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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Short Stories (All the Year Round, 1859-1863)</title><link>https://www.spreaker.com/podcast/short-stories-all-the-year-round-1859-1863--7162013</link><description><![CDATA[Immerse yourself in a rich tapestry of short narratives that capture the essence of Victorian storytelling, inspired by the title "Short Stories (All the Year Round, 1859-1863)." This podcast invites listeners to explore the complexities of human experience through a rotating collection of complete audiobooks, showcasing works that blend elements of Gothic fiction, strong female protagonists, and intricate family dynamics. Each episode unfolds a unique tale, reflecting the societal themes and emotional depths that define this transformative period in literature. From haunting ghost stories to poignant explorations of personal and familial struggles, every story offers a new perspective that resonates with timeless relevance. Delve into a world where every episode brings forth a fresh literary adventure, encouraging you to discover a new book and expand your understanding of the narratives that shaped a generation.]]></description><atom:link href="https://www.spreaker.com/show/7162013/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Single Author Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2fb78de0b5f5bceea17009b0dd49e20.jpg</url><title>Short Stories (All the Year Round, 1859-1863)</title><link>https://www.spreaker.com/podcast/short-stories-all-the-year-round-1859-1863--7162013</link></image><lastBuildDate>Fri, 28 Aug 2026 09:14:38 +0000</lastBuildDate><itunes:author>Elizabeth Cleghorn Gaskell</itunes:author><itunes:owner><itunes:name>Single Author Genre</itunes:name><itunes:email>spreaker85@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2fb78de0b5f5bceea17009b0dd49e20.jpg"/><itunes:subtitle>Immerse yourself in a rich tapestry of short narratives that capture the essence of Victorian storytelling, inspired by the title "Short Stories (All the Year Round, 1859-1863)." This podcast invites listeners to explore the complexities of human...</itunes:subtitle><itunes:summary><![CDATA[Immerse yourself in a rich tapestry of short narratives that capture the essence of Victorian storytelling, inspired by the title "Short Stories (All the Year Round, 1859-1863)." This podcast invites listeners to explore the complexities of human experience through a rotating collection of complete audiobooks, showcasing works that blend elements of Gothic fiction, strong female protagonists, and intricate family dynamics. Each episode unfolds a unique tale, reflecting the societal themes and emotional depths that define this transformative period in literature. From haunting ghost stories to poignant explorations of personal and familial struggles, every story offers a new perspective that resonates with timeless relevance. Delve into a world where every episode brings forth a fresh literary adventure, encouraging you to discover a new book and expand your understanding of the narratives that shaped a generation.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Society &amp; Culture"><itunes:category text="Places &amp; Travel"/></itunes:category><itunes:category text="Society &amp; Culture"/><itunes:explicit>false</itunes:explicit><podcast:guid>e26d5642-0942-5f25-ac70-d365a3544c8b</podcast:guid><itunes:type>episodic</itunes:type><item><title>Into The Valley Of Death Crimea, Balaklava, The Light Brigade Russell, Tennyson And Kipling-Various</title><link>https://www.spreaker.com/episode/into-the-valley-of-death-crimea-balaklava-the-light-brigade-russell-tennyson-and-kipling-various--74657287</link><description><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74657287</guid><pubDate>Fri, 28 Aug 2026 09:02:23 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74657287/into_the_valley_of_death_crimea_balaklava_the_light_brigade_russell_tennyson_and_kipling_various.mp3" length="24861620" type="audio/mpeg"/><itunes:author>Elizabeth Cleghorn Gaskell</itunes:author><itunes:subtitle>In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone...</itunes:subtitle><itunes:summary><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></itunes:summary><itunes:duration>3104</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2fb78de0b5f5bceea17009b0dd49e20.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>With Swag and Billy A Guide to Walking Trips in Tourist Districts of New South Wales-Henry J. Tompkins</title><link>https://www.spreaker.com/episode/with-swag-and-billy-a-guide-to-walking-trips-in-tourist-districts-of-new-south-wales-henry-j-tompkins--74620276</link><description><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74620276</guid><pubDate>Thu, 27 Aug 2026 09:02:32 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74620276/with_swag_and_billy_a_guide_to_walking_trips_in_tourist_districts_of_new_south_wales_henry_j_tompkins.mp3" length="104381181" type="audio/mpeg"/><itunes:author>Elizabeth Cleghorn Gaskell</itunes:author><itunes:subtitle>In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone...</itunes:subtitle><itunes:summary><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></itunes:summary><itunes:duration>13034</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2fb78de0b5f5bceea17009b0dd49e20.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Little Dramas for Primary Grades-Lillian Nixon Lawrence, Ada M. Skinner</title><link>https://www.spreaker.com/episode/little-dramas-for-primary-grades-lillian-nixon-lawrence-ada-m-skinner--74588269</link><description><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74588269</guid><pubDate>Wed, 26 Aug 2026 09:02:49 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74588269/little_dramas_for_primary_grades_lillian_nixon_lawrence_ada_m_skinner.mp3" length="55223170" type="audio/mpeg"/><itunes:author>Elizabeth Cleghorn Gaskell</itunes:author><itunes:subtitle>In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone...</itunes:subtitle><itunes:summary><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></itunes:summary><itunes:duration>6896</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2fb78de0b5f5bceea17009b0dd49e20.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Aunt Jo's Scrap-Bag, Vol. 4-Louisa May Alcott</title><link>https://www.spreaker.com/episode/aunt-jo-s-scrap-bag-vol-4-louisa-may-alcott--74557596</link><description><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74557596</guid><pubDate>Tue, 25 Aug 2026 09:02:26 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74557596/aunt_jo_s_scrap_bag_vol_4_louisa_may_alcott.mp3" length="132113666" type="audio/mpeg"/><itunes:author>Elizabeth Cleghorn Gaskell</itunes:author><itunes:subtitle>In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone...</itunes:subtitle><itunes:summary><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></itunes:summary><itunes:duration>16498</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2fb78de0b5f5bceea17009b0dd49e20.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Anarchism and Other Essays-Emma Goldman</title><link>https://www.spreaker.com/episode/anarchism-and-other-essays-emma-goldman--74526102</link><description><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74526102</guid><pubDate>Mon, 24 Aug 2026 09:08:43 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74526102/anarchism_and_other_essays_emma_goldman.mp3" length="200416576" type="audio/mpeg"/><itunes:author>Elizabeth Cleghorn Gaskell</itunes:author><itunes:subtitle>In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone...</itunes:subtitle><itunes:summary><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></itunes:summary><itunes:duration>25027</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2fb78de0b5f5bceea17009b0dd49e20.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Canadians of Old-Philippe Aubert de Gaspé</title><link>https://www.spreaker.com/episode/canadians-of-old-philippe-aubert-de-gaspe--74495895</link><description><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74495895</guid><pubDate>Sun, 23 Aug 2026 09:08:39 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74495895/canadians_of_old_philippe_aubert_de_gaspe.mp3" length="273885626" type="audio/mpeg"/><itunes:author>Elizabeth Cleghorn Gaskell</itunes:author><itunes:subtitle>In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone...</itunes:subtitle><itunes:summary><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></itunes:summary><itunes:duration>34201</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2fb78de0b5f5bceea17009b0dd49e20.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Collected Prose-James Elroy Flecker</title><link>https://www.spreaker.com/episode/collected-prose-james-elroy-flecker--74456428</link><description><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74456428</guid><pubDate>Sat, 22 Aug 2026 09:07:47 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74456428/collected_prose_james_elroy_flecker.mp3" length="211312014" type="audio/mpeg"/><itunes:author>Elizabeth Cleghorn Gaskell</itunes:author><itunes:subtitle>In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone...</itunes:subtitle><itunes:summary><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></itunes:summary><itunes:duration>26388</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2fb78de0b5f5bceea17009b0dd49e20.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Tales of the Five Towns-Arnold Bennett</title><link>https://www.spreaker.com/episode/tales-of-the-five-towns-arnold-bennett--74424903</link><description><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74424903</guid><pubDate>Fri, 21 Aug 2026 09:08:38 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74424903/3157_tales_of_the_five_towns_arnold_bennett.mp3" length="163219208" type="audio/mpeg"/><itunes:author>Elizabeth Cleghorn Gaskell</itunes:author><itunes:subtitle>In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone...</itunes:subtitle><itunes:summary><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></itunes:summary><itunes:duration>20382</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2fb78de0b5f5bceea17009b0dd49e20.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Life and Adventures of Jack Engle An AutoBiography-Walt Whitman</title><link>https://www.spreaker.com/episode/life-and-adventures-of-jack-engle-an-autobiography-walt-whitman--74379640</link><description><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74379640</guid><pubDate>Thu, 20 Aug 2026 10:30:55 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74379640/life_and_adventures_of_jack_engle_an_autobiography_walt_whitman.mp3" length="118992467" type="audio/mpeg"/><itunes:author>Elizabeth Cleghorn Gaskell</itunes:author><itunes:subtitle>In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone...</itunes:subtitle><itunes:summary><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></itunes:summary><itunes:duration>14859</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2fb78de0b5f5bceea17009b0dd49e20.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Zanzibar Tales-George W. Bateman</title><link>https://www.spreaker.com/episode/zanzibar-tales-george-w-bateman--74340363</link><description><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74340363</guid><pubDate>Wed, 19 Aug 2026 21:15:39 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74340363/zanzibar_tales_george_w_bateman.mp3" length="77552439" type="audio/mpeg"/><itunes:author>Elizabeth Cleghorn Gaskell</itunes:author><itunes:subtitle>In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone...</itunes:subtitle><itunes:summary><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></itunes:summary><itunes:duration>9684</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2fb78de0b5f5bceea17009b0dd49e20.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>And Even Now-Max Beerbohm</title><link>https://www.spreaker.com/episode/and-even-now-max-beerbohm--74198644</link><description><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74198644</guid><pubDate>Tue, 18 Aug 2026 09:09:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74198644/and_even_now_max_beerbohm.mp3" length="228273428" type="audio/mpeg"/><itunes:author>Elizabeth Cleghorn Gaskell</itunes:author><itunes:subtitle>In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone...</itunes:subtitle><itunes:summary><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></itunes:summary><itunes:duration>28506</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2fb78de0b5f5bceea17009b0dd49e20.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Room of One's Own-Virginia Woolf</title><link>https://www.spreaker.com/episode/room-of-one-s-own-virginia-woolf--74152439</link><description><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74152439</guid><pubDate>Mon, 17 Aug 2026 09:09:13 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74152439/room_of_one_s_own_virginia_woolf.mp3" length="116835426" type="audio/mpeg"/><itunes:author>Elizabeth Cleghorn Gaskell</itunes:author><itunes:subtitle>In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone...</itunes:subtitle><itunes:summary><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></itunes:summary><itunes:duration>14590</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2fb78de0b5f5bceea17009b0dd49e20.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Short Nonfiction Collection, Vol. 057-Various</title><link>https://www.spreaker.com/episode/short-nonfiction-collection-vol-057-various--74111776</link><description><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74111776</guid><pubDate>Sun, 16 Aug 2026 09:08:13 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74111776/short_nonfiction_collection_vol_057_various.mp3" length="126623342" type="audio/mpeg"/><itunes:author>Elizabeth Cleghorn Gaskell</itunes:author><itunes:subtitle>In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone...</itunes:subtitle><itunes:summary><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></itunes:summary><itunes:duration>15812</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2fb78de0b5f5bceea17009b0dd49e20.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Short Stories (Household Words 1850-53)-Elizabeth Cleghorn Gaskell</title><link>https://www.spreaker.com/episode/short-stories-household-words-1850-53-elizabeth-cleghorn-gaskell--73419106</link><description><![CDATA["Short Stories (Household Words 1850-53)" by Elizabeth Cleghorn Gaskell offers a collection of engaging narratives that reflect the social issues and everyday lives of the time. Gaskell's keen observations and empathetic portrayals resonate with listeners today, as themes of human connection, morality, and the complexities of domestic life remain relevant across generations. The stories invite contemplation on the nature of community and the struggles faced within it, making them not only a window into the past but also a mirror for contemporary society. Gaskell's masterful storytelling and rich character development ensure that these tales endure, captivating audiences with their timeless insights.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73419106</guid><pubDate>Tue, 04 Aug 2026 03:59:53 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73419106/short_stories_household_words_1850_53_elizabeth_cleghorn_gaskell.mp3" length="287323199" type="audio/mpeg"/><itunes:author>Elizabeth Cleghorn Gaskell</itunes:author><itunes:subtitle>"Short Stories (Household Words 1850-53)" by Elizabeth Cleghorn Gaskell offers a collection of engaging narratives that reflect the social issues and everyday lives of the time. Gaskell's keen observations and empathetic portrayals resonate with...</itunes:subtitle><itunes:summary><![CDATA["Short Stories (Household Words 1850-53)" by Elizabeth Cleghorn Gaskell offers a collection of engaging narratives that reflect the social issues and everyday lives of the time. Gaskell's keen observations and empathetic portrayals resonate with listeners today, as themes of human connection, morality, and the complexities of domestic life remain relevant across generations. The stories invite contemplation on the nature of community and the struggles faced within it, making them not only a window into the past but also a mirror for contemporary society. Gaskell's masterful storytelling and rich character development ensure that these tales endure, captivating audiences with their timeless insights.]]></itunes:summary><itunes:duration>35879</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2fb78de0b5f5bceea17009b0dd49e20.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Short Stories All the Year Round 1859-1863 - Elizabeth Cleghorn Gaskell - Part 2</title><link>https://www.spreaker.com/episode/short-stories-all-the-year-round-1859-1863-elizabeth-cleghorn-gaskell-part-2--72870167</link><description><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72870167</guid><pubDate>Thu, 09 Jul 2026 09:00:18 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72870167/short_stories_all_the_year_round_1859_1863_elizabeth_cleghorn_gaskell_part_2.mp3" length="74094384" type="audio/mpeg"/><itunes:author>Elizabeth Cleghorn Gaskell</itunes:author><itunes:subtitle>In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone...</itunes:subtitle><itunes:summary><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></itunes:summary><itunes:duration>9262</itunes:duration><itunes:keywords>all,chauffeurs,cranford,gaskell,reprise,round,short,single,witch,year</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2fb78de0b5f5bceea17009b0dd49e20.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Short Stories All the Year Round 1859-1863 - Elizabeth Cleghorn Gaskell - Part 1</title><link>https://www.spreaker.com/episode/short-stories-all-the-year-round-1859-1863-elizabeth-cleghorn-gaskell-part-1--72870166</link><description><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72870166</guid><pubDate>Wed, 08 Jul 2026 14:55:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72870166/short_stories_all_the_year_round_1859_1863_elizabeth_cleghorn_gaskell_part_1.mp3" length="285251329" type="audio/mpeg"/><itunes:author>Elizabeth Cleghorn Gaskell</itunes:author><itunes:subtitle>In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone...</itunes:subtitle><itunes:summary><![CDATA[In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room (later, The Crooked Branch) and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs (attributed to Gaskell in 2015) appears here for the first time in a collection of Elizabeth Gaskell's work. (Phil Benson)]]></itunes:summary><itunes:duration>35657</itunes:duration><itunes:keywords>all,chauffeurs,cranford,gaskell,reprise,round,short,single,witch,year</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2fb78de0b5f5bceea17009b0dd49e20.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
