town hardware store: how did James Stewart end up keeping one in Indiana, Pennsylvania, and why did he give it away?<br /><br />The Oscar Hidden in a Hardware Store<br /><br />In this episode, we follow James Stewart’s life from an Indiana, Pennsylvania hardware store to Hollywood stardom and back again, tracing choices that kept redefining him outside the studio’s plans. What did Stewart’s private decisions - and a gold statuette on a shelf - reveal about who he refused to become?<br /><br />Person: James Stewart<br />Location: Indiana, Pennsylvania<br />Date: 1940 (Academy Award year)<br />Event: Academy Award for Best Actor placed in family hardware store<br />Institution: MGM seven-year contract<br /><br />- Born May 20, 1908, Stewart was raised in a family that expected him to inherit and run J.M. Stewart and Company Hardware Store.<br />- As a Princeton student in 1932 Stewart majored in architecture, accepted a thesis scholarship, then declined it after a transformative summer with the University Players.<br />- A summer on Cape Cod led to Broadway roles, a talent scout deal, and a seven-year MGM contract that aimed to cast him as a “lanky bumpkin” everyman.<br />- Margaret Sullavan put Stewart in a lead role in Next Time We Love (1936), rehearsed him herself, and helped him break out of the studio’s narrow plan.<br />- An Academy Award for Best Actor for The Philadelphia Story (1940) ended up on a shelf among medals and family photos in the Stewart hardware store, left there without public announcement.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>920</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The cookbook's page fifteen explained a name, not a recipe</title><link>https://www.spreaker.com/episode/the-cookbook-s-page-fifteen-explained-a-name-not-a-recipe--74841695</link><description><![CDATA[A 1963 cookbook interrupts its recipes to explain a name, not a dish. A Hollywood star spent 47 years in an image-obsessed industry, yet her name remained a mystery.<br /><br />The cookbook's page fifteen explained a name, not a recipe<br /><br />This episode explores the life of ZaSu Pitts, an actress whose career spanned decades in Hollywood, yet whose name remained consistently mispronounced. It delves into how a simple detail, a flaw of legibility, shaped her entire professional journey.<br /><br />Person: ZaSu Pitts<br />Date: 1963<br />Book: Candy Hits<br />Industry: Hollywood<br />Location: Parsons, Kansas<br /><br />- ZaSu Pitts's name was a compromise between her father's two sisters, Eliza and Susan.<br />- The Pitts family moved from Parsons, Kansas, to Santa Cruz, California, in 1903.<br />- By 1917, ZaSu Pitts was in Los Angeles, working as an extra in films.<br />- Screenwriter Frances Marion noticed ZaSu Pitts's unique quality while casting for "A Little Princess."<br />- Director Erich von Stroheim cast ZaSu Pitts in his film "Greed," calling her the best dramatic actress in Hollywood.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841695</guid><pubDate>Mon, 21 Sep 2026 08:00:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841695/0059.mp3" length="11173151" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/bc2e394b-f7ef-4dfd-9845-702b5c4ee57a/bc2e394b-f7ef-4dfd-9845-702b5c4ee57a.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/bc2e394b-f7ef-4dfd-9845-702b5c4ee57a/bc2e394b-f7ef-4dfd-9845-702b5c4ee57a.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/bc2e394b-f7ef-4dfd-9845-702b5c4ee57a/bc2e394b-f7ef-4dfd-9845-702b5c4ee57a.vtt" type="text/vtt" language="en"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A 1963 cookbook interrupts its recipes to explain a name, not a dish. A Hollywood star spent 47 years in an image-obsessed industry, yet her name remained a mystery.&#13;
&#13;
The cookbook's page fifteen explained a name, not a recipe&#13;
&#13;
This episode...</itunes:subtitle><itunes:summary><![CDATA[A 1963 cookbook interrupts its recipes to explain a name, not a dish. A Hollywood star spent 47 years in an image-obsessed industry, yet her name remained a mystery.<br /><br />The cookbook's page fifteen explained a name, not a recipe<br /><br />This episode explores the life of ZaSu Pitts, an actress whose career spanned decades in Hollywood, yet whose name remained consistently mispronounced. It delves into how a simple detail, a flaw of legibility, shaped her entire professional journey.<br /><br />Person: ZaSu Pitts<br />Date: 1963<br />Book: Candy Hits<br />Industry: Hollywood<br />Location: Parsons, Kansas<br /><br />- ZaSu Pitts's name was a compromise between her father's two sisters, Eliza and Susan.<br />- The Pitts family moved from Parsons, Kansas, to Santa Cruz, California, in 1903.<br />- By 1917, ZaSu Pitts was in Los Angeles, working as an extra in films.<br />- Screenwriter Frances Marion noticed ZaSu Pitts's unique quality while casting for "A Little Princess."<br />- Director Erich von Stroheim cast ZaSu Pitts in his film "Greed," calling her the best dramatic actress in Hollywood.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>699</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Secret Marriage That Hollywood Erased</title><link>https://www.spreaker.com/episode/the-secret-marriage-that-hollywood-erased--74841694</link><description><![CDATA[Rising starlet Yvette Mimieux secretly marries at 17, living a double life as her public image soars - how long can she keep the secret?<br /><br />The Secret Marriage That Hollywood Erased<br /><br />This episode explores the early career of Yvette Mimieux, from her unexpected entry into the film industry to the conflicting realities of her public persona and private life. How long can a person maintain such a split before it costs them everything?<br /><br />Person: Yvette Mimieux<br />Date: December 1959<br />Location: Los Angeles<br />Status: Secretly married<br />Films: The Time Machine, Where the Boys Are<br /><br />- Yvette Mimieux was 17 when she secretly married, a fact hidden from Hollywood for two years.<br />- Her first studio publicity photos circulated that same month, presenting her as an unattached girl-next-door.<br />- Born in Los Angeles in 1942 to French/German and Mexican parents, her name was her birth name, not a stage invention.<br />- Talent manager Jim Byron discovered her by chance, leading to her acting career without formal training or screen tests.<br />- In 1960, producer George Pal cast her in "The Time Machine," solidifying her image as "luminous passivity."<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841694</guid><pubDate>Sun, 20 Sep 2026 08:00:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841694/0058.mp3" length="11550151" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/5d51a89c-d2ea-451a-8662-f1111b63aad8/5d51a89c-d2ea-451a-8662-f1111b63aad8.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/5d51a89c-d2ea-451a-8662-f1111b63aad8/5d51a89c-d2ea-451a-8662-f1111b63aad8.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/5d51a89c-d2ea-451a-8662-f1111b63aad8/5d51a89c-d2ea-451a-8662-f1111b63aad8.vtt" type="text/vtt" language="en"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>Rising starlet Yvette Mimieux secretly marries at 17, living a double life as her public image soars - how long can she keep the secret?&#13;
&#13;
The Secret Marriage That Hollywood Erased&#13;
&#13;
This episode explores the early career of Yvette Mimieux, from her...</itunes:subtitle><itunes:summary><![CDATA[Rising starlet Yvette Mimieux secretly marries at 17, living a double life as her public image soars - how long can she keep the secret?<br /><br />The Secret Marriage That Hollywood Erased<br /><br />This episode explores the early career of Yvette Mimieux, from her unexpected entry into the film industry to the conflicting realities of her public persona and private life. How long can a person maintain such a split before it costs them everything?<br /><br />Person: Yvette Mimieux<br />Date: December 1959<br />Location: Los Angeles<br />Status: Secretly married<br />Films: The Time Machine, Where the Boys Are<br /><br />- Yvette Mimieux was 17 when she secretly married, a fact hidden from Hollywood for two years.<br />- Her first studio publicity photos circulated that same month, presenting her as an unattached girl-next-door.<br />- Born in Los Angeles in 1942 to French/German and Mexican parents, her name was her birth name, not a stage invention.<br />- Talent manager Jim Byron discovered her by chance, leading to her acting career without formal training or screen tests.<br />- In 1960, producer George Pal cast her in "The Time Machine," solidifying her image as "luminous passivity."<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>722</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Latin lover drawer that locked from the outside</title><link>https://www.spreaker.com/episode/the-latin-lover-drawer-that-locked-from-the-outside--74841691</link><description><![CDATA[A Latin lover's Hollywood career soars, but studio typecasting threatens to trap him. How do you fall from that high?<br /><br />The Latin lover drawer that locked from the outside<br /><br />This episode explores the life and career of Fernando Lamas, from his early success in Argentine cinema to his arrival in Hollywood and the challenges of being typecast. It questions how a man with so much could struggle to truly own his identity.<br /><br />Person: Fernando Lamas<br />Date: October 8, 1982<br />Location: Off the California coast<br />Studio: Metro-Goldwyn-Mayer (MGM)<br /><br />- Jonathan Goldsmith released Fernando Lamas's ashes into the Pacific Ocean, drawing inspiration from Lamas for his future advertising persona.<br />- Fernando Lamas was born in Buenos Aires in 1915, becoming the third-largest star in Argentine cinema by the late 1940s.<br />- MGM signed Lamas to a contract in September 1949, before his film The Avengers was released in the United States.<br />- Lamas starred in three films in two years with leading ladies Jane Powell, Lana Turner, and Elizabeth Taylor, solidifying his "Latin lover" image.<br />- On the set of Dangerous When Wet in 1953, Lamas and co-star Esther Williams fell in love, a connection that defied his studio-crafted image.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841691</guid><pubDate>Sat, 19 Sep 2026 08:00:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841691/0057.mp3" length="13507454" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/1f8de70f-9085-42f0-8035-dcf04976bbee/1f8de70f-9085-42f0-8035-dcf04976bbee.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/1f8de70f-9085-42f0-8035-dcf04976bbee/1f8de70f-9085-42f0-8035-dcf04976bbee.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/1f8de70f-9085-42f0-8035-dcf04976bbee/1f8de70f-9085-42f0-8035-dcf04976bbee.vtt" type="text/vtt" language="en"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A Latin lover's Hollywood career soars, but studio typecasting threatens to trap him. How do you fall from that high?&#13;
&#13;
The Latin lover drawer that locked from the outside&#13;
&#13;
This episode explores the life and career of Fernando Lamas, from his early...</itunes:subtitle><itunes:summary><![CDATA[A Latin lover's Hollywood career soars, but studio typecasting threatens to trap him. How do you fall from that high?<br /><br />The Latin lover drawer that locked from the outside<br /><br />This episode explores the life and career of Fernando Lamas, from his early success in Argentine cinema to his arrival in Hollywood and the challenges of being typecast. It questions how a man with so much could struggle to truly own his identity.<br /><br />Person: Fernando Lamas<br />Date: October 8, 1982<br />Location: Off the California coast<br />Studio: Metro-Goldwyn-Mayer (MGM)<br /><br />- Jonathan Goldsmith released Fernando Lamas's ashes into the Pacific Ocean, drawing inspiration from Lamas for his future advertising persona.<br />- Fernando Lamas was born in Buenos Aires in 1915, becoming the third-largest star in Argentine cinema by the late 1940s.<br />- MGM signed Lamas to a contract in September 1949, before his film The Avengers was released in the United States.<br />- Lamas starred in three films in two years with leading ladies Jane Powell, Lana Turner, and Elizabeth Taylor, solidifying his "Latin lover" image.<br />- On the set of Dangerous When Wet in 1953, Lamas and co-star Esther Williams fell in love, a connection that defied his studio-crafted image.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>845</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The weekly bleach that stole her hair-and started the fall</title><link>https://www.spreaker.com/episode/the-weekly-bleach-that-stole-her-hair-and-started-the-fall--74841688</link><description><![CDATA[A young actress becomes Hollywood's highest-paid woman, but the price of platinum blonde fame is higher than anyone imagined.<br /><br />The weekly bleach that stole her hair-and started the fall<br /><br />This episode explores the meteoric rise of Jean Harlow, a star whose career peaked at 26, and the system that both built and ultimately consumed her. It questions how such a powerful figure could be lost so quickly.<br /><br />Person: Jean Harlow<br />Date: March 3, 1911 (birth)<br />Location: Kansas City, Missouri<br />Status: Highest-paid woman at MGM<br />Event: Saratoga grossed $3.3 million<br /><br />- Harlean Harlow Carpenter, nicknamed Baby, moved to Hollywood with her ambitious mother after her parents' divorce.<br />- She initially married Charles McGrew the Third, a wealthy man, before taking on her mother's maiden name, Jean Harlow, for temporary acting work.<br />- Howard Hughes signed her for $100 a week and featured her in "Hell's Angels," where her luminous presence captivated audiences.<br />- Her iconic platinum blonde hair, naturally ash-blonde, required weekly applications of ammonia, Clorox bleach, and Lux soap flakes.<br />- MGM purchased her contract from Howard Hughes for $30,000 on her 21st birthday, increasing her salary to $1,250 a week.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841688</guid><pubDate>Fri, 18 Sep 2026 08:00:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841688/0056.mp3" length="16264730" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/4111237d-ecae-432e-a9d4-68de3d4af582/4111237d-ecae-432e-a9d4-68de3d4af582.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/4111237d-ecae-432e-a9d4-68de3d4af582/4111237d-ecae-432e-a9d4-68de3d4af582.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/4111237d-ecae-432e-a9d4-68de3d4af582/4111237d-ecae-432e-a9d4-68de3d4af582.vtt" type="text/vtt" language="en"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A young actress becomes Hollywood's highest-paid woman, but the price of platinum blonde fame is higher than anyone imagined.&#13;
&#13;
The weekly bleach that stole her hair-and started the fall&#13;
&#13;
This episode explores the meteoric rise of Jean Harlow, a...</itunes:subtitle><itunes:summary><![CDATA[A young actress becomes Hollywood's highest-paid woman, but the price of platinum blonde fame is higher than anyone imagined.<br /><br />The weekly bleach that stole her hair-and started the fall<br /><br />This episode explores the meteoric rise of Jean Harlow, a star whose career peaked at 26, and the system that both built and ultimately consumed her. It questions how such a powerful figure could be lost so quickly.<br /><br />Person: Jean Harlow<br />Date: March 3, 1911 (birth)<br />Location: Kansas City, Missouri<br />Status: Highest-paid woman at MGM<br />Event: Saratoga grossed $3.3 million<br /><br />- Harlean Harlow Carpenter, nicknamed Baby, moved to Hollywood with her ambitious mother after her parents' divorce.<br />- She initially married Charles McGrew the Third, a wealthy man, before taking on her mother's maiden name, Jean Harlow, for temporary acting work.<br />- Howard Hughes signed her for $100 a week and featured her in "Hell's Angels," where her luminous presence captivated audiences.<br />- Her iconic platinum blonde hair, naturally ash-blonde, required weekly applications of ammonia, Clorox bleach, and Lux soap flakes.<br />- MGM purchased her contract from Howard Hughes for $30,000 on her 21st birthday, increasing her salary to $1,250 a week.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>1017</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The ukulele he bought because it was cheapest made him spend everything and fall</title><link>https://www.spreaker.com/episode/the-ukulele-he-bought-because-it-was-cheapest-made-him-spend-everything-and-fall--74841685</link><description><![CDATA[A vaudeville star who sold millions of records dies alone in a charity ward. His ukulele, bought for its cheapness, set him on a path of fame and financial ruin.<br /><br />The ukulele he bought because it was cheapest made him spend everything and fall<br /><br />This episode explores the life of Clifton Avery Edwards, known as Ukulele Ike, from his humble beginnings to his rise as a vaudeville and Hollywood star. It delves into the choices that led to his eventual decline, leaving listeners to ponder the true cost of fame.<br /><br />Person: Clifton Avery Edwards (Ukulele Ike)<br />Date: July 17, 1971<br />Location: Virgil Convalescent Hospital, Hollywood, California<br />Age: 76<br />Instrument: Ukulele<br /><br />- Clifton Edwards began his career singing in saloons in Missouri, developing a unique improvisational vocal style later known as scat.<br />- He purchased his first ukulele because it was the cheapest instrument available in the store, not for any artistic reason.<br />- In 1918, he partnered with pianist Bob Carleton, taking their novelty song "Ja-Da" to the vaudeville circuit.<br />- By 1924, he was a headliner at the Palace Theatre, performing in a George and Ira Gershwin production alongside Fred and Adele Astaire.<br />- Irving Thalberg signed Edwards to MGM in 1929, where he made 33 films in four years and introduced the song "Singin' in the Rain."<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841685</guid><pubDate>Thu, 17 Sep 2026 08:00:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841685/0055.mp3" length="15005837" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/b8cf987b-3e98-401c-a35e-9395abe28e11/b8cf987b-3e98-401c-a35e-9395abe28e11.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/b8cf987b-3e98-401c-a35e-9395abe28e11/b8cf987b-3e98-401c-a35e-9395abe28e11.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/b8cf987b-3e98-401c-a35e-9395abe28e11/b8cf987b-3e98-401c-a35e-9395abe28e11.vtt" type="text/vtt" language="en"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A vaudeville star who sold millions of records dies alone in a charity ward. His ukulele, bought for its cheapness, set him on a path of fame and financial ruin.&#13;
&#13;
The ukulele he bought because it was cheapest made him spend everything and fall...</itunes:subtitle><itunes:summary><![CDATA[A vaudeville star who sold millions of records dies alone in a charity ward. His ukulele, bought for its cheapness, set him on a path of fame and financial ruin.<br /><br />The ukulele he bought because it was cheapest made him spend everything and fall<br /><br />This episode explores the life of Clifton Avery Edwards, known as Ukulele Ike, from his humble beginnings to his rise as a vaudeville and Hollywood star. It delves into the choices that led to his eventual decline, leaving listeners to ponder the true cost of fame.<br /><br />Person: Clifton Avery Edwards (Ukulele Ike)<br />Date: July 17, 1971<br />Location: Virgil Convalescent Hospital, Hollywood, California<br />Age: 76<br />Instrument: Ukulele<br /><br />- Clifton Edwards began his career singing in saloons in Missouri, developing a unique improvisational vocal style later known as scat.<br />- He purchased his first ukulele because it was the cheapest instrument available in the store, not for any artistic reason.<br />- In 1918, he partnered with pianist Bob Carleton, taking their novelty song "Ja-Da" to the vaudeville circuit.<br />- By 1924, he was a headliner at the Palace Theatre, performing in a George and Ira Gershwin production alongside Fred and Adele Astaire.<br />- Irving Thalberg signed Edwards to MGM in 1929, where he made 33 films in four years and introduced the song "Singin' in the Rain."<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>938</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Forty Screenplays Hollywood Never Saw</title><link>https://www.spreaker.com/episode/the-forty-screenplays-hollywood-never-saw--74841682</link><description><![CDATA[A Hollywood filmmaker left hundreds of unseen works behind. How did such a prolific artist choose a path that left so much work unseen?<br /><br />The Forty Screenplays Hollywood Never Saw<br /><br />This episode explores the legacy of John Cassavetes, a director hailed as one of the most influential of his time, and the choices that led him to create a vast body of unreleased work. We delve into the pivotal moment that shaped his unique approach to filmmaking.<br /><br />Person: John Cassavetes<br />Date of Death: February 3, 1989<br />Age at Death: 59<br />Cause of Death: Cirrhosis<br />Location of Birth: New York City<br /><br />- John Cassavetes was born in New York City in 1929 and spent part of his childhood in Greece, returning to New York at age seven speaking no English.<br />- He graduated from the American Academy of Dramatic Arts in 1950 and by 1955 was working as an actor in films like The Night Holds Terror and Crime in the Streets.<br />- In 1953, he met actress Gena Rowlands at an audition, and they married in 1954, beginning a collaboration central to his work.<br />- In 1956, Cassavetes co-founded an acting workshop in New York, promoting a philosophy of creative joy in contrast to Lee Strasberg's Method.<br />- He performed an improvised scene for Strasberg, presenting it as scripted, and then declined a scholarship offer, stating Strasberg could not teach acting after being fooled.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841682</guid><pubDate>Wed, 16 Sep 2026 08:00:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841682/0054.mp3" length="13031398" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/0555a9ac-9e9b-4d95-8396-563f74f5eb1e/0555a9ac-9e9b-4d95-8396-563f74f5eb1e.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/0555a9ac-9e9b-4d95-8396-563f74f5eb1e/0555a9ac-9e9b-4d95-8396-563f74f5eb1e.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/0555a9ac-9e9b-4d95-8396-563f74f5eb1e/0555a9ac-9e9b-4d95-8396-563f74f5eb1e.vtt" type="text/vtt" language="en"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A Hollywood filmmaker left hundreds of unseen works behind. How did such a prolific artist choose a path that left so much work unseen?&#13;
&#13;
The Forty Screenplays Hollywood Never Saw&#13;
&#13;
This episode explores the legacy of John Cassavetes, a director...</itunes:subtitle><itunes:summary><![CDATA[A Hollywood filmmaker left hundreds of unseen works behind. How did such a prolific artist choose a path that left so much work unseen?<br /><br />The Forty Screenplays Hollywood Never Saw<br /><br />This episode explores the legacy of John Cassavetes, a director hailed as one of the most influential of his time, and the choices that led him to create a vast body of unreleased work. We delve into the pivotal moment that shaped his unique approach to filmmaking.<br /><br />Person: John Cassavetes<br />Date of Death: February 3, 1989<br />Age at Death: 59<br />Cause of Death: Cirrhosis<br />Location of Birth: New York City<br /><br />- John Cassavetes was born in New York City in 1929 and spent part of his childhood in Greece, returning to New York at age seven speaking no English.<br />- He graduated from the American Academy of Dramatic Arts in 1950 and by 1955 was working as an actor in films like The Night Holds Terror and Crime in the Streets.<br />- In 1953, he met actress Gena Rowlands at an audition, and they married in 1954, beginning a collaboration central to his work.<br />- In 1956, Cassavetes co-founded an acting workshop in New York, promoting a philosophy of creative joy in contrast to Lee Strasberg's Method.<br />- He performed an improvised scene for Strasberg, presenting it as scripted, and then declined a scholarship offer, stating Strasberg could not teach acting after being fooled.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>815</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Garbo's Four Words Toppled a Life Built on Lies</title><link>https://www.spreaker.com/episode/garbo-s-four-words-toppled-a-life-built-on-lies--74841680</link><description><![CDATA[A man builds a life around a single secret. But a four-word comment on a film set threatens it all - could one line topple everything?<br /><br />Garbo's Four Words Toppled a Life Built on Lies<br /><br />This episode explores the life of actor Nils Asther, from his unusual birth in Copenhagen to his rise as a silent film star in Hollywood. It delves into the societal pressures and personal choices that shaped his carefully constructed public image.<br /><br />Person: Nils Asther<br />Date: January 17, 1897<br />Location: Santa Catalina Island<br />Event: Greta Garbo's comment to Nils Asther<br />Status: Homosexuality classified as "unnatural fornication" in Sweden<br /><br />- Nils Asther was born in Copenhagen to unmarried parents and was placed with a saddlemaker and his wife in Sweden shortly after his birth.<br />- Same-sex relations were legally classified as "unnatural fornication" in Sweden until 1944, and homosexuality remained a medical disorder until 1979.<br />- Asther's first screen appearance was in the 1916 silent film Vingarna (The Wings), which explored the love between an older artist and a younger man.<br />- By 1927, Asther had arrived in Hollywood, where studios like MGM were adept at crafting public images for their stars.<br />- He was nicknamed "the male Greta Garbo" by the press and filmed The Single Standard with her in 1929.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841680</guid><pubDate>Tue, 15 Sep 2026 08:00:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841680/0053.mp3" length="12243963" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/9c976b49-684b-49bc-a1df-926d24c9c8dc/9c976b49-684b-49bc-a1df-926d24c9c8dc.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/9c976b49-684b-49bc-a1df-926d24c9c8dc/9c976b49-684b-49bc-a1df-926d24c9c8dc.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/9c976b49-684b-49bc-a1df-926d24c9c8dc/9c976b49-684b-49bc-a1df-926d24c9c8dc.vtt" type="text/vtt" language="en"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A man builds a life around a single secret. But a four-word comment on a film set threatens it all - could one line topple everything?&#13;
&#13;
Garbo's Four Words Toppled a Life Built on Lies&#13;
&#13;
This episode explores the life of actor Nils Asther, from his...</itunes:subtitle><itunes:summary><![CDATA[A man builds a life around a single secret. But a four-word comment on a film set threatens it all - could one line topple everything?<br /><br />Garbo's Four Words Toppled a Life Built on Lies<br /><br />This episode explores the life of actor Nils Asther, from his unusual birth in Copenhagen to his rise as a silent film star in Hollywood. It delves into the societal pressures and personal choices that shaped his carefully constructed public image.<br /><br />Person: Nils Asther<br />Date: January 17, 1897<br />Location: Santa Catalina Island<br />Event: Greta Garbo's comment to Nils Asther<br />Status: Homosexuality classified as "unnatural fornication" in Sweden<br /><br />- Nils Asther was born in Copenhagen to unmarried parents and was placed with a saddlemaker and his wife in Sweden shortly after his birth.<br />- Same-sex relations were legally classified as "unnatural fornication" in Sweden until 1944, and homosexuality remained a medical disorder until 1979.<br />- Asther's first screen appearance was in the 1916 silent film Vingarna (The Wings), which explored the love between an older artist and a younger man.<br />- By 1927, Asther had arrived in Hollywood, where studios like MGM were adept at crafting public images for their stars.<br />- He was nicknamed "the male Greta Garbo" by the press and filmed The Single Standard with her in 1929.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>766</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Firing of Frank Capra Ended Langdon's Seven-Thousand-Dollar Weeks</title><link>https://www.spreaker.com/episode/the-firing-of-frank-capra-ended-langdon-s-seven-thousand-dollar-weeks--74841679</link><description><![CDATA[A silent film comedian earns a fortune making audiences weep with laughter, but his unique talent may be the very thing that leads to his downfall.<br /><br />The Firing of Frank Capra Ended Langdon's Seven-Thousand-Dollar Weeks<br /><br />This episode explores the career of Harry Langdon, one of Hollywood's four great silent comedians, and the mysterious circumstances that led to his dramatic decline. What happened to the man who once earned $7,500 a week?<br /><br />Person: Harry Langdon<br />Period: 1920s<br />Location: Hollywood<br />Salary: $7,500 per week<br />Status: Silent film comedian<br /><br />- Harry Langdon's comedic style relied on stillness and a baffled innocence, contrasting with the physical comedy of his peers.<br />- By 1926, Langdon was considered one of the four great comedians of Hollywood's silent era, alongside Charlie Chaplin, Buster Keaton, and Harold Lloyd.<br />- Langdon developed his unique character over two decades in medicine shows, stock companies, and vaudeville before arriving in Hollywood in 1923.<br />- His collaboration with director Frank Capra produced successful films like "Tramp, Tramp, Tramp," "The Strong Man," and "Long Pants."<br />- The partnership between Langdon and Capra was successful because Capra provided the technical instinct for filming Langdon's character.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841679</guid><pubDate>Mon, 14 Sep 2026 08:00:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841679/0052.mp3" length="16724067" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/690388a5-6c26-4fe6-978c-6d00fc4de2ab/690388a5-6c26-4fe6-978c-6d00fc4de2ab.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/690388a5-6c26-4fe6-978c-6d00fc4de2ab/690388a5-6c26-4fe6-978c-6d00fc4de2ab.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/690388a5-6c26-4fe6-978c-6d00fc4de2ab/690388a5-6c26-4fe6-978c-6d00fc4de2ab.vtt" type="text/vtt" language="en"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A silent film comedian earns a fortune making audiences weep with laughter, but his unique talent may be the very thing that leads to his downfall.&#13;
&#13;
The Firing of Frank Capra Ended Langdon's Seven-Thousand-Dollar Weeks&#13;
&#13;
This episode explores the...</itunes:subtitle><itunes:summary><![CDATA[A silent film comedian earns a fortune making audiences weep with laughter, but his unique talent may be the very thing that leads to his downfall.<br /><br />The Firing of Frank Capra Ended Langdon's Seven-Thousand-Dollar Weeks<br /><br />This episode explores the career of Harry Langdon, one of Hollywood's four great silent comedians, and the mysterious circumstances that led to his dramatic decline. What happened to the man who once earned $7,500 a week?<br /><br />Person: Harry Langdon<br />Period: 1920s<br />Location: Hollywood<br />Salary: $7,500 per week<br />Status: Silent film comedian<br /><br />- Harry Langdon's comedic style relied on stillness and a baffled innocence, contrasting with the physical comedy of his peers.<br />- By 1926, Langdon was considered one of the four great comedians of Hollywood's silent era, alongside Charlie Chaplin, Buster Keaton, and Harold Lloyd.<br />- Langdon developed his unique character over two decades in medicine shows, stock companies, and vaudeville before arriving in Hollywood in 1923.<br />- His collaboration with director Frank Capra produced successful films like "Tramp, Tramp, Tramp," "The Strong Man," and "Long Pants."<br />- The partnership between Langdon and Capra was successful because Capra provided the technical instinct for filming Langdon's character.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>1046</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The magazine poll that buried a million votes and a star's name</title><link>https://www.spreaker.com/episode/the-magazine-poll-that-buried-a-million-votes-and-a-star-s-name--74841677</link><description><![CDATA[A 1913 poll named Romaine Fielding America’s most popular film star-then he vanished. How did Romaine Fielding disappear?<br /><br />The magazine poll that buried a million votes and a star's name<br /><br />This episode explores the life of Romaine Fielding, a silent film star who achieved immense popularity in the early 20th century before his name faded into obscurity. It delves into his mysterious origins and the contradictions that defined his career.<br /><br />Person: Romaine Fielding (born William Grant Blandin)<br />Date: July 1913<br />Location: United States<br />Votes: 1,311,018<br />Parents: Chester John Blandin and Almeda Bacon<br /><br />- William Grant Blandin was born in Riceville, Iowa, in 1867 and raised by his grandparents.<br />- He practiced medicine in Kansas City, Missouri, without a degree, then prospected for gold in Alaska, meeting writers Jack London and Rex Beach.<br />- After various jobs, he joined theatrical repertory companies in San Francisco and Boston, changing his name to Royal A. Blandin and then Romaine Fielding.<br />- In 1911, at age 44, he was hired by Lubin Studios in Philadelphia as an actor, and by June 1912, he was appointed director of the Lubin Southwest Company despite no prior directing experience.<br />- Fielding filmed miners and Tohono O'odham people in Tucson, and later captured and staged scenes from the real Batalla de Nogales, blurring the lines between documentary and fiction.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841677</guid><pubDate>Sun, 13 Sep 2026 08:00:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841677/0051.mp3" length="12769338" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/96aa78e9-efea-4bf4-8b36-94f3dd9bc7ee/96aa78e9-efea-4bf4-8b36-94f3dd9bc7ee.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/96aa78e9-efea-4bf4-8b36-94f3dd9bc7ee/96aa78e9-efea-4bf4-8b36-94f3dd9bc7ee.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/96aa78e9-efea-4bf4-8b36-94f3dd9bc7ee/96aa78e9-efea-4bf4-8b36-94f3dd9bc7ee.vtt" type="text/vtt" language="en"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A 1913 poll named Romaine Fielding America’s most popular film star-then he vanished. How did Romaine Fielding disappear?&#13;
&#13;
The magazine poll that buried a million votes and a star's name&#13;
&#13;
This episode explores the life of Romaine Fielding, a...</itunes:subtitle><itunes:summary><![CDATA[A 1913 poll named Romaine Fielding America’s most popular film star-then he vanished. How did Romaine Fielding disappear?<br /><br />The magazine poll that buried a million votes and a star's name<br /><br />This episode explores the life of Romaine Fielding, a silent film star who achieved immense popularity in the early 20th century before his name faded into obscurity. It delves into his mysterious origins and the contradictions that defined his career.<br /><br />Person: Romaine Fielding (born William Grant Blandin)<br />Date: July 1913<br />Location: United States<br />Votes: 1,311,018<br />Parents: Chester John Blandin and Almeda Bacon<br /><br />- William Grant Blandin was born in Riceville, Iowa, in 1867 and raised by his grandparents.<br />- He practiced medicine in Kansas City, Missouri, without a degree, then prospected for gold in Alaska, meeting writers Jack London and Rex Beach.<br />- After various jobs, he joined theatrical repertory companies in San Francisco and Boston, changing his name to Royal A. Blandin and then Romaine Fielding.<br />- In 1911, at age 44, he was hired by Lubin Studios in Philadelphia as an actor, and by June 1912, he was appointed director of the Lubin Southwest Company despite no prior directing experience.<br />- Fielding filmed miners and Tohono O'odham people in Tucson, and later captured and staged scenes from the real Batalla de Nogales, blurring the lines between documentary and fiction.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>799</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Academy Award Nomination That Marked His Fall</title><link>https://www.spreaker.com/episode/the-academy-award-nomination-that-marked-his-fall--74841676</link><description><![CDATA[A silent film idol earns an Academy Award nomination for Best Actor, but his meteoric rise in Hollywood is about to face an unexpected challenge.<br /><br />The Academy Award Nomination That Marked His Fall<br /><br />This episode explores the life of Richard Barthelmess, a silent film star who achieved immense fame and influence in the 1920s before his career took a dramatic turn. How much of his eventual decline did he foresee, and how much did he choose?<br /><br />Person: Richard Barthelmess<br />Period: 1919-1942<br />Event: First Academy Award<br />Status: Nominated for Best Actor (two films)<br />Mother: Caroline W. Harris<br /><br />- Richard Barthelmess was born in 1895, and his mother, a stage actress, introduced him to the world of performance.<br />- Russian actress Alla Nazimova, a friend of his mother, insisted he pursue acting and introduced him to D.W. Griffith.<br />- Griffith cast Barthelmess in "Broken Blossoms" (1919), where he played a young Chinese merchant in yellowface, a common practice at the time.<br />- By 1921, Barthelmess co-founded Inspiration Film Company, becoming a producer and businessman who understood leverage within the studio system.<br />- In 1927, at 32, Barthelmess was a co-founder of the Academy of Motion Picture Arts and Sciences and was nominated for the first Best Actor Oscar for two films.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841676</guid><pubDate>Sat, 12 Sep 2026 08:00:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841676/0050.mp3" length="15567574" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/89da45e3-f5b2-4bcc-9acf-0de9d6e29659/89da45e3-f5b2-4bcc-9acf-0de9d6e29659.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/89da45e3-f5b2-4bcc-9acf-0de9d6e29659/89da45e3-f5b2-4bcc-9acf-0de9d6e29659.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/89da45e3-f5b2-4bcc-9acf-0de9d6e29659/89da45e3-f5b2-4bcc-9acf-0de9d6e29659.vtt" type="text/vtt" language="en"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A silent film idol earns an Academy Award nomination for Best Actor, but his meteoric rise in Hollywood is about to face an unexpected challenge.&#13;
&#13;
The Academy Award Nomination That Marked His Fall&#13;
&#13;
This episode explores the life of Richard...</itunes:subtitle><itunes:summary><![CDATA[A silent film idol earns an Academy Award nomination for Best Actor, but his meteoric rise in Hollywood is about to face an unexpected challenge.<br /><br />The Academy Award Nomination That Marked His Fall<br /><br />This episode explores the life of Richard Barthelmess, a silent film star who achieved immense fame and influence in the 1920s before his career took a dramatic turn. How much of his eventual decline did he foresee, and how much did he choose?<br /><br />Person: Richard Barthelmess<br />Period: 1919-1942<br />Event: First Academy Award<br />Status: Nominated for Best Actor (two films)<br />Mother: Caroline W. Harris<br /><br />- Richard Barthelmess was born in 1895, and his mother, a stage actress, introduced him to the world of performance.<br />- Russian actress Alla Nazimova, a friend of his mother, insisted he pursue acting and introduced him to D.W. Griffith.<br />- Griffith cast Barthelmess in "Broken Blossoms" (1919), where he played a young Chinese merchant in yellowface, a common practice at the time.<br />- By 1921, Barthelmess co-founded Inspiration Film Company, becoming a producer and businessman who understood leverage within the studio system.<br />- In 1927, at 32, Barthelmess was a co-founder of the Academy of Motion Picture Arts and Sciences and was nominated for the first Best Actor Oscar for two films.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>973</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The stump she stood on launched a forty‑two year career and then ended it</title><link>https://www.spreaker.com/episode/the-stump-she-stood-on-launched-a-forty-two-year-career-and-then-ended-it--74841674</link><description><![CDATA[A young woman from Louisville, Kentucky, performs for chickens and ducks on a log. This unusual start launches a forty-two year acting career.<br /><br />The stump she stood on launched a forty‑two year career and then ended it<br /><br />This episode explores the remarkable career of Teresa Maxwell-Conover, an actress who worked professionally for over four decades without scandal or controversy. What did she understand about the acting profession that allowed her to thrive for so long?<br /><br />Person: Teresa Maxwell-Conover<br />First Performance Location: Louisville, Kentucky<br />Career Span: 1899-1941<br />First Professional Role: Peggy Proudfoot<br />Broadway Debut: February 1911<br /><br />- Teresa Maxwell was born in Louisville, Kentucky, in 1884, the daughter of a reverend.<br />- Her first audience consisted of chickens and ducks, to whom she performed on a log in the 1890s.<br />- She arrived in New York City in the mid-1890s with no formal acting experience or connections.<br />- Maxwell-Conover secured a role in "The Purple Lady" and by 1899, was playing the first lady in the same production.<br />- She spent several years working in Nashville, Tennessee, between 1900 and 1902, honing her craft away from major markets.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841674</guid><pubDate>Fri, 11 Sep 2026 08:00:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841674/0049.mp3" length="12684910" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/3c6c8580-c678-49c8-b780-e417325ae4c0/3c6c8580-c678-49c8-b780-e417325ae4c0.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/3c6c8580-c678-49c8-b780-e417325ae4c0/3c6c8580-c678-49c8-b780-e417325ae4c0.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/3c6c8580-c678-49c8-b780-e417325ae4c0/3c6c8580-c678-49c8-b780-e417325ae4c0.vtt" type="text/vtt" language="en"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A young woman from Louisville, Kentucky, performs for chickens and ducks on a log. This unusual start launches a forty-two year acting career.&#13;
&#13;
The stump she stood on launched a forty‑two year career and then ended it&#13;
&#13;
This episode explores the...</itunes:subtitle><itunes:summary><![CDATA[A young woman from Louisville, Kentucky, performs for chickens and ducks on a log. This unusual start launches a forty-two year acting career.<br /><br />The stump she stood on launched a forty‑two year career and then ended it<br /><br />This episode explores the remarkable career of Teresa Maxwell-Conover, an actress who worked professionally for over four decades without scandal or controversy. What did she understand about the acting profession that allowed her to thrive for so long?<br /><br />Person: Teresa Maxwell-Conover<br />First Performance Location: Louisville, Kentucky<br />Career Span: 1899-1941<br />First Professional Role: Peggy Proudfoot<br />Broadway Debut: February 1911<br /><br />- Teresa Maxwell was born in Louisville, Kentucky, in 1884, the daughter of a reverend.<br />- Her first audience consisted of chickens and ducks, to whom she performed on a log in the 1890s.<br />- She arrived in New York City in the mid-1890s with no formal acting experience or connections.<br />- Maxwell-Conover secured a role in "The Purple Lady" and by 1899, was playing the first lady in the same production.<br />- She spent several years working in Nashville, Tennessee, between 1900 and 1902, honing her craft away from major markets.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>793</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Titanic dress she wore onscreen sold her a fame she couldn't keep</title><link>https://www.spreaker.com/episode/the-titanic-dress-she-wore-onscreen-sold-her-a-fame-she-couldn-t-keep--74841671</link><description><![CDATA[A Titanic survivor, already a famous actress, reenacts her escape in the very dress she wore, turning trauma into a sensation. But can she outrun the scandal that follows?<br /><br />The Titanic dress she wore onscreen sold her a fame she couldn't keep<br /><br />This episode explores the life of Dorothy Gibson, a prominent actress who survived the Titanic disaster and quickly turned her experience into a film. It delves into the complexities of her sudden fame and the challenges she faced in the decades that followed.<br /><br />Person: Dorothy Gibson<br />Event: Sinking of the RMS Titanic<br />Date: April 14, 1912<br />Location: Fort Lee, New Jersey<br />Film: Saved from the Titanic<br /><br />- Dorothy Gibson, one of the highest-paid actresses, was 22 when she filmed "Saved from the Titanic" four weeks after the disaster.<br />- She wore the same white silk evening dress, cardigan, and polo coat from Lifeboat Number Seven in the film.<br />- Before the Titanic, Dorothy was "The Original Harrison Fisher Girl," a widely recognized model for illustrator Harrison Fisher.<br />- She was hired by Éclair film company in Fort Lee, then the center of American film production.<br />- Dorothy and Jules Brulatour, head of distribution for Eastman Kodak and co-founder of Universal Pictures, became lovers in 1911 while he was married.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841671</guid><pubDate>Thu, 10 Sep 2026 08:00:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841671/0048.mp3" length="14424874" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/4a49d429-6416-49b0-91a9-978f781a50b3/4a49d429-6416-49b0-91a9-978f781a50b3.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/4a49d429-6416-49b0-91a9-978f781a50b3/4a49d429-6416-49b0-91a9-978f781a50b3.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/4a49d429-6416-49b0-91a9-978f781a50b3/4a49d429-6416-49b0-91a9-978f781a50b3.vtt" type="text/vtt" language="en"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A Titanic survivor, already a famous actress, reenacts her escape in the very dress she wore, turning trauma into a sensation. But can she outrun the scandal that follows?&#13;
&#13;
The Titanic dress she wore onscreen sold her a fame she couldn't keep...</itunes:subtitle><itunes:summary><![CDATA[A Titanic survivor, already a famous actress, reenacts her escape in the very dress she wore, turning trauma into a sensation. But can she outrun the scandal that follows?<br /><br />The Titanic dress she wore onscreen sold her a fame she couldn't keep<br /><br />This episode explores the life of Dorothy Gibson, a prominent actress who survived the Titanic disaster and quickly turned her experience into a film. It delves into the complexities of her sudden fame and the challenges she faced in the decades that followed.<br /><br />Person: Dorothy Gibson<br />Event: Sinking of the RMS Titanic<br />Date: April 14, 1912<br />Location: Fort Lee, New Jersey<br />Film: Saved from the Titanic<br /><br />- Dorothy Gibson, one of the highest-paid actresses, was 22 when she filmed "Saved from the Titanic" four weeks after the disaster.<br />- She wore the same white silk evening dress, cardigan, and polo coat from Lifeboat Number Seven in the film.<br />- Before the Titanic, Dorothy was "The Original Harrison Fisher Girl," a widely recognized model for illustrator Harrison Fisher.<br />- She was hired by Éclair film company in Fort Lee, then the center of American film production.<br />- Dorothy and Jules Brulatour, head of distribution for Eastman Kodak and co-founder of Universal Pictures, became lovers in 1911 while he was married.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>902</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The pistol that landed in her Cadillac ended three careers</title><link>https://www.spreaker.com/episode/the-pistol-that-landed-in-her-cadillac-ended-three-careers--74841669</link><description><![CDATA[A pistol lands in a Hollywood star's Cadillac convertible, fired by her husband across from the Beverly Hills Police Department. Her career hangs in the balance.<br /><br />The pistol that landed in her Cadillac ended three careers<br /><br />This episode explores the dramatic events of a December afternoon in 1951 when a shooting in Beverly Hills irrevocably altered the life and career of actress Joan Bennett. How could an object she never touched derail a career built through three distinct versions of stardom?<br /><br />Person: Joan Bennett<br />Date: December 13, 1951<br />Location: Beverly Hills, California<br />Event: Shooting in a parking lot<br />Husband: Walter Wanger<br /><br />- Joan Bennett was born into a theatrical family in 1910, with her grandfather, father, mother, and sisters all involved in acting.<br />- By 1933, she had established herself as a blonde ingenue, playing roles like Amy March in "Little Women."<br />- In 1938, producer Walter Wanger persuaded her to dye her hair dark for "Trade Winds," transforming her image and leading to a new career phase.<br />- Wanger, who later became her husband, produced her films and shaped her image, leading to iconic roles in film noir like "The Woman in the Window."<br />- In 1950, she successfully transitioned to a third career phase, playing elegant mothers in films like "Father of the Bride" opposite Spencer Tracy.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841669</guid><pubDate>Wed, 09 Sep 2026 08:00:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841669/0047.mp3" length="15016704" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/05793116-bd0e-4999-892b-8c76759b9280/05793116-bd0e-4999-892b-8c76759b9280.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/05793116-bd0e-4999-892b-8c76759b9280/05793116-bd0e-4999-892b-8c76759b9280.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/05793116-bd0e-4999-892b-8c76759b9280/05793116-bd0e-4999-892b-8c76759b9280.vtt" type="text/vtt" language="en"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A pistol lands in a Hollywood star's Cadillac convertible, fired by her husband across from the Beverly Hills Police Department. Her career hangs in the balance.&#13;
&#13;
The pistol that landed in her Cadillac ended three careers&#13;
&#13;
This episode explores...</itunes:subtitle><itunes:summary><![CDATA[A pistol lands in a Hollywood star's Cadillac convertible, fired by her husband across from the Beverly Hills Police Department. Her career hangs in the balance.<br /><br />The pistol that landed in her Cadillac ended three careers<br /><br />This episode explores the dramatic events of a December afternoon in 1951 when a shooting in Beverly Hills irrevocably altered the life and career of actress Joan Bennett. How could an object she never touched derail a career built through three distinct versions of stardom?<br /><br />Person: Joan Bennett<br />Date: December 13, 1951<br />Location: Beverly Hills, California<br />Event: Shooting in a parking lot<br />Husband: Walter Wanger<br /><br />- Joan Bennett was born into a theatrical family in 1910, with her grandfather, father, mother, and sisters all involved in acting.<br />- By 1933, she had established herself as a blonde ingenue, playing roles like Amy March in "Little Women."<br />- In 1938, producer Walter Wanger persuaded her to dye her hair dark for "Trade Winds," transforming her image and leading to a new career phase.<br />- Wanger, who later became her husband, produced her films and shaped her image, leading to iconic roles in film noir like "The Woman in the Window."<br />- In 1950, she successfully transitioned to a third career phase, playing elegant mothers in films like "Father of the Bride" opposite Spencer Tracy.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>939</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Night Lana Turner's Daughter Killed Her Lover</title><link>https://www.spreaker.com/episode/the-night-lana-turner-s-daughter-killed-her-lover--74841665</link><description><![CDATA[On April 4, 1958, a teenage girl killed her mother's lover in Beverly Hills. The world's biggest movie star, Lana Turner, was caught in the scandal.<br /><br />The Night Lana Turner's Daughter Killed Her Lover<br /><br />This episode explores the life of Lana Turner, from her humble beginnings to becoming a Hollywood icon, and the events that led to a shocking incident in her Beverly Hills home. It examines the forces that shaped her career and personal life.<br /><br />Person: Lana Turner<br />Date: April 4, 1958<br />Location: North Bedford Drive, Beverly Hills<br />Event: Killing of Johnny Stompanato<br /><br />- Julia Jean Turner was born in Wallace, Idaho, in 1921, and her father was murdered when she was nine years old.<br />- In 1937, while skipping typing class, she was discovered at the Top Hat Malt Shop and signed to Warner Bros.<br />- MGM later signed her for double the salary, a decision that proved to be one of the studio's most expensive miscalculations.<br />- Studio executives arranged an abortion for Turner in 1940, performed without anesthesia in a hotel room in Hawaii.<br />- By 1946, after multiple personal struggles, Turner starred in "The Postman Always Rings Twice," a role that critics noted showed a new depth in her acting.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841665</guid><pubDate>Tue, 08 Sep 2026 08:00:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841665/0046.mp3" length="13653739" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/1ed03fc0-ad69-409a-b033-dc10b5da927b/1ed03fc0-ad69-409a-b033-dc10b5da927b.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/1ed03fc0-ad69-409a-b033-dc10b5da927b/1ed03fc0-ad69-409a-b033-dc10b5da927b.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/1ed03fc0-ad69-409a-b033-dc10b5da927b/1ed03fc0-ad69-409a-b033-dc10b5da927b.vtt" type="text/vtt" language="en"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>On April 4, 1958, a teenage girl killed her mother's lover in Beverly Hills. The world's biggest movie star, Lana Turner, was caught in the scandal.&#13;
&#13;
The Night Lana Turner's Daughter Killed Her Lover&#13;
&#13;
This episode explores the life of Lana Turner,...</itunes:subtitle><itunes:summary><![CDATA[On April 4, 1958, a teenage girl killed her mother's lover in Beverly Hills. The world's biggest movie star, Lana Turner, was caught in the scandal.<br /><br />The Night Lana Turner's Daughter Killed Her Lover<br /><br />This episode explores the life of Lana Turner, from her humble beginnings to becoming a Hollywood icon, and the events that led to a shocking incident in her Beverly Hills home. It examines the forces that shaped her career and personal life.<br /><br />Person: Lana Turner<br />Date: April 4, 1958<br />Location: North Bedford Drive, Beverly Hills<br />Event: Killing of Johnny Stompanato<br /><br />- Julia Jean Turner was born in Wallace, Idaho, in 1921, and her father was murdered when she was nine years old.<br />- In 1937, while skipping typing class, she was discovered at the Top Hat Malt Shop and signed to Warner Bros.<br />- MGM later signed her for double the salary, a decision that proved to be one of the studio's most expensive miscalculations.<br />- Studio executives arranged an abortion for Turner in 1940, performed without anesthesia in a hotel room in Hawaii.<br />- By 1946, after multiple personal struggles, Turner starred in "The Postman Always Rings Twice," a role that critics noted showed a new depth in her acting.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>854</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Telegram That Traded a Stardom for a POW Camp</title><link>https://www.spreaker.com/episode/the-telegram-that-traded-a-stardom-for-a-pow-camp--74841664</link><description><![CDATA[In 1943 a telegram offered Shirley Ann Richards an MGM role - and another told of her brother as a POW. What would you choose?<br /><br />The Telegram That Traded a Stardom for a POW Camp<br /><br />This episode explores the life of Shirley Ann Richards, an Australian actress whose career took off in Hollywood just as her family faced the harsh realities of World War II. It delves into the silent moment that defined a family's sacrifice and a star's ascent.<br /><br />Person: Shirley Ann Richards<br />Date: April 1943<br />Location: Sydney, Australia<br />Studio: MGM<br />Event: Pearl Harbor bombing<br /><br />- Shirley Ann Richards traveled to the US with only $75, the maximum allowed by the Australian government, days after Pearl Harbor.<br />- Within a week of landing in the US, she secured an MGM contract and a new name, Ann Richards.<br />- Her early career in Australia included working as a receptionist at Russell Roberts studio and performing with the Sydney Players Club.<br />- Ken G. Hall, a dominant figure in Australian filmmaking, cast her in "It Isn't Done" in 1937, leading to a long-term contract with Cinesound.<br />- Before she sailed for America, Ken G. Hall sent a reel of her footage to Carl Dudley in the US, which was subsequently lost by an aspiring producer.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841664</guid><pubDate>Mon, 07 Sep 2026 08:00:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841664/0045.mp3" length="13756975" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>In 1943 a telegram offered Shirley Ann Richards an MGM role - and another told of her brother as a POW. What would you choose?&#13;
&#13;
The Telegram That Traded a Stardom for a POW Camp&#13;
&#13;
This episode explores the life of Shirley Ann Richards, an...</itunes:subtitle><itunes:summary><![CDATA[In 1943 a telegram offered Shirley Ann Richards an MGM role - and another told of her brother as a POW. What would you choose?<br /><br />The Telegram That Traded a Stardom for a POW Camp<br /><br />This episode explores the life of Shirley Ann Richards, an Australian actress whose career took off in Hollywood just as her family faced the harsh realities of World War II. It delves into the silent moment that defined a family's sacrifice and a star's ascent.<br /><br />Person: Shirley Ann Richards<br />Date: April 1943<br />Location: Sydney, Australia<br />Studio: MGM<br />Event: Pearl Harbor bombing<br /><br />- Shirley Ann Richards traveled to the US with only $75, the maximum allowed by the Australian government, days after Pearl Harbor.<br />- Within a week of landing in the US, she secured an MGM contract and a new name, Ann Richards.<br />- Her early career in Australia included working as a receptionist at Russell Roberts studio and performing with the Sydney Players Club.<br />- Ken G. Hall, a dominant figure in Australian filmmaking, cast her in "It Isn't Done" in 1937, leading to a long-term contract with Cinesound.<br />- Before she sailed for America, Ken G. Hall sent a reel of her footage to Carl Dudley in the US, which was subsequently lost by an aspiring producer.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>860</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Kinescope That Buried the First James Bond</title><link>https://www.spreaker.com/episode/the-kinescope-that-buried-the-first-james-bond--74841662</link><description><![CDATA[In 1954, a man played James Bond on live television, years before the iconic film franchise. This forgotten broadcast raises questions about how a pivotal pop culture moment vanished.<br /><br />The Kinescope That Buried the First James Bond<br /><br />This episode explores the story of the first actor to portray James Bond, Barry Nelson, in a 1954 live television broadcast. It delves into his career before this overlooked role and how the broadcast itself became a lost piece of television history.<br /><br />Person: Barry Nelson (Robert Haakon Nielsen)<br />Date: 1954<br />Network: CBS<br />Technology: Kinescope<br />Co-star: Peter Lorre<br /><br />- Barry Nelson, born Robert Haakon Nielsen in 1917, worked in San Francisco radio to pay for his tuition at the University of California, Berkeley.<br />- After graduating in 1941, he was signed by MGM and appeared in films like Shadow of the Thin Man and Johnny Eager.<br />- In 1943, he enlisted in the Army Air Forces and made his Broadway debut in Winged Victory, a Moss Hart production.<br />- The 1954 live television adaptation of Casino Royale aired on a Tuesday evening in October, preserved only by a kinescope recording.<br />- Nelson accepted the role primarily to share a scene with Peter Lorre, a renowned character actor.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841662</guid><pubDate>Sun, 06 Sep 2026 08:00:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841662/0044.mp3" length="13845165" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>In 1954, a man played James Bond on live television, years before the iconic film franchise. This forgotten broadcast raises questions about how a pivotal pop culture moment vanished.&#13;
&#13;
The Kinescope That Buried the First James Bond&#13;
&#13;
This episode...</itunes:subtitle><itunes:summary><![CDATA[In 1954, a man played James Bond on live television, years before the iconic film franchise. This forgotten broadcast raises questions about how a pivotal pop culture moment vanished.<br /><br />The Kinescope That Buried the First James Bond<br /><br />This episode explores the story of the first actor to portray James Bond, Barry Nelson, in a 1954 live television broadcast. It delves into his career before this overlooked role and how the broadcast itself became a lost piece of television history.<br /><br />Person: Barry Nelson (Robert Haakon Nielsen)<br />Date: 1954<br />Network: CBS<br />Technology: Kinescope<br />Co-star: Peter Lorre<br /><br />- Barry Nelson, born Robert Haakon Nielsen in 1917, worked in San Francisco radio to pay for his tuition at the University of California, Berkeley.<br />- After graduating in 1941, he was signed by MGM and appeared in films like Shadow of the Thin Man and Johnny Eager.<br />- In 1943, he enlisted in the Army Air Forces and made his Broadway debut in Winged Victory, a Moss Hart production.<br />- The 1954 live television adaptation of Casino Royale aired on a Tuesday evening in October, preserved only by a kinescope recording.<br />- Nelson accepted the role primarily to share a scene with Peter Lorre, a renowned character actor.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>866</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Name That Hid a Life and Lost a Woman</title><link>https://www.spreaker.com/episode/the-name-that-hid-a-life-and-lost-a-woman--74841660</link><description><![CDATA[A Hollywood star saves a studio from ruin, but the woman behind the persona hides her true identity for decades. What did she sacrifice to become Marjorie Main?<br /><br />The Name That Hid a Life and Lost a Woman<br /><br />This episode explores the life of Marjorie Main, the actress who became a household name as Ma Kettle, and the hidden identity of Mary Tomlinson. It delves into the choices she made to build her career and the personal cost of her public image.<br /><br />Person: Marjorie Main / Mary Tomlinson<br />Born: February 24, 1890<br />Location: Marion County, Indiana<br />Occupation: Actress<br />Father: Reverend Samuel J. Tomlinson<br /><br />- Mary Tomlinson was born to a minister in the Disciples of Christ, a household where the stage was not sanctioned.<br />- At 19, after teaching elocution, she began moving towards a life her father disapproved of.<br />- To protect her father's reputation, Mary Tomlinson adopted the stage name Marjorie Main.<br />- She performed in Chautauqua circuits, Shakespearean repertory, vaudeville, and on Broadway, appearing with John Barrymore and W.C. Fields.<br />- In 1921, she married Dr. Stanley LeFevre Krebs, a psychologist and lecturer, describing him later as a friend rather than a romantic partner.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841660</guid><pubDate>Sat, 05 Sep 2026 08:00:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841660/0043.mp3" length="11757040" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A Hollywood star saves a studio from ruin, but the woman behind the persona hides her true identity for decades. What did she sacrifice to become Marjorie Main?&#13;
&#13;
The Name That Hid a Life and Lost a Woman&#13;
&#13;
This episode explores the life of Marjorie...</itunes:subtitle><itunes:summary><![CDATA[A Hollywood star saves a studio from ruin, but the woman behind the persona hides her true identity for decades. What did she sacrifice to become Marjorie Main?<br /><br />The Name That Hid a Life and Lost a Woman<br /><br />This episode explores the life of Marjorie Main, the actress who became a household name as Ma Kettle, and the hidden identity of Mary Tomlinson. It delves into the choices she made to build her career and the personal cost of her public image.<br /><br />Person: Marjorie Main / Mary Tomlinson<br />Born: February 24, 1890<br />Location: Marion County, Indiana<br />Occupation: Actress<br />Father: Reverend Samuel J. Tomlinson<br /><br />- Mary Tomlinson was born to a minister in the Disciples of Christ, a household where the stage was not sanctioned.<br />- At 19, after teaching elocution, she began moving towards a life her father disapproved of.<br />- To protect her father's reputation, Mary Tomlinson adopted the stage name Marjorie Main.<br />- She performed in Chautauqua circuits, Shakespearean repertory, vaudeville, and on Broadway, appearing with John Barrymore and W.C. Fields.<br />- In 1921, she married Dr. Stanley LeFevre Krebs, a psychologist and lecturer, describing him later as a friend rather than a romantic partner.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>735</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The contract that took everything he made</title><link>https://www.spreaker.com/episode/the-contract-that-took-everything-he-made--74841657</link><description><![CDATA[A comedy legend lost his control of a Hollywood legacy when a contract betrayed him - how did this happen?<br /><br />The contract that took everything he made<br /><br />This episode explores the improbable rise of a Brooklyn immigrant's son who became a beloved comedy icon. It delves into the early life and career of a man who created an enduring entertainment franchise, only to find his success consumed by the very system he worked within.<br /><br />Person: Moses Harry Horwitz (Moe Howard)<br />Date: 1907<br />Location: Bensonhurst, Brooklyn<br />Event: Vitagraph Studios fire<br />Status: Married Helen Schonberger<br /><br />- Moses Harry Horwitz, at age ten, cut his own curls in a shed after being mocked at school.<br />- He lost his first screen job at thirteen when Vitagraph Studios burned down in 1910.<br />- Moe worked with aquatic performer Annette Kellermann in a vaudeville water act at fifteen.<br />- He began a formal comedy act with Ted Healy in 1922, who was known for his talent and volatility.<br />- Larry Fine joined the act in 1928, recruited by Ted Healy for a Broadway show.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841657</guid><pubDate>Fri, 04 Sep 2026 08:00:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841657/0042.mp3" length="13998974" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A comedy legend lost his control of a Hollywood legacy when a contract betrayed him - how did this happen?&#13;
&#13;
The contract that took everything he made&#13;
&#13;
This episode explores the improbable rise of a Brooklyn immigrant's son who became a beloved...</itunes:subtitle><itunes:summary><![CDATA[A comedy legend lost his control of a Hollywood legacy when a contract betrayed him - how did this happen?<br /><br />The contract that took everything he made<br /><br />This episode explores the improbable rise of a Brooklyn immigrant's son who became a beloved comedy icon. It delves into the early life and career of a man who created an enduring entertainment franchise, only to find his success consumed by the very system he worked within.<br /><br />Person: Moses Harry Horwitz (Moe Howard)<br />Date: 1907<br />Location: Bensonhurst, Brooklyn<br />Event: Vitagraph Studios fire<br />Status: Married Helen Schonberger<br /><br />- Moses Harry Horwitz, at age ten, cut his own curls in a shed after being mocked at school.<br />- He lost his first screen job at thirteen when Vitagraph Studios burned down in 1910.<br />- Moe worked with aquatic performer Annette Kellermann in a vaudeville water act at fifteen.<br />- He began a formal comedy act with Ted Healy in 1922, who was known for his talent and volatility.<br />- Larry Fine joined the act in 1928, recruited by Ted Healy for a Broadway show.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>875</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The unscripted comic face that toppled a career</title><link>https://www.spreaker.com/episode/the-unscripted-comic-face-that-toppled-a-career--74841655</link><description><![CDATA[A Hollywood career built over six decades faces constant studio interference and personal hardship. What is the true cost of fame for a man whose name isn't even his own?<br /><br />The unscripted comic face that toppled a career<br /><br />This episode explores the early life and career of a quietly consequential Hollywood figure, from his challenging childhood in Oklahoma to his experiences in the Korean War and his unexpected entry into acting. What hidden struggles shaped a man known for his effortless charm?<br /><br />Person: James Garner<br />Date: 1928<br />Location: Norman, Oklahoma<br />Status: Purple Heart recipient<br />Event: Korean War<br /><br />- James Scott Bumgarner was the youngest of three boys, born in Norman, Oklahoma, in 1928.<br />- His mother died when he was five, and he later endured abuse from a stepmother, whom he confronted at age fourteen.<br />- He enrolled in the Merchant Marines at sixteen and later served fourteen months as a rifleman in the Korean War.<br />- He received a Purple Heart for shrapnel wounds from a mortar round, and later, a second medal for wounds from friendly fire.<br />- While recovering from the war, he took a non-speaking role in a Broadway play and observed Henry Fonda's acting style.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841655</guid><pubDate>Thu, 03 Sep 2026 08:00:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841655/0041.mp3" length="14839907" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A Hollywood career built over six decades faces constant studio interference and personal hardship. What is the true cost of fame for a man whose name isn't even his own?&#13;
&#13;
The unscripted comic face that toppled a career&#13;
&#13;
This episode explores the...</itunes:subtitle><itunes:summary><![CDATA[A Hollywood career built over six decades faces constant studio interference and personal hardship. What is the true cost of fame for a man whose name isn't even his own?<br /><br />The unscripted comic face that toppled a career<br /><br />This episode explores the early life and career of a quietly consequential Hollywood figure, from his challenging childhood in Oklahoma to his experiences in the Korean War and his unexpected entry into acting. What hidden struggles shaped a man known for his effortless charm?<br /><br />Person: James Garner<br />Date: 1928<br />Location: Norman, Oklahoma<br />Status: Purple Heart recipient<br />Event: Korean War<br /><br />- James Scott Bumgarner was the youngest of three boys, born in Norman, Oklahoma, in 1928.<br />- His mother died when he was five, and he later endured abuse from a stepmother, whom he confronted at age fourteen.<br />- He enrolled in the Merchant Marines at sixteen and later served fourteen months as a rifleman in the Korean War.<br />- He received a Purple Heart for shrapnel wounds from a mortar round, and later, a second medal for wounds from friendly fire.<br />- While recovering from the war, he took a non-speaking role in a Broadway play and observed Henry Fonda's acting style.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>928</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The registry that stopped at 42 erased the rest of his rise</title><link>https://www.spreaker.com/episode/the-registry-that-stopped-at-42-erased-the-rest-of-his-rise--74841652</link><description><![CDATA[A man who’d played Ulysses S. Grant watches his career vanish into the studio machine-how does a working actor’s rise disappear?<br /><br />The registry that stopped at 42 erased the rest of his rise<br /><br />In this episode, we follow Joseph Crehan’s career from stock companies to Broadway to Hollywood to ask how relentless work can render a performer invisible. What does it mean when an official count freezes at forty-two mid-career, and what does that gap reveal about studio labor and recognition?<br /><br />Person: Joseph Crehan (born Joseph Creaghan)<br />Date: June 1939<br />Location: Hollywood / United States<br />Period: 1907-1939 (early career through checkpoint)<br />Topic: Performances as Ulysses S. Grant recorded as 42<br /><br />- Began acting in 1907 at age 23 in a Philadelphia stock company and built a rapid memorization discipline.<br />- Worked regional theater across Baltimore, Boston, Washington, and with the Morosco Stock Company in Los Angeles.<br />- Broadway credits include Yosemite (1914), Ringside (1928), Sweet Land of Liberty (1929), Those We Love (1930), and multiple 1932 productions.<br />- Film work began in 1916 (Under Two Flags) and by 1934-35 he played recurring authority roles across numerous studio films.<br />- A registry logged he’d played Ulysses S. Grant 42 times by June 1939-31 as general, 11 as president-then the record was never updated.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841652</guid><pubDate>Thu, 03 Sep 2026 00:00:40 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841652/0040.mp3" length="12727124" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A man who’d played Ulysses S. Grant watches his career vanish into the studio machine-how does a working actor’s rise disappear?&#13;
&#13;
The registry that stopped at 42 erased the rest of his rise&#13;
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In this episode, we follow Joseph Crehan’s career from...</itunes:subtitle><itunes:summary><![CDATA[A man who’d played Ulysses S. Grant watches his career vanish into the studio machine-how does a working actor’s rise disappear?<br /><br />The registry that stopped at 42 erased the rest of his rise<br /><br />In this episode, we follow Joseph Crehan’s career from stock companies to Broadway to Hollywood to ask how relentless work can render a performer invisible. What does it mean when an official count freezes at forty-two mid-career, and what does that gap reveal about studio labor and recognition?<br /><br />Person: Joseph Crehan (born Joseph Creaghan)<br />Date: June 1939<br />Location: Hollywood / United States<br />Period: 1907-1939 (early career through checkpoint)<br />Topic: Performances as Ulysses S. Grant recorded as 42<br /><br />- Began acting in 1907 at age 23 in a Philadelphia stock company and built a rapid memorization discipline.<br />- Worked regional theater across Baltimore, Boston, Washington, and with the Morosco Stock Company in Los Angeles.<br />- Broadway credits include Yosemite (1914), Ringside (1928), Sweet Land of Liberty (1929), Those We Love (1930), and multiple 1932 productions.<br />- Film work began in 1916 (Under Two Flags) and by 1934-35 he played recurring authority roles across numerous studio films.<br />- A registry logged he’d played Ulysses S. Grant 42 times by June 1939-31 as general, 11 as president-then the record was never updated.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>796</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The punch he threw on Dynamite that derailed his Hollywood rise</title><link>https://www.spreaker.com/episode/the-punch-he-threw-on-dynamite-that-derailed-his-hollywood-rise--74841649</link><description><![CDATA[A Hollywood actor's career is derailed by a single punch on a film set, forcing him to rebuild his life and legacy against all odds.<br /><br />The punch he threw on Dynamite that derailed his Hollywood rise<br /><br />This episode explores the tumultuous career of actor Charles Bickford, from his early life as a "wild rogue" to his unexpected entry into acting and the pivotal moment that threatened to end his Hollywood aspirations. It raises the question of what drives a man to persist when every door seems to close.<br /><br />Person: Charles Bickford<br />Date: January 1, 1891<br />Location: Cambridge, Massachusetts<br />Film: Dynamite<br />Co-star: James Cagney<br /><br />- Charles Bickford, born at midnight on New Year's Day, was known as the "wild rogue" of his family.<br />- At age nine, Bickford was acquitted of attempted murder after attacking a trolley motorman who killed his dog.<br />- He abandoned plans for an MIT engineering degree after a dare led him to a burlesque job in 1911.<br />- Bickford served as an engineer lieutenant in the U.S. Army during World War One in France.<br />- He turned down a role in the anticipated film Beau Geste in 1926, believing he could negotiate with Hollywood.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841649</guid><pubDate>Thu, 03 Sep 2026 00:00:36 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841649/0039.mp3" length="12069674" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A Hollywood actor's career is derailed by a single punch on a film set, forcing him to rebuild his life and legacy against all odds.&#13;
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The punch he threw on Dynamite that derailed his Hollywood rise&#13;
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This episode explores the tumultuous career of...</itunes:subtitle><itunes:summary><![CDATA[A Hollywood actor's career is derailed by a single punch on a film set, forcing him to rebuild his life and legacy against all odds.<br /><br />The punch he threw on Dynamite that derailed his Hollywood rise<br /><br />This episode explores the tumultuous career of actor Charles Bickford, from his early life as a "wild rogue" to his unexpected entry into acting and the pivotal moment that threatened to end his Hollywood aspirations. It raises the question of what drives a man to persist when every door seems to close.<br /><br />Person: Charles Bickford<br />Date: January 1, 1891<br />Location: Cambridge, Massachusetts<br />Film: Dynamite<br />Co-star: James Cagney<br /><br />- Charles Bickford, born at midnight on New Year's Day, was known as the "wild rogue" of his family.<br />- At age nine, Bickford was acquitted of attempted murder after attacking a trolley motorman who killed his dog.<br />- He abandoned plans for an MIT engineering degree after a dare led him to a burlesque job in 1911.<br />- Bickford served as an engineer lieutenant in the U.S. Army during World War One in France.<br />- He turned down a role in the anticipated film Beau Geste in 1926, believing he could negotiate with Hollywood.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>755</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Lost Director: Hollywood's Erased Legend</title><link>https://www.spreaker.com/episode/the-lost-director-hollywood-s-erased-legend--74841647</link><description><![CDATA[Hollywood director Marshall "Mickey" Neilan helped make Mary Pickford a legend-so why did his career vanish for two decades?<br /><br />The Lost Director: Hollywood's Erased Legend<br /><br />This episode explores the early life and meteoric rise of Marshall "Mickey" Neilan, a filmmaker whose career trajectory defied all expectations. How did a man at the pinnacle of Hollywood success become an erased legend?<br /><br />Person: Marshall "Mickey" Neilan<br />Date: April 11, 1891 (birth)<br />Location: San Bernardino, California<br />Career: Film director, actor<br />Event: Founding member of the Motion Picture Directors Association<br /><br />- Marshall Neilan was pulled from school at age eleven after his father's death, beginning a lifelong drive for survival.<br />- He started in live theater, taking bit parts before becoming a chauffeur for Biograph Studios executives, observing Hollywood's early formation.<br />- By 1912, Neilan had his first film credit and rapidly accumulated over seventy acting and thirty directing credits at Kalem Studios.<br />- At twenty-four, he co-founded the Motion Picture Directors Association alongside industry giants like Cecil B. DeMille.<br />- Neilan directed Mary Pickford in five films between 1917 and 1919, solidifying her status as a Hollywood icon and his own as a top director.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841647</guid><pubDate>Thu, 03 Sep 2026 00:00:32 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841647/0038.mp3" length="15906121" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>Hollywood director Marshall "Mickey" Neilan helped make Mary Pickford a legend-so why did his career vanish for two decades?&#13;
&#13;
The Lost Director: Hollywood's Erased Legend&#13;
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This episode explores the early life and meteoric rise of Marshall "Mickey"...</itunes:subtitle><itunes:summary><![CDATA[Hollywood director Marshall "Mickey" Neilan helped make Mary Pickford a legend-so why did his career vanish for two decades?<br /><br />The Lost Director: Hollywood's Erased Legend<br /><br />This episode explores the early life and meteoric rise of Marshall "Mickey" Neilan, a filmmaker whose career trajectory defied all expectations. How did a man at the pinnacle of Hollywood success become an erased legend?<br /><br />Person: Marshall "Mickey" Neilan<br />Date: April 11, 1891 (birth)<br />Location: San Bernardino, California<br />Career: Film director, actor<br />Event: Founding member of the Motion Picture Directors Association<br /><br />- Marshall Neilan was pulled from school at age eleven after his father's death, beginning a lifelong drive for survival.<br />- He started in live theater, taking bit parts before becoming a chauffeur for Biograph Studios executives, observing Hollywood's early formation.<br />- By 1912, Neilan had his first film credit and rapidly accumulated over seventy acting and thirty directing credits at Kalem Studios.<br />- At twenty-four, he co-founded the Motion Picture Directors Association alongside industry giants like Cecil B. DeMille.<br />- Neilan directed Mary Pickford in five films between 1917 and 1919, solidifying her status as a Hollywood icon and his own as a top director.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>995</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>A dog's name on a 1928 poster pushed his billing down</title><link>https://www.spreaker.com/episode/a-dog-s-name-on-a-1928-poster-pushed-his-billing-down--74841644</link><description><![CDATA[No description available.<br /><br />A dog's name on a 1928 poster pushed his billing down<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841644</guid><pubDate>Thu, 03 Sep 2026 00:00:28 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841644/0037.mp3" length="12762232" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>No description available.&#13;
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A dog's name on a 1928 poster pushed his billing down</itunes:subtitle><itunes:summary><![CDATA[No description available.<br /><br />A dog's name on a 1928 poster pushed his billing down<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>798</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The three days between his divorce and his marriage that collapsed his stardom</title><link>https://www.spreaker.com/episode/the-three-days-between-his-divorce-and-his-marriage-that-collapsed-his-stardom--74841640</link><description><![CDATA[A silent-screen idol divorces and remarries in three days-his stardom, built on a studio-crafted bachelor myth, begins to unravel. How do you fall from that high?<br /><br />The three days between his divorce and his marriage that collapsed his stardom<br /><br />In this episode, we trace the arc of a man who became American cinema’s first male superstar and the industrial fictions that sustained him. We follow the decisions, relationships, and studio practices that set up a public persona-and the three-day interval that exposed its cost.<br /><br />Person: Francis X. Bushman<br />Date: January 10, 1883 (birth)<br />Event: Divorce from Josephine Louisa Fladung followed by marriage to Beverly Bayne three days later (1918)<br />Location: Essanay Studios; later Metro and other studios; national stage tour (1919-1920)<br />Topic: Studio-manufactured persona and the collapse of celebrity mystique<br /><br />- A studio policy erased Bushman’s marriage and five children from the public record to maintain his eligibility as a fantasy figure.<br />- Bushman’s rise: dozens of films in a single year, name above the title, and unprecedented fan mail that fueled studio marketing.<br />- The secret affair with costar Beverly Bayne became public in 1918, shifting perception of the carefully maintained bachelor myth.<br />- Three days elapsed between Bushman’s divorce and his marriage to Bayne-a detail that signaled to audiences the relationship’s prior existence.<br />- After the revelations, offers changed in quality even as Bushman and Bayne toured successfully in The Master Thief (1919-1920).<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841640</guid><pubDate>Thu, 03 Sep 2026 00:00:24 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841640/0036.mp3" length="10737638" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A silent-screen idol divorces and remarries in three days-his stardom, built on a studio-crafted bachelor myth, begins to unravel. How do you fall from that high?&#13;
&#13;
The three days between his divorce and his marriage that collapsed his stardom&#13;
&#13;
In...</itunes:subtitle><itunes:summary><![CDATA[A silent-screen idol divorces and remarries in three days-his stardom, built on a studio-crafted bachelor myth, begins to unravel. How do you fall from that high?<br /><br />The three days between his divorce and his marriage that collapsed his stardom<br /><br />In this episode, we trace the arc of a man who became American cinema’s first male superstar and the industrial fictions that sustained him. We follow the decisions, relationships, and studio practices that set up a public persona-and the three-day interval that exposed its cost.<br /><br />Person: Francis X. Bushman<br />Date: January 10, 1883 (birth)<br />Event: Divorce from Josephine Louisa Fladung followed by marriage to Beverly Bayne three days later (1918)<br />Location: Essanay Studios; later Metro and other studios; national stage tour (1919-1920)<br />Topic: Studio-manufactured persona and the collapse of celebrity mystique<br /><br />- A studio policy erased Bushman’s marriage and five children from the public record to maintain his eligibility as a fantasy figure.<br />- Bushman’s rise: dozens of films in a single year, name above the title, and unprecedented fan mail that fueled studio marketing.<br />- The secret affair with costar Beverly Bayne became public in 1918, shifting perception of the carefully maintained bachelor myth.<br />- Three days elapsed between Bushman’s divorce and his marriage to Bayne-a detail that signaled to audiences the relationship’s prior existence.<br />- After the revelations, offers changed in quality even as Bushman and Bayne toured successfully in The Master Thief (1919-1920).<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>672</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Five-Year Contract That Erased Her Name</title><link>https://www.spreaker.com/episode/the-five-year-contract-that-erased-her-name--74841637</link><description><![CDATA[A child star is built by Golden Age Hollywood, given a five-year contract and a new identity. But what happens when the dream factory moves on?<br /><br />The Five-Year Contract That Erased Her Name<br /><br />This episode explores the story of Sally Phipps, a child star in Golden Age Hollywood, whose career began at age three. It examines the forces that shaped her identity and career, and the questions her story leaves unanswered.<br /><br />Person: Sally Phipps<br />Period: Golden Age Hollywood<br />Location: Niles, California<br />Studio: Fox Film Corporation<br />Salary: $600 a week (peak)<br /><br />- Nellie Bernice Bogdon began performing at age three, winning baby contests and appearing in a short film.<br />- She had four different names before the age of fifteen, each a revision by others.<br />- Director Frank Borzage discovered her at Fairfax High School, noting her natural, unguarded quality.<br />- At sixteen, she signed a five-year contract with Fox Film Corporation, starting at $125 a week and rising to $600.<br />- In 1927, she was named a WAMPAS Baby Star, a significant industry designation for rising talent.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841637</guid><pubDate>Thu, 03 Sep 2026 00:00:20 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841637/0035.mp3" length="14447444" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A child star is built by Golden Age Hollywood, given a five-year contract and a new identity. But what happens when the dream factory moves on?&#13;
&#13;
The Five-Year Contract That Erased Her Name&#13;
&#13;
This episode explores the story of Sally Phipps, a child...</itunes:subtitle><itunes:summary><![CDATA[A child star is built by Golden Age Hollywood, given a five-year contract and a new identity. But what happens when the dream factory moves on?<br /><br />The Five-Year Contract That Erased Her Name<br /><br />This episode explores the story of Sally Phipps, a child star in Golden Age Hollywood, whose career began at age three. It examines the forces that shaped her identity and career, and the questions her story leaves unanswered.<br /><br />Person: Sally Phipps<br />Period: Golden Age Hollywood<br />Location: Niles, California<br />Studio: Fox Film Corporation<br />Salary: $600 a week (peak)<br /><br />- Nellie Bernice Bogdon began performing at age three, winning baby contests and appearing in a short film.<br />- She had four different names before the age of fifteen, each a revision by others.<br />- Director Frank Borzage discovered her at Fairfax High School, noting her natural, unguarded quality.<br />- At sixteen, she signed a five-year contract with Fox Film Corporation, starting at $125 a week and rising to $600.<br />- In 1927, she was named a WAMPAS Baby Star, a significant industry designation for rising talent.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>903</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The safety that grounded a mother's gun and freed her daughter</title><link>https://www.spreaker.com/episode/the-safety-that-grounded-a-mother-s-gun-and-freed-her-daughter--74841635</link><description><![CDATA[A mother pulls a gun on police to free her daughter's new husband, but the safety is on. This vaudeville child star's life is about to change.<br /><br />The safety that grounded a mother's gun and freed her daughter<br /><br />This episode explores the early life of June Havoc, a child star whose path was shaped by her mother's relentless ambition. It questions the true cost of her success and who controlled her destiny from the start.<br /><br />Person: Ellen Evangeline Hovick (June Havoc)<br />Date: December 29, 1928<br />Location: Topeka, Kansas<br />Event: Mother attempts to free daughter's husband from police custody<br /><br />- Rose Thompson Hovick, June's mother, forged birth certificates to allow her daughters to perform in vaudeville.<br />- June Havoc's first performances were silent, with her mother manufacturing tears by telling her the dog had died.<br />- By her teenage years, June was known as Baby June, traveling the vaudeville circuit with a company of child performers.<br />- At approximately sixteen, June eloped with fellow performer Bobby Reed in November 1928.<br />- Rose discovered the elopement and confronted police in Topeka, Kansas, where Bobby Reed was under arrest.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841635</guid><pubDate>Thu, 03 Sep 2026 00:00:16 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841635/0034.mp3" length="15218578" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A mother pulls a gun on police to free her daughter's new husband, but the safety is on. This vaudeville child star's life is about to change.&#13;
&#13;
The safety that grounded a mother's gun and freed her daughter&#13;
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This episode explores the early life of...</itunes:subtitle><itunes:summary><![CDATA[A mother pulls a gun on police to free her daughter's new husband, but the safety is on. This vaudeville child star's life is about to change.<br /><br />The safety that grounded a mother's gun and freed her daughter<br /><br />This episode explores the early life of June Havoc, a child star whose path was shaped by her mother's relentless ambition. It questions the true cost of her success and who controlled her destiny from the start.<br /><br />Person: Ellen Evangeline Hovick (June Havoc)<br />Date: December 29, 1928<br />Location: Topeka, Kansas<br />Event: Mother attempts to free daughter's husband from police custody<br /><br />- Rose Thompson Hovick, June's mother, forged birth certificates to allow her daughters to perform in vaudeville.<br />- June Havoc's first performances were silent, with her mother manufacturing tears by telling her the dog had died.<br />- By her teenage years, June was known as Baby June, traveling the vaudeville circuit with a company of child performers.<br />- At approximately sixteen, June eloped with fellow performer Bobby Reed in November 1928.<br />- Rose discovered the elopement and confronted police in Topeka, Kansas, where Bobby Reed was under arrest.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>952</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The refusal that made Francis Ford quit - and toppled her credit as star</title><link>https://www.spreaker.com/episode/the-refusal-that-made-francis-ford-quit-and-toppled-her-credit-as-star--74841631</link><description><![CDATA[A grocery clerk's daughter from Ohio becomes an early Hollywood powerhouse, writing, directing, and starring in films. But the system that needed her more than she needed it changed its mind.<br /><br />The refusal that made Francis Ford quit - and toppled her credit as star<br /><br />This episode explores the extraordinary decade of Grace Cunard, a commercially powerful figure in early Hollywood. It delves into her journey from a modest upbringing to becoming a multi-talented force in the burgeoning film industry, and the forces that ultimately led to her disappearance from the credits.<br /><br />Person: Grace Cunard<br />Born: April 8, 1893<br />Birthplace: Paris, France<br />Education: Eighth grade<br />Event: Refused reassignment at Bison Studio<br /><br />- Harriet Mildred Jeffries, born in Paris, France, grew up in Columbus, Ohio, and finished formal schooling at age thirteen.<br />- At thirteen, she secured a title role in a stage production, marking her early entry into performance.<br />- She worked in stock companies and vaudeville before trying "canned drama" at Biograph Company.<br />- In 1912, she moved to California and was cast by Francis Ford in "Custer's Last Fight" at Bison Studio.<br />- Her refusal to be reassigned led to her firing, prompting Francis Ford to quit Bison and move his entire operation to Universal Pictures.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841631</guid><pubDate>Thu, 03 Sep 2026 00:00:12 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841631/0033.mp3" length="16866174" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A grocery clerk's daughter from Ohio becomes an early Hollywood powerhouse, writing, directing, and starring in films. But the system that needed her more than she needed it changed its mind.&#13;
&#13;
The refusal that made Francis Ford quit - and toppled...</itunes:subtitle><itunes:summary><![CDATA[A grocery clerk's daughter from Ohio becomes an early Hollywood powerhouse, writing, directing, and starring in films. But the system that needed her more than she needed it changed its mind.<br /><br />The refusal that made Francis Ford quit - and toppled her credit as star<br /><br />This episode explores the extraordinary decade of Grace Cunard, a commercially powerful figure in early Hollywood. It delves into her journey from a modest upbringing to becoming a multi-talented force in the burgeoning film industry, and the forces that ultimately led to her disappearance from the credits.<br /><br />Person: Grace Cunard<br />Born: April 8, 1893<br />Birthplace: Paris, France<br />Education: Eighth grade<br />Event: Refused reassignment at Bison Studio<br /><br />- Harriet Mildred Jeffries, born in Paris, France, grew up in Columbus, Ohio, and finished formal schooling at age thirteen.<br />- At thirteen, she secured a title role in a stage production, marking her early entry into performance.<br />- She worked in stock companies and vaudeville before trying "canned drama" at Biograph Company.<br />- In 1912, she moved to California and was cast by Francis Ford in "Custer's Last Fight" at Bison Studio.<br />- Her refusal to be reassigned led to her firing, prompting Francis Ford to quit Bison and move his entire operation to Universal Pictures.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>1055</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Loretta Young's Secret: The Unspoken Truth of Hollywood's Golden Age</title><link>https://www.spreaker.com/episode/loretta-young-s-secret-the-unspoken-truth-of-hollywood-s-golden-age--74841628</link><description><![CDATA[Loretta Young's secret life began to crack when her daughter's ears became a topic of conversation-what was she hiding?<br /><br />Loretta Young's Secret: The Unspoken Truth of Hollywood's Golden Age<br /><br />This episode explores the life of Loretta Young, a Hollywood icon whose public image was meticulously crafted while she carried a profound personal secret. It delves into the industry's control over its stars and the hidden costs of fame.<br /><br />Person: Loretta Young<br />Date: 1998<br />Event: Larry King Live broadcast<br />Location: Hollywood<br />Career: Actress<br /><br />- Gretchen Michaela Young began appearing on screen at age three in 1916.<br />- Her stage name, Loretta, was suggested by actress Colleen Moore, who had a favorite doll by that name.<br />- By 1928, at age fifteen, Loretta Young was billed in a major production as the studio system tightened its control over stars' public lives.<br />- In 1935, while filming "The Call of the Wild" with Clark Gable, Young became pregnant.<br />- Young managed her pregnancy in secret, disappearing from public view and later presenting her daughter, Judith, as an adopted child.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841628</guid><pubDate>Thu, 03 Sep 2026 00:00:08 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841628/0032.mp3" length="13233272" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>Loretta Young's secret life began to crack when her daughter's ears became a topic of conversation-what was she hiding?&#13;
&#13;
Loretta Young's Secret: The Unspoken Truth of Hollywood's Golden Age&#13;
&#13;
This episode explores the life of Loretta Young, a...</itunes:subtitle><itunes:summary><![CDATA[Loretta Young's secret life began to crack when her daughter's ears became a topic of conversation-what was she hiding?<br /><br />Loretta Young's Secret: The Unspoken Truth of Hollywood's Golden Age<br /><br />This episode explores the life of Loretta Young, a Hollywood icon whose public image was meticulously crafted while she carried a profound personal secret. It delves into the industry's control over its stars and the hidden costs of fame.<br /><br />Person: Loretta Young<br />Date: 1998<br />Event: Larry King Live broadcast<br />Location: Hollywood<br />Career: Actress<br /><br />- Gretchen Michaela Young began appearing on screen at age three in 1916.<br />- Her stage name, Loretta, was suggested by actress Colleen Moore, who had a favorite doll by that name.<br />- By 1928, at age fifteen, Loretta Young was billed in a major production as the studio system tightened its control over stars' public lives.<br />- In 1935, while filming "The Call of the Wild" with Clark Gable, Young became pregnant.<br />- Young managed her pregnancy in secret, disappearing from public view and later presenting her daughter, Judith, as an adopted child.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>828</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>A prop tree that broke her back grounded a career</title><link>https://www.spreaker.com/episode/a-prop-tree-that-broke-her-back-grounded-a-career--74841626</link><description><![CDATA[A Hollywood career spans six decades, yet a single Academy Award nomination arrives only at the very end. This is the story of an actress who gave everything to a system that barely acknowledged her.<br /><br />A prop tree that broke her back grounded a career<br /><br />This episode explores the life of a woman who built an enduring Hollywood career, facing numerous challenges and industry dismissals, and asks how someone could achieve so much and still wait decades for recognition.<br /><br />Person: Harriette Arlene Lake (Ann Sothern)<br />Born: 1909<br />Location: North Dakota<br />Event: Academy Award nomination at 78<br />Career span: 60 years<br /><br />- Harriette Lake's grandfathers included a Danish violinist and an engineer who designed early US Navy submarines.<br />- At six years old, she sustained severe burns from a fire, requiring six months of skin graft procedures.<br />- After MGM initially declined to renew her contract, she found success on Broadway with Florenz Ziegfeld.<br />- Columbia Pictures changed her name to Ann Sothern, a name that would later appear on two stars on Vine Street.<br />- She inherited the lead role of Maisie Ravier in 1939 after Jean Harlow's unexpected death.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841626</guid><pubDate>Thu, 03 Sep 2026 00:00:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841626/0031.mp3" length="15175947" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A Hollywood career spans six decades, yet a single Academy Award nomination arrives only at the very end. This is the story of an actress who gave everything to a system that barely acknowledged her.&#13;
&#13;
A prop tree that broke her back grounded a...</itunes:subtitle><itunes:summary><![CDATA[A Hollywood career spans six decades, yet a single Academy Award nomination arrives only at the very end. This is the story of an actress who gave everything to a system that barely acknowledged her.<br /><br />A prop tree that broke her back grounded a career<br /><br />This episode explores the life of a woman who built an enduring Hollywood career, facing numerous challenges and industry dismissals, and asks how someone could achieve so much and still wait decades for recognition.<br /><br />Person: Harriette Arlene Lake (Ann Sothern)<br />Born: 1909<br />Location: North Dakota<br />Event: Academy Award nomination at 78<br />Career span: 60 years<br /><br />- Harriette Lake's grandfathers included a Danish violinist and an engineer who designed early US Navy submarines.<br />- At six years old, she sustained severe burns from a fire, requiring six months of skin graft procedures.<br />- After MGM initially declined to renew her contract, she found success on Broadway with Florenz Ziegfeld.<br />- Columbia Pictures changed her name to Ann Sothern, a name that would later appear on two stars on Vine Street.<br />- She inherited the lead role of Maisie Ravier in 1939 after Jean Harlow's unexpected death.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>949</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The .22 rifle that discharged and turned her life upside down</title><link>https://www.spreaker.com/episode/the-22-rifle-that-discharged-and-turned-her-life-upside-down--74841624</link><description><![CDATA[A Hollywood star, nominated for an Oscar, finds her life irrevocably altered by a .22 rifle accident. Her journey from fame to a hospital bed reveals the fragility of dreams.<br /><br />The .22 rifle that discharged and turned her life upside down<br /><br />This episode explores the life of Suzanne Carnahan, who became the Oscar-nominated actress Susan Peters, tracing her path from a difficult childhood to Hollywood stardom. It examines how a single, unforeseen event reshaped her existence and the studio's response to her changed circumstances.<br /><br />Person: Susan Peters (Suzanne Carnahan)<br />Date: October 23, 1952<br />Location: Visalia, California<br />Status: Deceased<br />Event: Accidental rifle discharge<br /><br />- Suzanne Carnahan was born in Spokane, Washington, and experienced early hardship after her father's death, leading her family to move frequently.<br />- She worked various jobs, including training horses, to help her family financially, stating that acting was chosen for money.<br />- After graduating from Hollywood High, she attended the Max Reinhardt School of Dramatic Arts, where she was scouted by MGM.<br />- George Cukor mentored her after she fainted on her first film set, comparing her to Katharine Hepburn.<br />- By January 1944, at age 22, she was an Oscar-nominated star, photographed in the front row with Louis B. Mayer and other MGM stars.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841624</guid><pubDate>Thu, 03 Sep 2026 00:00:00 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841624/0030.mp3" length="14154872" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A Hollywood star, nominated for an Oscar, finds her life irrevocably altered by a .22 rifle accident. Her journey from fame to a hospital bed reveals the fragility of dreams.&#13;
&#13;
The .22 rifle that discharged and turned her life upside down&#13;
&#13;
This...</itunes:subtitle><itunes:summary><![CDATA[A Hollywood star, nominated for an Oscar, finds her life irrevocably altered by a .22 rifle accident. Her journey from fame to a hospital bed reveals the fragility of dreams.<br /><br />The .22 rifle that discharged and turned her life upside down<br /><br />This episode explores the life of Suzanne Carnahan, who became the Oscar-nominated actress Susan Peters, tracing her path from a difficult childhood to Hollywood stardom. It examines how a single, unforeseen event reshaped her existence and the studio's response to her changed circumstances.<br /><br />Person: Susan Peters (Suzanne Carnahan)<br />Date: October 23, 1952<br />Location: Visalia, California<br />Status: Deceased<br />Event: Accidental rifle discharge<br /><br />- Suzanne Carnahan was born in Spokane, Washington, and experienced early hardship after her father's death, leading her family to move frequently.<br />- She worked various jobs, including training horses, to help her family financially, stating that acting was chosen for money.<br />- After graduating from Hollywood High, she attended the Max Reinhardt School of Dramatic Arts, where she was scouted by MGM.<br />- George Cukor mentored her after she fainted on her first film set, comparing her to Katharine Hepburn.<br />- By January 1944, at age 22, she was an Oscar-nominated star, photographed in the front row with Louis B. Mayer and other MGM stars.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>885</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The unlocked door that shattered an Oscar dream</title><link>https://www.spreaker.com/episode/the-unlocked-door-that-shattered-an-oscar-dream--74841622</link><description><![CDATA[An Oscar-nominated actress finds a man dead in her Arizona motel room, sparking a public frenzy over whether it was murder or suicide.<br /><br />The unlocked door that shattered an Oscar dream<br /><br />This episode explores the life of Sarah Miles, an actress who achieved significant success in British cinema. It delves into the circumstances surrounding a mysterious death in her motel room and the lasting impact it had on her career and public perception.<br /><br />Person: Sarah Miles<br />Date: February 11, 1973<br />Location: Gila Bend, Arizona<br />Status: No charges filed, no official verdict<br /><br />- Sarah Miles was born illegitimate in post-war England, a second cousin once removed of Queen Elizabeth II.<br />- Despite a childhood stammer and dyslexia, she was accepted into the Royal Academy of Dramatic Art and graduated in 1960.<br />- At 20, she received a BAFTA nomination for Best Newcomer for her role opposite Laurence Olivier in "Term of Trial."<br />- She earned an Academy Award nomination for Best Newcomer in 1970 for her role as Rosy Ryan in David Lean's "Ryan's Daughter."<br />- In 1973, while filming "The Man Who Loved Cat Dancing," a man named David Lean was found dead in her motel room.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841622</guid><pubDate>Wed, 02 Sep 2026 23:59:56 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841622/0029.mp3" length="10923630" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>An Oscar-nominated actress finds a man dead in her Arizona motel room, sparking a public frenzy over whether it was murder or suicide.&#13;
&#13;
The unlocked door that shattered an Oscar dream&#13;
&#13;
This episode explores the life of Sarah Miles, an actress who...</itunes:subtitle><itunes:summary><![CDATA[An Oscar-nominated actress finds a man dead in her Arizona motel room, sparking a public frenzy over whether it was murder or suicide.<br /><br />The unlocked door that shattered an Oscar dream<br /><br />This episode explores the life of Sarah Miles, an actress who achieved significant success in British cinema. It delves into the circumstances surrounding a mysterious death in her motel room and the lasting impact it had on her career and public perception.<br /><br />Person: Sarah Miles<br />Date: February 11, 1973<br />Location: Gila Bend, Arizona<br />Status: No charges filed, no official verdict<br /><br />- Sarah Miles was born illegitimate in post-war England, a second cousin once removed of Queen Elizabeth II.<br />- Despite a childhood stammer and dyslexia, she was accepted into the Royal Academy of Dramatic Art and graduated in 1960.<br />- At 20, she received a BAFTA nomination for Best Newcomer for her role opposite Laurence Olivier in "Term of Trial."<br />- She earned an Academy Award nomination for Best Newcomer in 1970 for her role as Rosy Ryan in David Lean's "Ryan's Daughter."<br />- In 1973, while filming "The Man Who Loved Cat Dancing," a man named David Lean was found dead in her motel room.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>683</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The limerick that defined a career, then watched it disappear</title><link>https://www.spreaker.com/episode/the-limerick-that-defined-a-career-then-watched-it-disappear--74841621</link><description><![CDATA[A British actor arrives in Hollywood, poised for stardom, but a circulating limerick about his acting ability threatens to define his entire career.<br /><br />The limerick that defined a career, then watched it disappear<br /><br />This episode explores the career of Patric Knowles, an actor with over one hundred film credits, who found himself consistently recognized just slightly off-center from his ambitions. It delves into the distance between his aspirations and the industry's perception of him.<br /><br />Person: Patric Knowles<br />Date: 1960<br />Location: Hollywood<br />Status: Walk of Fame star (television)<br />Topic: Acting career<br /><br />- Reginald Lawrence Knowles changed his first name to Patric, with one 'k', to acknowledge his Irish ancestry before reaching Hollywood.<br />- His early film career in Britain included fourteen films over three years, working with director Michael Powell.<br />- Patric Knowles married Gladys Enid Percival in 1935, a relationship that endured despite the pressures of the film industry.<br />- An executive from Warner Bros. noticed Knowles performing in a London stage production, leading to a contract with the Hollywood studio.<br />- Warner Bros. cast Knowles as Errol Flynn's younger brother in "The Charge of the Light Brigade" in 1936, establishing a pattern of secondary roles.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841621</guid><pubDate>Wed, 02 Sep 2026 23:59:52 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841621/0028.mp3" length="10869713" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A British actor arrives in Hollywood, poised for stardom, but a circulating limerick about his acting ability threatens to define his entire career.&#13;
&#13;
The limerick that defined a career, then watched it disappear&#13;
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This episode explores the career...</itunes:subtitle><itunes:summary><![CDATA[A British actor arrives in Hollywood, poised for stardom, but a circulating limerick about his acting ability threatens to define his entire career.<br /><br />The limerick that defined a career, then watched it disappear<br /><br />This episode explores the career of Patric Knowles, an actor with over one hundred film credits, who found himself consistently recognized just slightly off-center from his ambitions. It delves into the distance between his aspirations and the industry's perception of him.<br /><br />Person: Patric Knowles<br />Date: 1960<br />Location: Hollywood<br />Status: Walk of Fame star (television)<br />Topic: Acting career<br /><br />- Reginald Lawrence Knowles changed his first name to Patric, with one 'k', to acknowledge his Irish ancestry before reaching Hollywood.<br />- His early film career in Britain included fourteen films over three years, working with director Michael Powell.<br />- Patric Knowles married Gladys Enid Percival in 1935, a relationship that endured despite the pressures of the film industry.<br />- An executive from Warner Bros. noticed Knowles performing in a London stage production, leading to a contract with the Hollywood studio.<br />- Warner Bros. cast Knowles as Errol Flynn's younger brother in "The Charge of the Light Brigade" in 1936, establishing a pattern of secondary roles.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>680</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The tin can he held that made him step off a film set</title><link>https://www.spreaker.com/episode/the-tin-can-he-held-that-made-him-step-off-a-film-set--74841617</link><description><![CDATA[A silent film star's career takes an unexpected turn when a tin can, collecting coins for an injured extra, becomes a pivotal moment. This act of kindness sets the stage for a Hollywood journey filled with unseen challenges.<br /><br />The tin can he held that made him step off a film set<br /><br />This episode explores the early career of actor Neil Hamilton, from his beginnings as a model to his rise as a silent film star. It delves into the choices he made and the events that shaped his path, leading to a surprising moment of compassion on a film set.<br /><br />Person: Neil Hamilton<br />Date: 1926<br />Location: Germany<br />Event: Collecting coins for an injured soldier<br />Status: Silent film star<br /><br />- Neil Hamilton began his career modeling dress shirts before moving into stock theater.<br />- His first film, "The Beloved Impostor," was made in 1918 for Vitagraph.<br />- In 1924, while filming "America," Hamilton and Charles Emmett Mack collected coins for an extra who lost an arm in an accident.<br />- Paramount signed Hamilton in the mid-1920s, leading to roles in "Beau Geste" and as Nick Carraway in the lost film of "The Great Gatsby."<br />- By the early 1930s, Hamilton received top billing in films like "Tarzan the Ape Man" and "Laughing Sinners," appearing above Clark Gable.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841617</guid><pubDate>Wed, 02 Sep 2026 23:59:48 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841617/0027.mp3" length="13699297" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A silent film star's career takes an unexpected turn when a tin can, collecting coins for an injured extra, becomes a pivotal moment. This act of kindness sets the stage for a Hollywood journey filled with unseen challenges.&#13;
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The tin can he held...</itunes:subtitle><itunes:summary><![CDATA[A silent film star's career takes an unexpected turn when a tin can, collecting coins for an injured extra, becomes a pivotal moment. This act of kindness sets the stage for a Hollywood journey filled with unseen challenges.<br /><br />The tin can he held that made him step off a film set<br /><br />This episode explores the early career of actor Neil Hamilton, from his beginnings as a model to his rise as a silent film star. It delves into the choices he made and the events that shaped his path, leading to a surprising moment of compassion on a film set.<br /><br />Person: Neil Hamilton<br />Date: 1926<br />Location: Germany<br />Event: Collecting coins for an injured soldier<br />Status: Silent film star<br /><br />- Neil Hamilton began his career modeling dress shirts before moving into stock theater.<br />- His first film, "The Beloved Impostor," was made in 1918 for Vitagraph.<br />- In 1924, while filming "America," Hamilton and Charles Emmett Mack collected coins for an extra who lost an arm in an accident.<br />- Paramount signed Hamilton in the mid-1920s, leading to roles in "Beau Geste" and as Nick Carraway in the lost film of "The Great Gatsby."<br />- By the early 1930s, Hamilton received top billing in films like "Tarzan the Ape Man" and "Laughing Sinners," appearing above Clark Gable.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>857</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Paperwork That Freed a Star and Ended a Career</title><link>https://www.spreaker.com/episode/the-paperwork-that-freed-a-star-and-ended-a-career--74841616</link><description><![CDATA[At the height of her fame, Hollywood star Deanna Durbin vanished-what was her true identity?<br /><br />The Paperwork That Freed a Star and Ended a Career<br /><br />This episode explores the life of Deanna Durbin, a celebrated actress who vanished from the public eye. It delves into the circumstances that led to her extraordinary retirement and the enduring mystery of her identity.<br /><br />Person: Deanna Durbin<br />Date: 1946<br />Location: United States<br />Status: Second-highest-paid woman<br />Event: Retirement<br /><br />- Deanna Durbin was a major stockholder in Universal Pictures, the studio that owned her image.<br />- At 27, Edna Mae Durbin, known as Deanna Durbin, received a $200,000 severance check and moved to Paris.<br />- She gave only one interview in 64 years of retirement, to journalist David Shipman in 1983.<br />- MGM initially signed Edna Mae Durbin but her contract option expired, making her free before Universal Pictures signed her.<br />- Universal Pictures changed her first name to Deanna when she was 14 years old.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841616</guid><pubDate>Wed, 02 Sep 2026 23:59:44 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841616/0026.mp3" length="14625494" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>At the height of her fame, Hollywood star Deanna Durbin vanished-what was her true identity?&#13;
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The Paperwork That Freed a Star and Ended a Career&#13;
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This episode explores the life of Deanna Durbin, a celebrated actress who vanished from the public...</itunes:subtitle><itunes:summary><![CDATA[At the height of her fame, Hollywood star Deanna Durbin vanished-what was her true identity?<br /><br />The Paperwork That Freed a Star and Ended a Career<br /><br />This episode explores the life of Deanna Durbin, a celebrated actress who vanished from the public eye. It delves into the circumstances that led to her extraordinary retirement and the enduring mystery of her identity.<br /><br />Person: Deanna Durbin<br />Date: 1946<br />Location: United States<br />Status: Second-highest-paid woman<br />Event: Retirement<br /><br />- Deanna Durbin was a major stockholder in Universal Pictures, the studio that owned her image.<br />- At 27, Edna Mae Durbin, known as Deanna Durbin, received a $200,000 severance check and moved to Paris.<br />- She gave only one interview in 64 years of retirement, to journalist David Shipman in 1983.<br />- MGM initially signed Edna Mae Durbin but her contract option expired, making her free before Universal Pictures signed her.<br />- Universal Pictures changed her first name to Deanna when she was 14 years old.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>915</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Mirror Room: Hollywood's Secret Price of Survival</title><link>https://www.spreaker.com/episode/the-mirror-room-hollywood-s-secret-price-of-survival--74841613</link><description><![CDATA[A malnourished dancer from Paris is discovered by Hollywood - can she survive when glamour demands the highest cost?<br /><br />The Mirror Room: Hollywood's Secret Price of Survival<br /><br />This episode explores the early life and career of Leslie Caron, from her childhood in occupied Paris to her unexpected discovery by Hollywood. It delves into the complex motivations and pressures that shaped her path to stardom.<br /><br />Person: Leslie Caron<br />Date: July 1, 1931 (birth)<br />Location: Boulogne-sur-Seine, France<br />Film: An American in Paris<br />Studio: Metro-Goldwyn-Mayer (MGM)<br /><br />- Leslie Caron was born to a French chemist father and an American former Broadway dancer mother, who held conflicting visions for her future.<br />- Her mother, Margaret, saw ballet as the only path to marrying money and becoming a "princess or duchess."<br />- Leslie joined the Ballet des Champs-Élysées and later Roland Petit's company in occupied Paris, developing discipline from a chaotic home life.<br />- Gene Kelly discovered Leslie Caron dancing in Paris in 1950, noting her stillness between movements.<br />- At 19, Leslie Caron signed a seven-year contract with MGM, despite having no acting experience or spoken dialogue on stage.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841613</guid><pubDate>Wed, 02 Sep 2026 23:59:40 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841613/0025.mp3" length="16992815" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A malnourished dancer from Paris is discovered by Hollywood - can she survive when glamour demands the highest cost?&#13;
&#13;
The Mirror Room: Hollywood's Secret Price of Survival&#13;
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This episode explores the early life and career of Leslie Caron, from her...</itunes:subtitle><itunes:summary><![CDATA[A malnourished dancer from Paris is discovered by Hollywood - can she survive when glamour demands the highest cost?<br /><br />The Mirror Room: Hollywood's Secret Price of Survival<br /><br />This episode explores the early life and career of Leslie Caron, from her childhood in occupied Paris to her unexpected discovery by Hollywood. It delves into the complex motivations and pressures that shaped her path to stardom.<br /><br />Person: Leslie Caron<br />Date: July 1, 1931 (birth)<br />Location: Boulogne-sur-Seine, France<br />Film: An American in Paris<br />Studio: Metro-Goldwyn-Mayer (MGM)<br /><br />- Leslie Caron was born to a French chemist father and an American former Broadway dancer mother, who held conflicting visions for her future.<br />- Her mother, Margaret, saw ballet as the only path to marrying money and becoming a "princess or duchess."<br />- Leslie joined the Ballet des Champs-Élysées and later Roland Petit's company in occupied Paris, developing discipline from a chaotic home life.<br />- Gene Kelly discovered Leslie Caron dancing in Paris in 1950, noting her stillness between movements.<br />- At 19, Leslie Caron signed a seven-year contract with MGM, despite having no acting experience or spoken dialogue on stage.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>1063</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The offhand joke at the radio mic cost her the stardom she'd built</title><link>https://www.spreaker.com/episode/the-offhand-joke-at-the-radio-mic-cost-her-the-stardom-she-d-built--74841611</link><description><![CDATA[No description available.<br /><br />The offhand joke at the radio mic cost her the stardom she'd built<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841611</guid><pubDate>Wed, 02 Sep 2026 23:59:36 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841611/0024.mp3" length="12340929" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>No description available.&#13;
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The offhand joke at the radio mic cost her the stardom she'd built</itunes:subtitle><itunes:summary><![CDATA[No description available.<br /><br />The offhand joke at the radio mic cost her the stardom she'd built<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>772</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The contract he walked from set his Burgtheater fall</title><link>https://www.spreaker.com/episode/the-contract-he-walked-from-set-his-burgtheater-fall--74841609</link><description><![CDATA[A Viennese engineer abandons his clear path to become a cowboy, then an actor, defying all norms to reach the Burgtheater stage. How does one rise so high without credentials?<br /><br />The contract he walked from set his Burgtheater fall<br /><br />This episode explores the extraordinary life of Arnold Korff, a man who built a world-class acting career entirely on nerve and observation, despite never receiving formal training. It delves into the unexpected turns that shaped his path and the quiet battle he fought against the one wall he could never quite climb over.<br /><br />Person: Arnold Korff (born Arnold Korff)<br />Date of birth: August 2, 1870<br />Place of birth: Vienna<br />First performance: 1892, Denver, Colorado<br />Theater: Burgtheater<br /><br />- Arnold Korff, born in Vienna with American citizenship, trained as a mechanical engineer at Technische Hochschule Wien.<br />- At 18, he sailed to America, ending up working on a cattle ranch in Kansas and Colorado instead of an engineering office.<br />- In 1892, at 21, he performed for the first time in a play called Comrades in Denver, Colorado, with no prior acting lessons.<br />- He moved to Europe in 1894, performing in minor theaters in what is now the Czech Republic and Croatia, learning by doing.<br />- By 1897, performing as Arnold Korff, he secured a three-year contract at the Carltheater in Vienna but left after two years.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841609</guid><pubDate>Wed, 02 Sep 2026 23:59:32 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841609/0023.mp3" length="13415085" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A Viennese engineer abandons his clear path to become a cowboy, then an actor, defying all norms to reach the Burgtheater stage. How does one rise so high without credentials?&#13;
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The contract he walked from set his Burgtheater fall&#13;
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This episode...</itunes:subtitle><itunes:summary><![CDATA[A Viennese engineer abandons his clear path to become a cowboy, then an actor, defying all norms to reach the Burgtheater stage. How does one rise so high without credentials?<br /><br />The contract he walked from set his Burgtheater fall<br /><br />This episode explores the extraordinary life of Arnold Korff, a man who built a world-class acting career entirely on nerve and observation, despite never receiving formal training. It delves into the unexpected turns that shaped his path and the quiet battle he fought against the one wall he could never quite climb over.<br /><br />Person: Arnold Korff (born Arnold Korff)<br />Date of birth: August 2, 1870<br />Place of birth: Vienna<br />First performance: 1892, Denver, Colorado<br />Theater: Burgtheater<br /><br />- Arnold Korff, born in Vienna with American citizenship, trained as a mechanical engineer at Technische Hochschule Wien.<br />- At 18, he sailed to America, ending up working on a cattle ranch in Kansas and Colorado instead of an engineering office.<br />- In 1892, at 21, he performed for the first time in a play called Comrades in Denver, Colorado, with no prior acting lessons.<br />- He moved to Europe in 1894, performing in minor theaters in what is now the Czech Republic and Croatia, learning by doing.<br />- By 1897, performing as Arnold Korff, he secured a three-year contract at the Carltheater in Vienna but left after two years.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>839</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The wig he removed at curtain that made the applause ask its question</title><link>https://www.spreaker.com/episode/the-wig-he-removed-at-curtain-that-made-the-applause-ask-its-question--74841607</link><description><![CDATA[A performer becomes a Broadway sensation for his convincing portrayal of women, but his greatest illusion hides a truth that could unravel his career.<br /><br />The wig he removed at curtain that made the applause ask its question<br /><br />This episode explores the life and career of Julian Eltinge, a performer who achieved immense success impersonating women on stage. It delves into the unique challenges and societal expectations he faced as he navigated the entertainment world.<br /><br />Person: Julian Eltinge (William Julian Dalton)<br />Born: May 14, 1881<br />Birthplace: Newtonville, Massachusetts<br />Broadway Debut: September 1904<br />Peak Salary: $3,500 a week (by 1918)<br /><br />- William Julian Dalton began performing female roles at age ten in Boston, with audiences responding with fascination rather than laughter.<br />- His father, Michael Joseph Dalton, reacted to his son's performances in saloons by striking him and sending him back east.<br />- William studied textile construction and dance, skills that became integral to his stage persona.<br />- He made his Broadway debut as Julian Eltinge, a name chosen for its ambiguity, in the production "Mr. Wix of Wickham."<br />- Julian Eltinge's signature act involved removing his wig at the end of each performance, a gesture that simultaneously showcased his craft and highlighted the completeness of his illusion.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841607</guid><pubDate>Wed, 02 Sep 2026 23:59:28 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841607/0022.mp3" length="12483871" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A performer becomes a Broadway sensation for his convincing portrayal of women, but his greatest illusion hides a truth that could unravel his career.&#13;
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The wig he removed at curtain that made the applause ask its question&#13;
&#13;
This episode explores...</itunes:subtitle><itunes:summary><![CDATA[A performer becomes a Broadway sensation for his convincing portrayal of women, but his greatest illusion hides a truth that could unravel his career.<br /><br />The wig he removed at curtain that made the applause ask its question<br /><br />This episode explores the life and career of Julian Eltinge, a performer who achieved immense success impersonating women on stage. It delves into the unique challenges and societal expectations he faced as he navigated the entertainment world.<br /><br />Person: Julian Eltinge (William Julian Dalton)<br />Born: May 14, 1881<br />Birthplace: Newtonville, Massachusetts<br />Broadway Debut: September 1904<br />Peak Salary: $3,500 a week (by 1918)<br /><br />- William Julian Dalton began performing female roles at age ten in Boston, with audiences responding with fascination rather than laughter.<br />- His father, Michael Joseph Dalton, reacted to his son's performances in saloons by striking him and sending him back east.<br />- William studied textile construction and dance, skills that became integral to his stage persona.<br />- He made his Broadway debut as Julian Eltinge, a name chosen for its ambiguity, in the production "Mr. Wix of Wickham."<br />- Julian Eltinge's signature act involved removing his wig at the end of each performance, a gesture that simultaneously showcased his craft and highlighted the completeness of his illusion.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>781</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The single sentence that erased the King of the Movies</title><link>https://www.spreaker.com/episode/the-single-sentence-that-erased-the-king-of-the-movies--74841606</link><description><![CDATA[A Los Angeles Times sentence erases the King of the Movies, a man who built the industry. How does a titan fall so far?<br /><br />The single sentence that erased the King of the Movies<br /><br />This episode explores the rise and fall of King Baggot, the first movie star whose name appeared above a film's title. It delves into the system he helped create and what happens when that system no longer needs its pioneers.<br /><br />Person: King Baggot<br />Date: March 1, 1946<br />Publication: Los Angeles Times<br />Status: Working as an extra<br />Industry: Motion pictures<br /><br />- King Baggot was the first man in motion picture history to have his name placed above a film's title, appearing in over 300 pictures and directing 45.<br />- Born in St. Louis, Missouri, in 1879, Baggot left home at 14 for ambition, working as a clerk before pursuing a career on stage.<br />- In 1909, he met director Harry Solter and began his film career with The Awakening of Bess, co-starring Florence Lawrence, whose name was revealed in a publicity stunt.<br />- Carl Laemmle's stunt with Florence Lawrence proved audiences watched specific people, not just movies, leading to Baggot's name appearing on marquees.<br />- By 1912, Baggot was the first president of the Screen Club of New York, an organization for motion picture professionals, and by 1913, he played every character in a film.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841606</guid><pubDate>Wed, 02 Sep 2026 23:59:24 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841606/0021.mp3" length="13901171" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A Los Angeles Times sentence erases the King of the Movies, a man who built the industry. How does a titan fall so far?&#13;
&#13;
The single sentence that erased the King of the Movies&#13;
&#13;
This episode explores the rise and fall of King Baggot, the first...</itunes:subtitle><itunes:summary><![CDATA[A Los Angeles Times sentence erases the King of the Movies, a man who built the industry. How does a titan fall so far?<br /><br />The single sentence that erased the King of the Movies<br /><br />This episode explores the rise and fall of King Baggot, the first movie star whose name appeared above a film's title. It delves into the system he helped create and what happens when that system no longer needs its pioneers.<br /><br />Person: King Baggot<br />Date: March 1, 1946<br />Publication: Los Angeles Times<br />Status: Working as an extra<br />Industry: Motion pictures<br /><br />- King Baggot was the first man in motion picture history to have his name placed above a film's title, appearing in over 300 pictures and directing 45.<br />- Born in St. Louis, Missouri, in 1879, Baggot left home at 14 for ambition, working as a clerk before pursuing a career on stage.<br />- In 1909, he met director Harry Solter and began his film career with The Awakening of Bess, co-starring Florence Lawrence, whose name was revealed in a publicity stunt.<br />- Carl Laemmle's stunt with Florence Lawrence proved audiences watched specific people, not just movies, leading to Baggot's name appearing on marquees.<br />- By 1912, Baggot was the first president of the Screen Club of New York, an organization for motion picture professionals, and by 1913, he played every character in a film.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>869</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Haynes she bought a month early that sped her from star to silence</title><link>https://www.spreaker.com/episode/the-haynes-she-bought-a-month-early-that-sped-her-from-star-to-silence--74841604</link><description><![CDATA[A rising Hollywood director buys a 1915 Haynes and, at the peak of her power, walks away-how do you fall from that high?<br /><br />The Haynes she bought a month early that sped her from star to silence<br /><br />In this episode, we trace Cleo Madison’s meteoric twelve‑month run directing eighteen films and the personal choices that shaped her rise. We map her path from Lulu Bailey in Illinois to a leading force at Universal and ask what made her stop at her peak.<br /><br />Person: Cleo Madison (born Lulu Bailey)<br />Date: born March 26, 1883<br />Location: Bloomington, Illinois; Los Angeles, California<br />Event: Directed 18 films in 12 months (1915-1916)<br />Detail: Purchased a 1915 Haynes automobile one month before release<br /><br />- Left Illinois State Normal University, moved to Los Angeles and worked onstage at the Burbank Theatre and the Belasco<br />- Cast in her first lead in March 1912 for When We Were Twenty-One on a touring production in Phoenix, Arizona<br />- Signed by Universal by 1913 and performed three roles in the 15‑episode serial The Trey o' Hearts (1914)<br />- In December 1914 bought a 1915 Haynes automobile one month early, a sign of acting ahead of offers<br />- Lived with and cared for her sister Helen (called Sunshine), who had used a wheelchair since about 1908<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841604</guid><pubDate>Wed, 02 Sep 2026 23:59:20 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841604/0020.mp3" length="10650285" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A rising Hollywood director buys a 1915 Haynes and, at the peak of her power, walks away-how do you fall from that high?&#13;
&#13;
The Haynes she bought a month early that sped her from star to silence&#13;
&#13;
In this episode, we trace Cleo Madison’s meteoric...</itunes:subtitle><itunes:summary><![CDATA[A rising Hollywood director buys a 1915 Haynes and, at the peak of her power, walks away-how do you fall from that high?<br /><br />The Haynes she bought a month early that sped her from star to silence<br /><br />In this episode, we trace Cleo Madison’s meteoric twelve‑month run directing eighteen films and the personal choices that shaped her rise. We map her path from Lulu Bailey in Illinois to a leading force at Universal and ask what made her stop at her peak.<br /><br />Person: Cleo Madison (born Lulu Bailey)<br />Date: born March 26, 1883<br />Location: Bloomington, Illinois; Los Angeles, California<br />Event: Directed 18 films in 12 months (1915-1916)<br />Detail: Purchased a 1915 Haynes automobile one month before release<br /><br />- Left Illinois State Normal University, moved to Los Angeles and worked onstage at the Burbank Theatre and the Belasco<br />- Cast in her first lead in March 1912 for When We Were Twenty-One on a touring production in Phoenix, Arizona<br />- Signed by Universal by 1913 and performed three roles in the 15‑episode serial The Trey o' Hearts (1914)<br />- In December 1914 bought a 1915 Haynes automobile one month early, a sign of acting ahead of offers<br />- Lived with and cared for her sister Helen (called Sunshine), who had used a wheelchair since about 1908<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>666</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The night she filled in for Rioton that made Paris forget her fall</title><link>https://www.spreaker.com/episode/the-night-she-filled-in-for-rioton-that-made-paris-forget-her-fall--74841602</link><description><![CDATA[A young Scottish soprano, an opera house in Paris, and a voice that suddenly gives out. Her big break is a high-wire act.<br /><br />The night she filled in for Rioton that made Paris forget her fall<br /><br />This episode explores the life of Mary Garden, a soprano who rose to fame in Paris at the turn of the 20th century. It delves into her unexpected debut and the unique qualities that defined her career.<br /><br />Person: Mary Garden<br />Date: April 10, 1900<br />Location: Paris, France<br />Event: Opera debut<br /><br />- Mary Garden was born in Aberdeen, Scotland, in 1874 and emigrated to the United States at age nine.<br />- David and Florence Mayer, Chicago patrons, funded her vocal training from 1896 to 1899, sending her to Paris.<br />- In Paris, American soprano Sibyl Sanderson introduced Garden to Jules Massenet and Albert Carré, director of the Opéra-Comique.<br />- Carré offered Garden a contract in 1900, but she had not yet performed publicly when Marthe Rioton's voice failed during an opera.<br />- Garden, who had rehearsed the role of Louise, stepped onto the stage and completed the performance, captivating the audience.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841602</guid><pubDate>Wed, 02 Sep 2026 23:59:16 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841602/0019.mp3" length="15377821" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A young Scottish soprano, an opera house in Paris, and a voice that suddenly gives out. Her big break is a high-wire act.&#13;
&#13;
The night she filled in for Rioton that made Paris forget her fall&#13;
&#13;
This episode explores the life of Mary Garden, a soprano...</itunes:subtitle><itunes:summary><![CDATA[A young Scottish soprano, an opera house in Paris, and a voice that suddenly gives out. Her big break is a high-wire act.<br /><br />The night she filled in for Rioton that made Paris forget her fall<br /><br />This episode explores the life of Mary Garden, a soprano who rose to fame in Paris at the turn of the 20th century. It delves into her unexpected debut and the unique qualities that defined her career.<br /><br />Person: Mary Garden<br />Date: April 10, 1900<br />Location: Paris, France<br />Event: Opera debut<br /><br />- Mary Garden was born in Aberdeen, Scotland, in 1874 and emigrated to the United States at age nine.<br />- David and Florence Mayer, Chicago patrons, funded her vocal training from 1896 to 1899, sending her to Paris.<br />- In Paris, American soprano Sibyl Sanderson introduced Garden to Jules Massenet and Albert Carré, director of the Opéra-Comique.<br />- Carré offered Garden a contract in 1900, but she had not yet performed publicly when Marthe Rioton's voice failed during an opera.<br />- Garden, who had rehearsed the role of Louise, stepped onto the stage and completed the performance, captivating the audience.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>962</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The unproduced screenplay grounded a career</title><link>https://www.spreaker.com/episode/the-unproduced-screenplay-grounded-a-career--74841600</link><description><![CDATA[A child actress hailed as a genius watches her custom screenplay vanish-what happens to the girl who once lit up Hollywood?<br /><br />The unproduced screenplay grounded a career<br /><br />This episode explores the early life and career of Miriam Battista, a child actress who achieved significant recognition but faced an industry that often overlooked her contributions. It raises the question of how such talent could become invisible.<br /><br />Person: Miriam Battista<br />Date: July 14, 1912<br />Location: New York City<br />Event: Sleepy Hollow closed<br />Status: Unproduced screenplay<br /><br />- Miriam Battista first performed on a Broadway stage at four years old, often uncredited.<br />- She appeared in films like "Blazing Love" and "Eye for Eye," receiving her first screen credit at six.<br />- At eight, she was praised by Elinor Glyn, who wrote a screenplay specifically for her that was never produced.<br />- The industry altered her birth year from 1912 to 1914 without her consent.<br />- After her mother's death at age eleven, her career went silent for seven years before she returned to Italian-language films.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841600</guid><pubDate>Wed, 02 Sep 2026 23:59:12 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841600/0018.mp3" length="12826598" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A child actress hailed as a genius watches her custom screenplay vanish-what happens to the girl who once lit up Hollywood?&#13;
&#13;
The unproduced screenplay grounded a career&#13;
&#13;
This episode explores the early life and career of Miriam Battista, a child...</itunes:subtitle><itunes:summary><![CDATA[A child actress hailed as a genius watches her custom screenplay vanish-what happens to the girl who once lit up Hollywood?<br /><br />The unproduced screenplay grounded a career<br /><br />This episode explores the early life and career of Miriam Battista, a child actress who achieved significant recognition but faced an industry that often overlooked her contributions. It raises the question of how such talent could become invisible.<br /><br />Person: Miriam Battista<br />Date: July 14, 1912<br />Location: New York City<br />Event: Sleepy Hollow closed<br />Status: Unproduced screenplay<br /><br />- Miriam Battista first performed on a Broadway stage at four years old, often uncredited.<br />- She appeared in films like "Blazing Love" and "Eye for Eye," receiving her first screen credit at six.<br />- At eight, she was praised by Elinor Glyn, who wrote a screenplay specifically for her that was never produced.<br />- The industry altered her birth year from 1912 to 1914 without her consent.<br />- After her mother's death at age eleven, her career went silent for seven years before she returned to Italian-language films.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>802</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The shattered teacup that signaled Spencer Tracy's final fall</title><link>https://www.spreaker.com/episode/the-shattered-teacup-that-signaled-spencer-tracy-s-final-fall--74841598</link><description><![CDATA[A teacup shatters in Beverly Hills, revealing a Hollywood icon's death. His studio lies, hiding the truth of Spencer Tracy's final moments.<br /><br />The shattered teacup that signaled Spencer Tracy's final fall<br /><br />This episode explores the life of Spencer Tracy, a man who achieved unparalleled success in Hollywood but struggled with deep personal turmoil. What was the true cost of his fame and the secrets he kept?<br /><br />Person: Spencer Tracy<br />Date: June 10, 1967<br />Location: Beverly Hills<br />Age: 67 years old<br />Profession: Actor<br /><br />- Spencer Tracy finished the most commercially successful film of his career shortly before his death.<br />- Metro-Goldwyn-Mayer issued a false statement about the circumstances of his death.<br />- Tracy won more consecutive Academy Awards than any other actor in history.<br />- He spent the last 26 years of his life unable to fully inhabit his marriage, love, and faith.<br />- His son's deafness led Tracy to a theological interpretation of punishment for his own sins.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841598</guid><pubDate>Wed, 02 Sep 2026 23:59:08 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841598/0017.mp3" length="17014967" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A teacup shatters in Beverly Hills, revealing a Hollywood icon's death. His studio lies, hiding the truth of Spencer Tracy's final moments.&#13;
&#13;
The shattered teacup that signaled Spencer Tracy's final fall&#13;
&#13;
This episode explores the life of Spencer...</itunes:subtitle><itunes:summary><![CDATA[A teacup shatters in Beverly Hills, revealing a Hollywood icon's death. His studio lies, hiding the truth of Spencer Tracy's final moments.<br /><br />The shattered teacup that signaled Spencer Tracy's final fall<br /><br />This episode explores the life of Spencer Tracy, a man who achieved unparalleled success in Hollywood but struggled with deep personal turmoil. What was the true cost of his fame and the secrets he kept?<br /><br />Person: Spencer Tracy<br />Date: June 10, 1967<br />Location: Beverly Hills<br />Age: 67 years old<br />Profession: Actor<br /><br />- Spencer Tracy finished the most commercially successful film of his career shortly before his death.<br />- Metro-Goldwyn-Mayer issued a false statement about the circumstances of his death.<br />- Tracy won more consecutive Academy Awards than any other actor in history.<br />- He spent the last 26 years of his life unable to fully inhabit his marriage, love, and faith.<br />- His son's deafness led Tracy to a theological interpretation of punishment for his own sins.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>1064</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Two Years She Subtracted Sank Her Public Image</title><link>https://www.spreaker.com/episode/the-two-years-she-subtracted-sank-her-public-image--74841596</link><description><![CDATA[A First Lady's lavish spending on White House china clashes with proposed school lunch cuts, sparking a public image crisis. How did she fall from that high?<br /><br />The Two Years She Subtracted Sank Her Public Image<br /><br />This episode explores the early life of Nancy Reagan, born Anne Frances Robbins, and the choices that shaped her public persona. It delves into her childhood, her relationship with her parents, and the pivotal moments that led her to Hollywood and eventually to Ronald Reagan.<br /><br />Person: Nancy Reagan (born Anne Frances Robbins)<br />Date: July 6, 1921<br />Location: Manhattan<br />Event: Adoption by Loyal Davis<br />Status: Actress<br /><br />- Nancy Reagan subtracted two years from her birth year, telling people she was born in 1923 instead of 1921.<br />- Her mother, Edith Luckett, was an actress whose career required constant movement and left little room for a child.<br />- At age thirteen, Nancy was adopted by her stepfather, Loyal Davis, a neurosurgeon, and absorbed his politics and discipline.<br />- She graduated from Smith College in 1943 with a theater degree and moved to Los Angeles for a contract with Metro-Goldwyn-Mayer in 1949.<br />- Nancy Davis met Ronald Reagan on November 15, 1949, at a dinner arranged by the president of the Screen Actors Guild.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841596</guid><pubDate>Wed, 02 Sep 2026 23:59:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841596/0016.mp3" length="17312972" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A First Lady's lavish spending on White House china clashes with proposed school lunch cuts, sparking a public image crisis. How did she fall from that high?&#13;
&#13;
The Two Years She Subtracted Sank Her Public Image&#13;
&#13;
This episode explores the early life...</itunes:subtitle><itunes:summary><![CDATA[A First Lady's lavish spending on White House china clashes with proposed school lunch cuts, sparking a public image crisis. How did she fall from that high?<br /><br />The Two Years She Subtracted Sank Her Public Image<br /><br />This episode explores the early life of Nancy Reagan, born Anne Frances Robbins, and the choices that shaped her public persona. It delves into her childhood, her relationship with her parents, and the pivotal moments that led her to Hollywood and eventually to Ronald Reagan.<br /><br />Person: Nancy Reagan (born Anne Frances Robbins)<br />Date: July 6, 1921<br />Location: Manhattan<br />Event: Adoption by Loyal Davis<br />Status: Actress<br /><br />- Nancy Reagan subtracted two years from her birth year, telling people she was born in 1923 instead of 1921.<br />- Her mother, Edith Luckett, was an actress whose career required constant movement and left little room for a child.<br />- At age thirteen, Nancy was adopted by her stepfather, Loyal Davis, a neurosurgeon, and absorbed his politics and discipline.<br />- She graduated from Smith College in 1943 with a theater degree and moved to Los Angeles for a contract with Metro-Goldwyn-Mayer in 1949.<br />- Nancy Davis met Ronald Reagan on November 15, 1949, at a dinner arranged by the president of the Screen Actors Guild.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>1083</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The husband who told her to quit MGM and cost her Hollywood</title><link>https://www.spreaker.com/episode/the-husband-who-told-her-to-quit-mgm-and-cost-her-hollywood--74841595</link><description><![CDATA[A silent film star is found wandering St. Louis, disoriented and alone, searching for a bus ticket that has been disappearing for decades. How did the "Girl with the Bee-Stung Lips" lose everything?<br /><br />The husband who told her to quit MGM and cost her Hollywood<br /><br />This episode explores the life of Mae Murray, a celebrated silent film actress whose career and fortune unraveled over nearly four decades. It examines the decisions and relationships that led to her dramatic fall from the pinnacle of Hollywood.<br /><br />Person: Mae Murray (Marie Adrienne Koenig)<br />Date: February 19, 1964<br />Location: St. Louis<br />Status: Disoriented and alone<br />Film: The Merry Widow<br /><br />- Marie Adrienne Koenig was born in New York City in 1885 and began her career as a dancer, headlining the Ziegfeld Follies by 1915.<br />- She transitioned to film in 1916 and co-founded an independent production company with her third husband, director Robert Z. Leonard.<br />- By 1925, Murray was at the peak of her career, starring in "The Merry Widow," which critics hailed as one of the finest silent films.<br />- In 1926, she married David Mdivani, who quickly took over as her manager, despite her previous experience in institutional authority.<br />- In 1927, a lawsuit for unpaid fees from her masseuse signaled financial difficulties, followed by Mdivani advising her to leave MGM.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841595</guid><pubDate>Wed, 02 Sep 2026 23:59:00 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841595/0015.mp3" length="14302830" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A silent film star is found wandering St. Louis, disoriented and alone, searching for a bus ticket that has been disappearing for decades. How did the "Girl with the Bee-Stung Lips" lose everything?&#13;
&#13;
The husband who told her to quit MGM and cost her...</itunes:subtitle><itunes:summary><![CDATA[A silent film star is found wandering St. Louis, disoriented and alone, searching for a bus ticket that has been disappearing for decades. How did the "Girl with the Bee-Stung Lips" lose everything?<br /><br />The husband who told her to quit MGM and cost her Hollywood<br /><br />This episode explores the life of Mae Murray, a celebrated silent film actress whose career and fortune unraveled over nearly four decades. It examines the decisions and relationships that led to her dramatic fall from the pinnacle of Hollywood.<br /><br />Person: Mae Murray (Marie Adrienne Koenig)<br />Date: February 19, 1964<br />Location: St. Louis<br />Status: Disoriented and alone<br />Film: The Merry Widow<br /><br />- Marie Adrienne Koenig was born in New York City in 1885 and began her career as a dancer, headlining the Ziegfeld Follies by 1915.<br />- She transitioned to film in 1916 and co-founded an independent production company with her third husband, director Robert Z. Leonard.<br />- By 1925, Murray was at the peak of her career, starring in "The Merry Widow," which critics hailed as one of the finest silent films.<br />- In 1926, she married David Mdivani, who quickly took over as her manager, despite her previous experience in institutional authority.<br />- In 1927, a lawsuit for unpaid fees from her masseuse signaled financial difficulties, followed by Mdivani advising her to leave MGM.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>894</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Okinawa's Secret: The Hollywood Star Who Filmed Hell</title><link>https://www.spreaker.com/episode/okinawa-s-secret-the-hollywood-star-who-filmed-hell--74841593</link><description><![CDATA[A Hollywood actor filmed the worst of WWII in Okinawa and returned a changed combat vet - what did the film industry do with him?<br /><br />Okinawa's Secret: The Hollywood Star Who Filmed Hell<br /><br />This episode tells the story of William Lundigan, a Hollywood actor whose career was shaped by his experiences as a combat cameraman in the Pacific theater during World War II. It explores the challenges he faced in an industry that struggled to classify him after his wartime service.<br /><br />Person: William Lundigan<br />Date: 1945<br />Location: Okinawa<br />Status: Combat cameraman<br />Career: Actor<br /><br />- William Lundigan was born in 1914 and began his career in radio dramas at WFBL in Syracuse, New York, while still in high school.<br />- He earned a law degree from Syracuse University in 1936 but was signed by Universal Pictures in 1937 after a producer heard him on the radio.<br />- After initial roles at Universal and Warner Bros., he enlisted in the United States Marine Corps during World War II.<br />- Lundigan served as a combat cameraman, filming battles at Peleliu and Okinawa, where he was wounded.<br />- Upon his return to Hollywood in 1947, he was offered supporting roles, despite his wartime experiences and previous career trajectory.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841593</guid><pubDate>Wed, 02 Sep 2026 23:58:56 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841593/0014.mp3" length="12273638" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A Hollywood actor filmed the worst of WWII in Okinawa and returned a changed combat vet - what did the film industry do with him?&#13;
&#13;
Okinawa's Secret: The Hollywood Star Who Filmed Hell&#13;
&#13;
This episode tells the story of William Lundigan, a Hollywood...</itunes:subtitle><itunes:summary><![CDATA[A Hollywood actor filmed the worst of WWII in Okinawa and returned a changed combat vet - what did the film industry do with him?<br /><br />Okinawa's Secret: The Hollywood Star Who Filmed Hell<br /><br />This episode tells the story of William Lundigan, a Hollywood actor whose career was shaped by his experiences as a combat cameraman in the Pacific theater during World War II. It explores the challenges he faced in an industry that struggled to classify him after his wartime service.<br /><br />Person: William Lundigan<br />Date: 1945<br />Location: Okinawa<br />Status: Combat cameraman<br />Career: Actor<br /><br />- William Lundigan was born in 1914 and began his career in radio dramas at WFBL in Syracuse, New York, while still in high school.<br />- He earned a law degree from Syracuse University in 1936 but was signed by Universal Pictures in 1937 after a producer heard him on the radio.<br />- After initial roles at Universal and Warner Bros., he enlisted in the United States Marine Corps during World War II.<br />- Lundigan served as a combat cameraman, filming battles at Peleliu and Okinawa, where he was wounded.<br />- Upon his return to Hollywood in 1947, he was offered supporting roles, despite his wartime experiences and previous career trajectory.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>768</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The girl barred from the audience ended up with her name on the building</title><link>https://www.spreaker.com/episode/the-girl-barred-from-the-audience-ended-up-with-her-name-on-the-building--74841590</link><description><![CDATA[A teenage girl sings for strangers in a velvet-roped room where she is barred from the audience. This is the story of a Broadway legend.<br /><br />The girl barred from the audience ended up with her name on the building<br /><br />This episode explores the journey of a performer who started in a segregated club and eventually had a Broadway theater named after her. It asks what it cost to navigate a system designed to make her invisible.<br /><br />Person: Lena Horne<br />Club: Cotton Club<br />Year: 1934<br />Studio: MGM<br />Record: 333 Broadway performances<br /><br />- Lena Horne joined the Cotton Club chorus line at sixteen, a venue where Black performers entertained exclusively white audiences.<br />- The Cotton Club was one of the few places a young Black performer could build a professional reputation, despite its discriminatory policies.<br />- MGM signed Horne in 1942, making her the first Black performer with a long-term studio contract in Hollywood.<br />- Her scenes in MGM films were designed to be easily removed by Southern theater owners without disrupting the narrative.<br />- Horne recorded songs for the role of Julie in "Show Boat" as reference for other performers, but the role ultimately went to a white actress.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841590</guid><pubDate>Wed, 02 Sep 2026 23:58:52 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841590/0013.mp3" length="15688782" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A teenage girl sings for strangers in a velvet-roped room where she is barred from the audience. This is the story of a Broadway legend.&#13;
&#13;
The girl barred from the audience ended up with her name on the building&#13;
&#13;
This episode explores the journey...</itunes:subtitle><itunes:summary><![CDATA[A teenage girl sings for strangers in a velvet-roped room where she is barred from the audience. This is the story of a Broadway legend.<br /><br />The girl barred from the audience ended up with her name on the building<br /><br />This episode explores the journey of a performer who started in a segregated club and eventually had a Broadway theater named after her. It asks what it cost to navigate a system designed to make her invisible.<br /><br />Person: Lena Horne<br />Club: Cotton Club<br />Year: 1934<br />Studio: MGM<br />Record: 333 Broadway performances<br /><br />- Lena Horne joined the Cotton Club chorus line at sixteen, a venue where Black performers entertained exclusively white audiences.<br />- The Cotton Club was one of the few places a young Black performer could build a professional reputation, despite its discriminatory policies.<br />- MGM signed Horne in 1942, making her the first Black performer with a long-term studio contract in Hollywood.<br />- Her scenes in MGM films were designed to be easily removed by Southern theater owners without disrupting the narrative.<br />- Horne recorded songs for the role of Julie in "Show Boat" as reference for other performers, but the role ultimately went to a white actress.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>981</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The photograph in the window launched her contract - and erased her voice</title><link>https://www.spreaker.com/episode/the-photograph-in-the-window-launched-her-contract-and-erased-her-voice--74841587</link><description><![CDATA[A photograph of a young woman in a New York studio window catches the eye of a man who claims to represent MGM. This chance encounter launches her into Hollywood, but at what cost to her identity?<br /><br />The photograph in the window launched her contract - and erased her voice<br /><br />This episode explores the unlikely beginnings of a Hollywood legend, tracing her journey from a humble farming settlement to the studio system. It reveals how a single image led to a career that demanded the erasure of her origins.<br /><br />Person: Ava Lavinia Gardner<br />Date: Summer 1940<br />Location: New York City<br />Event: Photograph displayed in studio window<br />Studio: MGM<br /><br />- A photograph intended as a gift for a mother in North Carolina was displayed in a Fifth Avenue studio window.<br />- A man named Barnard Duhan, a legal employee of Loews Theatres, presented himself as an MGM talent representative.<br />- Duhan persuaded Gardner's brother-in-law, the photographer, to pass her contact information to MGM.<br />- MGM's talent department head, Al Altman, conducted a screen test but did not record Gardner's voice due to her accent.<br />- Louis B. Mayer reportedly sent a telegram stating, "she can't sing, she can't act, she can't talk - she's terrific," leading to a contract offer.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841587</guid><pubDate>Wed, 02 Sep 2026 23:58:48 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841587/0012.mp3" length="14997478" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A photograph of a young woman in a New York studio window catches the eye of a man who claims to represent MGM. This chance encounter launches her into Hollywood, but at what cost to her identity?&#13;
&#13;
The photograph in the window launched her contract...</itunes:subtitle><itunes:summary><![CDATA[A photograph of a young woman in a New York studio window catches the eye of a man who claims to represent MGM. This chance encounter launches her into Hollywood, but at what cost to her identity?<br /><br />The photograph in the window launched her contract - and erased her voice<br /><br />This episode explores the unlikely beginnings of a Hollywood legend, tracing her journey from a humble farming settlement to the studio system. It reveals how a single image led to a career that demanded the erasure of her origins.<br /><br />Person: Ava Lavinia Gardner<br />Date: Summer 1940<br />Location: New York City<br />Event: Photograph displayed in studio window<br />Studio: MGM<br /><br />- A photograph intended as a gift for a mother in North Carolina was displayed in a Fifth Avenue studio window.<br />- A man named Barnard Duhan, a legal employee of Loews Theatres, presented himself as an MGM talent representative.<br />- Duhan persuaded Gardner's brother-in-law, the photographer, to pass her contact information to MGM.<br />- MGM's talent department head, Al Altman, conducted a screen test but did not record Gardner's voice due to her accent.<br />- Louis B. Mayer reportedly sent a telegram stating, "she can't sing, she can't act, she can't talk - she's terrific," leading to a contract offer.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>938</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Welles's Words: "You'll Never Make It" - How a Star Fell from the Top</title><link>https://www.spreaker.com/episode/welles-s-words-you-ll-never-make-it-how-a-star-fell-from-the-top--74841583</link><description><![CDATA[Hollywood's most sought-after actor performed free magic tricks for 48,000 soldiers in 1943. He was a star, yet the Academy never nominated him.<br /><br />Welles's Words: "You'll Never Make It" - How a Star Fell from the Top<br /><br />This episode explores the career of Joseph Cotton, an actor who achieved immense popularity and critical acclaim in cinema's Golden Age but was consistently overlooked by the Academy Awards. It questions why a man so visible never received the industry's highest recognition.<br /><br />Person: Joseph Cotton<br />Date: August 3, 1943<br />Location: Cahuenga Boulevard, Hollywood<br />Status: Seventeenth most popular star in the US by 1945<br />Topic: Hollywood's prize-giving machinery<br /><br />- In 1943, Joseph Cotton, under the name Jo-Jo the Great, performed free magic tricks for soldiers in a tent on Cahuenga Boulevard.<br />- Cotton's early life included playing professional football for twenty-five dollars per quarter to pay for acting lessons at the Hickman School of Expression.<br />- While working at the Miami Herald, Cotton wrote critical reviews of his own performances at the Miami Herald Theatre.<br />- In 1934, Orson Welles told Cotton he would never make it as an actor but could become a star, distinguishing between a craftsman and a magnetic presence.<br />- Cotton spent twelve months perfecting a role for the 1939 Broadway production of "The Philadelphia Story," only for Cary Grant to play it instead.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841583</guid><pubDate>Wed, 02 Sep 2026 23:58:44 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841583/0011.mp3" length="15020884" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>Hollywood's most sought-after actor performed free magic tricks for 48,000 soldiers in 1943. He was a star, yet the Academy never nominated him.&#13;
&#13;
Welles's Words: "You'll Never Make It" - How a Star Fell from the Top&#13;
&#13;
This episode explores the...</itunes:subtitle><itunes:summary><![CDATA[Hollywood's most sought-after actor performed free magic tricks for 48,000 soldiers in 1943. He was a star, yet the Academy never nominated him.<br /><br />Welles's Words: "You'll Never Make It" - How a Star Fell from the Top<br /><br />This episode explores the career of Joseph Cotton, an actor who achieved immense popularity and critical acclaim in cinema's Golden Age but was consistently overlooked by the Academy Awards. It questions why a man so visible never received the industry's highest recognition.<br /><br />Person: Joseph Cotton<br />Date: August 3, 1943<br />Location: Cahuenga Boulevard, Hollywood<br />Status: Seventeenth most popular star in the US by 1945<br />Topic: Hollywood's prize-giving machinery<br /><br />- In 1943, Joseph Cotton, under the name Jo-Jo the Great, performed free magic tricks for soldiers in a tent on Cahuenga Boulevard.<br />- Cotton's early life included playing professional football for twenty-five dollars per quarter to pay for acting lessons at the Hickman School of Expression.<br />- While working at the Miami Herald, Cotton wrote critical reviews of his own performances at the Miami Herald Theatre.<br />- In 1934, Orson Welles told Cotton he would never make it as an actor but could become a star, distinguishing between a craftsman and a magnetic presence.<br />- Cotton spent twelve months perfecting a role for the 1939 Broadway production of "The Philadelphia Story," only for Cary Grant to play it instead.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>939</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The salary that disappeared her name</title><link>https://www.spreaker.com/episode/the-salary-that-disappeared-her-name--74841582</link><description><![CDATA[In 1931, Constance Bennett earned an unprecedented $30,000 a week in Hollywood, yet her name is barely remembered today. How did such a meteoric career fade into obscurity?<br /><br />The salary that disappeared her name<br /><br />This episode explores the life of Constance Bennett, a woman born into a theatrical dynasty who became one of Hollywood's highest-paid stars during the Great Depression. It delves into the contradictions of her public and private life, and the choices that shaped her remarkable, yet forgotten, career.<br /><br />Person: Constance Bennett<br />Date: 1931<br />Salary: $30,000 a week<br />Studio: Warner Bros.<br />Event: Great Depression<br /><br />- Constance Bennett's parents, Richard Bennett and Adrienne Morrison, were established Broadway actors, creating a "working studio" home in New York.<br />- At 16, Constance eloped with Chester Hirst Moorehead in 1921, a marriage that was annulled two years later.<br />- In 1925, she married millionaire socialite Philip Morgan Plant, despite her parents' attempts to intervene, leading her to leave Hollywood.<br />- After her divorce in 1929, Constance gave birth to a son, Peter, whom she later introduced to the public as adopted.<br />- By 1931, she had rebuilt her Hollywood career, signing major contracts with Warner Bros. and MGM, including a film where her real father played her on-screen father.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841582</guid><pubDate>Wed, 02 Sep 2026 23:58:40 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841582/0010.mp3" length="11800508" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>In 1931, Constance Bennett earned an unprecedented $30,000 a week in Hollywood, yet her name is barely remembered today. How did such a meteoric career fade into obscurity?&#13;
&#13;
The salary that disappeared her name&#13;
&#13;
This episode explores the life of...</itunes:subtitle><itunes:summary><![CDATA[In 1931, Constance Bennett earned an unprecedented $30,000 a week in Hollywood, yet her name is barely remembered today. How did such a meteoric career fade into obscurity?<br /><br />The salary that disappeared her name<br /><br />This episode explores the life of Constance Bennett, a woman born into a theatrical dynasty who became one of Hollywood's highest-paid stars during the Great Depression. It delves into the contradictions of her public and private life, and the choices that shaped her remarkable, yet forgotten, career.<br /><br />Person: Constance Bennett<br />Date: 1931<br />Salary: $30,000 a week<br />Studio: Warner Bros.<br />Event: Great Depression<br /><br />- Constance Bennett's parents, Richard Bennett and Adrienne Morrison, were established Broadway actors, creating a "working studio" home in New York.<br />- At 16, Constance eloped with Chester Hirst Moorehead in 1921, a marriage that was annulled two years later.<br />- In 1925, she married millionaire socialite Philip Morgan Plant, despite her parents' attempts to intervene, leading her to leave Hollywood.<br />- After her divorce in 1929, Constance gave birth to a son, Peter, whom she later introduced to the public as adopted.<br />- By 1931, she had rebuilt her Hollywood career, signing major contracts with Warner Bros. and MGM, including a film where her real father played her on-screen father.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>738</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Silent Star Who Walked Away From Everything</title><link>https://www.spreaker.com/episode/the-silent-star-who-walked-away-from-everything--74841579</link><description><![CDATA[A silent film star reaches the pinnacle of Hollywood success, only to walk away from it all. This is the story of a man who redefined winning.<br /><br />The Silent Star Who Walked Away From Everything<br /><br />This episode explores the life of Charles Meredith, a Broadway actor who rose to become one of the highest-paid leading men in silent Hollywood. It delves into why a man with everything kept choosing a harder road.<br /><br />Person: Charles Meredith<br />Born: August 27, 1894<br />Died: 1964<br />Location: Knoxville, Pittsburgh<br />Profession: Actor<br /><br />- In June 1917, Charles Meredith claimed broken ankles to a military draft registrar, despite holding a master's degree from a drama school.<br />- By 1918, he had Broadway credits and caught the attention of prominent theater critic Heywood Broun.<br />- He moved to Los Angeles in November 1918, joining the Morosco Players as a leading man and quickly appearing in multiple productions.<br />- Meredith signed with King Vidor and Famous Players-Lasky, working with major stars and directors in the burgeoning Hollywood scene.<br />- At the height of his film career in November 1921, he boarded a ship for Europe, calling it a sabbatical.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841579</guid><pubDate>Wed, 02 Sep 2026 23:58:36 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841579/0009.mp3" length="12688254" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A silent film star reaches the pinnacle of Hollywood success, only to walk away from it all. This is the story of a man who redefined winning.&#13;
&#13;
The Silent Star Who Walked Away From Everything&#13;
&#13;
This episode explores the life of Charles Meredith, a...</itunes:subtitle><itunes:summary><![CDATA[A silent film star reaches the pinnacle of Hollywood success, only to walk away from it all. This is the story of a man who redefined winning.<br /><br />The Silent Star Who Walked Away From Everything<br /><br />This episode explores the life of Charles Meredith, a Broadway actor who rose to become one of the highest-paid leading men in silent Hollywood. It delves into why a man with everything kept choosing a harder road.<br /><br />Person: Charles Meredith<br />Born: August 27, 1894<br />Died: 1964<br />Location: Knoxville, Pittsburgh<br />Profession: Actor<br /><br />- In June 1917, Charles Meredith claimed broken ankles to a military draft registrar, despite holding a master's degree from a drama school.<br />- By 1918, he had Broadway credits and caught the attention of prominent theater critic Heywood Broun.<br />- He moved to Los Angeles in November 1918, joining the Morosco Players as a leading man and quickly appearing in multiple productions.<br />- Meredith signed with King Vidor and Famous Players-Lasky, working with major stars and directors in the burgeoning Hollywood scene.<br />- At the height of his film career in November 1921, he boarded a ship for Europe, calling it a sabbatical.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>793</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>A stockbroking gamble that cost Henry Hallam everything he had saved</title><link>https://www.spreaker.com/episode/a-stockbroking-gamble-that-cost-henry-hallam-everything-he-had-saved--74841577</link><description><![CDATA[A Victorian stage performer crosses oceans for a new life in Australia, only to lose everything in a stockbroking gamble. Can he rebuild his life?<br /><br />A stockbroking gamble that cost Henry Hallam everything he had saved<br /><br />This episode explores the life of Henry Hallam, a man born Henry Samuel Hallam Mayer, who became a prolific silent film actor. We trace his journey from a London furrier's son to a stage performer in Victorian popular entertainment, and the personal tragedies and financial setbacks that shaped his path.<br /><br />Person: Henry Hallam (born Henry Samuel Hallam Mayer)<br />Date of birth: August 7, 1850<br />Location of birth: Clerkenwell, London<br />First wife: Mary Harriet Langmaid (Hattie Shepparde)<br />Second wife: Margaret Hogan (Maggie Christie)<br /><br />- Henry Samuel Hallam Mayer was born in Clerkenwell, London, the son of a furrier, and later adopted the stage name Henry Hallam.<br />- He received vocal training in Liverpool and began his stage career in Victorian burlesque as a teenager.<br />- At age twenty, he sailed to Melbourne, Australia, joining the Royal English Opera Company and performing in The Messiah and his first operatic role.<br />- In 1873, he left the stage to try stockbroking and lost all his savings, forcing him to return to performing.<br />- He married Mary Harriet Langmaid (Hattie Shepparde) in 1873, and their daughter was born in 1874, but both Mary and the infant daughter died shortly after.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841577</guid><pubDate>Wed, 02 Sep 2026 23:58:31 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841577/0008.mp3" length="11274716" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A Victorian stage performer crosses oceans for a new life in Australia, only to lose everything in a stockbroking gamble. Can he rebuild his life?&#13;
&#13;
A stockbroking gamble that cost Henry Hallam everything he had saved&#13;
&#13;
This episode explores the...</itunes:subtitle><itunes:summary><![CDATA[A Victorian stage performer crosses oceans for a new life in Australia, only to lose everything in a stockbroking gamble. Can he rebuild his life?<br /><br />A stockbroking gamble that cost Henry Hallam everything he had saved<br /><br />This episode explores the life of Henry Hallam, a man born Henry Samuel Hallam Mayer, who became a prolific silent film actor. We trace his journey from a London furrier's son to a stage performer in Victorian popular entertainment, and the personal tragedies and financial setbacks that shaped his path.<br /><br />Person: Henry Hallam (born Henry Samuel Hallam Mayer)<br />Date of birth: August 7, 1850<br />Location of birth: Clerkenwell, London<br />First wife: Mary Harriet Langmaid (Hattie Shepparde)<br />Second wife: Margaret Hogan (Maggie Christie)<br /><br />- Henry Samuel Hallam Mayer was born in Clerkenwell, London, the son of a furrier, and later adopted the stage name Henry Hallam.<br />- He received vocal training in Liverpool and began his stage career in Victorian burlesque as a teenager.<br />- At age twenty, he sailed to Melbourne, Australia, joining the Royal English Opera Company and performing in The Messiah and his first operatic role.<br />- In 1873, he left the stage to try stockbroking and lost all his savings, forcing him to return to performing.<br />- He married Mary Harriet Langmaid (Hattie Shepparde) in 1873, and their daughter was born in 1874, but both Mary and the infant daughter died shortly after.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>705</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Star Who Vanished: Hollywood's Cruelest Trick</title><link>https://www.spreaker.com/episode/the-star-who-vanished-hollywood-s-cruelest-trick--74841575</link><description><![CDATA[A college football hero turned MGM leading man watches his star wobble on a Tuesday afternoon in Hollywood-how do you fall from that high?<br /><br />The Star Who Vanished: Hollywood's Cruelest Trick<br /><br />In this episode, we follow John Mack Brown’s rise from Dothan to the Rose Bowl and then to MGM, tracing the moments and decisions that redirected his career. What happens when a fame built on physical presence meets an industry that reshapes names and ceilings?<br /><br />Person: John Mack Brown<br />Date: January 1, 1925<br />Location: Rose Bowl, Pasadena<br />Event: Two touchdowns that helped Alabama become the first Southern Rose Bowl winners<br />Status: Contracted to MGM in 1927; name changed to Johnny Mack Brown in 1931<br /><br />- Born September 1, 1904, in Dothan, Alabama, raised in a family of eight children.<br />- Star halfback at University of Alabama under coach Wallace Wade; praised by Pop Warner for exceptional speed.<br />- Scored two touchdowns on January 1, 1925, earning Rose Bowl MVP and national publicity, including a Wheaties box.<br />- Signed a five-year contract with MGM in 1927 and appeared above Wallace Wade in the 1930 film Billy the Kid.<br />- In 1931, MGM altered his professional name to Johnny Mack Brown amid changing studio tastes and director opinions.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841575</guid><pubDate>Wed, 02 Sep 2026 23:58:28 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841575/0007.mp3" length="17914415" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A college football hero turned MGM leading man watches his star wobble on a Tuesday afternoon in Hollywood-how do you fall from that high?&#13;
&#13;
The Star Who Vanished: Hollywood's Cruelest Trick&#13;
&#13;
In this episode, we follow John Mack Brown’s rise from...</itunes:subtitle><itunes:summary><![CDATA[A college football hero turned MGM leading man watches his star wobble on a Tuesday afternoon in Hollywood-how do you fall from that high?<br /><br />The Star Who Vanished: Hollywood's Cruelest Trick<br /><br />In this episode, we follow John Mack Brown’s rise from Dothan to the Rose Bowl and then to MGM, tracing the moments and decisions that redirected his career. What happens when a fame built on physical presence meets an industry that reshapes names and ceilings?<br /><br />Person: John Mack Brown<br />Date: January 1, 1925<br />Location: Rose Bowl, Pasadena<br />Event: Two touchdowns that helped Alabama become the first Southern Rose Bowl winners<br />Status: Contracted to MGM in 1927; name changed to Johnny Mack Brown in 1931<br /><br />- Born September 1, 1904, in Dothan, Alabama, raised in a family of eight children.<br />- Star halfback at University of Alabama under coach Wallace Wade; praised by Pop Warner for exceptional speed.<br />- Scored two touchdowns on January 1, 1925, earning Rose Bowl MVP and national publicity, including a Wheaties box.<br />- Signed a five-year contract with MGM in 1927 and appeared above Wallace Wade in the 1930 film Billy the Kid.<br />- In 1931, MGM altered his professional name to Johnny Mack Brown amid changing studio tastes and director opinions.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>1120</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Zuvembie Credit That Erased a Fifty-Year Career</title><link>https://www.spreaker.com/episode/the-zuvembie-credit-that-erased-a-fifty-year-career--74841572</link><description><![CDATA[A seventy-one-year-old actress with a fifty-year career in Hollywood receives her most visible screen credit, but it's not her name. It's a monster's.<br /><br />The Zuvembie Credit That Erased a Fifty-Year Career<br /><br />This episode explores the documented story of Ottola Nesmith, an actress whose extensive career spanned Hollywood's Golden Age, yet her name remains largely unknown. How did a performer with over a hundred screen credits become so invisible?<br /><br />Person: Ottola Nesmith<br />Date: 1961<br />Career Length: Over 50 years<br />Notable Film: Becky Sharp<br /><br />- Ottola Nesmith was born in 1889, the daughter of a US Army officer, which meant a life of constant relocation.<br />- Her early stage training involved stock theater in San Diego, where she performed new roles weekly without a fixed theatrical community.<br />- She began her film career in 1915, appearing in silent films like "Still Waters" and "Rich Man, Poor Man."<br />- Nesmith adapted to the arrival of sound in the late 1920s, entering the studio system that categorized actors.<br />- In 1935, she appeared in "Becky Sharp," the first feature film shot in three-strip Technicolor, playing Lady Jane Crawley.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841572</guid><pubDate>Wed, 02 Sep 2026 23:58:24 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841572/0006.mp3" length="13988942" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A seventy-one-year-old actress with a fifty-year career in Hollywood receives her most visible screen credit, but it's not her name. It's a monster's.&#13;
&#13;
The Zuvembie Credit That Erased a Fifty-Year Career&#13;
&#13;
This episode explores the documented story...</itunes:subtitle><itunes:summary><![CDATA[A seventy-one-year-old actress with a fifty-year career in Hollywood receives her most visible screen credit, but it's not her name. It's a monster's.<br /><br />The Zuvembie Credit That Erased a Fifty-Year Career<br /><br />This episode explores the documented story of Ottola Nesmith, an actress whose extensive career spanned Hollywood's Golden Age, yet her name remains largely unknown. How did a performer with over a hundred screen credits become so invisible?<br /><br />Person: Ottola Nesmith<br />Date: 1961<br />Career Length: Over 50 years<br />Notable Film: Becky Sharp<br /><br />- Ottola Nesmith was born in 1889, the daughter of a US Army officer, which meant a life of constant relocation.<br />- Her early stage training involved stock theater in San Diego, where she performed new roles weekly without a fixed theatrical community.<br />- She began her film career in 1915, appearing in silent films like "Still Waters" and "Rich Man, Poor Man."<br />- Nesmith adapted to the arrival of sound in the late 1920s, entering the studio system that categorized actors.<br />- In 1935, she appeared in "Becky Sharp," the first feature film shot in three-strip Technicolor, playing Lady Jane Crawley.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>875</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Borrowed Melody That Silenced a Child Star</title><link>https://www.spreaker.com/episode/the-borrowed-melody-that-silenced-a-child-star--74841570</link><description><![CDATA[A child star's voice on a 1919 shellac disc contains a borrowed melody - was this the first audio sampling?<br /><br />The Borrowed Melody That Silenced a Child Star<br /><br />This episode explores the early career of Sally Hamlin, a child star whose recordings inadvertently pioneered a musical technique. It delves into her family legacy and the recording industry of the early 20th century, asking what became of a promising career that suddenly went silent.<br /><br />Person: Sally Hamlin<br />Date: 1919<br />Location: Brooklyn, New York<br />Company: Victor Talking Machine Company<br />Technique: Sampling<br /><br />- Sally Hamlin was born in 1902, the great-granddaughter of Vice President Hannibal Hamlin.<br />- At age fourteen, she signed a one-year contract with the Victor Talking Machine Company in 1917.<br />- Early recording studios were entirely acoustic, requiring performers to project their voices into a horn for a single take.<br />- Sally's early records featured recitations, and she unknowingly used a vocal delivery style later formalized as sprechstimme.<br />- In 1919, for Aeolian Vocalion, Sally recorded "The Night Before Christmas" over an existing melody by Elsie Baker, uncredited to reduce costs.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841570</guid><pubDate>Wed, 02 Sep 2026 23:58:20 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841570/0005.mp3" length="15188067" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A child star's voice on a 1919 shellac disc contains a borrowed melody - was this the first audio sampling?&#13;
&#13;
The Borrowed Melody That Silenced a Child Star&#13;
&#13;
This episode explores the early career of Sally Hamlin, a child star whose recordings...</itunes:subtitle><itunes:summary><![CDATA[A child star's voice on a 1919 shellac disc contains a borrowed melody - was this the first audio sampling?<br /><br />The Borrowed Melody That Silenced a Child Star<br /><br />This episode explores the early career of Sally Hamlin, a child star whose recordings inadvertently pioneered a musical technique. It delves into her family legacy and the recording industry of the early 20th century, asking what became of a promising career that suddenly went silent.<br /><br />Person: Sally Hamlin<br />Date: 1919<br />Location: Brooklyn, New York<br />Company: Victor Talking Machine Company<br />Technique: Sampling<br /><br />- Sally Hamlin was born in 1902, the great-granddaughter of Vice President Hannibal Hamlin.<br />- At age fourteen, she signed a one-year contract with the Victor Talking Machine Company in 1917.<br />- Early recording studios were entirely acoustic, requiring performers to project their voices into a horn for a single take.<br />- Sally's early records featured recitations, and she unknowingly used a vocal delivery style later formalized as sprechstimme.<br />- In 1919, for Aeolian Vocalion, Sally recorded "The Night Before Christmas" over an existing melody by Elsie Baker, uncredited to reduce costs.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>950</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The credit "Mrs. Maurice Costello" pushed her career - then erased it</title><link>https://www.spreaker.com/episode/the-credit-mrs-maurice-costello-pushed-her-career-then-erased-it--74841567</link><description><![CDATA[A woman works six years in early cinema, appearing in seventeen films, yet her name never appears on screen. How could she be so completely inside the machine and still be invisible to it?<br /><br />The credit "Mrs. Maurice Costello" pushed her career - then erased it<br /><br />This episode explores the life and career of Maria Costello, an early film actress whose professional identity was subsumed by her husband's fame. It questions how a woman could build a significant career while remaining nameless to the public.<br /><br />Person: Maria Costello (Maria Josephina Altschuh)<br />Born: August 13, 1882<br />Location: Brooklyn, New York<br />Husband: Maurice Costello<br />Studio: Vitagraph Studios<br /><br />- Maria's father, Lewis Altschuh, a French immigrant, died before she could remember him, marking the first in a series of disappearances in her life.<br />- Her stepfather, Vincent Tresham, held strong opinions against the stage, creating a home where ambition in performance was not permitted.<br />- Maria married actor Maurice Costello in a secret ceremony on June 6, 1902, leading to immediate and permanent estrangement from her parents.<br />- Her first daughter, Dolores, was born in Pittsburgh in 1903, with Maurice absent, leaving Maria alone in an unfamiliar city.<br />- Maurice Costello became the first film actor in America to be publicly identified by name in the New York Dramatic Mirror on October 5, 1910.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841567</guid><pubDate>Wed, 02 Sep 2026 23:58:16 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841567/0004.mp3" length="13924995" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A woman works six years in early cinema, appearing in seventeen films, yet her name never appears on screen. How could she be so completely inside the machine and still be invisible to it?&#13;
&#13;
The credit "Mrs. Maurice Costello" pushed her career - then...</itunes:subtitle><itunes:summary><![CDATA[A woman works six years in early cinema, appearing in seventeen films, yet her name never appears on screen. How could she be so completely inside the machine and still be invisible to it?<br /><br />The credit "Mrs. Maurice Costello" pushed her career - then erased it<br /><br />This episode explores the life and career of Maria Costello, an early film actress whose professional identity was subsumed by her husband's fame. It questions how a woman could build a significant career while remaining nameless to the public.<br /><br />Person: Maria Costello (Maria Josephina Altschuh)<br />Born: August 13, 1882<br />Location: Brooklyn, New York<br />Husband: Maurice Costello<br />Studio: Vitagraph Studios<br /><br />- Maria's father, Lewis Altschuh, a French immigrant, died before she could remember him, marking the first in a series of disappearances in her life.<br />- Her stepfather, Vincent Tresham, held strong opinions against the stage, creating a home where ambition in performance was not permitted.<br />- Maria married actor Maurice Costello in a secret ceremony on June 6, 1902, leading to immediate and permanent estrangement from her parents.<br />- Her first daughter, Dolores, was born in Pittsburgh in 1903, with Maurice absent, leaving Maria alone in an unfamiliar city.<br />- Maurice Costello became the first film actor in America to be publicly identified by name in the New York Dramatic Mirror on October 5, 1910.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>871</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Contract Clause That Wrote Her Out of Hollywood</title><link>https://www.spreaker.com/episode/the-contract-clause-that-wrote-her-out-of-hollywood--74841565</link><description><![CDATA[A young actress arrives in Hollywood with a contract and a list of demands, setting a record for Academy Award nominations. But her refusal to conform will cost her everything.<br /><br />The Contract Clause That Wrote Her Out of Hollywood<br /><br />This episode explores the extraordinary career of Teresa Wright, an actress who achieved unprecedented success in her first three films. It delves into the unique contract clause she insisted upon and the personal conviction that shaped her path in Hollywood.<br /><br />Person: Teresa Wright<br />Date: October 27, 1918<br />Location: New York City<br />Event: Yankee Stadium tribute<br />Award: Academy Award<br /><br />- Teresa Wright's name was read aloud at Yankee Stadium in 2005, despite her never having played baseball.<br />- She was raised in Maplewood, New Jersey, and was drawn to acting after seeing Helen Hayes perform in 1936.<br />- Wright became an understudy for Dorothy McGuire and Martha Scott in the Broadway production of "Our Town."<br />- Samuel Goldwyn offered her a contract in 1941, which she signed after adding specific clauses about her public image.<br />- She received three Academy Award nominations for her first three films: "The Little Foxes," "The Pride of the Yankees," and "Mrs. Miniver."<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841565</guid><pubDate>Wed, 02 Sep 2026 23:58:12 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841565/0003.mp3" length="12804028" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A young actress arrives in Hollywood with a contract and a list of demands, setting a record for Academy Award nominations. But her refusal to conform will cost her everything.&#13;
&#13;
The Contract Clause That Wrote Her Out of Hollywood&#13;
&#13;
This episode...</itunes:subtitle><itunes:summary><![CDATA[A young actress arrives in Hollywood with a contract and a list of demands, setting a record for Academy Award nominations. But her refusal to conform will cost her everything.<br /><br />The Contract Clause That Wrote Her Out of Hollywood<br /><br />This episode explores the extraordinary career of Teresa Wright, an actress who achieved unprecedented success in her first three films. It delves into the unique contract clause she insisted upon and the personal conviction that shaped her path in Hollywood.<br /><br />Person: Teresa Wright<br />Date: October 27, 1918<br />Location: New York City<br />Event: Yankee Stadium tribute<br />Award: Academy Award<br /><br />- Teresa Wright's name was read aloud at Yankee Stadium in 2005, despite her never having played baseball.<br />- She was raised in Maplewood, New Jersey, and was drawn to acting after seeing Helen Hayes perform in 1936.<br />- Wright became an understudy for Dorothy McGuire and Martha Scott in the Broadway production of "Our Town."<br />- Samuel Goldwyn offered her a contract in 1941, which she signed after adding specific clauses about her public image.<br />- She received three Academy Award nominations for her first three films: "The Little Foxes," "The Pride of the Yankees," and "Mrs. Miniver."<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>801</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The sidewalk that pushed him to the top, then pulled him down</title><link>https://www.spreaker.com/episode/the-sidewalk-that-pushed-him-to-the-top-then-pulled-him-down--74841563</link><description><![CDATA[A child selling newspapers on a cold sidewalk dreams of getting inside the theater. This is the origin story of a comedy legend and a secret empire.<br /><br />The sidewalk that pushed him to the top, then pulled him down<br /><br />This episode explores the early life and career of Red Skelton, from his humble beginnings in Indiana to his rise as a national comedy star. It delves into the unexpected origins of his success and the hidden forces that shaped his path.<br /><br />Person: Red Skelton<br />Date: 1913<br />Location: Vincennes, Indiana<br />Event: Birth of Richard Bernard Eheart<br /><br />- Richard Bernard Eheart was born into poverty in Vincennes, Indiana, in 1913, two months after his clown father died.<br />- At seven years old, he sold newspapers outside a theater he couldn't afford to enter, fueling a lifelong desire to belong inside.<br />- Around age ten, a stranger bought all his newspapers and took him backstage, inspiring his decision to become a performer.<br />- He dropped out of school between thirteen and fourteen to join the burlesque circuit and later the Hagenbeck-Wallace Circus.<br />- At seventeen, he married Edna Stillwell, who became his writer, editor, and architect, helping him develop his act.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841563</guid><pubDate>Wed, 02 Sep 2026 23:58:08 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841563/0002.mp3" length="15172185" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A child selling newspapers on a cold sidewalk dreams of getting inside the theater. This is the origin story of a comedy legend and a secret empire.&#13;
&#13;
The sidewalk that pushed him to the top, then pulled him down&#13;
&#13;
This episode explores the early...</itunes:subtitle><itunes:summary><![CDATA[A child selling newspapers on a cold sidewalk dreams of getting inside the theater. This is the origin story of a comedy legend and a secret empire.<br /><br />The sidewalk that pushed him to the top, then pulled him down<br /><br />This episode explores the early life and career of Red Skelton, from his humble beginnings in Indiana to his rise as a national comedy star. It delves into the unexpected origins of his success and the hidden forces that shaped his path.<br /><br />Person: Red Skelton<br />Date: 1913<br />Location: Vincennes, Indiana<br />Event: Birth of Richard Bernard Eheart<br /><br />- Richard Bernard Eheart was born into poverty in Vincennes, Indiana, in 1913, two months after his clown father died.<br />- At seven years old, he sold newspapers outside a theater he couldn't afford to enter, fueling a lifelong desire to belong inside.<br />- Around age ten, a stranger bought all his newspapers and took him backstage, inspiring his decision to become a performer.<br />- He dropped out of school between thirteen and fourteen to join the burlesque circuit and later the Hagenbeck-Wallace Circus.<br />- At seventeen, he married Edna Stillwell, who became his writer, editor, and architect, helping him develop his act.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>949</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The review that built a ceiling for a fifty-year career</title><link>https://www.spreaker.com/episode/the-review-that-built-a-ceiling-for-a-fifty-year-career--74841560</link><description><![CDATA[A Hollywood career spans fifty years and touches greatness, yet a single review builds a ceiling that keeps a talented actress from breaking through.<br /><br />The review that built a ceiling for a fifty-year career<br /><br />This episode explores the career of Lee Patrick, an actress whose talent and dependability made her a fixture in Hollywood for decades. It examines how a specific review shaped her trajectory and the choices she made in response.<br /><br />Person: Lee Patrick<br />Born: November 22, 1901<br />Broadway Debut: November 1922<br />First Film: March 31, 1929<br />Key Role: Effie Perine<br /><br />- Lee Patrick's father, Warren Patrick, was an entertainment journalist, exposing her to the machinery of performance from a young age.<br />- Her Broadway debut in 1922 placed her in an ensemble with headliners Fred and Adele Astaire.<br />- In 1925 alone, she appeared in five separate Broadway productions, building a diverse acting register.<br />- Her longest stage run was with "June Moon" in 1929, performing 273 times in the original run.<br />- In 1941, director John Huston cast her as Effie Perine in "The Maltese Falcon," a role that required competence, warmth, and intelligence.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74841560</guid><pubDate>Wed, 02 Sep 2026 23:58:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74841560/0001.mp3" length="11101262" type="audio/mpeg"/><itunes:author>OBOMEDIA ENTERTAINMENT</itunes:author><itunes:subtitle>A Hollywood career spans fifty years and touches greatness, yet a single review builds a ceiling that keeps a talented actress from breaking through.&#13;
&#13;
The review that built a ceiling for a fifty-year career&#13;
&#13;
This episode explores the career of Lee...</itunes:subtitle><itunes:summary><![CDATA[A Hollywood career spans fifty years and touches greatness, yet a single review builds a ceiling that keeps a talented actress from breaking through.<br /><br />The review that built a ceiling for a fifty-year career<br /><br />This episode explores the career of Lee Patrick, an actress whose talent and dependability made her a fixture in Hollywood for decades. It examines how a specific review shaped her trajectory and the choices she made in response.<br /><br />Person: Lee Patrick<br />Born: November 22, 1901<br />Broadway Debut: November 1922<br />First Film: March 31, 1929<br />Key Role: Effie Perine<br /><br />- Lee Patrick's father, Warren Patrick, was an entertainment journalist, exposing her to the machinery of performance from a young age.<br />- Her Broadway debut in 1922 placed her in an ensemble with headliners Fred and Adele Astaire.<br />- In 1925 alone, she appeared in five separate Broadway productions, building a diverse acting register.<br />- Her longest stage run was with "June Moon" in 1929, performing 273 times in the original run.<br />- In 1941, director John Huston cast her as Effie Perine in "The Maltese Falcon," a role that required competence, warmth, and intelligence.<br /><br />To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.<br /><br />© 2026 OBOMEDIA. All rights reserved.<br />This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.]]></itunes:summary><itunes:duration>694</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/8e3ae3cd4feeafb26298b7886d907977.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
