<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Genius</title><link>https://www.spreaker.com/podcast/genius--7143129</link><description><![CDATA[Dive into the intricate tapestry of human intellect and creativity with "Genius," a podcast that celebrates the profound and often tumultuous journeys of exceptional minds. Each episode offers a new complete audiobook, inviting listeners to explore the lives, thoughts, and struggles of those who dared to push boundaries and redefine their fields. This is not a single story but a series of unique explorations into the lives of visionaries, artists, and thinkers who grappled with the complexities of their genius and the societal challenges they faced. From the depths of personal ambition to the heights of artistic expression, the narratives span a wide array of genres and perspectives, illuminating the multifaceted nature of genius. With every episode, listeners are encouraged to uncover a new book, enriching their understanding of creativity and the human experience. Join us on this intellectual odyssey and discover the power of ingenuity in its many forms.]]></description><atom:link href="https://www.spreaker.com/show/7143129/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Satire Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0921ce41328b4a273e6eb1422b7902e3.jpg</url><title>Genius</title><link>https://www.spreaker.com/podcast/genius--7143129</link></image><lastBuildDate>Thu, 27 Aug 2026 09:24:02 +0000</lastBuildDate><itunes:author>Theodore Dreiser</itunes:author><itunes:owner><itunes:name>Satire Genre</itunes:name><itunes:email>spreaker80@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0921ce41328b4a273e6eb1422b7902e3.jpg"/><itunes:subtitle>Dive into the intricate tapestry of human intellect and creativity with "Genius," a podcast that celebrates the profound and often tumultuous journeys of exceptional minds. Each episode offers a new complete audiobook, inviting listeners to explore...</itunes:subtitle><itunes:summary><![CDATA[Dive into the intricate tapestry of human intellect and creativity with "Genius," a podcast that celebrates the profound and often tumultuous journeys of exceptional minds. Each episode offers a new complete audiobook, inviting listeners to explore the lives, thoughts, and struggles of those who dared to push boundaries and redefine their fields. This is not a single story but a series of unique explorations into the lives of visionaries, artists, and thinkers who grappled with the complexities of their genius and the societal challenges they faced. From the depths of personal ambition to the heights of artistic expression, the narratives span a wide array of genres and perspectives, illuminating the multifaceted nature of genius. With every episode, listeners are encouraged to uncover a new book, enriching their understanding of creativity and the human experience. Join us on this intellectual odyssey and discover the power of ingenuity in its many forms.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Religion &amp; Spirituality"/><itunes:category text="Religion &amp; Spirituality"><itunes:category text="Religion"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>c7fea691-d2b3-58e1-b10a-8b2d0020863a</podcast:guid><itunes:type>episodic</itunes:type><item><title>Daredevil of the Army - Experiences as a ''Buzzer'' and Despatch Rider-Austin Patrick Corcoran</title><link>https://www.spreaker.com/episode/daredevil-of-the-army-experiences-as-a-buzzer-and-despatch-rider-austin-patrick-corcoran--74634953</link><description><![CDATA[The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74634953</guid><pubDate>Thu, 27 Aug 2026 09:03:22 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74634953/daredevil_of_the_army_experiences_as_a_buzzer_and_despatch_rider_austin_patrick_corcoran.mp3" length="161347719" type="audio/mpeg"/><itunes:author>Theodore Dreiser</itunes:author><itunes:subtitle>The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser...</itunes:subtitle><itunes:summary><![CDATA[The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></itunes:summary><itunes:duration>20148</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0921ce41328b4a273e6eb1422b7902e3.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Hunger-Knut Hamsun</title><link>https://www.spreaker.com/episode/hunger-knut-hamsun--74601879</link><description><![CDATA[The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74601879</guid><pubDate>Wed, 26 Aug 2026 09:03:26 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74601879/hunger_knut_hamsun.mp3" length="92858611" type="audio/mpeg"/><itunes:author>Theodore Dreiser</itunes:author><itunes:subtitle>The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser...</itunes:subtitle><itunes:summary><![CDATA[The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></itunes:summary><itunes:duration>11596</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0921ce41328b4a273e6eb1422b7902e3.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>One-Act Play Collection 015-Various</title><link>https://www.spreaker.com/episode/one-act-play-collection-015-various--74569181</link><description><![CDATA[The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74569181</guid><pubDate>Tue, 25 Aug 2026 09:03:15 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74569181/one_act_play_collection_015_various.mp3" length="184081051" type="audio/mpeg"/><itunes:author>Theodore Dreiser</itunes:author><itunes:subtitle>The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser...</itunes:subtitle><itunes:summary><![CDATA[The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></itunes:summary><itunes:duration>22986</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0921ce41328b4a273e6eb1422b7902e3.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Bring the Jubilee-Ward Moore</title><link>https://www.spreaker.com/episode/bring-the-jubilee-ward-moore--74537845</link><description><![CDATA[The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74537845</guid><pubDate>Mon, 24 Aug 2026 09:09:49 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74537845/20836_bring_the_jubilee_ward_moore.mp3" length="174980378" type="audio/mpeg"/><itunes:author>Theodore Dreiser</itunes:author><itunes:subtitle>The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser...</itunes:subtitle><itunes:summary><![CDATA[The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></itunes:summary><itunes:duration>21851</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0921ce41328b4a273e6eb1422b7902e3.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Fevers and Physicians in Space (Ed Reads Short Sci-fi, vol. II)-Various</title><link>https://www.spreaker.com/episode/fevers-and-physicians-in-space-ed-reads-short-sci-fi-vol-ii-various--74506390</link><description><![CDATA[The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74506390</guid><pubDate>Sun, 23 Aug 2026 09:08:54 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74506390/fevers_and_physicians_in_space_ed_reads_short_sci_fi_vol_ii_various.mp3" length="240349143" type="audio/mpeg"/><itunes:author>Theodore Dreiser</itunes:author><itunes:subtitle>The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser...</itunes:subtitle><itunes:summary><![CDATA[The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></itunes:summary><itunes:duration>30013</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0921ce41328b4a273e6eb1422b7902e3.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Gigolo-Edna Ferber</title><link>https://www.spreaker.com/episode/gigolo-edna-ferber--74467843</link><description><![CDATA[The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74467843</guid><pubDate>Sat, 22 Aug 2026 09:08:14 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74467843/gigolo_edna_ferber.mp3" length="253304858" type="audio/mpeg"/><itunes:author>Theodore Dreiser</itunes:author><itunes:subtitle>The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser...</itunes:subtitle><itunes:summary><![CDATA[The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></itunes:summary><itunes:duration>31631</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0921ce41328b4a273e6eb1422b7902e3.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Reveries of a Bachelor-Ik Marvel</title><link>https://www.spreaker.com/episode/reveries-of-a-bachelor-ik-marvel--74435039</link><description><![CDATA[The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74435039</guid><pubDate>Fri, 21 Aug 2026 09:09:09 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74435039/reveries_of_a_bachelor_ik_marvel.mp3" length="197742807" type="audio/mpeg"/><itunes:author>Theodore Dreiser</itunes:author><itunes:subtitle>The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser...</itunes:subtitle><itunes:summary><![CDATA[The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></itunes:summary><itunes:duration>24693</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0921ce41328b4a273e6eb1422b7902e3.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Havelok the Dane A Legend of Old Grimsby and Lincoln-Charles Watts Whistler</title><link>https://www.spreaker.com/episode/havelok-the-dane-a-legend-of-old-grimsby-and-lincoln-charles-watts-whistler--74394401</link><description><![CDATA[The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74394401</guid><pubDate>Thu, 20 Aug 2026 14:33:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74394401/9992_havelok_the_dane_a_legend_of_old_grimsby_and_lincoln_charles_watts_whistler.mp3" length="257578848" type="audio/mpeg"/><itunes:author>Theodore Dreiser</itunes:author><itunes:subtitle>The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser...</itunes:subtitle><itunes:summary><![CDATA[The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></itunes:summary><itunes:duration>32165</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0921ce41328b4a273e6eb1422b7902e3.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Foxe's Book of Martyrs Vol 2: Lives and Deaths of Early Christian and Protestant Martyrs-Forbush, Foxe</title><link>https://www.spreaker.com/episode/foxe-s-book-of-martyrs-vol-2-lives-and-deaths-of-early-christian-and-protestant-martyrs-forbush-foxe--74351158</link><description><![CDATA[The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74351158</guid><pubDate>Thu, 20 Aug 2026 01:20:22 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74351158/foxe_s_book_of_martyrs_vol_2_lives_and_deaths_of_early_christian_and_protestant_martyrs_forbush_foxe.mp3" length="274822740" type="audio/mpeg"/><itunes:author>Theodore Dreiser</itunes:author><itunes:subtitle>The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser...</itunes:subtitle><itunes:summary><![CDATA[The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></itunes:summary><itunes:duration>34318</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0921ce41328b4a273e6eb1422b7902e3.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Frankenstein, or The Modern Prometheus (Edition 1831)-Mary Wollstonecraft Shelley</title><link>https://www.spreaker.com/episode/frankenstein-or-the-modern-prometheus-edition-1831-mary-wollstonecraft-shelley--74211591</link><description><![CDATA[The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74211591</guid><pubDate>Tue, 18 Aug 2026 09:09:05 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74211591/frankenstein_or_the_modern_prometheus_edition_1831_mary_wollstonecraft_shelley.mp3" length="252257070" type="audio/mpeg"/><itunes:author>Theodore Dreiser</itunes:author><itunes:subtitle>The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser...</itunes:subtitle><itunes:summary><![CDATA[The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></itunes:summary><itunes:duration>31500</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0921ce41328b4a273e6eb1422b7902e3.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Lost Illusions Ève and David-Honoré de Balzac</title><link>https://www.spreaker.com/episode/lost-illusions-eve-and-david-honore-de-balzac--74165020</link><description><![CDATA[The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74165020</guid><pubDate>Mon, 17 Aug 2026 09:09:20 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74165020/11011_lost_illusions_e_ve_and_david_honore_de_balzac.mp3" length="240369285" type="audio/mpeg"/><itunes:author>Theodore Dreiser</itunes:author><itunes:subtitle>The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser...</itunes:subtitle><itunes:summary><![CDATA[The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></itunes:summary><itunes:duration>30016</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0921ce41328b4a273e6eb1422b7902e3.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Chimes-Charles Dickens</title><link>https://www.spreaker.com/episode/chimes-charles-dickens--74119999</link><description><![CDATA[The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74119999</guid><pubDate>Sun, 16 Aug 2026 12:14:30 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74119999/chimes_charles_dickens.mp3" length="120922558" type="audio/mpeg"/><itunes:author>Theodore Dreiser</itunes:author><itunes:subtitle>The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser...</itunes:subtitle><itunes:summary><![CDATA[The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></itunes:summary><itunes:duration>15100</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0921ce41328b4a273e6eb1422b7902e3.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Diatessaron A Harmony of the Four Gospels-Tatian</title><link>https://www.spreaker.com/episode/diatessaron-a-harmony-of-the-four-gospels-tatian--73399947</link><description><![CDATA["Diatessaron: A Harmony of the Four Gospels" by Tatian presents a unique synthesis of the four canonical Gospels, offering listeners a cohesive narrative of the life and teachings of Jesus Christ. This work stands as a testament to the early Christian endeavor to create unity among diverse accounts, highlighting the shared messages of faith, love, and redemption that continue to resonate today. In a world often divided by differing perspectives, Tatian's harmonization invites reflection on the common threads of spirituality that bind humanity together.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73399947</guid><pubDate>Mon, 03 Aug 2026 18:48:25 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73399947/diatessaron_a_harmony_of_the_four_gospels_tatian.mp3" length="187974101" type="audio/mpeg"/><itunes:author>Theodore Dreiser</itunes:author><itunes:subtitle>"Diatessaron: A Harmony of the Four Gospels" by Tatian presents a unique synthesis of the four canonical Gospels, offering listeners a cohesive narrative of the life and teachings of Jesus Christ. This work stands as a testament to the early Christian...</itunes:subtitle><itunes:summary><![CDATA["Diatessaron: A Harmony of the Four Gospels" by Tatian presents a unique synthesis of the four canonical Gospels, offering listeners a cohesive narrative of the life and teachings of Jesus Christ. This work stands as a testament to the early Christian endeavor to create unity among diverse accounts, highlighting the shared messages of faith, love, and redemption that continue to resonate today. In a world often divided by differing perspectives, Tatian's harmonization invites reflection on the common threads of spirituality that bind humanity together.]]></itunes:summary><itunes:duration>23473</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0921ce41328b4a273e6eb1422b7902e3.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Genius - Theodore Dreiser - Part 4</title><link>https://www.spreaker.com/episode/genius-theodore-dreiser-part-4--72758937</link><description><![CDATA["The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72758937</guid><pubDate>Fri, 03 Jul 2026 09:00:15 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72758937/genius_theodore_dreiser_part_4.mp3" length="99847980" type="audio/mpeg"/><itunes:author>Theodore Dreiser</itunes:author><itunes:subtitle>"The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser...</itunes:subtitle><itunes:summary><![CDATA["The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></itunes:summary><itunes:duration>12481</itunes:duration><itunes:keywords>angela,dreiser,eugene,genius,marriage,novel,realist,romance,urban,witla</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0921ce41328b4a273e6eb1422b7902e3.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Genius - Theodore Dreiser - Part 3</title><link>https://www.spreaker.com/episode/genius-theodore-dreiser-part-3--72758936</link><description><![CDATA["The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72758936</guid><pubDate>Thu, 02 Jul 2026 09:00:14 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72758936/genius_theodore_dreiser_part_3.mp3" length="278951004" type="audio/mpeg"/><itunes:author>Theodore Dreiser</itunes:author><itunes:subtitle>"The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser...</itunes:subtitle><itunes:summary><![CDATA["The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></itunes:summary><itunes:duration>34869</itunes:duration><itunes:keywords>angela,dreiser,eugene,genius,marriage,novel,realist,romance,urban,witla</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0921ce41328b4a273e6eb1422b7902e3.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Genius - Theodore Dreiser - Part 2</title><link>https://www.spreaker.com/episode/genius-theodore-dreiser-part-2--72758929</link><description><![CDATA["The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72758929</guid><pubDate>Wed, 01 Jul 2026 09:00:16 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72758929/genius_theodore_dreiser_part_2.mp3" length="284329719" type="audio/mpeg"/><itunes:author>Theodore Dreiser</itunes:author><itunes:subtitle>"The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser...</itunes:subtitle><itunes:summary><![CDATA["The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></itunes:summary><itunes:duration>35542</itunes:duration><itunes:keywords>angela,dreiser,eugene,genius,marriage,novel,realist,romance,urban,witla</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0921ce41328b4a273e6eb1422b7902e3.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Genius - Theodore Dreiser - Part 1</title><link>https://www.spreaker.com/episode/genius-theodore-dreiser-part-1--72758921</link><description><![CDATA["The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72758921</guid><pubDate>Tue, 30 Jun 2026 15:45:31 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72758921/genius_theodore_dreiser_part_1.mp3" length="284834196" type="audio/mpeg"/><itunes:author>Theodore Dreiser</itunes:author><itunes:subtitle>"The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser...</itunes:subtitle><itunes:summary><![CDATA["The only figure of literary repute who ever rated The "Genius" as first among the novels of Theodore Dreiser was Theodore Dreiser," literary historian Larzer Ziff observed. His fifth published novel, The "Genius" was actually the third novel Dreiser began work on and, as his most autobiographical work, remained the novel closest to his heart. He worked on it in stages over a four-year period. The credit he felt he deserved (and did not receive) for his honesty about sexual urges and damaged relationships and his original publisher's decision not to stand by the novel in the face of criticism contributed to his lifelong feeling that the book had never been given its due. After An American Tragedy, it is his longest book; the final draft ran to over 700 pages in a close-set type. While the protagonist of the book is in many ways a portrait of its author, Dreiser also loosely based Eugene Witla on some of the painters, artists working in an Ashcan realist style, whom he knew in New York at the time and whose studios he visited. The most likely candidate for a model is Everett Shinn, who painted urban scenes of the kind attributed to Witla and who was known as a promiscuous man. The novel is divided intro three sections: "Youth," "Struggle," and "Revolt." In Book I, Eugene Witla (like Sister Carrie, in Dreiser's earlier novel) escapes the confines of the small town in Illinois where he has been raised to make his way in Chicago. There he studies painting at the Chicago Art Institute and enjoys the excitement of the city and his first sexual experiences. He becomes engaged to a young woman, Angela Blue, with whom he is intimate before their marriage but, at all times, he finds it difficult to remain faithful. A life based on monogamy seems beyond him. In Book II, Eugene and Angela move to New York City, where he makes a name for himself in the art world as an urban realist but finds his marriage with the increasingly conventional Angela painfully limiting. They travel to Europe, he suffers a breakdown, and they return to New York where Eugene attempts to make a better living in the advertising world. Book III chronicles the deterioration of Eugene and Angela's marriage as he begins an affair with Suzanne Dale. (Wikipedia)]]></itunes:summary><itunes:duration>35605</itunes:duration><itunes:keywords>angela,dreiser,eugene,genius,marriage,novel,realist,romance,urban,witla</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0921ce41328b4a273e6eb1422b7902e3.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
