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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Convivio</title><link>https://www.spreaker.com/podcast/convivio--7164326</link><description><![CDATA[Embark on a journey through the rich tapestry of knowledge and culture as suggested by the title "Convivio." This podcast invites listeners to immerse themselves in a rotating collection of audiobooks that delve into the interconnected realms of philosophy, science, politics, and linguistics, reflecting the diverse intellectual landscape of Dante's time. Each episode features a new complete audiobook, offering unique explorations of themes that resonate with the human experience and the pursuit of wisdom. From lyrical poetry to allegorical interpretations, these works provide a banquet of ideas that stimulate thought and encourage dialogue. This is not a single story but a continuous feast of narratives that challenge perceptions and inspire curiosity. Join us as we uncover a new book with every episode, broadening your understanding of the world and its myriad complexities.]]></description><atom:link href="https://www.spreaker.com/show/7164326/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Social Science Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cf65e751978c25245b3381be90c08147.jpg</url><title>Convivio</title><link>https://www.spreaker.com/podcast/convivio--7164326</link></image><lastBuildDate>Thu, 27 Aug 2026 09:17:07 +0000</lastBuildDate><itunes:author>Dante Alighieri</itunes:author><itunes:owner><itunes:name>Social Science Genre</itunes:name><itunes:email>spreaker86@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cf65e751978c25245b3381be90c08147.jpg"/><itunes:subtitle>Embark on a journey through the rich tapestry of knowledge and culture as suggested by the title "Convivio." This podcast invites listeners to immerse themselves in a rotating collection of audiobooks that delve into the interconnected realms of...</itunes:subtitle><itunes:summary><![CDATA[Embark on a journey through the rich tapestry of knowledge and culture as suggested by the title "Convivio." This podcast invites listeners to immerse themselves in a rotating collection of audiobooks that delve into the interconnected realms of philosophy, science, politics, and linguistics, reflecting the diverse intellectual landscape of Dante's time. Each episode features a new complete audiobook, offering unique explorations of themes that resonate with the human experience and the pursuit of wisdom. From lyrical poetry to allegorical interpretations, these works provide a banquet of ideas that stimulate thought and encourage dialogue. This is not a single story but a continuous feast of narratives that challenge perceptions and inspire curiosity. Join us as we uncover a new book with every episode, broadening your understanding of the world and its myriad complexities.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Science"/><itunes:category text="Science"><itunes:category text="Astronomy"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>32b8938a-434f-5e5c-886e-f62c3266996a</podcast:guid><itunes:type>episodic</itunes:type><item><title>Old Regime and the Revolution-Alexis de Tocqueville</title><link>https://www.spreaker.com/episode/old-regime-and-the-revolution-alexis-de-tocqueville--74621879</link><description><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74621879</guid><pubDate>Thu, 27 Aug 2026 09:02:35 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74621879/old_regime_and_the_revolution_alexis_de_tocqueville.mp3" length="208695260" type="audio/mpeg"/><itunes:author>Dante Alighieri</itunes:author><itunes:subtitle>Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a...</itunes:subtitle><itunes:summary><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></itunes:summary><itunes:duration>26061</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cf65e751978c25245b3381be90c08147.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>In Times Like These-Nellie McClung</title><link>https://www.spreaker.com/episode/in-times-like-these-nellie-mcclung--74589819</link><description><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74589819</guid><pubDate>Wed, 26 Aug 2026 09:02:50 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74589819/in_times_like_these_nellie_mcclung.mp3" length="154081613" type="audio/mpeg"/><itunes:author>Dante Alighieri</itunes:author><itunes:subtitle>Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a...</itunes:subtitle><itunes:summary><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></itunes:summary><itunes:duration>19241</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cf65e751978c25245b3381be90c08147.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Mutual Aid A Factor of Evolution-Peter Kropotkin</title><link>https://www.spreaker.com/episode/mutual-aid-a-factor-of-evolution-peter-kropotkin--74559101</link><description><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74559101</guid><pubDate>Tue, 25 Aug 2026 09:02:35 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74559101/mutual_aid_a_factor_of_evolution_peter_kropotkin.mp3" length="273104683" type="audio/mpeg"/><itunes:author>Dante Alighieri</itunes:author><itunes:subtitle>Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a...</itunes:subtitle><itunes:summary><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></itunes:summary><itunes:duration>34104</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cf65e751978c25245b3381be90c08147.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Slave Narratives a Folk History of Slavery in the United States From Interviews with Former Slaves, Volume XII, Ohio Narratives-Various</title><link>https://www.spreaker.com/episode/slave-narratives-a-folk-history-of-slavery-in-the-united-states-from-interviews-with-former-slaves-volume-xii-ohio-narratives-various--74527539</link><description><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74527539</guid><pubDate>Mon, 24 Aug 2026 09:09:02 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74527539/slave_narratives_a_folk_history_of_slavery_in_the_united_states_from_interviews_with_former_slaves_volume_xii_ohio_narratives_various.mp3" length="138993910" type="audio/mpeg"/><itunes:author>Dante Alighieri</itunes:author><itunes:subtitle>Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a...</itunes:subtitle><itunes:summary><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></itunes:summary><itunes:duration>17357</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cf65e751978c25245b3381be90c08147.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Sins of Hollywood-Edward Roberts</title><link>https://www.spreaker.com/episode/sins-of-hollywood-edward-roberts--74497232</link><description><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74497232</guid><pubDate>Sun, 23 Aug 2026 09:08:44 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74497232/sins_of_hollywood_edward_roberts.mp3" length="80412362" type="audio/mpeg"/><itunes:author>Dante Alighieri</itunes:author><itunes:subtitle>Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a...</itunes:subtitle><itunes:summary><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></itunes:summary><itunes:duration>10041</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cf65e751978c25245b3381be90c08147.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>They Who Knock at Our Gates-Mary Antin</title><link>https://www.spreaker.com/episode/they-who-knock-at-our-gates-mary-antin--74458026</link><description><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74458026</guid><pubDate>Sat, 22 Aug 2026 09:07:49 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74458026/they_who_knock_at_our_gates_mary_antin.mp3" length="69303973" type="audio/mpeg"/><itunes:author>Dante Alighieri</itunes:author><itunes:subtitle>Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a...</itunes:subtitle><itunes:summary><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></itunes:summary><itunes:duration>8654</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cf65e751978c25245b3381be90c08147.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Imperialism and World Politics, Part 3 of 4-Parker Thomas Moon</title><link>https://www.spreaker.com/episode/imperialism-and-world-politics-part-3-of-4-parker-thomas-moon--74426292</link><description><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74426292</guid><pubDate>Fri, 21 Aug 2026 09:08:43 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74426292/20957_imperialism_and_world_politics_part_3_of_4_parker_thomas_moon.mp3" length="191104690" type="audio/mpeg"/><itunes:author>Dante Alighieri</itunes:author><itunes:subtitle>Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a...</itunes:subtitle><itunes:summary><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></itunes:summary><itunes:duration>23862</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cf65e751978c25245b3381be90c08147.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Salem Witchcraft, the Planchette Mystery, and Modern Spiritualism-Harriet Beecher Stowe, Samuel Robert Wells</title><link>https://www.spreaker.com/episode/salem-witchcraft-the-planchette-mystery-and-modern-spiritualism-harriet-beecher-stowe-samuel-robert-wells--74382196</link><description><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74382196</guid><pubDate>Thu, 20 Aug 2026 11:09:11 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74382196/salem_witchcraft_the_planchette_mystery_and_modern_spiritualism_harriet_beecher_stowe_samuel_robert_wells.mp3" length="156368722" type="audio/mpeg"/><itunes:author>Dante Alighieri</itunes:author><itunes:subtitle>Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a...</itunes:subtitle><itunes:summary><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></itunes:summary><itunes:duration>19527</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cf65e751978c25245b3381be90c08147.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Current Superstitions-Fanny Dickerson Bergen</title><link>https://www.spreaker.com/episode/current-superstitions-fanny-dickerson-bergen--74342576</link><description><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74342576</guid><pubDate>Wed, 19 Aug 2026 21:56:19 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74342576/current_superstitions_fanny_dickerson_bergen.mp3" length="132876519" type="audio/mpeg"/><itunes:author>Dante Alighieri</itunes:author><itunes:subtitle>Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a...</itunes:subtitle><itunes:summary><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></itunes:summary><itunes:duration>16593</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cf65e751978c25245b3381be90c08147.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Chinese Dragon-Luther Newton Hayes</title><link>https://www.spreaker.com/episode/chinese-dragon-luther-newton-hayes--74200843</link><description><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74200843</guid><pubDate>Tue, 18 Aug 2026 09:08:52 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74200843/chinese_dragon_luther_newton_hayes.mp3" length="36611616" type="audio/mpeg"/><itunes:author>Dante Alighieri</itunes:author><itunes:subtitle>Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a...</itunes:subtitle><itunes:summary><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></itunes:summary><itunes:duration>4572</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cf65e751978c25245b3381be90c08147.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Science - History of the Universe Vol. 7 Anthropology &amp; Medicine-Francis Rolt-Wheeler</title><link>https://www.spreaker.com/episode/science-history-of-the-universe-vol-7-anthropology-medicine-francis-rolt-wheeler--74154973</link><description><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74154973</guid><pubDate>Mon, 17 Aug 2026 09:09:18 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74154973/science_history_of_the_universe_vol_7_anthropology_medicine_francis_rolt_wheeler.mp3" length="278019032" type="audio/mpeg"/><itunes:author>Dante Alighieri</itunes:author><itunes:subtitle>Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a...</itunes:subtitle><itunes:summary><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></itunes:summary><itunes:duration>34718</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cf65e751978c25245b3381be90c08147.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Dramatic Reading Scene and Story Collection, Volume 005-Various</title><link>https://www.spreaker.com/episode/dramatic-reading-scene-and-story-collection-volume-005-various--74113362</link><description><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74113362</guid><pubDate>Sun, 16 Aug 2026 09:22:56 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74113362/20304_dramatic_reading_scene_and_story_collection_volume_005_various.mp3" length="174099545" type="audio/mpeg"/><itunes:author>Dante Alighieri</itunes:author><itunes:subtitle>Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a...</itunes:subtitle><itunes:summary><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></itunes:summary><itunes:duration>21739</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cf65e751978c25245b3381be90c08147.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Abroad with Mark Twain and Eugene Field - Tales They Told to a Fellow Correspondent-Henry William Fischer</title><link>https://www.spreaker.com/episode/abroad-with-mark-twain-and-eugene-field-tales-they-told-to-a-fellow-correspondent-henry-william-fischer--73420506</link><description><![CDATA["Abroad with Mark Twain and Eugene Field" by Tales They Told to a Fellow Correspondent-Henry William Fischer invites listeners to explore the rich and humorous experiences of two iconic American literary figures during their travels. This audiobook captures the essence of Twain and Field's adventures, showcasing their wit and keen observations of the world around them. The themes of exploration, friendship, and the joy of storytelling resonate powerfully today, reminding us of the importance of connection and the shared human experience. Hearing their tales offers a delightful escape and an enduring reflection on the spirit of curiosity that continues to inspire us all.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73420506</guid><pubDate>Tue, 04 Aug 2026 09:01:15 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73420506/20345_abroad_with_mark_twain_and_eugene_field_tales_they_told_to_a_fellow_correspondent_henry_william_fischer.mp3" length="181189982" type="audio/mpeg"/><itunes:author>Dante Alighieri</itunes:author><itunes:subtitle>"Abroad with Mark Twain and Eugene Field" by Tales They Told to a Fellow Correspondent-Henry William Fischer invites listeners to explore the rich and humorous experiences of two iconic American literary figures during their travels. This audiobook...</itunes:subtitle><itunes:summary><![CDATA["Abroad with Mark Twain and Eugene Field" by Tales They Told to a Fellow Correspondent-Henry William Fischer invites listeners to explore the rich and humorous experiences of two iconic American literary figures during their travels. This audiobook captures the essence of Twain and Field's adventures, showcasing their wit and keen observations of the world around them. The themes of exploration, friendship, and the joy of storytelling resonate powerfully today, reminding us of the importance of connection and the shared human experience. Hearing their tales offers a delightful escape and an enduring reflection on the spirit of curiosity that continues to inspire us all.]]></itunes:summary><itunes:duration>22626</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cf65e751978c25245b3381be90c08147.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Convivio - Dante Alighieri</title><link>https://www.spreaker.com/episode/convivio-dante-alighieri--72893770</link><description><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72893770</guid><pubDate>Thu, 09 Jul 2026 16:57:41 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72893770/convivio_dante_alighieri.mp3" length="266663001" type="audio/mpeg"/><itunes:author>Dante Alighieri</itunes:author><itunes:subtitle>Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a...</itunes:subtitle><itunes:summary><![CDATA[Convivio (The Banquet) is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Convivio is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Convivio is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular). Books 2 and 3 form a unit, both focusing on Dante's new love after the death of Beatrice—his love for Lady Philosophy, "the most beautiful and dignified daughter of the Emperor of the universe," as he calls her. Book 2 discusses allegory and Lady Philosophy (in connection with the canzone Voi che ’ntendendo il terzo ciel movete [You who move the third heaven with an act of the intellect], which opens the book), and also brings such subjects as astronomy, angelology, and the soul's immortality. Book 3 is a hymn of praise for philosophy, launched by an allegorical interpretation of Dante's great canzone Amor che ne la mente mi ragiona (Love, who speaks to me in my mind). In this book, Dante asserts that true philosophy cannot arise from any ulterior motives, such as prestige or money—it is only possible when the seeker has a love of wisdom for its own sake. Book 4 is by far the longest of the Convivio, and is noticeably distinct from the two books that precede it. The subject of book 4 is the nature of nobility. It opens with the longest canzone of the Convivio, Le dolci rime d’amor (Those sweet poems of love), which is explicitly about gentilezza or nobility, as well as a condemnation of avarice, asserting that reason and the spirit of acquisition are mutually incompatible. The first half of book 4's thirty chapters are dedicated to debunking the false idea of nobility as an inherited trait, one restricted to the aristocracy, while the final fifteen chapters delineate what true nobility consists of—the perfection of a thing according to its nature—and how nobility manifests in people at various stages of life. The Convivio, in its autobiographical passages and in the trajectories of its lines of thought, gives us a rich portrait of Dante himself, of great importance for an understanding of his work as a whole, especially the Divine Comedy. - Summary by Wikipedia]]></itunes:summary><itunes:duration>33333</itunes:duration><itunes:keywords>alighieri,amor,anthropology,canzone,convivio,dante,nobility,philosophy,prefatory,vernacular</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cf65e751978c25245b3381be90c08147.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
