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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Tragedy of Titus Andronicus (version 2)</title><link>https://www.spreaker.com/podcast/tragedy-of-titus-andronicus-version-2--7168187</link><description><![CDATA[Explore the depths of human emotion and the consequences of vengeance in this immersive podcast, inspired by the themes of "Tragedy of Titus Andronicus." Each episode features a new complete audiobook that delves into the complexities of revenge, honor, and the tragic flaws that lead to downfall. Listeners are invited to contemplate the destructive nature of retribution and the cyclical violence that often ensues when characters are driven by their darkest impulses. This series is not confined to a single narrative but offers a diverse array of stories that mirror the harrowing experiences and moral dilemmas found in Shakespeare’s work. With every episode, discover a fresh perspective on the intricate dance between power and tragedy, and immerse yourself in tales that resonate with the timeless themes of loss, betrayal, and the quest for justice. Join us as we unravel these poignant explorations of the human condition, one audiobook at a time.<br /><br />This show includes AI-generated content.]]></description><atom:link href="https://www.spreaker.com/show/7168187/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Tragedy Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cde250c830b573bc3417a62f575de14d.jpg</url><title>Tragedy of Titus Andronicus (version 2)</title><link>https://www.spreaker.com/podcast/tragedy-of-titus-andronicus-version-2--7168187</link></image><lastBuildDate>Mon, 12 Oct 2026 13:16:58 +0000</lastBuildDate><itunes:author>William Shakespeare</itunes:author><itunes:owner><itunes:name>Tragedy Genre</itunes:name><itunes:email>spreaker87@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cde250c830b573bc3417a62f575de14d.jpg"/><itunes:subtitle>Explore the depths of human emotion and the consequences of vengeance in this immersive podcast, inspired by the themes of "Tragedy of Titus Andronicus." Each episode features a new complete audiobook that delves into the complexities of revenge,...</itunes:subtitle><itunes:summary><![CDATA[Explore the depths of human emotion and the consequences of vengeance in this immersive podcast, inspired by the themes of "Tragedy of Titus Andronicus." Each episode features a new complete audiobook that delves into the complexities of revenge, honor, and the tragic flaws that lead to downfall. Listeners are invited to contemplate the destructive nature of retribution and the cyclical violence that often ensues when characters are driven by their darkest impulses. This series is not confined to a single narrative but offers a diverse array of stories that mirror the harrowing experiences and moral dilemmas found in Shakespeare’s work. With every episode, discover a fresh perspective on the intricate dance between power and tragedy, and immerse yourself in tales that resonate with the timeless themes of loss, betrayal, and the quest for justice. Join us as we unravel these poignant explorations of the human condition, one audiobook at a time.<br /><br />This show includes AI-generated content.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Kids &amp; Family"><itunes:category text="Pets &amp; Animals"/></itunes:category><itunes:category text="Science"><itunes:category text="Nature"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>4fb3febb-4027-527f-ab71-ae9a181555f7</podcast:guid><podcast:txt purpose="ai-content">true</podcast:txt><itunes:type>episodic</itunes:type><item><title>One-Act Play Collection 018-Various</title><link>https://www.spreaker.com/episode/one-act-play-collection-018-various--75684540</link><description><![CDATA[One-Act Play Collection 018-Various presents a captivating anthology of one-act plays that showcase a diverse range of themes and styles. This collection invites listeners to explore the art of brevity in storytelling, where each play distills complex emotions and situations into concise performances. The immediacy and intensity of one-act plays resonate with contemporary audiences, reflecting timeless human experiences such as love, loss, and conflict. Engaging with this collection not only highlights the creativity of playwrights but also underscores the enduring power of theater to provoke thought and evoke feelings, making it a relevant and enriching experience for today's listeners.<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/75684540</guid><pubDate>Sat, 10 Oct 2026 09:03:23 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/75684540/one_act_play_collection_018_various.mp3" length="192836067" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Shakespeare</itunes:author><itunes:subtitle>One-Act Play Collection 018-Various presents a captivating anthology of one-act plays that showcase a diverse range of themes and styles. This collection invites listeners to explore the art of brevity in storytelling, where each play distills complex...</itunes:subtitle><itunes:summary><![CDATA[One-Act Play Collection 018-Various presents a captivating anthology of one-act plays that showcase a diverse range of themes and styles. This collection invites listeners to explore the art of brevity in storytelling, where each play distills complex emotions and situations into concise performances. The immediacy and intensity of one-act plays resonate with contemporary audiences, reflecting timeless human experiences such as love, loss, and conflict. Engaging with this collection not only highlights the creativity of playwrights but also underscores the enduring power of theater to provoke thought and evoke feelings, making it a relevant and enriching experience for today's listeners.<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>24080</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cde250c830b573bc3417a62f575de14d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Watsons (Dramatic Reading)-Jane Austen, L. Oulton</title><link>https://www.spreaker.com/episode/watsons-dramatic-reading-jane-austen-l-oulton--75041384</link><description><![CDATA["Watsons" is a dramatic reading of Jane Austen's unfinished novel, skillfully brought to life by L. Oulton. The story explores themes of family dynamics, social class, and the complexities of love and relationships, all set against the backdrop of early 19th-century England. Austen's keen observations on human behavior and societal expectations remain relevant today, highlighting the enduring nature of her insights into personal connections and societal pressures. This reading invites listeners to immerse themselves in Austen's wit and wisdom, making it a perfect addition for both longtime fans and newcomers to her work. Experience the charm and depth of Austen's world through this engaging performance.<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/75041384</guid><pubDate>Sat, 12 Sep 2026 09:03:35 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/75041384/watsons_dramatic_reading_jane_austen_l_oulton.mp3" length="112077080" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Shakespeare</itunes:author><itunes:subtitle>"Watsons" is a dramatic reading of Jane Austen's unfinished novel, skillfully brought to life by L. Oulton. The story explores themes of family dynamics, social class, and the complexities of love and relationships, all set against the backdrop of...</itunes:subtitle><itunes:summary><![CDATA["Watsons" is a dramatic reading of Jane Austen's unfinished novel, skillfully brought to life by L. Oulton. The story explores themes of family dynamics, social class, and the complexities of love and relationships, all set against the backdrop of early 19th-century England. Austen's keen observations on human behavior and societal expectations remain relevant today, highlighting the enduring nature of her insights into personal connections and societal pressures. This reading invites listeners to immerse themselves in Austen's wit and wisdom, making it a perfect addition for both longtime fans and newcomers to her work. Experience the charm and depth of Austen's world through this engaging performance.<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>13995</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cde250c830b573bc3417a62f575de14d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Castle Spectre-Matthew Lewis</title><link>https://www.spreaker.com/episode/castle-spectre-matthew-lewis--74630170</link><description><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74630170</guid><pubDate>Thu, 27 Aug 2026 09:03:07 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74630170/castle_spectre_matthew_lewis.mp3" length="97001068" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Shakespeare</itunes:author><itunes:subtitle>Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the...</itunes:subtitle><itunes:summary><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>12113</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cde250c830b573bc3417a62f575de14d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Tempest-William Davenant, John Dryden</title><link>https://www.spreaker.com/episode/tempest-william-davenant-john-dryden--74598067</link><description><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74598067</guid><pubDate>Wed, 26 Aug 2026 09:03:15 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74598067/tempest_william_davenant_john_dryden.mp3" length="81177225" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Shakespeare</itunes:author><itunes:subtitle>Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the...</itunes:subtitle><itunes:summary><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>10137</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cde250c830b573bc3417a62f575de14d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Don Carlos-Friedrich Schiller</title><link>https://www.spreaker.com/episode/don-carlos-friedrich-schiller--74566093</link><description><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74566093</guid><pubDate>Tue, 25 Aug 2026 09:02:47 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74566093/don_carlos_friedrich_schiller.mp3" length="183184195" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Shakespeare</itunes:author><itunes:subtitle>Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the...</itunes:subtitle><itunes:summary><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>22875</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cde250c830b573bc3417a62f575de14d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Lords of Ellingham-Henry Spicer</title><link>https://www.spreaker.com/episode/lords-of-ellingham-henry-spicer--74535521</link><description><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74535521</guid><pubDate>Mon, 24 Aug 2026 09:09:18 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74535521/lords_of_ellingham_henry_spicer.mp3" length="93422786" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Shakespeare</itunes:author><itunes:subtitle>Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the...</itunes:subtitle><itunes:summary><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>11666</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cde250c830b573bc3417a62f575de14d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Hamlet (version 3)-William Shakespeare</title><link>https://www.spreaker.com/episode/hamlet-version-3-william-shakespeare--74504506</link><description><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74504506</guid><pubDate>Sun, 23 Aug 2026 09:08:56 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74504506/hamlet_version_3_william_shakespeare.mp3" length="106518200" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Shakespeare</itunes:author><itunes:subtitle>Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the...</itunes:subtitle><itunes:summary><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>13301</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cde250c830b573bc3417a62f575de14d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Tragedy of Macbeth-William Shakespeare</title><link>https://www.spreaker.com/episode/tragedy-of-macbeth-william-shakespeare--74466263</link><description><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74466263</guid><pubDate>Sat, 22 Aug 2026 09:08:10 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74466263/tragedy_of_macbeth_william_shakespeare.mp3" length="63279546" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Shakespeare</itunes:author><itunes:subtitle>Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the...</itunes:subtitle><itunes:summary><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>7902</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cde250c830b573bc3417a62f575de14d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Romeo and Juliet (version 2)-William Shakespeare</title><link>https://www.spreaker.com/episode/romeo-and-juliet-version-2-william-shakespeare--74433958</link><description><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74433958</guid><pubDate>Fri, 21 Aug 2026 09:08:52 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74433958/romeo_and_juliet_version_2_william_shakespeare.mp3" length="88245098" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Shakespeare</itunes:author><itunes:subtitle>Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the...</itunes:subtitle><itunes:summary><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>11020</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cde250c830b573bc3417a62f575de14d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Blue Bird A Fairy Play in Six Acts-Maurice Maeterlinck</title><link>https://www.spreaker.com/episode/blue-bird-a-fairy-play-in-six-acts-maurice-maeterlinck--74393763</link><description><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74393763</guid><pubDate>Thu, 20 Aug 2026 14:23:41 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74393763/blue_bird_a_fairy_play_in_six_acts_maurice_maeterlinck.mp3" length="104527091" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Shakespeare</itunes:author><itunes:subtitle>Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the...</itunes:subtitle><itunes:summary><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>13053</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cde250c830b573bc3417a62f575de14d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Henry VIII-William Shakespeare</title><link>https://www.spreaker.com/episode/henry-viii-william-shakespeare--74351077</link><description><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74351077</guid><pubDate>Thu, 20 Aug 2026 01:17:55 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74351077/henry_viii_william_shakespeare.mp3" length="84718592" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Shakespeare</itunes:author><itunes:subtitle>Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the...</itunes:subtitle><itunes:summary><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>10579</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cde250c830b573bc3417a62f575de14d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Lady Frederick, a Comedy in Three Acts-W. Somerset Maugham</title><link>https://www.spreaker.com/episode/lady-frederick-a-comedy-in-three-acts-w-somerset-maugham--74212152</link><description><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74212152</guid><pubDate>Tue, 18 Aug 2026 09:09:12 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74212152/lady_frederick_a_comedy_in_three_acts_w_somerset_maugham.mp3" length="65567494" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Shakespeare</itunes:author><itunes:subtitle>Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the...</itunes:subtitle><itunes:summary><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>8188</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cde250c830b573bc3417a62f575de14d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>History of Troilus and Cressida (version 2)-William Shakespeare</title><link>https://www.spreaker.com/episode/history-of-troilus-and-cressida-version-2-william-shakespeare--74166403</link><description><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74166403</guid><pubDate>Mon, 17 Aug 2026 09:09:15 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74166403/history_of_troilus_and_cressida_version_2_william_shakespeare.mp3" length="107320226" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Shakespeare</itunes:author><itunes:subtitle>Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the...</itunes:subtitle><itunes:summary><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>13401</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cde250c830b573bc3417a62f575de14d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Whittington and his Cat-E. L. Blanchard</title><link>https://www.spreaker.com/episode/whittington-and-his-cat-e-l-blanchard--74120920</link><description><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74120920</guid><pubDate>Sun, 16 Aug 2026 12:37:48 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74120920/whittington_and_his_cat_e_l_blanchard.mp3" length="33736741" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Shakespeare</itunes:author><itunes:subtitle>Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the...</itunes:subtitle><itunes:summary><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>4213</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cde250c830b573bc3417a62f575de14d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Tragedy of Hamlet, Prince of Denmark (version 4)-William Shakespeare</title><link>https://www.spreaker.com/episode/tragedy-of-hamlet-prince-of-denmark-version-4-william-shakespeare--73427283</link><description><![CDATA["Tragedy of Hamlet, Prince of Denmark (version 4)" by William Shakespeare is a timeless exploration of themes such as revenge, madness, and the complexities of human emotion. This iconic tragedy delves into the moral dilemmas faced by Prince Hamlet as he grapples with the consequences of avenging his father's death. The story's enduring relevance lies in its profound insights into the human condition, questioning the nature of existence and the struggle between action and inaction. Hearing this powerful narrative today allows listeners to reflect on their own lives and the timeless challenges of loyalty, betrayal, and the pursuit of truth that resonate across generations.<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73427283</guid><pubDate>Tue, 04 Aug 2026 09:01:28 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73427283/tragedy_of_hamlet_prince_of_denmark_version_4_william_shakespeare.mp3" length="108877120" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Shakespeare</itunes:author><itunes:subtitle>"Tragedy of Hamlet, Prince of Denmark (version 4)" by William Shakespeare is a timeless exploration of themes such as revenge, madness, and the complexities of human emotion. This iconic tragedy delves into the moral dilemmas faced by Prince Hamlet as...</itunes:subtitle><itunes:summary><![CDATA["Tragedy of Hamlet, Prince of Denmark (version 4)" by William Shakespeare is a timeless exploration of themes such as revenge, madness, and the complexities of human emotion. This iconic tragedy delves into the moral dilemmas faced by Prince Hamlet as he grapples with the consequences of avenging his father's death. The story's enduring relevance lies in its profound insights into the human condition, questioning the nature of existence and the struggle between action and inaction. Hearing this powerful narrative today allows listeners to reflect on their own lives and the timeless challenges of loyalty, betrayal, and the pursuit of truth that resonate across generations.<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>13596</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cde250c830b573bc3417a62f575de14d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Tragedy of Titus Andronicus version 2 - William Shakespeare</title><link>https://www.spreaker.com/episode/tragedy-of-titus-andronicus-version-2-william-shakespeare--72923003</link><description><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72923003</guid><pubDate>Sat, 11 Jul 2026 00:20:21 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72923003/tragedy_of_titus_andronicus_version_2_william_shakespeare.mp3" length="80783610" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/42ced0ab-608b-47fd-a1c7-951c0061b902/42ced0ab-608b-47fd-a1c7-951c0061b902.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/42ced0ab-608b-47fd-a1c7-951c0061b902/42ced0ab-608b-47fd-a1c7-951c0061b902.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/42ced0ab-608b-47fd-a1c7-951c0061b902/42ced0ab-608b-47fd-a1c7-951c0061b902.vtt" type="text/vtt" language="en"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Shakespeare</itunes:author><itunes:subtitle>Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the...</itunes:subtitle><itunes:summary><![CDATA[Perhaps no play in William Shakespeare's body of work is more divisive than his first tragedy Titus Andronicus, wherein the titular Roman general, freshly arrived back home after a decade-long crusade against the Goths, refuses to ascend to the emperorship and quickly sets off a bloody campaign of vengeance when he orders the death of the eldest son of Tamora, Queen of the Goths, to avenge the deaths of his own sons during the war. Violence gives way to more violence as more and more bodies are maimed, violated and dismembered in an agonizing symphony of bloodlust and retribution for the sins of both Titus and Tamora, with Shakespeare capitalizing on the success of other practitioners of the revenge tragedy in his time, such as Thomas Kyd and Christopher Marlowe, to deliver a gruesome spectacle that has simultaneously fascinated and repulsed audiences ever since. Whether you take Shakespeare's aims here to be sincere or parodic, and whether you side with critics like T.S. Eliot (who called it "one of the stupidest and most uninspired plays ever written") or artists like Julie Taymor (who directed the 1999 film adaptation with Anthony Hopkins and who has called the play the most "relevant of Shakespeare's plays for the modern era"), it cannot be denied that Titus Andronicus evokes the kinds of visceral and complicated responses that only a play from an ingenious mind can produce.And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of this controversial work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter Cast list: Kelly S. Taylor: Narrator; Saturninus; Demetrius; First Goth; Second Tribune & Messenger. Craig Franklin: Titus Andronicus; Martius & Aemilius. Sonia: Tamora; Young Lucius; Quintus; Third Goth; First Tribune & First Roman. Tomas Peter: Aaron; Bassianus; Mutius; Clown; Fourth Goth & Second Roman. Jenn Broda: Lucius; Lavinia; Publius & Nurse. Brad “Hamlet” Filippone: Marcus Andronicus; Chiron; Captain & Second Goth.<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>10098</itunes:duration><itunes:keywords>andronicus,brad,filippone,goth,goths,shakespeare,tamora,titus,tragedy,tribune</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cde250c830b573bc3417a62f575de14d.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
