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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Wild and romantic: Early guides to the English lake district</title><link>https://www.spreaker.com/podcast/wild-and-romantic-early-guides-to-the-english-lake-district--7170958</link><description><![CDATA[Immerse yourself in the enchanting landscapes of the English Lake District through a carefully curated collection of early literary guides that evoke a sense of wild romance. This podcast invites listeners to traverse the picturesque scenery that has inspired countless writers, as we delve into the rich tapestry of natural beauty and human observation before Thomas West's seminal work. Each episode features a new complete audiobook, showcasing unique explorations of the region's dramatic lakes, rugged mountains, and charming settlements. Experience the contrasting perspectives of travelers, from poetic reflections to practical observations, as they navigate the alluring yet untamed wilderness. This is not a single story but a series of captivating narratives that highlight the allure of this iconic landscape. Join us to discover a new book with every episode and allow the magic of the Lake District to unfold in your imagination.]]></description><atom:link href="https://www.spreaker.com/show/7170958/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Travel Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32712768b07f2405ece9eca5e28e41c9.jpg</url><title>Wild and romantic: Early guides to the English lake district</title><link>https://www.spreaker.com/podcast/wild-and-romantic-early-guides-to-the-english-lake-district--7170958</link></image><lastBuildDate>Sat, 19 Sep 2026 09:18:11 +0000</lastBuildDate><itunes:author>John Brown, Richard Cumberland, John Dalton, Thomas Gray, Thomas Pennant, Adam Walker, Arthur Young</itunes:author><itunes:owner><itunes:name>Travel Genre</itunes:name><itunes:email>spreaker88@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32712768b07f2405ece9eca5e28e41c9.jpg"/><itunes:subtitle>Immerse yourself in the enchanting landscapes of the English Lake District through a carefully curated collection of early literary guides that evoke a sense of wild romance. This podcast invites listeners to traverse the picturesque scenery that has...</itunes:subtitle><itunes:summary><![CDATA[Immerse yourself in the enchanting landscapes of the English Lake District through a carefully curated collection of early literary guides that evoke a sense of wild romance. This podcast invites listeners to traverse the picturesque scenery that has inspired countless writers, as we delve into the rich tapestry of natural beauty and human observation before Thomas West's seminal work. Each episode features a new complete audiobook, showcasing unique explorations of the region's dramatic lakes, rugged mountains, and charming settlements. Experience the contrasting perspectives of travelers, from poetic reflections to practical observations, as they navigate the alluring yet untamed wilderness. This is not a single story but a series of captivating narratives that highlight the allure of this iconic landscape. Join us to discover a new book with every episode and allow the magic of the Lake District to unfold in your imagination.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Health &amp; Fitness"/><itunes:category text="Health &amp; Fitness"><itunes:category text="Mental Health"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>5523a538-bef9-5731-b113-0e1252ba5ed0</podcast:guid><itunes:type>episodic</itunes:type><item><title>One-Act Play Collection 012-Various</title><link>https://www.spreaker.com/episode/one-act-play-collection-012-various--74977160</link><description><![CDATA[One-Act Play Collection 012-Various presents a captivating assortment of one-act plays that showcase the diversity and creativity of theatrical storytelling. This collection invites listeners to experience a range of emotions and themes, from the whimsical to the profound, all within the compact format of one-act performances. The enduring nature of these plays lies in their ability to capture the essence of human experience, making them relevant across generations. As the world continues to grapple with complex social dynamics and the pursuit of connection, these plays remind us of the timeless power of storytelling to provoke thought and inspire empathy.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74977160</guid><pubDate>Sun, 20 Sep 2026 09:01:47 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74977160/one_act_play_collection_012_various.mp3" length="159400296" type="audio/mpeg"/><itunes:author>John Brown, Richard Cumberland, John Dalton, Thomas Gray, Thomas Pennant, Adam Walker, Arthur Young</itunes:author><itunes:subtitle>One-Act Play Collection 012-Various presents a captivating assortment of one-act plays that showcase the diversity and creativity of theatrical storytelling. This collection invites listeners to experience a range of emotions and themes, from the...</itunes:subtitle><itunes:summary><![CDATA[One-Act Play Collection 012-Various presents a captivating assortment of one-act plays that showcase the diversity and creativity of theatrical storytelling. This collection invites listeners to experience a range of emotions and themes, from the whimsical to the profound, all within the compact format of one-act performances. The enduring nature of these plays lies in their ability to capture the essence of human experience, making them relevant across generations. As the world continues to grapple with complex social dynamics and the pursuit of connection, these plays remind us of the timeless power of storytelling to provoke thought and inspire empathy.]]></itunes:summary><itunes:duration>19905</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32712768b07f2405ece9eca5e28e41c9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Great Learning &amp; The Doctrine of the Mean-Confucius 孔子, Zengzi 子輿, Zisi 子思</title><link>https://www.spreaker.com/episode/great-learning-the-doctrine-of-the-mean-confucius-kong-zi-zengzi-zi-yu-zisi-zi-si--74969617</link><description><![CDATA["Great Learning & The Doctrine of the Mean" features the profound teachings of Confucius, Zengzi, and Zisi, offering timeless wisdom on personal development and ethical living. These texts delve into the principles of self-cultivation, moral integrity, and the pursuit of harmony in both personal and societal contexts. Their insights into the balance between individual aspirations and communal responsibilities resonate with contemporary audiences, emphasizing the importance of virtue and moderation in today's fast-paced world.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74969617</guid><pubDate>Sat, 19 Sep 2026 09:02:02 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74969617/great_learning_the_doctrine_of_the_mean_confucius_zengzi_zisi.mp3" length="54562150" type="audio/mpeg"/><itunes:author>John Brown, Richard Cumberland, John Dalton, Thomas Gray, Thomas Pennant, Adam Walker, Arthur Young</itunes:author><itunes:subtitle>"Great Learning &amp; The Doctrine of the Mean" features the profound teachings of Confucius, Zengzi, and Zisi, offering timeless wisdom on personal development and ethical living. These texts delve into the principles of self-cultivation, moral...</itunes:subtitle><itunes:summary><![CDATA["Great Learning & The Doctrine of the Mean" features the profound teachings of Confucius, Zengzi, and Zisi, offering timeless wisdom on personal development and ethical living. These texts delve into the principles of self-cultivation, moral integrity, and the pursuit of harmony in both personal and societal contexts. Their insights into the balance between individual aspirations and communal responsibilities resonate with contemporary audiences, emphasizing the importance of virtue and moderation in today's fast-paced world.]]></itunes:summary><itunes:duration>6813</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32712768b07f2405ece9eca5e28e41c9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Excursion to the Lakes in Westmoreland and Cumberland, August 1773-William Hutchinson</title><link>https://www.spreaker.com/episode/excursion-to-the-lakes-in-westmoreland-and-cumberland-august-1773-william-hutchinson--74960375</link><description><![CDATA["Excursion to the Lakes in Westmoreland and Cumberland" by William Hutchinson invites listeners to journey through the picturesque landscapes of the English Lake District as they were experienced in August 1773. This work captures the spirit of exploration and appreciation for nature that characterized the Romantic era, making it a fascinating reflection on humanity's relationship with the sublime beauty of the natural world. Hutchinson's observations not only document the scenic wonders of the lakes but also evoke a sense of wonder that resonates with contemporary audiences seeking solace and inspiration in nature.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74960375</guid><pubDate>Sun, 13 Sep 2026 09:01:51 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74960375/excursion_to_the_lakes_in_westmoreland_and_cumberland_august_1773_william_hutchinson.mp3" length="70285457" type="audio/mpeg"/><itunes:author>John Brown, Richard Cumberland, John Dalton, Thomas Gray, Thomas Pennant, Adam Walker, Arthur Young</itunes:author><itunes:subtitle>"Excursion to the Lakes in Westmoreland and Cumberland" by William Hutchinson invites listeners to journey through the picturesque landscapes of the English Lake District as they were experienced in August 1773. This work captures the spirit of...</itunes:subtitle><itunes:summary><![CDATA["Excursion to the Lakes in Westmoreland and Cumberland" by William Hutchinson invites listeners to journey through the picturesque landscapes of the English Lake District as they were experienced in August 1773. This work captures the spirit of exploration and appreciation for nature that characterized the Romantic era, making it a fascinating reflection on humanity's relationship with the sublime beauty of the natural world. Hutchinson's observations not only document the scenic wonders of the lakes but also evoke a sense of wonder that resonates with contemporary audiences seeking solace and inspiration in nature.]]></itunes:summary><itunes:duration>8777</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32712768b07f2405ece9eca5e28e41c9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Germania-Publius Cornelius Tacitus</title><link>https://www.spreaker.com/episode/germania-publius-cornelius-tacitus--74952433</link><description><![CDATA["Germania" by Publius Cornelius Tacitus offers a profound glimpse into the geography, tribes, and customs of ancient Germany, providing insight into a world that shaped the future of Europe. Tacitus's observations serve as both a historical account and a reflection on the nature of civilization and barbarism, themes that continue to resonate in contemporary discussions about culture and identity. The work's enduring value lies in its exploration of the contrasts between the Roman Empire and the tribes beyond its borders, prompting listeners to consider the complexities of cultural interaction and the lessons that history imparts.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74952433</guid><pubDate>Sat, 12 Sep 2026 09:02:01 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74952433/germania_publius_cornelius_tacitus.mp3" length="33594511" type="audio/mpeg"/><itunes:author>John Brown, Richard Cumberland, John Dalton, Thomas Gray, Thomas Pennant, Adam Walker, Arthur Young</itunes:author><itunes:subtitle>"Germania" by Publius Cornelius Tacitus offers a profound glimpse into the geography, tribes, and customs of ancient Germany, providing insight into a world that shaped the future of Europe. Tacitus's observations serve as both a historical account...</itunes:subtitle><itunes:summary><![CDATA["Germania" by Publius Cornelius Tacitus offers a profound glimpse into the geography, tribes, and customs of ancient Germany, providing insight into a world that shaped the future of Europe. Tacitus's observations serve as both a historical account and a reflection on the nature of civilization and barbarism, themes that continue to resonate in contemporary discussions about culture and identity. The work's enduring value lies in its exploration of the contrasts between the Roman Empire and the tribes beyond its borders, prompting listeners to consider the complexities of cultural interaction and the lessons that history imparts.]]></itunes:summary><itunes:duration>4195</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32712768b07f2405ece9eca5e28e41c9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>America of the Fifties Letters of Fredrika Bremer-Fredrika Bremer</title><link>https://www.spreaker.com/episode/america-of-the-fifties-letters-of-fredrika-bremer-fredrika-bremer--74946951</link><description><![CDATA["America of the Fifties: Letters of Fredrika Bremer" presents a captivating glimpse into the thoughts and observations of the Swedish writer as she navigates America during the 1850s. Through her letters, Bremer captures the spirit of a transformative era, reflecting on cultural norms, social dynamics, and the evolving identity of a nation. Her keen insights and vivid descriptions offer listeners a timeless perspective on the complexities of American life, making this work resonate with contemporary themes of identity and change. The enduring nature of Bremer's observations invites us to reflect on our own society and the universal quest for understanding in a rapidly changing world.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74946951</guid><pubDate>Mon, 07 Sep 2026 00:15:10 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74946951/america_of_the_fifties_letters_of_fredrika_bremer_fredrika_bremer.mp3" length="246438964" type="audio/mpeg"/><itunes:author>John Brown, Richard Cumberland, John Dalton, Thomas Gray, Thomas Pennant, Adam Walker, Arthur Young</itunes:author><itunes:subtitle>"America of the Fifties: Letters of Fredrika Bremer" presents a captivating glimpse into the thoughts and observations of the Swedish writer as she navigates America during the 1850s. Through her letters, Bremer captures the spirit of a transformative...</itunes:subtitle><itunes:summary><![CDATA["America of the Fifties: Letters of Fredrika Bremer" presents a captivating glimpse into the thoughts and observations of the Swedish writer as she navigates America during the 1850s. Through her letters, Bremer captures the spirit of a transformative era, reflecting on cultural norms, social dynamics, and the evolving identity of a nation. Her keen insights and vivid descriptions offer listeners a timeless perspective on the complexities of American life, making this work resonate with contemporary themes of identity and change. The enduring nature of Bremer's observations invites us to reflect on our own society and the universal quest for understanding in a rapidly changing world.]]></itunes:summary><itunes:duration>30774</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32712768b07f2405ece9eca5e28e41c9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Letters on an Elk Hunt-Elinore Pruitt Stewart</title><link>https://www.spreaker.com/episode/letters-on-an-elk-hunt-elinore-pruitt-stewart--74635375</link><description><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. West’s Guide quotes Gray, Young and Pennant, and its second edition included the full text of Gray’s unpublished letters as an addendum. It also included four short pieces. John Brown’s letter to his former pupil William Gilpin (who would become the foremost exponent of the ‘picturesque’) connects the scenery of the Lakes to European landscape painting. Experimental philosopher Adam Walker provides a note on a local curiosity, the underground passages of Dunald Mill Hole. John Dalton and Richard Cumberland were among the first in a long line of Lakeland poets to be inspired to verse.> - Summary by Phil Benson]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74635375</guid><pubDate>Thu, 27 Aug 2026 09:03:19 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74635375/letters_on_an_elk_hunt_elinore_pruitt_stewart.mp3" length="88179762" type="audio/mpeg"/><itunes:author>John Brown, Richard Cumberland, John Dalton, Thomas Gray, Thomas Pennant, Adam Walker, Arthur Young</itunes:author><itunes:subtitle>A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An...</itunes:subtitle><itunes:summary><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. West’s Guide quotes Gray, Young and Pennant, and its second edition included the full text of Gray’s unpublished letters as an addendum. It also included four short pieces. John Brown’s letter to his former pupil William Gilpin (who would become the foremost exponent of the ‘picturesque’) connects the scenery of the Lakes to European landscape painting. Experimental philosopher Adam Walker provides a note on a local curiosity, the underground passages of Dunald Mill Hole. John Dalton and Richard Cumberland were among the first in a long line of Lakeland poets to be inspired to verse.> - Summary by Phil Benson]]></itunes:summary><itunes:duration>11011</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32712768b07f2405ece9eca5e28e41c9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Shepherd's Life; Impressions Of The South Wiltshire Downs-William Henry Hudson</title><link>https://www.spreaker.com/episode/shepherd-s-life-impressions-of-the-south-wiltshire-downs-william-henry-hudson--74602938</link><description><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. West’s Guide quotes Gray, Young and Pennant, and its second edition included the full text of Gray’s unpublished letters as an addendum. It also included four short pieces. John Brown’s letter to his former pupil William Gilpin (who would become the foremost exponent of the ‘picturesque’) connects the scenery of the Lakes to European landscape painting. Experimental philosopher Adam Walker provides a note on a local curiosity, the underground passages of Dunald Mill Hole. John Dalton and Richard Cumberland were among the first in a long line of Lakeland poets to be inspired to verse.> - Summary by Phil Benson]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74602938</guid><pubDate>Wed, 26 Aug 2026 09:03:29 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74602938/shepherd_s_life_impressions_of_the_south_wiltshire_downs_william_henry_hudson.mp3" length="251571348" type="audio/mpeg"/><itunes:author>John Brown, Richard Cumberland, John Dalton, Thomas Gray, Thomas Pennant, Adam Walker, Arthur Young</itunes:author><itunes:subtitle>A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An...</itunes:subtitle><itunes:summary><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. West’s Guide quotes Gray, Young and Pennant, and its second edition included the full text of Gray’s unpublished letters as an addendum. It also included four short pieces. John Brown’s letter to his former pupil William Gilpin (who would become the foremost exponent of the ‘picturesque’) connects the scenery of the Lakes to European landscape painting. Experimental philosopher Adam Walker provides a note on a local curiosity, the underground passages of Dunald Mill Hole. John Dalton and Richard Cumberland were among the first in a long line of Lakeland poets to be inspired to verse.> - Summary by Phil Benson]]></itunes:summary><itunes:duration>31415</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32712768b07f2405ece9eca5e28e41c9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>John Donne's Satires-John Donne</title><link>https://www.spreaker.com/episode/john-donne-s-satires-john-donne--74570748</link><description><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. West’s Guide quotes Gray, Young and Pennant, and its second edition included the full text of Gray’s unpublished letters as an addendum. It also included four short pieces. John Brown’s letter to his former pupil William Gilpin (who would become the foremost exponent of the ‘picturesque’) connects the scenery of the Lakes to European landscape painting. Experimental philosopher Adam Walker provides a note on a local curiosity, the underground passages of Dunald Mill Hole. John Dalton and Richard Cumberland were among the first in a long line of Lakeland poets to be inspired to verse.> - Summary by Phil Benson]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74570748</guid><pubDate>Tue, 25 Aug 2026 09:03:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74570748/john_donne_s_satires_john_donne.mp3" length="39822705" type="audio/mpeg"/><itunes:author>John Brown, Richard Cumberland, John Dalton, Thomas Gray, Thomas Pennant, Adam Walker, Arthur Young</itunes:author><itunes:subtitle>A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An...</itunes:subtitle><itunes:summary><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. West’s Guide quotes Gray, Young and Pennant, and its second edition included the full text of Gray’s unpublished letters as an addendum. It also included four short pieces. John Brown’s letter to his former pupil William Gilpin (who would become the foremost exponent of the ‘picturesque’) connects the scenery of the Lakes to European landscape painting. Experimental philosopher Adam Walker provides a note on a local curiosity, the underground passages of Dunald Mill Hole. John Dalton and Richard Cumberland were among the first in a long line of Lakeland poets to be inspired to verse.> - Summary by Phil Benson]]></itunes:summary><itunes:duration>4972</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32712768b07f2405ece9eca5e28e41c9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Journey of Alvar Núñez Cabeza de Vaca-Alvar Núñez Cabeza de Vaca</title><link>https://www.spreaker.com/episode/journey-of-alvar-nunez-cabeza-de-vaca-alvar-nunez-cabeza-de-vaca--74540754</link><description><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. West’s Guide quotes Gray, Young and Pennant, and its second edition included the full text of Gray’s unpublished letters as an addendum. It also included four short pieces. John Brown’s letter to his former pupil William Gilpin (who would become the foremost exponent of the ‘picturesque’) connects the scenery of the Lakes to European landscape painting. Experimental philosopher Adam Walker provides a note on a local curiosity, the underground passages of Dunald Mill Hole. John Dalton and Richard Cumberland were among the first in a long line of Lakeland poets to be inspired to verse.> - Summary by Phil Benson]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74540754</guid><pubDate>Mon, 24 Aug 2026 09:09:29 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74540754/4770_journey_of_alvar_nu_n_ez_cabeza_de_vaca_alvar_nu_n_ez_cabeza_de_vaca.mp3" length="124525246" type="audio/mpeg"/><itunes:author>John Brown, Richard Cumberland, John Dalton, Thomas Gray, Thomas Pennant, Adam Walker, Arthur Young</itunes:author><itunes:subtitle>A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An...</itunes:subtitle><itunes:summary><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. West’s Guide quotes Gray, Young and Pennant, and its second edition included the full text of Gray’s unpublished letters as an addendum. It also included four short pieces. John Brown’s letter to his former pupil William Gilpin (who would become the foremost exponent of the ‘picturesque’) connects the scenery of the Lakes to European landscape painting. Experimental philosopher Adam Walker provides a note on a local curiosity, the underground passages of Dunald Mill Hole. John Dalton and Richard Cumberland were among the first in a long line of Lakeland poets to be inspired to verse.> - Summary by Phil Benson]]></itunes:summary><itunes:duration>15550</itunes:duration><itunes:keywords>ez</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32712768b07f2405ece9eca5e28e41c9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Desert, Further Studies in Natural Appearances-John Charles van Dyke</title><link>https://www.spreaker.com/episode/desert-further-studies-in-natural-appearances-john-charles-van-dyke--74509167</link><description><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. West’s Guide quotes Gray, Young and Pennant, and its second edition included the full text of Gray’s unpublished letters as an addendum. It also included four short pieces. John Brown’s letter to his former pupil William Gilpin (who would become the foremost exponent of the ‘picturesque’) connects the scenery of the Lakes to European landscape painting. Experimental philosopher Adam Walker provides a note on a local curiosity, the underground passages of Dunald Mill Hole. John Dalton and Richard Cumberland were among the first in a long line of Lakeland poets to be inspired to verse.> - Summary by Phil Benson]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74509167</guid><pubDate>Sun, 23 Aug 2026 09:09:13 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74509167/desert_further_studies_in_natural_appearances_john_charles_van_dyke.mp3" length="171216515" type="audio/mpeg"/><itunes:author>John Brown, Richard Cumberland, John Dalton, Thomas Gray, Thomas Pennant, Adam Walker, Arthur Young</itunes:author><itunes:subtitle>A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An...</itunes:subtitle><itunes:summary><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. West’s Guide quotes Gray, Young and Pennant, and its second edition included the full text of Gray’s unpublished letters as an addendum. It also included four short pieces. John Brown’s letter to his former pupil William Gilpin (who would become the foremost exponent of the ‘picturesque’) connects the scenery of the Lakes to European landscape painting. Experimental philosopher Adam Walker provides a note on a local curiosity, the underground passages of Dunald Mill Hole. John Dalton and Richard Cumberland were among the first in a long line of Lakeland poets to be inspired to verse.> - Summary by Phil Benson]]></itunes:summary><itunes:duration>21381</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32712768b07f2405ece9eca5e28e41c9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Running Water-A. E. W. Mason</title><link>https://www.spreaker.com/episode/running-water-a-e-w-mason--74472860</link><description><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. West’s Guide quotes Gray, Young and Pennant, and its second edition included the full text of Gray’s unpublished letters as an addendum. It also included four short pieces. John Brown’s letter to his former pupil William Gilpin (who would become the foremost exponent of the ‘picturesque’) connects the scenery of the Lakes to European landscape painting. Experimental philosopher Adam Walker provides a note on a local curiosity, the underground passages of Dunald Mill Hole. 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An...</itunes:subtitle><itunes:summary><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. West’s Guide quotes Gray, Young and Pennant, and its second edition included the full text of Gray’s unpublished letters as an addendum. It also included four short pieces. John Brown’s letter to his former pupil William Gilpin (who would become the foremost exponent of the ‘picturesque’) connects the scenery of the Lakes to European landscape painting. Experimental philosopher Adam Walker provides a note on a local curiosity, the underground passages of Dunald Mill Hole. John Dalton and Richard Cumberland were among the first in a long line of Lakeland poets to be inspired to verse.> - Summary by Phil Benson]]></itunes:summary><itunes:duration>31073</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32712768b07f2405ece9eca5e28e41c9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>One-Act Play Collection 012-Various</title><link>https://www.spreaker.com/episode/one-act-play-collection-012-various--74438871</link><description><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. West’s Guide quotes Gray, Young and Pennant, and its second edition included the full text of Gray’s unpublished letters as an addendum. It also included four short pieces. John Brown’s letter to his former pupil William Gilpin (who would become the foremost exponent of the ‘picturesque’) connects the scenery of the Lakes to European landscape painting. Experimental philosopher Adam Walker provides a note on a local curiosity, the underground passages of Dunald Mill Hole. John Dalton and Richard Cumberland were among the first in a long line of Lakeland poets to be inspired to verse.> - Summary by Phil Benson]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74438871</guid><pubDate>Fri, 21 Aug 2026 09:09:14 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74438871/one_act_play_collection_012_various.mp3" length="159400296" type="audio/mpeg"/><itunes:author>John Brown, Richard Cumberland, John Dalton, Thomas Gray, Thomas Pennant, Adam Walker, Arthur Young</itunes:author><itunes:subtitle>A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An...</itunes:subtitle><itunes:summary><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. West’s Guide quotes Gray, Young and Pennant, and its second edition included the full text of Gray’s unpublished letters as an addendum. It also included four short pieces. John Brown’s letter to his former pupil William Gilpin (who would become the foremost exponent of the ‘picturesque’) connects the scenery of the Lakes to European landscape painting. Experimental philosopher Adam Walker provides a note on a local curiosity, the underground passages of Dunald Mill Hole. John Dalton and Richard Cumberland were among the first in a long line of Lakeland poets to be inspired to verse.> - Summary by Phil Benson]]></itunes:summary><itunes:duration>19905</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32712768b07f2405ece9eca5e28e41c9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Wonder Stories of Travel-E. E. Brown, Ernest Ingersoll, David Ker, Eliot McCormick</title><link>https://www.spreaker.com/episode/wonder-stories-of-travel-e-e-brown-ernest-ingersoll-david-ker-eliot-mccormick--74401778</link><description><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. West’s Guide quotes Gray, Young and Pennant, and its second edition included the full text of Gray’s unpublished letters as an addendum. It also included four short pieces. John Brown’s letter to his former pupil William Gilpin (who would become the foremost exponent of the ‘picturesque’) connects the scenery of the Lakes to European landscape painting. Experimental philosopher Adam Walker provides a note on a local curiosity, the underground passages of Dunald Mill Hole. 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An...</itunes:subtitle><itunes:summary><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. West’s Guide quotes Gray, Young and Pennant, and its second edition included the full text of Gray’s unpublished letters as an addendum. It also included four short pieces. John Brown’s letter to his former pupil William Gilpin (who would become the foremost exponent of the ‘picturesque’) connects the scenery of the Lakes to European landscape painting. Experimental philosopher Adam Walker provides a note on a local curiosity, the underground passages of Dunald Mill Hole. John Dalton and Richard Cumberland were among the first in a long line of Lakeland poets to be inspired to verse.> - Summary by Phil Benson]]></itunes:summary><itunes:duration>21849</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32712768b07f2405ece9eca5e28e41c9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Letters to a Friend, Written to Mrs. Ezra S. Carr, 1866-1879-John Muir</title><link>https://www.spreaker.com/episode/letters-to-a-friend-written-to-mrs-ezra-s-carr-1866-1879-john-muir--74356614</link><description><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. West’s Guide quotes Gray, Young and Pennant, and its second edition included the full text of Gray’s unpublished letters as an addendum. It also included four short pieces. John Brown’s letter to his former pupil William Gilpin (who would become the foremost exponent of the ‘picturesque’) connects the scenery of the Lakes to European landscape painting. Experimental philosopher Adam Walker provides a note on a local curiosity, the underground passages of Dunald Mill Hole. 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An...</itunes:subtitle><itunes:summary><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. West’s Guide quotes Gray, Young and Pennant, and its second edition included the full text of Gray’s unpublished letters as an addendum. It also included four short pieces. John Brown’s letter to his former pupil William Gilpin (who would become the foremost exponent of the ‘picturesque’) connects the scenery of the Lakes to European landscape painting. Experimental philosopher Adam Walker provides a note on a local curiosity, the underground passages of Dunald Mill Hole. John Dalton and Richard Cumberland were among the first in a long line of Lakeland poets to be inspired to verse.> - Summary by Phil Benson]]></itunes:summary><itunes:duration>13774</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32712768b07f2405ece9eca5e28e41c9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Letters From America-Rupert Brooke</title><link>https://www.spreaker.com/episode/letters-from-america-rupert-brooke--74318210</link><description><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. West’s Guide quotes Gray, Young and Pennant, and its second edition included the full text of Gray’s unpublished letters as an addendum. It also included four short pieces. John Brown’s letter to his former pupil William Gilpin (who would become the foremost exponent of the ‘picturesque’) connects the scenery of the Lakes to European landscape painting. 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An...</itunes:subtitle><itunes:summary><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. 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John Dalton and Richard Cumberland were among the first in a long line of Lakeland poets to be inspired to verse.> - Summary by Phil Benson]]></itunes:summary><itunes:duration>16020</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32712768b07f2405ece9eca5e28e41c9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Festive Wreath-Various</title><link>https://www.spreaker.com/episode/festive-wreath-various--74173232</link><description><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. West’s Guide quotes Gray, Young and Pennant, and its second edition included the full text of Gray’s unpublished letters as an addendum. It also included four short pieces. John Brown’s letter to his former pupil William Gilpin (who would become the foremost exponent of the ‘picturesque’) connects the scenery of the Lakes to European landscape painting. Experimental philosopher Adam Walker provides a note on a local curiosity, the underground passages of Dunald Mill Hole. John Dalton and Richard Cumberland were among the first in a long line of Lakeland poets to be inspired to verse.> - Summary by Phil Benson]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74173232</guid><pubDate>Mon, 17 Aug 2026 09:09:44 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74173232/festive_wreath_various.mp3" length="40584725" type="audio/mpeg"/><itunes:author>John Brown, Richard Cumberland, John Dalton, Thomas Gray, Thomas Pennant, Adam Walker, Arthur Young</itunes:author><itunes:subtitle>A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An...</itunes:subtitle><itunes:summary><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. West’s Guide quotes Gray, Young and Pennant, and its second edition included the full text of Gray’s unpublished letters as an addendum. It also included four short pieces. John Brown’s letter to his former pupil William Gilpin (who would become the foremost exponent of the ‘picturesque’) connects the scenery of the Lakes to European landscape painting. Experimental philosopher Adam Walker provides a note on a local curiosity, the underground passages of Dunald Mill Hole. John Dalton and Richard Cumberland were among the first in a long line of Lakeland poets to be inspired to verse.> - Summary by Phil Benson]]></itunes:summary><itunes:duration>5068</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32712768b07f2405ece9eca5e28e41c9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Tudor and Stuart Love Songs-John Potter Briscoe</title><link>https://www.spreaker.com/episode/tudor-and-stuart-love-songs-john-potter-briscoe--74127165</link><description><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. West’s Guide quotes Gray, Young and Pennant, and its second edition included the full text of Gray’s unpublished letters as an addendum. It also included four short pieces. John Brown’s letter to his former pupil William Gilpin (who would become the foremost exponent of the ‘picturesque’) connects the scenery of the Lakes to European landscape painting. Experimental philosopher Adam Walker provides a note on a local curiosity, the underground passages of Dunald Mill Hole. John Dalton and Richard Cumberland were among the first in a long line of Lakeland poets to be inspired to verse.> - Summary by Phil Benson]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74127165</guid><pubDate>Sun, 16 Aug 2026 14:54:33 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74127165/tudor_and_stuart_love_songs_john_potter_briscoe.mp3" length="67445709" type="audio/mpeg"/><itunes:author>John Brown, Richard Cumberland, John Dalton, Thomas Gray, Thomas Pennant, Adam Walker, Arthur Young</itunes:author><itunes:subtitle>A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An...</itunes:subtitle><itunes:summary><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. West’s Guide quotes Gray, Young and Pennant, and its second edition included the full text of Gray’s unpublished letters as an addendum. It also included four short pieces. John Brown’s letter to his former pupil William Gilpin (who would become the foremost exponent of the ‘picturesque’) connects the scenery of the Lakes to European landscape painting. Experimental philosopher Adam Walker provides a note on a local curiosity, the underground passages of Dunald Mill Hole. John Dalton and Richard Cumberland were among the first in a long line of Lakeland poets to be inspired to verse.> - Summary by Phil Benson]]></itunes:summary><itunes:duration>8422</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32712768b07f2405ece9eca5e28e41c9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Wild and Romantic: Early Guides to the English Lake District-Brown, Cumberland, Dalton, Gray, Pennant, Walker, Young</title><link>https://www.spreaker.com/episode/wild-and-romantic-early-guides-to-the-english-lake-district-brown-cumberland-dalton-gray-pennant-walker-young--73431526</link><description><![CDATA["Wild and Romantic: Early Guides to the English Lake District" brings together the insights of notable early writers such as Brown, Cumberland, Dalton, Gray, Pennant, Walker, and Young, who explored the breathtaking landscapes of this iconic region. This collection captures the allure and charm of the Lake District, showcasing the romanticism that has drawn countless visitors over the centuries. The vivid descriptions and reflections on nature resonate with contemporary themes of exploration and appreciation for the great outdoors. Listening to these early guides offers a timeless perspective on the beauty of the Lake District, inviting listeners to connect with the landscapes that inspired generations of poets and artists.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73431526</guid><pubDate>Tue, 04 Aug 2026 09:51:15 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73431526/wild_and_romantic_early_guides_to_the_english_lake_district_brown_cumberland_dalton_gray_pennant_walker_young.mp3" length="64324160" type="audio/mpeg"/><itunes:author>John Brown, Richard Cumberland, John Dalton, Thomas Gray, Thomas Pennant, Adam Walker, Arthur Young</itunes:author><itunes:subtitle>"Wild and Romantic: Early Guides to the English Lake District" brings together the insights of notable early writers such as Brown, Cumberland, Dalton, Gray, Pennant, Walker, and Young, who explored the breathtaking landscapes of this iconic region....</itunes:subtitle><itunes:summary><![CDATA["Wild and Romantic: Early Guides to the English Lake District" brings together the insights of notable early writers such as Brown, Cumberland, Dalton, Gray, Pennant, Walker, and Young, who explored the breathtaking landscapes of this iconic region. This collection captures the allure and charm of the Lake District, showcasing the romanticism that has drawn countless visitors over the centuries. The vivid descriptions and reflections on nature resonate with contemporary themes of exploration and appreciation for the great outdoors. Listening to these early guides offers a timeless perspective on the beauty of the Lake District, inviting listeners to connect with the landscapes that inspired generations of poets and artists.]]></itunes:summary><itunes:duration>8032</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32712768b07f2405ece9eca5e28e41c9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Wild and romantic Early guides to the English lake district - John Brown Richard Cumberland John Dalton Thomas Gray Thomas Pennant Adam Wal…</title><link>https://www.spreaker.com/episode/wild-and-romantic-early-guides-to-the-english-lake-district-john-brown-richard-cumberland-john-dalton-thomas-gray-thomas-pennant-adam-wal--72930549</link><description><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. West’s Guide quotes Gray, Young and Pennant, and its second edition included the full text of Gray’s unpublished letters as an addendum. It also included four short pieces. John Brown’s letter to his former pupil William Gilpin (who would become the foremost exponent of the ‘picturesque’) connects the scenery of the Lakes to European landscape painting. Experimental philosopher Adam Walker provides a note on a local curiosity, the underground passages of Dunald Mill Hole. John Dalton and Richard Cumberland were among the first in a long line of Lakeland poets to be inspired to verse.> - Summary by Phil Benson]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72930549</guid><pubDate>Sat, 11 Jul 2026 16:56:52 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72930549/wild_and_romantic_early_guides_to_the_english_lake_district_john_brown_richard_cumberland_john_dalton_thomas_gray_thomas_pennant_adam_walker_arthur_young.mp3" length="64255623" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/a02547f0-d800-40db-b978-66623c200887/a02547f0-d800-40db-b978-66623c200887.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/a02547f0-d800-40db-b978-66623c200887/a02547f0-d800-40db-b978-66623c200887.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/a02547f0-d800-40db-b978-66623c200887/a02547f0-d800-40db-b978-66623c200887.vtt" type="text/vtt" language="en"/><itunes:author>John Brown, Richard Cumberland, John Dalton, Thomas Gray, Thomas Pennant, Adam Walker, Arthur Young</itunes:author><itunes:subtitle>A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An...</itunes:subtitle><itunes:summary><![CDATA[A collection of some of the most significant literary work on the English Lake District prior to Thomas West’s A guide to the Lakes (1778). The poet Thomas Gray takes the reader from Brough south to Kendal on his return from a tour in Scotland. An agricultural reformer, Arthur Young, also returning from Scotland, begins his journey in the northern parts of Cumberland with dry descriptions of local farming, but on arriving in Keswick, his account turns to the picturesque scenery around Derwent Water, Ullswater and Windermere. ‘Wild and romantic’ is Young’s phrase, yet the agriculturalist in him comes to the fore as he declares the enclosed landscapes around Kendal and Windermere to be the most picturesque of all. Thomas Pennant’s account of his journey through the district is cursory, and he seems not have noticed the lakes or mountains at all. West’s Guide quotes Gray, Young and Pennant, and its second edition included the full text of Gray’s unpublished letters as an addendum. It also included four short pieces. John Brown’s letter to his former pupil William Gilpin (who would become the foremost exponent of the ‘picturesque’) connects the scenery of the Lakes to European landscape painting. Experimental philosopher Adam Walker provides a note on a local curiosity, the underground passages of Dunald Mill Hole. John Dalton and Richard Cumberland were among the first in a long line of Lakeland poets to be inspired to verse.> - Summary by Phil Benson]]></itunes:summary><itunes:duration>8032</itunes:duration><itunes:keywords>brown,cumberland,district,guides,lake,lakes,pennant,picturesque,romantic,wild</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32712768b07f2405ece9eca5e28e41c9.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
