<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Ebony and Crystal</title><link>https://www.spreaker.com/podcast/ebony-and-crystal--7161620</link><description><![CDATA[Embark on a mesmerizing journey through the realms of imagination and surrealism with "Ebony and Crystal," a podcast that delves into the extraordinary landscapes of art, dreams, and cosmic wonder. Each episode features a new complete audiobook that invites listeners to experience the vibrant interplay of light and shadow, exploring the juxtaposition of life's ephemeral beauty against the backdrop of the universe's vast mysteries. This is not a single story but a rich tapestry of unique explorations, where the boundaries of reality dissolve, revealing the intricate dance of existence—both haunting and sublime. With every episode, you are encouraged to discover a new book that ignites your senses and expands your understanding of the extraordinary narratives that shape our perception of the cosmos. Join us as we traverse the uncharted territories of thought and creativity, celebrating the alchemy of words that transforms the ordinary into the extraordinary.]]></description><atom:link href="https://www.spreaker.com/show/7161620/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Single Author Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1c5e6a26f1a5e00b89322cf8c6290bbd.jpg</url><title>Ebony and Crystal</title><link>https://www.spreaker.com/podcast/ebony-and-crystal--7161620</link></image><lastBuildDate>Fri, 28 Aug 2026 09:28:16 +0000</lastBuildDate><itunes:author>Clark Ashton Smith</itunes:author><itunes:owner><itunes:name>Single Author Genre</itunes:name><itunes:email>spreaker85@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1c5e6a26f1a5e00b89322cf8c6290bbd.jpg"/><itunes:subtitle>Embark on a mesmerizing journey through the realms of imagination and surrealism with "Ebony and Crystal," a podcast that delves into the extraordinary landscapes of art, dreams, and cosmic wonder. Each episode features a new complete audiobook that...</itunes:subtitle><itunes:summary><![CDATA[Embark on a mesmerizing journey through the realms of imagination and surrealism with "Ebony and Crystal," a podcast that delves into the extraordinary landscapes of art, dreams, and cosmic wonder. Each episode features a new complete audiobook that invites listeners to experience the vibrant interplay of light and shadow, exploring the juxtaposition of life's ephemeral beauty against the backdrop of the universe's vast mysteries. This is not a single story but a rich tapestry of unique explorations, where the boundaries of reality dissolve, revealing the intricate dance of existence—both haunting and sublime. With every episode, you are encouraged to discover a new book that ignites your senses and expands your understanding of the extraordinary narratives that shape our perception of the cosmos. Join us as we traverse the uncharted territories of thought and creativity, celebrating the alchemy of words that transforms the ordinary into the extraordinary.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Science"/><itunes:category text="Science"><itunes:category text="Astronomy"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>9472a653-4982-5f8f-8a16-fcedde3f1af1</podcast:guid><itunes:type>episodic</itunes:type><item><title>Borough-George Crabbe</title><link>https://www.spreaker.com/episode/borough-george-crabbe--74654587</link><description><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74654587</guid><pubDate>Fri, 28 Aug 2026 09:02:24 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74654587/borough_george_crabbe.mp3" length="247388211" type="audio/mpeg"/><itunes:author>Clark Ashton Smith</itunes:author><itunes:subtitle>As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space...</itunes:subtitle><itunes:summary><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></itunes:summary><itunes:duration>30893</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1c5e6a26f1a5e00b89322cf8c6290bbd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Trees and Other Poems-Joyce Kilmer</title><link>https://www.spreaker.com/episode/trees-and-other-poems-joyce-kilmer--74618544</link><description><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74618544</guid><pubDate>Thu, 27 Aug 2026 09:02:32 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74618544/trees_and_other_poems_joyce_kilmer.mp3" length="23846663" type="audio/mpeg"/><itunes:author>Clark Ashton Smith</itunes:author><itunes:subtitle>As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space...</itunes:subtitle><itunes:summary><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></itunes:summary><itunes:duration>2978</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1c5e6a26f1a5e00b89322cf8c6290bbd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Undying One and Other Poems-Caroline Elizabeth Sarah Norton</title><link>https://www.spreaker.com/episode/undying-one-and-other-poems-caroline-elizabeth-sarah-norton--74586377</link><description><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74586377</guid><pubDate>Wed, 26 Aug 2026 09:02:49 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74586377/undying_one_and_other_poems_caroline_elizabeth_sarah_norton.mp3" length="166633055" type="audio/mpeg"/><itunes:author>Clark Ashton Smith</itunes:author><itunes:subtitle>As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space...</itunes:subtitle><itunes:summary><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></itunes:summary><itunes:duration>20808</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1c5e6a26f1a5e00b89322cf8c6290bbd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Wilderness Songs-Grace H. Conkling</title><link>https://www.spreaker.com/episode/wilderness-songs-grace-h-conkling--74555690</link><description><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74555690</guid><pubDate>Tue, 25 Aug 2026 09:02:34 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74555690/wilderness_songs_grace_h_conkling.mp3" length="40738011" type="audio/mpeg"/><itunes:author>Clark Ashton Smith</itunes:author><itunes:subtitle>As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space...</itunes:subtitle><itunes:summary><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></itunes:summary><itunes:duration>5087</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1c5e6a26f1a5e00b89322cf8c6290bbd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Fantasy Fan Magazine Presents Writings of Clark Ashton Smith-Clark Ashton Smith</title><link>https://www.spreaker.com/episode/fantasy-fan-magazine-presents-writings-of-clark-ashton-smith-clark-ashton-smith--74524210</link><description><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74524210</guid><pubDate>Mon, 24 Aug 2026 09:08:47 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74524210/fantasy_fan_magazine_presents_writings_of_clark_ashton_smith_clark_ashton_smith.mp3" length="49731959" type="audio/mpeg"/><itunes:author>Clark Ashton Smith</itunes:author><itunes:subtitle>As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space...</itunes:subtitle><itunes:summary><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></itunes:summary><itunes:duration>6210</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1c5e6a26f1a5e00b89322cf8c6290bbd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Lines, On Hearing That Lady Byron Was Ill-George Gordon, Lord Byron</title><link>https://www.spreaker.com/episode/lines-on-hearing-that-lady-byron-was-ill-george-gordon-lord-byron--74494252</link><description><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74494252</guid><pubDate>Sun, 23 Aug 2026 09:08:33 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74494252/lines_on_hearing_that_lady_byron_was_ill_george_gordon_lord_byron.mp3" length="27856878" type="audio/mpeg"/><itunes:author>Clark Ashton Smith</itunes:author><itunes:subtitle>As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space...</itunes:subtitle><itunes:summary><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></itunes:summary><itunes:duration>3479</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1c5e6a26f1a5e00b89322cf8c6290bbd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Poems by a Slave-George Moses Horton</title><link>https://www.spreaker.com/episode/poems-by-a-slave-george-moses-horton--74454570</link><description><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74454570</guid><pubDate>Sat, 22 Aug 2026 09:07:39 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74454570/poems_by_a_slave_george_moses_horton.mp3" length="22934325" type="audio/mpeg"/><itunes:author>Clark Ashton Smith</itunes:author><itunes:subtitle>As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space...</itunes:subtitle><itunes:summary><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></itunes:summary><itunes:duration>2864</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1c5e6a26f1a5e00b89322cf8c6290bbd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Selection from the Lyrical Poems of Robert Herrick-Robert Herrick</title><link>https://www.spreaker.com/episode/selection-from-the-lyrical-poems-of-robert-herrick-robert-herrick--74422889</link><description><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74422889</guid><pubDate>Fri, 21 Aug 2026 09:08:33 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74422889/selection_from_the_lyrical_poems_of_robert_herrick_robert_herrick.mp3" length="120207100" type="audio/mpeg"/><itunes:author>Clark Ashton Smith</itunes:author><itunes:subtitle>As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space...</itunes:subtitle><itunes:summary><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></itunes:summary><itunes:duration>15011</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1c5e6a26f1a5e00b89322cf8c6290bbd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Al Que Quiere! (and 18 more poems)-William Carlos Williams</title><link>https://www.spreaker.com/episode/al-que-quiere-and-18-more-poems-william-carlos-williams--74376785</link><description><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74376785</guid><pubDate>Thu, 20 Aug 2026 09:43:11 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74376785/al_que_quiere_and_18_more_poems_william_carlos_williams.mp3" length="35924699" type="audio/mpeg"/><itunes:author>Clark Ashton Smith</itunes:author><itunes:subtitle>As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space...</itunes:subtitle><itunes:summary><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></itunes:summary><itunes:duration>4486</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1c5e6a26f1a5e00b89322cf8c6290bbd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Survivals-Lewis V. F. Randolph</title><link>https://www.spreaker.com/episode/survivals-lewis-v-f-randolph--74337798</link><description><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74337798</guid><pubDate>Wed, 19 Aug 2026 20:28:38 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74337798/survivals_lewis_v_f_randolph.mp3" length="45147803" type="audio/mpeg"/><itunes:author>Clark Ashton Smith</itunes:author><itunes:subtitle>As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space...</itunes:subtitle><itunes:summary><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></itunes:summary><itunes:duration>5638</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1c5e6a26f1a5e00b89322cf8c6290bbd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Poems-Adam Lindsay Gordon</title><link>https://www.spreaker.com/episode/poems-adam-lindsay-gordon--74196131</link><description><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74196131</guid><pubDate>Tue, 18 Aug 2026 09:08:43 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74196131/poems_adam_lindsay_gordon.mp3" length="155040276" type="audio/mpeg"/><itunes:author>Clark Ashton Smith</itunes:author><itunes:subtitle>As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space...</itunes:subtitle><itunes:summary><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></itunes:summary><itunes:duration>19361</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1c5e6a26f1a5e00b89322cf8c6290bbd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Principles of the Christian Religion Expressed in Plain and Easy Verse-Philip Doddridge</title><link>https://www.spreaker.com/episode/principles-of-the-christian-religion-expressed-in-plain-and-easy-verse-philip-doddridge--74149407</link><description><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74149407</guid><pubDate>Mon, 17 Aug 2026 09:09:00 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74149407/principles_of_the_christian_religion_expressed_in_plain_and_easy_verse_philip_doddridge.mp3" length="17554062" type="audio/mpeg"/><itunes:author>Clark Ashton Smith</itunes:author><itunes:subtitle>As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space...</itunes:subtitle><itunes:summary><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></itunes:summary><itunes:duration>2192</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1c5e6a26f1a5e00b89322cf8c6290bbd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>New Poems-D. H. Lawrence</title><link>https://www.spreaker.com/episode/new-poems-d-h-lawrence--74109886</link><description><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74109886</guid><pubDate>Sun, 16 Aug 2026 09:08:11 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74109886/new_poems_d_h_lawrence.mp3" length="36792293" type="audio/mpeg"/><itunes:author>Clark Ashton Smith</itunes:author><itunes:subtitle>As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space...</itunes:subtitle><itunes:summary><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></itunes:summary><itunes:duration>4594</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1c5e6a26f1a5e00b89322cf8c6290bbd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Poems of Gerard Manley Hopkins (Version 2)-Gerard Manley Hopkins</title><link>https://www.spreaker.com/episode/poems-of-gerard-manley-hopkins-version-2-gerard-manley-hopkins--73417500</link><description><![CDATA["Poems of Gerard Manley Hopkins (Version 2)" showcases the profound and innovative poetry of Gerard Manley Hopkins, a master of language and rhythm. His work, characterized by its deep spirituality and connection to nature, invites listeners to explore themes of faith, beauty, and the divine in everyday life. Hopkins' unique use of sprung rhythm and vivid imagery creates an immersive experience that resonates with the human spirit. The enduring power of his poetry lies in its ability to evoke emotion and contemplation, making it a timeless treasure for those seeking inspiration and reflection. This collection remains relevant today, reminding us of the beauty found in both the ordinary and the extraordinary.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73417500</guid><pubDate>Tue, 04 Aug 2026 03:12:01 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73417500/poems_of_gerard_manley_hopkins_version_2_gerard_manley_hopkins.mp3" length="90409255" type="audio/mpeg"/><itunes:author>Clark Ashton Smith</itunes:author><itunes:subtitle>"Poems of Gerard Manley Hopkins (Version 2)" showcases the profound and innovative poetry of Gerard Manley Hopkins, a master of language and rhythm. His work, characterized by its deep spirituality and connection to nature, invites listeners to...</itunes:subtitle><itunes:summary><![CDATA["Poems of Gerard Manley Hopkins (Version 2)" showcases the profound and innovative poetry of Gerard Manley Hopkins, a master of language and rhythm. His work, characterized by its deep spirituality and connection to nature, invites listeners to explore themes of faith, beauty, and the divine in everyday life. Hopkins' unique use of sprung rhythm and vivid imagery creates an immersive experience that resonates with the human spirit. The enduring power of his poetry lies in its ability to evoke emotion and contemplation, making it a timeless treasure for those seeking inspiration and reflection. This collection remains relevant today, reminding us of the beauty found in both the ordinary and the extraordinary.]]></itunes:summary><itunes:duration>11290</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1c5e6a26f1a5e00b89322cf8c6290bbd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Ebony and Crystal - Clark Ashton Smith</title><link>https://www.spreaker.com/episode/ebony-and-crystal-clark-ashton-smith--72869246</link><description><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72869246</guid><pubDate>Wed, 08 Jul 2026 14:17:42 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72869246/ebony_and_crystal_clark_ashton_smith.mp3" length="108615879" type="audio/mpeg"/><itunes:author>Clark Ashton Smith</itunes:author><itunes:subtitle>As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space...</itunes:subtitle><itunes:summary><![CDATA[As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse]]></itunes:summary><itunes:duration>13577</itunes:duration><itunes:keywords>alouette,crystal,ebony,medium,phantasmal,repudiation,single,smith,vermilious,verse</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1c5e6a26f1a5e00b89322cf8c6290bbd.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
