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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Selected Poems</title><link>https://www.spreaker.com/podcast/selected-poems--7161692</link><description><![CDATA[Immerse yourself in the evocative world of poetry, where language dances and emotions resonate deeply, as suggested by the title "Selected Poems." This podcast serves as a sanctuary for poetry lovers, exploring the rich tapestry of human experience through the lens of verse. Each episode features a new complete audiobook, offering a rotating collection that showcases diverse voices, styles, and themes that echo the timeless nature of poetic expression. From the beauty of love and the pain of loss to the reflections on nature and the complexities of the human spirit, listeners are invited to engage with a variety of poetic forms and ideas. This is not a single story but a series of unique explorations, each designed to inspire, provoke thought, and evoke feeling. Discover a new book with every episode and embrace the transformative power of poetry in your life.]]></description><atom:link href="https://www.spreaker.com/show/7161692/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Single Author Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/54066736cdf9933a27daea1708525d93.jpg</url><title>Selected Poems</title><link>https://www.spreaker.com/podcast/selected-poems--7161692</link></image><lastBuildDate>Fri, 28 Aug 2026 09:15:28 +0000</lastBuildDate><itunes:author>George Herbert</itunes:author><itunes:owner><itunes:name>Single Author Genre</itunes:name><itunes:email>spreaker85@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/54066736cdf9933a27daea1708525d93.jpg"/><itunes:subtitle>Immerse yourself in the evocative world of poetry, where language dances and emotions resonate deeply, as suggested by the title "Selected Poems." This podcast serves as a sanctuary for poetry lovers, exploring the rich tapestry of human experience...</itunes:subtitle><itunes:summary><![CDATA[Immerse yourself in the evocative world of poetry, where language dances and emotions resonate deeply, as suggested by the title "Selected Poems." This podcast serves as a sanctuary for poetry lovers, exploring the rich tapestry of human experience through the lens of verse. Each episode features a new complete audiobook, offering a rotating collection that showcases diverse voices, styles, and themes that echo the timeless nature of poetic expression. From the beauty of love and the pain of loss to the reflections on nature and the complexities of the human spirit, listeners are invited to engage with a variety of poetic forms and ideas. This is not a single story but a series of unique explorations, each designed to inspire, provoke thought, and evoke feeling. Discover a new book with every episode and embrace the transformative power of poetry in your life.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Health &amp; Fitness"/><itunes:category text="Health &amp; Fitness"><itunes:category text="Mental Health"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>a88f80b1-774e-51a3-bc7e-6184c8e7c5da</podcast:guid><itunes:type>episodic</itunes:type><item><title>Poems-Nora May French</title><link>https://www.spreaker.com/episode/poems-nora-may-french--74657088</link><description><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74657088</guid><pubDate>Fri, 28 Aug 2026 09:02:32 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/74657088/poems_nora_may_french.mp3" length="39274858" type="audio/mpeg"/><itunes:author>George Herbert</itunes:author><itunes:subtitle>These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He...</itunes:subtitle><itunes:summary><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></itunes:summary><itunes:duration>4905</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/54066736cdf9933a27daea1708525d93.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Rainbows-Olive Custance</title><link>https://www.spreaker.com/episode/rainbows-olive-custance--74620153</link><description><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74620153</guid><pubDate>Thu, 27 Aug 2026 09:02:37 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/74620153/rainbows_olive_custance.mp3" length="26053869" type="audio/mpeg"/><itunes:author>George Herbert</itunes:author><itunes:subtitle>These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He...</itunes:subtitle><itunes:summary><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></itunes:summary><itunes:duration>3254</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/54066736cdf9933a27daea1708525d93.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Narratives of Colored Americans-Abigail Mott, Mary Sutton Wood</title><link>https://www.spreaker.com/episode/narratives-of-colored-americans-abigail-mott-mary-sutton-wood--74588136</link><description><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74588136</guid><pubDate>Wed, 26 Aug 2026 09:02:48 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/74588136/narratives_of_colored_americans_abigail_mott_mary_sutton_wood.mp3" length="239185687" type="audio/mpeg"/><itunes:author>George Herbert</itunes:author><itunes:subtitle>These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He...</itunes:subtitle><itunes:summary><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></itunes:summary><itunes:duration>29869</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/54066736cdf9933a27daea1708525d93.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Selected Poems of Francis Thompson-Francis Thompson</title><link>https://www.spreaker.com/episode/selected-poems-of-francis-thompson-francis-thompson--74557466</link><description><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74557466</guid><pubDate>Tue, 25 Aug 2026 09:02:22 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/74557466/selected_poems_of_francis_thompson_francis_thompson.mp3" length="111635800" type="audio/mpeg"/><itunes:author>George Herbert</itunes:author><itunes:subtitle>These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He...</itunes:subtitle><itunes:summary><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></itunes:summary><itunes:duration>13941</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/54066736cdf9933a27daea1708525d93.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Poetical Works of John Dryden, Volume 1-John Dryden</title><link>https://www.spreaker.com/episode/poetical-works-of-john-dryden-volume-1-john-dryden--74525979</link><description><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74525979</guid><pubDate>Mon, 24 Aug 2026 09:08:56 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/74525979/poetical_works_of_john_dryden_volume_1_john_dryden.mp3" length="220816619" type="audio/mpeg"/><itunes:author>George Herbert</itunes:author><itunes:subtitle>These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He...</itunes:subtitle><itunes:summary><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></itunes:summary><itunes:duration>27575</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/54066736cdf9933a27daea1708525d93.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Sappho One Hundred Lyrics (version 2)-Bliss Carman</title><link>https://www.spreaker.com/episode/sappho-one-hundred-lyrics-version-2-bliss-carman--74495789</link><description><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74495789</guid><pubDate>Sun, 23 Aug 2026 09:08:32 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/74495789/sappho_one_hundred_lyrics_version_2_bliss_carman.mp3" length="39456084" type="audio/mpeg"/><itunes:author>George Herbert</itunes:author><itunes:subtitle>These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He...</itunes:subtitle><itunes:summary><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></itunes:summary><itunes:duration>4927</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/54066736cdf9933a27daea1708525d93.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Present at a Hanging and Other Ghost Stories-Ambrose Bierce</title><link>https://www.spreaker.com/episode/present-at-a-hanging-and-other-ghost-stories-ambrose-bierce--74456295</link><description><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74456295</guid><pubDate>Sat, 22 Aug 2026 09:07:46 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/74456295/present_at_a_hanging_and_other_ghost_stories_ambrose_bierce.mp3" length="58392684" type="audio/mpeg"/><itunes:author>George Herbert</itunes:author><itunes:subtitle>These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He...</itunes:subtitle><itunes:summary><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></itunes:summary><itunes:duration>7292</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/54066736cdf9933a27daea1708525d93.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Lancashire Dialogues-John Byrom</title><link>https://www.spreaker.com/episode/lancashire-dialogues-john-byrom--74424759</link><description><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74424759</guid><pubDate>Fri, 21 Aug 2026 09:08:31 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/74424759/lancashire_dialogues_john_byrom.mp3" length="15314531" type="audio/mpeg"/><itunes:author>George Herbert</itunes:author><itunes:subtitle>These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He...</itunes:subtitle><itunes:summary><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></itunes:summary><itunes:duration>1913</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/54066736cdf9933a27daea1708525d93.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Essays of Robert Louis Stevenson-Robert Louis Stevenson</title><link>https://www.spreaker.com/episode/essays-of-robert-louis-stevenson-robert-louis-stevenson--74379459</link><description><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74379459</guid><pubDate>Thu, 20 Aug 2026 10:27:48 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/74379459/essays_of_robert_louis_stevenson_robert_louis_stevenson.mp3" length="159899882" type="audio/mpeg"/><itunes:author>George Herbert</itunes:author><itunes:subtitle>These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He...</itunes:subtitle><itunes:summary><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></itunes:summary><itunes:duration>19968</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/54066736cdf9933a27daea1708525d93.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Poems of Marianne Moore-Marianne Moore</title><link>https://www.spreaker.com/episode/poems-of-marianne-moore-marianne-moore--74340239</link><description><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74340239</guid><pubDate>Wed, 19 Aug 2026 21:13:06 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/74340239/poems_of_marianne_moore_marianne_moore.mp3" length="19236361" type="audio/mpeg"/><itunes:author>George Herbert</itunes:author><itunes:subtitle>These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He...</itunes:subtitle><itunes:summary><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></itunes:summary><itunes:duration>2402</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/54066736cdf9933a27daea1708525d93.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Inn of Dreams-Olive Custance</title><link>https://www.spreaker.com/episode/inn-of-dreams-olive-custance--74198489</link><description><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74198489</guid><pubDate>Tue, 18 Aug 2026 09:09:03 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/74198489/inn_of_dreams_olive_custance.mp3" length="25845653" type="audio/mpeg"/><itunes:author>George Herbert</itunes:author><itunes:subtitle>These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He...</itunes:subtitle><itunes:summary><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></itunes:summary><itunes:duration>3228</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/54066736cdf9933a27daea1708525d93.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Holiday Round-A. A. Milne</title><link>https://www.spreaker.com/episode/holiday-round-a-a-milne--74152269</link><description><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74152269</guid><pubDate>Mon, 17 Aug 2026 09:09:12 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/74152269/holiday_round_a_a_milne.mp3" length="238804915" type="audio/mpeg"/><itunes:author>George Herbert</itunes:author><itunes:subtitle>These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He...</itunes:subtitle><itunes:summary><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></itunes:summary><itunes:duration>29821</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/54066736cdf9933a27daea1708525d93.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Guide to Health-Mohandas Karamchand Gandhi</title><link>https://www.spreaker.com/episode/guide-to-health-mohandas-karamchand-gandhi--74111646</link><description><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74111646</guid><pubDate>Sun, 16 Aug 2026 09:08:15 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/74111646/guide_to_health_mohandas_karamchand_gandhi.mp3" length="99616771" type="audio/mpeg"/><itunes:author>George Herbert</itunes:author><itunes:subtitle>These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He...</itunes:subtitle><itunes:summary><![CDATA[These poems, from Herbert’s book The Temple, show the evolution of a soul’s relationship with God. Sudden reversals of mood are common, for although Herbert is best known for his quiet tone, he was not a tranquil man but proud and ambitious. He achieved tranquility by active effort. His works may be read autobiographically, for they are intensely personal. Yet through his personal experience we perceive a reality larger than the personal. For example, his many homely comparisons—to bowling, pulleys, laxatives, a blunted knife, sweeping a room—serve “for lights of Heavenly Truths,” as he says of scriptural references to matters of daily life like “a plough, a hatchet, leaven, boyes piping and dancing.” Hence we find in Herbert a startling simplicity of spirit, an almost mystical ability to make every sensory experience sacramental and to express deep and subtle emotions with perfect tact. But there are also angry, frustrated, nearly despairing moments when he longs for the worldly paths he might have taken, the academic honors, the seat in Parliament that he once held, “the ways of Pleasure, the sweet strains, / The lullings and the relishes of it.” But at such moments God is always at hand to throw him a lifeline—whispering in his ear, recalling him to a far deeper and older level of emotional experience. (summary by T. A. Copeland)]]></itunes:summary><itunes:duration>12440</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/54066736cdf9933a27daea1708525d93.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Charles Simeon-Handley Carr Glyn Moule</title><link>https://www.spreaker.com/episode/charles-simeon-handley-carr-glyn-moule--73419000</link><description><![CDATA["Charles Simeon-Handley Carr Glyn Moule" presents a collection of selected poems that delve into the intricacies of human experience and emotion. These works resonate deeply with themes of faith, love, and the search for meaning, making them timeless reflections on the human condition. The lyrical quality of Moule's poetry invites listeners to explore profound insights that remain relevant in today's world, where individuals continue to grapple with similar existential questions. This audiobook offers an opportunity to connect with the enduring power of poetry, inspiring contemplation and appreciation for the beauty of language and thought. Immerse yourself in the evocative verses that echo across generations.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73419000</guid><pubDate>Tue, 04 Aug 2026 03:56:40 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/73419000/charles_simeon_handley_carr_glyn_moule.mp3" length="215575010" type="audio/mpeg"/><itunes:author>George Herbert</itunes:author><itunes:subtitle>"Charles Simeon-Handley Carr Glyn Moule" presents a collection of selected poems that delve into the intricacies of human experience and emotion. These works resonate deeply with themes of faith, love, and the search for meaning, making them timeless...</itunes:subtitle><itunes:summary><![CDATA["Charles Simeon-Handley Carr Glyn Moule" presents a collection of selected poems that delve into the intricacies of human experience and emotion. These works resonate deeply with themes of faith, love, and the search for meaning, making them timeless reflections on the human condition. The lyrical quality of Moule's poetry invites listeners to explore profound insights that remain relevant in today's world, where individuals continue to grapple with similar existential questions. This audiobook offers an opportunity to connect with the enduring power of poetry, inspiring contemplation and appreciation for the beauty of language and thought. Immerse yourself in the evocative verses that echo across generations.]]></itunes:summary><itunes:duration>26919</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/54066736cdf9933a27daea1708525d93.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
