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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Tamburlaine the Great, Part 1</title><link>https://www.spreaker.com/podcast/tamburlaine-the-great-part-1--7168069</link><description><![CDATA[Enter the realm of ambition and conquest with "Tamburlaine the Great, Part 1" as your thematic guide. This podcast invites listeners to explore the fierce pursuit of power and the complexities of human desire through a rotating collection of audiobooks that resonate with the themes of Marlowe's iconic work. Each episode presents a new complete audiobook, immersing you in stories that delve into the struggles for supremacy, the intricacies of leadership, and the moral dilemmas faced by those who seek greatness. This is not a single narrative but a series of unique explorations that highlight the timeless relevance of ambition and its consequences across different eras and cultures. Discover the vibrant language and profound insights that echo the dramatic spirit of the Elizabethan stage while broadening your perspective on the relentless quest for dominance. With every episode, find a fresh tale that captivates and challenges your understanding of ambition and its many facets.]]></description><atom:link href="https://www.spreaker.com/show/7168069/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Tragedy Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/d389fbcfb2534f1f39301175b44ed4e9.jpg</url><title>Tamburlaine the Great, Part 1</title><link>https://www.spreaker.com/podcast/tamburlaine-the-great-part-1--7168069</link></image><lastBuildDate>Thu, 27 Aug 2026 09:21:41 +0000</lastBuildDate><itunes:author>Christopher Marlowe</itunes:author><itunes:owner><itunes:name>Tragedy Genre</itunes:name><itunes:email>spreaker87@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/d389fbcfb2534f1f39301175b44ed4e9.jpg"/><itunes:subtitle>Enter the realm of ambition and conquest with "Tamburlaine the Great, Part 1" as your thematic guide. This podcast invites listeners to explore the fierce pursuit of power and the complexities of human desire through a rotating collection of...</itunes:subtitle><itunes:summary><![CDATA[Enter the realm of ambition and conquest with "Tamburlaine the Great, Part 1" as your thematic guide. This podcast invites listeners to explore the fierce pursuit of power and the complexities of human desire through a rotating collection of audiobooks that resonate with the themes of Marlowe's iconic work. Each episode presents a new complete audiobook, immersing you in stories that delve into the struggles for supremacy, the intricacies of leadership, and the moral dilemmas faced by those who seek greatness. This is not a single narrative but a series of unique explorations that highlight the timeless relevance of ambition and its consequences across different eras and cultures. Discover the vibrant language and profound insights that echo the dramatic spirit of the Elizabethan stage while broadening your perspective on the relentless quest for dominance. With every episode, find a fresh tale that captivates and challenges your understanding of ambition and its many facets.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Arts"/><itunes:category text="Arts"><itunes:category text="Performing Arts"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>c921fc09-0a17-542e-8298-bd24df94e037</podcast:guid><itunes:type>episodic</itunes:type><item><title>Agamemnon (Morshead Translation)-Aeschylus</title><link>https://www.spreaker.com/episode/agamemnon-morshead-translation-aeschylus--74629942</link><description><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74629942</guid><pubDate>Thu, 27 Aug 2026 09:03:00 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74629942/10437_agamemnon_morshead_translation_aeschylus.mp3" length="70910056" type="audio/mpeg"/><itunes:author>Christopher Marlowe</itunes:author><itunes:subtitle>Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a...</itunes:subtitle><itunes:summary><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></itunes:summary><itunes:duration>8855</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/d389fbcfb2534f1f39301175b44ed4e9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Electra-Benito Pérez Galdós</title><link>https://www.spreaker.com/episode/electra-benito-perez-galdos--74597849</link><description><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74597849</guid><pubDate>Wed, 26 Aug 2026 09:03:16 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74597849/electra_benito_pe_rez_galdo_s.mp3" length="101677522" type="audio/mpeg"/><itunes:author>Christopher Marlowe</itunes:author><itunes:subtitle>Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a...</itunes:subtitle><itunes:summary><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></itunes:summary><itunes:duration>12697</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/d389fbcfb2534f1f39301175b44ed4e9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Sir Thomas More-Anthony Munday</title><link>https://www.spreaker.com/episode/sir-thomas-more-anthony-munday--74565893</link><description><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74565893</guid><pubDate>Tue, 25 Aug 2026 09:02:49 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74565893/sir_thomas_more_anthony_munday.mp3" length="70277520" type="audio/mpeg"/><itunes:author>Christopher Marlowe</itunes:author><itunes:subtitle>Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a...</itunes:subtitle><itunes:summary><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></itunes:summary><itunes:duration>8776</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/d389fbcfb2534f1f39301175b44ed4e9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Romeo and Juliet (version 3)-William Shakespeare</title><link>https://www.spreaker.com/episode/romeo-and-juliet-version-3-william-shakespeare--74535322</link><description><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74535322</guid><pubDate>Mon, 24 Aug 2026 09:09:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74535322/romeo_and_juliet_version_3_william_shakespeare.mp3" length="93902417" type="audio/mpeg"/><itunes:author>Christopher Marlowe</itunes:author><itunes:subtitle>Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a...</itunes:subtitle><itunes:summary><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></itunes:summary><itunes:duration>11726</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/d389fbcfb2534f1f39301175b44ed4e9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Ivanov-Anton Chekhov</title><link>https://www.spreaker.com/episode/ivanov-anton-chekhov--74504280</link><description><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74504280</guid><pubDate>Sun, 23 Aug 2026 09:08:58 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74504280/ivanov_anton_chekhov.mp3" length="72744578" type="audio/mpeg"/><itunes:author>Christopher Marlowe</itunes:author><itunes:subtitle>Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a...</itunes:subtitle><itunes:summary><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></itunes:summary><itunes:duration>9084</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/d389fbcfb2534f1f39301175b44ed4e9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Merry Wives of Windsor-William Shakespeare</title><link>https://www.spreaker.com/episode/merry-wives-of-windsor-william-shakespeare--74466018</link><description><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74466018</guid><pubDate>Sat, 22 Aug 2026 09:08:02 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74466018/merry_wives_of_windsor_william_shakespeare.mp3" length="71307301" type="audio/mpeg"/><itunes:author>Christopher Marlowe</itunes:author><itunes:subtitle>Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a...</itunes:subtitle><itunes:summary><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></itunes:summary><itunes:duration>8904</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/d389fbcfb2534f1f39301175b44ed4e9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Vera; or the Nihilists-Oscar Wilde</title><link>https://www.spreaker.com/episode/vera-or-the-nihilists-oscar-wilde--74433773</link><description><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74433773</guid><pubDate>Fri, 21 Aug 2026 09:08:53 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74433773/vera_or_the_nihilists_oscar_wilde.mp3" length="60576239" type="audio/mpeg"/><itunes:author>Christopher Marlowe</itunes:author><itunes:subtitle>Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a...</itunes:subtitle><itunes:summary><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></itunes:summary><itunes:duration>7565</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/d389fbcfb2534f1f39301175b44ed4e9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Hero and Leander-George Chapman, Christopher Marlowe</title><link>https://www.spreaker.com/episode/hero-and-leander-george-chapman-christopher-marlowe--74393363</link><description><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74393363</guid><pubDate>Thu, 20 Aug 2026 14:18:21 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74393363/hero_and_leander_george_chapman_christopher_marlowe.mp3" length="104387358" type="audio/mpeg"/><itunes:author>Christopher Marlowe</itunes:author><itunes:subtitle>Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a...</itunes:subtitle><itunes:summary><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></itunes:summary><itunes:duration>13035</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/d389fbcfb2534f1f39301175b44ed4e9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Ion-Thomas Noon Talfourd</title><link>https://www.spreaker.com/episode/ion-thomas-noon-talfourd--74350853</link><description><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74350853</guid><pubDate>Thu, 20 Aug 2026 01:12:05 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74350853/ion_thomas_noon_talfourd.mp3" length="72251471" type="audio/mpeg"/><itunes:author>Christopher Marlowe</itunes:author><itunes:subtitle>Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a...</itunes:subtitle><itunes:summary><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></itunes:summary><itunes:duration>9022</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/d389fbcfb2534f1f39301175b44ed4e9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Pericles, Prince of Tyre-William Shakespeare</title><link>https://www.spreaker.com/episode/pericles-prince-of-tyre-william-shakespeare--74211833</link><description><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74211833</guid><pubDate>Tue, 18 Aug 2026 09:09:11 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74211833/pericles_prince_of_tyre_william_shakespeare.mp3" length="69080022" type="audio/mpeg"/><itunes:author>Christopher Marlowe</itunes:author><itunes:subtitle>Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a...</itunes:subtitle><itunes:summary><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></itunes:summary><itunes:duration>8626</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/d389fbcfb2534f1f39301175b44ed4e9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Witch of Edmonton-Thomas Dekker, John Ford, William Rowley</title><link>https://www.spreaker.com/episode/witch-of-edmonton-thomas-dekker-john-ford-william-rowley--74166039</link><description><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74166039</guid><pubDate>Mon, 17 Aug 2026 09:09:33 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74166039/10028_witch_of_edmonton_thomas_dekker_john_ford_william_rowley.mp3" length="69438887" type="audio/mpeg"/><itunes:author>Christopher Marlowe</itunes:author><itunes:subtitle>Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a...</itunes:subtitle><itunes:summary><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></itunes:summary><itunes:duration>8671</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/d389fbcfb2534f1f39301175b44ed4e9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Tragedy of Macbeth-William Shakespeare</title><link>https://www.spreaker.com/episode/tragedy-of-macbeth-william-shakespeare--74120719</link><description><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74120719</guid><pubDate>Sun, 16 Aug 2026 12:32:13 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74120719/tragedy_of_macbeth_william_shakespeare.mp3" length="63279546" type="audio/mpeg"/><itunes:author>Christopher Marlowe</itunes:author><itunes:subtitle>Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a...</itunes:subtitle><itunes:summary><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></itunes:summary><itunes:duration>7902</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/d389fbcfb2534f1f39301175b44ed4e9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Antony and Cleopatra-William Shakespeare</title><link>https://www.spreaker.com/episode/antony-and-cleopatra-william-shakespeare--73427095</link><description><![CDATA["Antony and Cleopatra" by William Shakespeare delves into the tumultuous relationship between the Roman general Mark Antony and the Egyptian queen Cleopatra, exploring themes of love, power, and betrayal. This timeless tale captures the complexities of human emotions and the consequences of ambition, making it a compelling listen for anyone interested in the intricacies of personal and political conflict. The enduring nature of its themes resonates today, reminding us of the delicate balance between passion and duty, and the often tragic outcomes that arise when these forces collide.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73427095</guid><pubDate>Tue, 04 Aug 2026 09:01:28 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73427095/antony_and_cleopatra_william_shakespeare.mp3" length="88341013" type="audio/mpeg"/><itunes:author>Christopher Marlowe</itunes:author><itunes:subtitle>"Antony and Cleopatra" by William Shakespeare delves into the tumultuous relationship between the Roman general Mark Antony and the Egyptian queen Cleopatra, exploring themes of love, power, and betrayal. This timeless tale captures the complexities...</itunes:subtitle><itunes:summary><![CDATA["Antony and Cleopatra" by William Shakespeare delves into the tumultuous relationship between the Roman general Mark Antony and the Egyptian queen Cleopatra, exploring themes of love, power, and betrayal. This timeless tale captures the complexities of human emotions and the consequences of ambition, making it a compelling listen for anyone interested in the intricacies of personal and political conflict. The enduring nature of its themes resonates today, reminding us of the delicate balance between passion and duty, and the often tragic outcomes that arise when these forces collide.]]></itunes:summary><itunes:duration>11031</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/d389fbcfb2534f1f39301175b44ed4e9.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Tamburlaine the Great Part 1 - Christopher Marlowe</title><link>https://www.spreaker.com/episode/tamburlaine-the-great-part-1-christopher-marlowe--72922792</link><description><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72922792</guid><pubDate>Sat, 11 Jul 2026 00:10:15 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72922792/tamburlaine_the_great_part_1_christopher_marlowe.mp3" length="68135329" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/8f2fd483-2a1f-4d9f-ac32-d058ca09c5fb/8f2fd483-2a1f-4d9f-ac32-d058ca09c5fb.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/8f2fd483-2a1f-4d9f-ac32-d058ca09c5fb/8f2fd483-2a1f-4d9f-ac32-d058ca09c5fb.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/8f2fd483-2a1f-4d9f-ac32-d058ca09c5fb/8f2fd483-2a1f-4d9f-ac32-d058ca09c5fb.vtt" type="text/vtt" language="en"/><itunes:author>Christopher Marlowe</itunes:author><itunes:subtitle>Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a...</itunes:subtitle><itunes:summary><![CDATA[Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.Marlowe, generally considered the greatest of the University Wits, influenced playwrights well into the Jacobean period, and echoes of Tamburlaine's bombast and ambition can be found in English plays all the way to the Puritan closing of the theaters in 1642. While Tamburlaine is considered inferior to the great tragedies of the late-Elizabethan and early-Jacobean period, its significance in creating a stock of themes and, especially, in demonstrating the potential of blank verse in drama, are still acknowledged. (Summary by Wikipedia)CASTPrologue, Dramatis Personae, GOVERNOR OF DAMASCUS: Martin GeesonMYCETES, king of Persia; MAGNETES, Median lord; CAPOLIN, an Egyptian; A BASSO; ATTENDANT: Algy PugCOSROE, his brother: Bruce PirieMEANDER, Persian lord: David RichardsonTHERIDAMAS, Persian lord: Timothy FergusonORTYGIUS, Persian lord: sparks0314CENEUS, Persian lord: DerekPMENAPHON, Persian lord: AlanTAMBURLAINE, a Scythian shepherd: David GoldfarbTECHELLES, follower of Tamburlaine: ReadalotUSUMCASANE, follower of Tamburlaine: Nigel BoydellBAJAZETH, emperor of the Turks: bishKING OF FEZ; KING OF MOROCCO; SOLDAN OF EGYPT; AGYDAS, Median lord: Marty KrisKING OF ARGIER: JafbadoKING OF ARABIA: Robert ScheidPHILEMUS, a spy: Sarah CramptonZENOCRATE, daughter to the Soldan of Egypt: Sandra GANIPPE, her maid: AvailleZABINA, wife to BAJAZETH: Amy GramourEBEA, her maid: ChyAnne DonnellFIRST VIRGIN, VIRGINS: Elizabeth KlettSECOND VIRGIN, VIRGINS: Arielle LipshawNarrator: Tina Nuzzi]]></itunes:summary><itunes:duration>8517</itunes:duration><itunes:keywords>great,lord,marlowe,median,part,persian,soldan,tamburlaine,tragedy,virgins</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/d389fbcfb2534f1f39301175b44ed4e9.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
