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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>BLAST No. 1</title><link>https://www.spreaker.com/podcast/blast-no-1--7157507</link><description><![CDATA[Immerse yourself in the dynamic and revolutionary spirit of the Vorticist movement with "BLAST No. 1," where modernity and abstraction collide to reshape the landscape of British art and literature. This podcast serves as a vibrant exploration of the ideas that defined a generation poised at the brink of transformation, drawing on the influences of Cubism, Futurism, and Imagism. Each episode features a new complete audiobook that encapsulates the boldness and innovative spirit of this artistic revolution, inviting listeners to engage with a tapestry of thought-provoking works. This is not a single story, but a series of unique explorations that challenge conventional narratives and celebrate the avant-garde. Discover a new book with every episode, and experience the raw energy and intellectual fervor that characterized a pivotal moment in art history. Join us as we delve into the audacious voices that dared to redefine creativity in the face of impending change.]]></description><atom:link href="https://www.spreaker.com/show/7157507/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Short Works Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c15ea02e01f4627dfb30a8fa58fd4fa8.jpg</url><title>BLAST No. 1</title><link>https://www.spreaker.com/podcast/blast-no-1--7157507</link></image><lastBuildDate>Sat, 12 Sep 2026 09:30:33 +0000</lastBuildDate><itunes:author>Various</itunes:author><itunes:owner><itunes:name>Short Works Genre</itunes:name><itunes:email>spreaker84@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c15ea02e01f4627dfb30a8fa58fd4fa8.jpg"/><itunes:subtitle>Immerse yourself in the dynamic and revolutionary spirit of the Vorticist movement with "BLAST No. 1," where modernity and abstraction collide to reshape the landscape of British art and literature. This podcast serves as a vibrant exploration of the...</itunes:subtitle><itunes:summary><![CDATA[Immerse yourself in the dynamic and revolutionary spirit of the Vorticist movement with "BLAST No. 1," where modernity and abstraction collide to reshape the landscape of British art and literature. This podcast serves as a vibrant exploration of the ideas that defined a generation poised at the brink of transformation, drawing on the influences of Cubism, Futurism, and Imagism. Each episode features a new complete audiobook that encapsulates the boldness and innovative spirit of this artistic revolution, inviting listeners to engage with a tapestry of thought-provoking works. This is not a single story, but a series of unique explorations that challenge conventional narratives and celebrate the avant-garde. Discover a new book with every episode, and experience the raw energy and intellectual fervor that characterized a pivotal moment in art history. Join us as we delve into the audacious voices that dared to redefine creativity in the face of impending change.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Science"/><itunes:category text="Science"><itunes:category text="Astronomy"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>f7eba553-822a-5367-99e1-0f791d9aef2b</podcast:guid><itunes:type>episodic</itunes:type><item><title>Selections from Harris's Cabinet-William Roscoe</title><link>https://www.spreaker.com/episode/selections-from-harris-s-cabinet-william-roscoe--75041110</link><description><![CDATA[Selections from Harris's Cabinet by William Roscoe offers a curated glimpse into a rich collection of thoughts and reflections that remain relevant today. This work encapsulates timeless themes of knowledge, governance, and the human experience, inviting listeners to engage with the wisdom of the past. Roscoe's insights challenge us to reflect on our own societal structures and the nature of leadership, making it an enduring piece that resonates with contemporary issues. As we navigate the complexities of modern life, these selections remind us of the importance of thoughtful discourse and the pursuit of enlightenment.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/75041110</guid><pubDate>Sat, 12 Sep 2026 09:03:34 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/75041110/selections_from_harris_s_cabinet_william_roscoe.mp3" length="32658455" type="audio/mpeg"/><itunes:author>Various</itunes:author><itunes:subtitle>Selections from Harris's Cabinet by William Roscoe offers a curated glimpse into a rich collection of thoughts and reflections that remain relevant today. This work encapsulates timeless themes of knowledge, governance, and the human experience,...</itunes:subtitle><itunes:summary><![CDATA[Selections from Harris's Cabinet by William Roscoe offers a curated glimpse into a rich collection of thoughts and reflections that remain relevant today. This work encapsulates timeless themes of knowledge, governance, and the human experience, inviting listeners to engage with the wisdom of the past. Roscoe's insights challenge us to reflect on our own societal structures and the nature of leadership, making it an enduring piece that resonates with contemporary issues. As we navigate the complexities of modern life, these selections remind us of the importance of thoughtful discourse and the pursuit of enlightenment.]]></itunes:summary><itunes:duration>4078</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c15ea02e01f4627dfb30a8fa58fd4fa8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Harper's Young People, Vol. 01, Issue 01, Nov. 4, 1879-Various</title><link>https://www.spreaker.com/episode/harper-s-young-people-vol-01-issue-01-nov-4-1879-various--74648968</link><description><![CDATA[BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things modern and veered towards abstraction. The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. These include some of the first abstract paintings to be produced by British artists. ( Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74648968</guid><pubDate>Fri, 28 Aug 2026 09:02:12 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74648968/harper_s_young_people_vol_01_issue_01_nov_4_1879_various.mp3" length="42675993" type="audio/mpeg"/><itunes:author>Various</itunes:author><itunes:subtitle>BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things...</itunes:subtitle><itunes:summary><![CDATA[BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things modern and veered towards abstraction. The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. 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The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. These include some of the first abstract paintings to be produced by British artists. ( Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74613798</guid><pubDate>Thu, 27 Aug 2026 09:02:10 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74613798/short_nonfiction_collection_vol_041_various.mp3" length="133344752" type="audio/mpeg"/><itunes:author>Various</itunes:author><itunes:subtitle>BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things...</itunes:subtitle><itunes:summary><![CDATA[BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. 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The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. 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Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things modern and veered towards abstraction. The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. These include some of the first abstract paintings to be produced by British artists. ( Phil Benson)]]></itunes:summary><itunes:duration>6112</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c15ea02e01f4627dfb30a8fa58fd4fa8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>East by West, Vol. 2-Sir Henry W. Lucy</title><link>https://www.spreaker.com/episode/east-by-west-vol-2-sir-henry-w-lucy--74551704</link><description><![CDATA[BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things modern and veered towards abstraction. The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. These include some of the first abstract paintings to be produced by British artists. ( Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74551704</guid><pubDate>Tue, 25 Aug 2026 09:02:06 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74551704/east_by_west_vol_2_sir_henry_w_lucy.mp3" length="274212846" type="audio/mpeg"/><itunes:author>Various</itunes:author><itunes:subtitle>BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things...</itunes:subtitle><itunes:summary><![CDATA[BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things modern and veered towards abstraction. The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. These include some of the first abstract paintings to be produced by British artists. ( Phil Benson)]]></itunes:summary><itunes:duration>34242</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c15ea02e01f4627dfb30a8fa58fd4fa8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Monday or Tuesday-Virginia Woolf</title><link>https://www.spreaker.com/episode/monday-or-tuesday-virginia-woolf--74519775</link><description><![CDATA[BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things modern and veered towards abstraction. The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. These include some of the first abstract paintings to be produced by British artists. ( Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74519775</guid><pubDate>Mon, 24 Aug 2026 09:08:15 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74519775/monday_or_tuesday_virginia_woolf.mp3" length="58158943" type="audio/mpeg"/><itunes:author>Various</itunes:author><itunes:subtitle>BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things...</itunes:subtitle><itunes:summary><![CDATA[BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things modern and veered towards abstraction. The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. These include some of the first abstract paintings to be produced by British artists. ( Phil Benson)]]></itunes:summary><itunes:duration>7263</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c15ea02e01f4627dfb30a8fa58fd4fa8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Black Cat Vol. 06 No. 01 October 1900-Various</title><link>https://www.spreaker.com/episode/black-cat-vol-06-no-01-october-1900-various--74489865</link><description><![CDATA[BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things modern and veered towards abstraction. The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. These include some of the first abstract paintings to be produced by British artists. ( Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74489865</guid><pubDate>Sun, 23 Aug 2026 09:08:24 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74489865/black_cat_vol_06_no_01_october_1900_various.mp3" length="50501855" type="audio/mpeg"/><itunes:author>Various</itunes:author><itunes:subtitle>BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things...</itunes:subtitle><itunes:summary><![CDATA[BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things modern and veered towards abstraction. The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. These include some of the first abstract paintings to be produced by British artists. ( Phil Benson)]]></itunes:summary><itunes:duration>6307</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c15ea02e01f4627dfb30a8fa58fd4fa8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Black Cat Vol. 01 No. 02 November 1895-Various</title><link>https://www.spreaker.com/episode/black-cat-vol-01-no-02-november-1895-various--74450011</link><description><![CDATA[BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things modern and veered towards abstraction. The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. These include some of the first abstract paintings to be produced by British artists. ( Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74450011</guid><pubDate>Sat, 22 Aug 2026 09:07:30 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74450011/black_cat_vol_01_no_02_november_1895_various.mp3" length="54384859" type="audio/mpeg"/><itunes:author>Various</itunes:author><itunes:subtitle>BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things...</itunes:subtitle><itunes:summary><![CDATA[BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things modern and veered towards abstraction. The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. These include some of the first abstract paintings to be produced by British artists. ( Phil Benson)]]></itunes:summary><itunes:duration>6791</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c15ea02e01f4627dfb30a8fa58fd4fa8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Harper's Young People, Vol. 01, Issue 08, Dec. 23, 1879-Various</title><link>https://www.spreaker.com/episode/harper-s-young-people-vol-01-issue-08-dec-23-1879-various--74418685</link><description><![CDATA[BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things modern and veered towards abstraction. The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. These include some of the first abstract paintings to be produced by British artists. ( Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74418685</guid><pubDate>Fri, 21 Aug 2026 09:08:09 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74418685/harper_s_young_people_vol_01_issue_08_dec_23_1879_various.mp3" length="49527963" type="audio/mpeg"/><itunes:author>Various</itunes:author><itunes:subtitle>BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things...</itunes:subtitle><itunes:summary><![CDATA[BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. 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Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. These include some of the first abstract paintings to be produced by British artists. ( Phil Benson)]]></itunes:summary><itunes:duration>6185</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c15ea02e01f4627dfb30a8fa58fd4fa8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Short Nonfiction Collection, Vol. 057-Various</title><link>https://www.spreaker.com/episode/short-nonfiction-collection-vol-057-various--74370857</link><description><![CDATA[BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things modern and veered towards abstraction. The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. These include some of the first abstract paintings to be produced by British artists. ( Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74370857</guid><pubDate>Thu, 20 Aug 2026 09:08:26 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74370857/short_nonfiction_collection_vol_057_various.mp3" length="126623342" type="audio/mpeg"/><itunes:author>Various</itunes:author><itunes:subtitle>BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things...</itunes:subtitle><itunes:summary><![CDATA[BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things modern and veered towards abstraction. The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. These include some of the first abstract paintings to be produced by British artists. ( Phil Benson)]]></itunes:summary><itunes:duration>15812</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c15ea02e01f4627dfb30a8fa58fd4fa8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Faces and Places-Sir Henry W. Lucy</title><link>https://www.spreaker.com/episode/faces-and-places-sir-henry-w-lucy--74332575</link><description><![CDATA[BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things modern and veered towards abstraction. The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. These include some of the first abstract paintings to be produced by British artists. ( Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74332575</guid><pubDate>Wed, 19 Aug 2026 18:50:09 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74332575/faces_and_places_sir_henry_w_lucy.mp3" length="201484224" type="audio/mpeg"/><itunes:author>Various</itunes:author><itunes:subtitle>BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things...</itunes:subtitle><itunes:summary><![CDATA[BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things modern and veered towards abstraction. The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. These include some of the first abstract paintings to be produced by British artists. ( Phil Benson)]]></itunes:summary><itunes:duration>25160</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c15ea02e01f4627dfb30a8fa58fd4fa8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Crisis A Record of the Darker Races, Vol. I, No. 4-W. E. B. Du Bois</title><link>https://www.spreaker.com/episode/crisis-a-record-of-the-darker-races-vol-i-no-4-w-e-b-du-bois--74190090</link><description><![CDATA[BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things modern and veered towards abstraction. The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. These include some of the first abstract paintings to be produced by British artists. ( Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74190090</guid><pubDate>Tue, 18 Aug 2026 09:08:26 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74190090/crisis_a_record_of_the_darker_races_vol_i_no_4_w_e_b_du_bois.mp3" length="69435279" type="audio/mpeg"/><itunes:author>Various</itunes:author><itunes:subtitle>BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things...</itunes:subtitle><itunes:summary><![CDATA[BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things modern and veered towards abstraction. The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. 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The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. These include some of the first abstract paintings to be produced by British artists. ( Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74143493</guid><pubDate>Mon, 17 Aug 2026 09:08:51 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74143493/1912_short_works_collection_various.mp3" length="164713982" type="audio/mpeg"/><itunes:author>Various</itunes:author><itunes:subtitle>BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things...</itunes:subtitle><itunes:summary><![CDATA[BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things modern and veered towards abstraction. The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. These include some of the first abstract paintings to be produced by British artists. ( Phil Benson)]]></itunes:summary><itunes:duration>20569</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c15ea02e01f4627dfb30a8fa58fd4fa8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Black Cat Vol. 05 No. 12 September 1900-Various</title><link>https://www.spreaker.com/episode/black-cat-vol-05-no-12-september-1900-various--74105744</link><description><![CDATA[BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things modern and veered towards abstraction. The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. These include some of the first abstract paintings to be produced by British artists. ( Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74105744</guid><pubDate>Sun, 16 Aug 2026 09:08:01 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74105744/black_cat_vol_05_no_12_september_1900_various.mp3" length="57467907" type="audio/mpeg"/><itunes:author>Various</itunes:author><itunes:subtitle>BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things...</itunes:subtitle><itunes:summary><![CDATA[BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things modern and veered towards abstraction. The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. These include some of the first abstract paintings to be produced by British artists. ( Phil Benson)]]></itunes:summary><itunes:duration>7176</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c15ea02e01f4627dfb30a8fa58fd4fa8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>BLAST No. 1-Various</title><link>https://www.spreaker.com/episode/blast-no-1-various--73414085</link><description><![CDATA["BLAST No. 1-Various" is a compelling collection that invites listeners into a diverse array of narratives and perspectives. This anthology showcases various voices and styles, making it a rich tapestry of storytelling that resonates with the human experience. The themes explored within these works touch on universal truths, highlighting the complexity of life and the myriad ways we connect with one another. As listeners engage with this collection, they will find enduring insights that remain relevant in today's world, reminding us of the power of storytelling to bridge differences and foster understanding. Immerse yourself in "BLAST No. 1" to experience the vibrancy of varied narratives that continue to inspire and provoke thought.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73414085</guid><pubDate>Tue, 04 Aug 2026 01:28:13 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73414085/blast_no_1_various.mp3" length="160674048" type="audio/mpeg"/><itunes:author>Various</itunes:author><itunes:subtitle>"BLAST No. 1-Various" is a compelling collection that invites listeners into a diverse array of narratives and perspectives. This anthology showcases various voices and styles, making it a rich tapestry of storytelling that resonates with the human...</itunes:subtitle><itunes:summary><![CDATA["BLAST No. 1-Various" is a compelling collection that invites listeners into a diverse array of narratives and perspectives. This anthology showcases various voices and styles, making it a rich tapestry of storytelling that resonates with the human experience. The themes explored within these works touch on universal truths, highlighting the complexity of life and the myriad ways we connect with one another. As listeners engage with this collection, they will find enduring insights that remain relevant in today's world, reminding us of the power of storytelling to bridge differences and foster understanding. Immerse yourself in "BLAST No. 1" to experience the vibrancy of varied narratives that continue to inspire and provoke thought.]]></itunes:summary><itunes:duration>20064</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c15ea02e01f4627dfb30a8fa58fd4fa8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>BLAST No 1 - Various</title><link>https://www.spreaker.com/episode/blast-no-1-various--72842532</link><description><![CDATA[BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things modern and veered towards abstraction. The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. These include some of the first abstract paintings to be produced by British artists. ( Phil Benson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72842532</guid><pubDate>Mon, 06 Jul 2026 18:12:54 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72842532/blast_no_1_various.mp3" length="160509739" type="audio/mpeg"/><itunes:author>Various</itunes:author><itunes:subtitle>BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things...</itunes:subtitle><itunes:summary><![CDATA[BLAST, edited by Wyndham Lewis and subtitled 'Review of the Great British Vortex', was the magazine of the short-lived Vorticist movement in British art. Influenced by Cubism and Futurism, and Imagism in literature, the Vorticists embraced all things modern and veered towards abstraction. The first issue of BLAST was published, with its distinctive puce cover and bold typography, on 20 June 1914, but within weeks war had broken out in Europe. The Vorticists held an exhibition at the Doré Gallery in London in 1915 and a second issue of BLAST was published, but the movement did not survive the war. BLAST No. 1 includes the Vorticist Manifesto, with their blasts and blesses of all and sundry in British art, and several pieces by Wyndham Lewis, including his play 'Enemy of the Stars'. Other notable contributions include 'The Saddest Story' by Ford Maddox Hueffer (later Ford Madox Ford), which would later become the first chapter of 'The Good Soldier', and a short story by Rebecca West, her first published work. BLAST No. 1 also published black and white illustrations of artwork by Wyndham Lewis, Edward Wadsworth, Frederick Etchells, W. Roberts, Jacob Epstein, Gaudier Brzewska, Cuthbert Hamilton and Spencer Gore. These include some of the first abstract paintings to be produced by British artists. ( Phil Benson)]]></itunes:summary><itunes:duration>20064</itunes:duration><itunes:keywords>blast,british,ford,lewis,short,various,veered,vorticist,vorticists,wyndham</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c15ea02e01f4627dfb30a8fa58fd4fa8.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
