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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Marriage of Heaven and Hell</title><link>https://www.spreaker.com/podcast/marriage-of-heaven-and-hell--7143459</link><description><![CDATA[Dive into the intricate interplay of light and darkness, as suggested by the thought-provoking title. This podcast invites listeners to explore the profound dualities that define our existence, examining the tensions between heaven and hell, spirit and matter, and morality and desire. Each episode features a new complete audiobook that delves into themes of transcendence and the acceptance of complexity within the human experience. This is not a single story but a series of unique explorations, inviting contemplation of how these opposing forces shape our lives and our understanding of the universe. From visionary insights to radical philosophies, discover a new book with every episode that challenges conventions and ignites the imagination. Join us on this journey of enlightenment and discovery, where the boundaries of the sacred and the profane blur into a rich tapestry of narrative and thought.]]></description><atom:link href="https://www.spreaker.com/show/7143459/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Satire Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/416c5eb2a2b195218121331794fe9cdf.jpg</url><title>Marriage of Heaven and Hell</title><link>https://www.spreaker.com/podcast/marriage-of-heaven-and-hell--7143459</link></image><lastBuildDate>Thu, 27 Aug 2026 09:26:00 +0000</lastBuildDate><itunes:author>William Blake</itunes:author><itunes:owner><itunes:name>Satire Genre</itunes:name><itunes:email>spreaker80@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/416c5eb2a2b195218121331794fe9cdf.jpg"/><itunes:subtitle>Dive into the intricate interplay of light and darkness, as suggested by the thought-provoking title. This podcast invites listeners to explore the profound dualities that define our existence, examining the tensions between heaven and hell, spirit...</itunes:subtitle><itunes:summary><![CDATA[Dive into the intricate interplay of light and darkness, as suggested by the thought-provoking title. This podcast invites listeners to explore the profound dualities that define our existence, examining the tensions between heaven and hell, spirit and matter, and morality and desire. Each episode features a new complete audiobook that delves into themes of transcendence and the acceptance of complexity within the human experience. This is not a single story but a series of unique explorations, inviting contemplation of how these opposing forces shape our lives and our understanding of the universe. From visionary insights to radical philosophies, discover a new book with every episode that challenges conventions and ignites the imagination. Join us on this journey of enlightenment and discovery, where the boundaries of the sacred and the profane blur into a rich tapestry of narrative and thought.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Science"/><itunes:category text="Science"><itunes:category text="Astronomy"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>a8ddc030-fd40-5b9f-b457-2d2571afb570</podcast:guid><itunes:type>episodic</itunes:type><item><title>Conciliatory or Irenical Animadversions on Antinomians and Neonomians-Hermann Witsius</title><link>https://www.spreaker.com/episode/conciliatory-or-irenical-animadversions-on-antinomians-and-neonomians-hermann-witsius--74636207</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74636207</guid><pubDate>Thu, 27 Aug 2026 09:03:24 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74636207/conciliatory_or_irenical_animadversions_on_antinomians_and_neonomians_hermann_witsius.mp3" length="119501686" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>14922</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/416c5eb2a2b195218121331794fe9cdf.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Omar Resung-Charles G. Blanden</title><link>https://www.spreaker.com/episode/omar-resung-charles-g-blanden--74603019</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74603019</guid><pubDate>Wed, 26 Aug 2026 09:03:40 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74603019/omar_resung_charles_g_blanden.mp3" length="73303189" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>9154</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/416c5eb2a2b195218121331794fe9cdf.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Bible (KJV) NT 27 Revelation (Version 2)-King James Version (KJV)</title><link>https://www.spreaker.com/episode/bible-kjv-nt-27-revelation-version-2-king-james-version-kjv--74570224</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74570224</guid><pubDate>Tue, 25 Aug 2026 09:03:06 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74570224/bible_kjv_nt_27_revelation_version_2_king_james_version_kjv.mp3" length="42307511" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>5283</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/416c5eb2a2b195218121331794fe9cdf.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Poems of William Blake-William Blake</title><link>https://www.spreaker.com/episode/poems-of-william-blake-william-blake--74538893</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74538893</guid><pubDate>Mon, 24 Aug 2026 09:09:39 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74538893/poems_of_william_blake_william_blake.mp3" length="26451499" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>3303</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/416c5eb2a2b195218121331794fe9cdf.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Charles Simeon-Handley Carr Glyn Moule</title><link>https://www.spreaker.com/episode/charles-simeon-handley-carr-glyn-moule--74507359</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74507359</guid><pubDate>Sun, 23 Aug 2026 09:08:56 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74507359/charles_simeon_handley_carr_glyn_moule.mp3" length="215575010" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>26919</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/416c5eb2a2b195218121331794fe9cdf.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Childe Harold's Pilgrimage Canto III-George Gordon, Lord Byron</title><link>https://www.spreaker.com/episode/childe-harold-s-pilgrimage-canto-iii-george-gordon-lord-byron--74469567</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74469567</guid><pubDate>Sat, 22 Aug 2026 09:08:15 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74469567/childe_harold_s_pilgrimage_canto_iii_george_gordon_lord_byron.mp3" length="38093680" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>4757</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/416c5eb2a2b195218121331794fe9cdf.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Vindication of the Rights of Men, in a Letter to Edmund Burke-Mary Wollstonecraft</title><link>https://www.spreaker.com/episode/vindication-of-the-rights-of-men-in-a-letter-to-edmund-burke-mary-wollstonecraft--74436143</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74436143</guid><pubDate>Fri, 21 Aug 2026 09:09:12 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74436143/vindication_of_the_rights_of_men_in_a_letter_to_edmund_burke_mary_wollstonecraft.mp3" length="83200707" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>10390</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/416c5eb2a2b195218121331794fe9cdf.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Shadow-Line-Joseph Conrad</title><link>https://www.spreaker.com/episode/shadow-line-joseph-conrad--74396192</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74396192</guid><pubDate>Thu, 20 Aug 2026 15:03:06 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74396192/shadow_line_joseph_conrad.mp3" length="111923338" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>13976</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/416c5eb2a2b195218121331794fe9cdf.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Louis Lambert-Honoré de Balzac</title><link>https://www.spreaker.com/episode/louis-lambert-honore-de-balzac--74352250</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74352250</guid><pubDate>Thu, 20 Aug 2026 01:49:42 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74352250/louis_lambert_honore_de_balzac.mp3" length="115981834" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>14483</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/416c5eb2a2b195218121331794fe9cdf.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>H.M.S. Pinafore; Or, The Lass That Loved A Sailor-W. S. Gilbert</title><link>https://www.spreaker.com/episode/h-m-s-pinafore-or-the-lass-that-loved-a-sailor-w-s-gilbert--74213276</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74213276</guid><pubDate>Tue, 18 Aug 2026 09:09:23 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74213276/h_m_s_pinafore_or_the_lass_that_loved_a_sailor_w_s_gilbert.mp3" length="30216817" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>3773</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/416c5eb2a2b195218121331794fe9cdf.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Extract from Captain Stormfield's Visit to Heaven (version 3)-Mark Twain</title><link>https://www.spreaker.com/episode/extract-from-captain-stormfield-s-visit-to-heaven-version-3-mark-twain--74166508</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74166508</guid><pubDate>Mon, 17 Aug 2026 09:09:33 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74166508/extract_from_captain_stormfield_s_visit_to_heaven_version_3_mark_twain.mp3" length="41680935" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>5205</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/416c5eb2a2b195218121331794fe9cdf.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Imre A Memorandum-Edward Irenaeus Prime-Stevenson</title><link>https://www.spreaker.com/episode/imre-a-memorandum-edward-irenaeus-prime-stevenson--74121122</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74121122</guid><pubDate>Sun, 16 Aug 2026 12:43:40 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74121122/imre_a_memorandum_edward_irenaeus_prime_stevenson.mp3" length="115463850" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>14419</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/416c5eb2a2b195218121331794fe9cdf.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Prince (Version 3)-Niccolò Machiavelli</title><link>https://www.spreaker.com/episode/prince-version-3-niccolo-machiavelli--73400916</link><description><![CDATA["Prince (Version 3)" by Niccolò Machiavelli is a seminal work that explores the intricacies of political power and the nature of leadership. Delving into the strategies that rulers must employ to maintain control and navigate the treacherous waters of governance, Machiavelli's insights remain profoundly relevant in today's political landscape. His candid examination of morality, ethics, and the often harsh realities of statecraft prompts listeners to reflect on the complexities of authority and the human condition. The themes of ambition, manipulation, and the balance between virtue and pragmatism make this timeless treatise essential for anyone interested in the dynamics of power and its impact on society.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73400916</guid><pubDate>Mon, 03 Aug 2026 19:14:20 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73400916/prince_version_3_niccolo_machiavelli.mp3" length="99073803" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>"Prince (Version 3)" by Niccolò Machiavelli is a seminal work that explores the intricacies of political power and the nature of leadership. Delving into the strategies that rulers must employ to maintain control and navigate the treacherous waters of...</itunes:subtitle><itunes:summary><![CDATA["Prince (Version 3)" by Niccolò Machiavelli is a seminal work that explores the intricacies of political power and the nature of leadership. Delving into the strategies that rulers must employ to maintain control and navigate the treacherous waters of governance, Machiavelli's insights remain profoundly relevant in today's political landscape. His candid examination of morality, ethics, and the often harsh realities of statecraft prompts listeners to reflect on the complexities of authority and the human condition. The themes of ambition, manipulation, and the balance between virtue and pragmatism make this timeless treatise essential for anyone interested in the dynamics of power and its impact on society.]]></itunes:summary><itunes:duration>12372</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/416c5eb2a2b195218121331794fe9cdf.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Marriage of Heaven and Hell - William Blake</title><link>https://www.spreaker.com/episode/marriage-of-heaven-and-hell-william-blake--72760397</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72760397</guid><pubDate>Tue, 30 Jun 2026 17:19:47 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72760397/marriage_of_heaven_and_hell_william_blake.mp3" length="19924994" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/ade9aaf1-e529-4a3f-a2da-ef819e645e24/ade9aaf1-e529-4a3f-a2da-ef819e645e24.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/ade9aaf1-e529-4a3f-a2da-ef819e645e24/ade9aaf1-e529-4a3f-a2da-ef819e645e24.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/ade9aaf1-e529-4a3f-a2da-ef819e645e24/ade9aaf1-e529-4a3f-a2da-ef819e645e24.vtt" type="text/vtt" language="en"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>2491</itunes:duration><itunes:keywords>blake,depolarized,emanuel,foment,heaven,hell,manichean,marriage,satire,swedenborg</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/416c5eb2a2b195218121331794fe9cdf.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
