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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Suppliant Maidens (Morshead Translation)</title><link>https://www.spreaker.com/podcast/suppliant-maidens-morshead-translation--7168055</link><description><![CDATA[Immerse yourself in a realm where themes of refuge, desperation, and the quest for autonomy resonate powerfully, as suggested by the title "Suppliant Maidens." This podcast delves into narratives that explore the struggles of individuals seeking safety and justice against oppressive forces. Highlighting the voices of the vulnerable, each episode features a new complete audiobook that encapsulates the emotional weight of characters fighting for their rights and dignity. This is not a single story but a series of unique explorations that reflect on the human condition, resilience, and the bonds formed in adversity. Listeners are invited to discover a new book with every episode, offering a diverse array of perspectives and experiences that challenge and inspire. Join us as we traverse through time and culture, shedding light on the enduring themes of hope and defiance found in the quest for freedom.]]></description><atom:link href="https://www.spreaker.com/show/7168055/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Tragedy Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/14d874e189f6e72d54e14d1fd8d804da.jpg</url><title>Suppliant Maidens (Morshead Translation)</title><link>https://www.spreaker.com/podcast/suppliant-maidens-morshead-translation--7168055</link></image><lastBuildDate>Thu, 27 Aug 2026 09:21:55 +0000</lastBuildDate><itunes:author>Aeschylus</itunes:author><itunes:owner><itunes:name>Tragedy Genre</itunes:name><itunes:email>spreaker87@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/14d874e189f6e72d54e14d1fd8d804da.jpg"/><itunes:subtitle>Immerse yourself in a realm where themes of refuge, desperation, and the quest for autonomy resonate powerfully, as suggested by the title "Suppliant Maidens." 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Join us as we traverse through time and culture, shedding light on the enduring themes of hope and defiance found in the quest for freedom.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Fiction"/><itunes:category text="Fiction"><itunes:category text="Drama"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>6322b946-10d8-5224-b4a8-8b58f9aeec65</podcast:guid><itunes:type>episodic</itunes:type><item><title>Medea (Way Translation)-Euripides</title><link>https://www.spreaker.com/episode/medea-way-translation-euripides--74629910</link><description><![CDATA[The Suppliants, also called The Suppliant Maidens, or The Suppliant Women, is a play by Aeschylus. It was probably first performed sometime after 470 BC. It was long thought to be the earliest surviving play by Aeschylus due to the relatively anachronistic function of the chorus as the protagonist of the drama. However, evidence discovered in the mid-20th century shows it one of Aeschylus' last plays, definitely after The Persians and possibly after Seven Against Thebes....The Danaids form the chorus and serve as the protagonists. They flee a forced marriage to their Egyptian cousins. When the Danaides reach Argos, they entreat King Pelasgus to protect them. He refuses pending the decision of the Argive people, who decide in the favor of the Danaids. Danaus rejoices the outcome, and the Danaids praise the Greek gods. Almost immediately, a herald of the Egyptians comes to attempt to force the Danaids to return to their cousins for marriage. Pelasgus arrives, threatens the herald, and urges the Danaids to remain within the walls of Argos. 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However, evidence discovered in the mid-20th century shows it one of Aeschylus' last plays, definitely after The Persians and possibly after Seven Against Thebes....The Danaids form the chorus and serve as the protagonists. They flee a forced marriage to their Egyptian cousins. When the Danaides reach Argos, they entreat King Pelasgus to protect them. He refuses pending the decision of the Argive people, who decide in the favor of the Danaids. Danaus rejoices the outcome, and the Danaids praise the Greek gods. Almost immediately, a herald of the Egyptians comes to attempt to force the Danaids to return to their cousins for marriage. Pelasgus arrives, threatens the herald, and urges the Danaids to remain within the walls of Argos. 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However, evidence discovered in the mid-20th century shows it one of Aeschylus' last plays, definitely after The Persians and possibly after Seven Against Thebes....The Danaids form the chorus and serve as the protagonists. They flee a forced marriage to their Egyptian cousins. When the Danaides reach Argos, they entreat King Pelasgus to protect them. He refuses pending the decision of the Argive people, who decide in the favor of the Danaids. Danaus rejoices the outcome, and the Danaids praise the Greek gods. Almost immediately, a herald of the Egyptians comes to attempt to force the Danaids to return to their cousins for marriage. Pelasgus arrives, threatens the herald, and urges the Danaids to remain within the walls of Argos. 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However, evidence discovered in the mid-20th century shows it one of Aeschylus' last plays, definitely after The Persians and possibly after Seven Against Thebes....The Danaids form the chorus and serve as the protagonists. They flee a forced marriage to their Egyptian cousins. When the Danaides reach Argos, they entreat King Pelasgus to protect them. He refuses pending the decision of the Argive people, who decide in the favor of the Danaids. Danaus rejoices the outcome, and the Danaids praise the Greek gods. Almost immediately, a herald of the Egyptians comes to attempt to force the Danaids to return to their cousins for marriage. Pelasgus arrives, threatens the herald, and urges the Danaids to remain within the walls of Argos. 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However, evidence discovered in the mid-20th century shows it one of Aeschylus' last plays, definitely after The Persians and possibly after Seven Against Thebes....The Danaids form the chorus and serve as the protagonists. They flee a forced marriage to their Egyptian cousins. When the Danaides reach Argos, they entreat King Pelasgus to protect them. He refuses pending the decision of the Argive people, who decide in the favor of the Danaids. Danaus rejoices the outcome, and the Danaids praise the Greek gods. Almost immediately, a herald of the Egyptians comes to attempt to force the Danaids to return to their cousins for marriage. Pelasgus arrives, threatens the herald, and urges the Danaids to remain within the walls of Argos. 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It was long thought to be the earliest surviving play by Aeschylus due to the relatively anachronistic function of the chorus as the protagonist of the drama. However, evidence discovered in the mid-20th century shows it one of Aeschylus' last plays, definitely after The Persians and possibly after Seven Against Thebes....The Danaids form the chorus and serve as the protagonists. They flee a forced marriage to their Egyptian cousins. When the Danaides reach Argos, they entreat King Pelasgus to protect them. He refuses pending the decision of the Argive people, who decide in the favor of the Danaids. Danaus rejoices the outcome, and the Danaids praise the Greek gods. Almost immediately, a herald of the Egyptians comes to attempt to force the Danaids to return to their cousins for marriage. Pelasgus arrives, threatens the herald, and urges the Danaids to remain within the walls of Argos. The play ends with the Danaids retreating into the Argive walls, protected. - Summary by Wikipedia]]></itunes:summary><itunes:duration>3429</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/14d874e189f6e72d54e14d1fd8d804da.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Ante-Nicene Christian Library Translations of the Writings of the Fathers Down to A.D. 325-Alexander Roberts</title><link>https://www.spreaker.com/episode/ante-nicene-christian-library-translations-of-the-writings-of-the-fathers-down-to-a-d-325-alexander-roberts--74433746</link><description><![CDATA[The Suppliants, also called The Suppliant Maidens, or The Suppliant Women, is a play by Aeschylus. It was probably first performed sometime after 470 BC. 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The play ends with the Danaids retreating into the Argive walls, protected. - Summary by Wikipedia]]></itunes:summary><itunes:duration>33185</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/14d874e189f6e72d54e14d1fd8d804da.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Lucian's Dialogues Volume 2 The Dialogues of the Sea-Gods-Lucian of Samosata</title><link>https://www.spreaker.com/episode/lucian-s-dialogues-volume-2-the-dialogues-of-the-sea-gods-lucian-of-samosata--74393317</link><description><![CDATA[The Suppliants, also called The Suppliant Maidens, or The Suppliant Women, is a play by Aeschylus. It was probably first performed sometime after 470 BC. It was long thought to be the earliest surviving play by Aeschylus due to the relatively anachronistic function of the chorus as the protagonist of the drama. However, evidence discovered in the mid-20th century shows it one of Aeschylus' last plays, definitely after The Persians and possibly after Seven Against Thebes....The Danaids form the chorus and serve as the protagonists. They flee a forced marriage to their Egyptian cousins. When the Danaides reach Argos, they entreat King Pelasgus to protect them. He refuses pending the decision of the Argive people, who decide in the favor of the Danaids. Danaus rejoices the outcome, and the Danaids praise the Greek gods. Almost immediately, a herald of the Egyptians comes to attempt to force the Danaids to return to their cousins for marriage. Pelasgus arrives, threatens the herald, and urges the Danaids to remain within the walls of Argos. The play ends with the Danaids retreating into the Argive walls, protected. - Summary by Wikipedia]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74393317</guid><pubDate>Thu, 20 Aug 2026 14:17:45 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74393317/lucian_s_dialogues_volume_2_the_dialogues_of_the_sea_gods_lucian_of_samosata.mp3" length="24428867" type="audio/mpeg"/><itunes:author>Aeschylus</itunes:author><itunes:subtitle>The Suppliants, also called The Suppliant Maidens, or The Suppliant Women, is a play by Aeschylus. It was probably first performed sometime after 470 BC. It was long thought to be the earliest surviving play by Aeschylus due to the relatively...</itunes:subtitle><itunes:summary><![CDATA[The Suppliants, also called The Suppliant Maidens, or The Suppliant Women, is a play by Aeschylus. It was probably first performed sometime after 470 BC. 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The play ends with the Danaids retreating into the Argive walls, protected. - Summary by Wikipedia]]></itunes:summary><itunes:duration>3051</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/14d874e189f6e72d54e14d1fd8d804da.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>On the Shortness of Life-Lucius Annaeus Seneca</title><link>https://www.spreaker.com/episode/on-the-shortness-of-life-lucius-annaeus-seneca--74350827</link><description><![CDATA[The Suppliants, also called The Suppliant Maidens, or The Suppliant Women, is a play by Aeschylus. It was probably first performed sometime after 470 BC. It was long thought to be the earliest surviving play by Aeschylus due to the relatively anachronistic function of the chorus as the protagonist of the drama. However, evidence discovered in the mid-20th century shows it one of Aeschylus' last plays, definitely after The Persians and possibly after Seven Against Thebes....The Danaids form the chorus and serve as the protagonists. They flee a forced marriage to their Egyptian cousins. When the Danaides reach Argos, they entreat King Pelasgus to protect them. He refuses pending the decision of the Argive people, who decide in the favor of the Danaids. Danaus rejoices the outcome, and the Danaids praise the Greek gods. Almost immediately, a herald of the Egyptians comes to attempt to force the Danaids to return to their cousins for marriage. Pelasgus arrives, threatens the herald, and urges the Danaids to remain within the walls of Argos. 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The play ends with the Danaids retreating into the Argive walls, protected. - Summary by Wikipedia]]></itunes:summary><itunes:duration>5875</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/14d874e189f6e72d54e14d1fd8d804da.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Bacchae-Euripides</title><link>https://www.spreaker.com/episode/bacchae-euripides--74211802</link><description><![CDATA[The Suppliants, also called The Suppliant Maidens, or The Suppliant Women, is a play by Aeschylus. It was probably first performed sometime after 470 BC. It was long thought to be the earliest surviving play by Aeschylus due to the relatively anachronistic function of the chorus as the protagonist of the drama. 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The play ends with the Danaids retreating into the Argive walls, protected. - Summary by Wikipedia]]></itunes:summary><itunes:duration>5720</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/14d874e189f6e72d54e14d1fd8d804da.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The pastoral loves of Daphnis and Chloe-Longus</title><link>https://www.spreaker.com/episode/the-pastoral-loves-of-daphnis-and-chloe-longus--74166000</link><description><![CDATA[The Suppliants, also called The Suppliant Maidens, or The Suppliant Women, is a play by Aeschylus. It was probably first performed sometime after 470 BC. It was long thought to be the earliest surviving play by Aeschylus due to the relatively anachronistic function of the chorus as the protagonist of the drama. 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The play ends with the Danaids retreating into the Argive walls, protected. - Summary by Wikipedia]]></itunes:summary><itunes:duration>11326</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/14d874e189f6e72d54e14d1fd8d804da.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Annals Vol 1-Publius Cornelius Tacitus</title><link>https://www.spreaker.com/episode/annals-vol-1-publius-cornelius-tacitus--74120703</link><description><![CDATA[The Suppliants, also called The Suppliant Maidens, or The Suppliant Women, is a play by Aeschylus. It was probably first performed sometime after 470 BC. It was long thought to be the earliest surviving play by Aeschylus due to the relatively anachronistic function of the chorus as the protagonist of the drama. However, evidence discovered in the mid-20th century shows it one of Aeschylus' last plays, definitely after The Persians and possibly after Seven Against Thebes....The Danaids form the chorus and serve as the protagonists. They flee a forced marriage to their Egyptian cousins. When the Danaides reach Argos, they entreat King Pelasgus to protect them. He refuses pending the decision of the Argive people, who decide in the favor of the Danaids. Danaus rejoices the outcome, and the Danaids praise the Greek gods. Almost immediately, a herald of the Egyptians comes to attempt to force the Danaids to return to their cousins for marriage. Pelasgus arrives, threatens the herald, and urges the Danaids to remain within the walls of Argos. 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This timeless play captures the essence...</itunes:subtitle><itunes:summary><![CDATA["Seven Against Thebes" by Aeschylus delves into the tragic conflict surrounding the city of Thebes, where the themes of fate, familial loyalty, and the struggle against inevitable doom are poignantly explored. This timeless play captures the essence of human resilience in the face of adversity, making it a powerful reflection on the consequences of pride and the fragility of human relationships. The enduring nature of its themes resonates with contemporary audiences, reminding us of the age-old battles between personal desires and collective responsibilities. Listening to this profound work invites a deeper understanding of the complexities of human nature and the moral dilemmas that persist through the ages.]]></itunes:summary><itunes:duration>4205</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/14d874e189f6e72d54e14d1fd8d804da.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Suppliant Maidens Morshead Translation - Aeschylus</title><link>https://www.spreaker.com/episode/suppliant-maidens-morshead-translation-aeschylus--72922769</link><description><![CDATA[The Suppliants, also called The Suppliant Maidens, or The Suppliant Women, is a play by Aeschylus. It was probably first performed sometime after 470 BC. It was long thought to be the earliest surviving play by Aeschylus due to the relatively anachronistic function of the chorus as the protagonist of the drama. However, evidence discovered in the mid-20th century shows it one of Aeschylus' last plays, definitely after The Persians and possibly after Seven Against Thebes....The Danaids form the chorus and serve as the protagonists. They flee a forced marriage to their Egyptian cousins. When the Danaides reach Argos, they entreat King Pelasgus to protect them. He refuses pending the decision of the Argive people, who decide in the favor of the Danaids. Danaus rejoices the outcome, and the Danaids praise the Greek gods. Almost immediately, a herald of the Egyptians comes to attempt to force the Danaids to return to their cousins for marriage. Pelasgus arrives, threatens the herald, and urges the Danaids to remain within the walls of Argos. 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It was probably first performed sometime after 470 BC. It was long thought to be the earliest surviving play by Aeschylus due to the relatively...</itunes:subtitle><itunes:summary><![CDATA[The Suppliants, also called The Suppliant Maidens, or The Suppliant Women, is a play by Aeschylus. It was probably first performed sometime after 470 BC. It was long thought to be the earliest surviving play by Aeschylus due to the relatively anachronistic function of the chorus as the protagonist of the drama. However, evidence discovered in the mid-20th century shows it one of Aeschylus' last plays, definitely after The Persians and possibly after Seven Against Thebes....The Danaids form the chorus and serve as the protagonists. They flee a forced marriage to their Egyptian cousins. When the Danaides reach Argos, they entreat King Pelasgus to protect them. He refuses pending the decision of the Argive people, who decide in the favor of the Danaids. Danaus rejoices the outcome, and the Danaids praise the Greek gods. Almost immediately, a herald of the Egyptians comes to attempt to force the Danaids to return to their cousins for marriage. Pelasgus arrives, threatens the herald, and urges the Danaids to remain within the walls of Argos. The play ends with the Danaids retreating into the Argive walls, protected. - Summary by Wikipedia]]></itunes:summary><itunes:duration>4004</itunes:duration><itunes:keywords>aeschylus,argive,argos,danaids,maidens,morshead,pelasgus,suppliant,tragedy,translation</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/14d874e189f6e72d54e14d1fd8d804da.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
