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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Sense and Sensibility (version 2)</title><link>https://www.spreaker.com/podcast/sense-and-sensibility-version-2--7129684</link><description><![CDATA[Immerse yourself in the intricate tapestry of love, duty, and societal expectations as you explore the themes inspired by Sense and Sensibility. This podcast delves into the lives of characters who grapple with the balance between emotion and reason, much like the beloved Dashwood sisters. With each episode featuring a new complete audiobook, listeners are treated to a rich array of stories that reflect the complexities of relationships and the resilience of the human spirit. Experience the struggles and triumphs of characters navigating the trials of love in a world that often demands sacrifice and composure. This is not a single narrative but a series of unique explorations that invite you to discover a new book with every episode, broadening your understanding of timeless themes that resonate across generations. Join us on this journey through romance and reason, where every story offers a fresh perspective on the dance between sense and sensibility.]]></description><atom:link href="https://www.spreaker.com/show/7129684/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright 1900s genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/fcb41e9d5b74cc58493e1b6fdd4783b1.jpg</url><title>Sense and Sensibility (version 2)</title><link>https://www.spreaker.com/podcast/sense-and-sensibility-version-2--7129684</link></image><lastBuildDate>Thu, 27 Aug 2026 09:21:52 +0000</lastBuildDate><itunes:author>Jane Austen</itunes:author><itunes:owner><itunes:name>1900s genre</itunes:name><itunes:email>spreaker77@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/fcb41e9d5b74cc58493e1b6fdd4783b1.jpg"/><itunes:subtitle>Immerse yourself in the intricate tapestry of love, duty, and societal expectations as you explore the themes inspired by Sense and Sensibility. This podcast delves into the lives of characters who grapple with the balance between emotion and reason,...</itunes:subtitle><itunes:summary><![CDATA[Immerse yourself in the intricate tapestry of love, duty, and societal expectations as you explore the themes inspired by Sense and Sensibility. This podcast delves into the lives of characters who grapple with the balance between emotion and reason, much like the beloved Dashwood sisters. With each episode featuring a new complete audiobook, listeners are treated to a rich array of stories that reflect the complexities of relationships and the resilience of the human spirit. Experience the struggles and triumphs of characters navigating the trials of love in a world that often demands sacrifice and composure. This is not a single narrative but a series of unique explorations that invite you to discover a new book with every episode, broadening your understanding of timeless themes that resonate across generations. Join us on this journey through romance and reason, where every story offers a fresh perspective on the dance between sense and sensibility.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Fiction"/><itunes:category text="Fiction"><itunes:category text="Drama"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>6b956e9e-13f4-5dbc-9a31-4dcdaf9ae7f3</podcast:guid><itunes:type>episodic</itunes:type><item><title>Civil Service-Walter Ben Hare</title><link>https://www.spreaker.com/episode/civil-service-walter-ben-hare--74622403</link><description><![CDATA[This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to live in happy, idle leisure, complete with servants and a prestigious address. Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. Smith)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74622403</guid><pubDate>Thu, 27 Aug 2026 09:02:42 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/74622403/civil_service_walter_ben_hare.mp3" length="68406092" type="audio/mpeg"/><itunes:author>Jane Austen</itunes:author><itunes:subtitle>This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to...</itunes:subtitle><itunes:summary><![CDATA[This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to live in happy, idle leisure, complete with servants and a prestigious address. Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. 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Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. Smith)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74589904</guid><pubDate>Wed, 26 Aug 2026 09:02:53 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/74589904/aunt_crete_s_emancipation_grace_livingston_hill.mp3" length="77651106" type="audio/mpeg"/><itunes:author>Jane Austen</itunes:author><itunes:subtitle>This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to...</itunes:subtitle><itunes:summary><![CDATA[This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to live in happy, idle leisure, complete with servants and a prestigious address. Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. 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Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. Smith)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74558304</guid><pubDate>Tue, 25 Aug 2026 09:02:41 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/74558304/1989_around_the_world_in_eighty_days_version_2_jules_verne.mp3" length="219379499" type="audio/mpeg"/><itunes:author>Jane Austen</itunes:author><itunes:subtitle>This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to...</itunes:subtitle><itunes:summary><![CDATA[This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to live in happy, idle leisure, complete with servants and a prestigious address. Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. 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Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. Smith)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74526019</guid><pubDate>Mon, 24 Aug 2026 09:08:56 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/74526019/wing_of_azrael_volume_1_mona_caird.mp3" length="154932668" type="audio/mpeg"/><itunes:author>Jane Austen</itunes:author><itunes:subtitle>This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to...</itunes:subtitle><itunes:summary><![CDATA[This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to live in happy, idle leisure, complete with servants and a prestigious address. Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. 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Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. Smith)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74495431</guid><pubDate>Sun, 23 Aug 2026 09:08:26 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/74495431/henry_vi_part_2_william_shakespeare.mp3" length="91695721" type="audio/mpeg"/><itunes:author>Jane Austen</itunes:author><itunes:subtitle>This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to...</itunes:subtitle><itunes:summary><![CDATA[This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to live in happy, idle leisure, complete with servants and a prestigious address. Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. Smith)]]></itunes:summary><itunes:duration>11450</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/fcb41e9d5b74cc58493e1b6fdd4783b1.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Brewster's Millions-Byron Ongley, Winchell Smith</title><link>https://www.spreaker.com/episode/brewster-s-millions-byron-ongley-winchell-smith--74455651</link><description><![CDATA[This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to live in happy, idle leisure, complete with servants and a prestigious address. Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. Smith)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74455651</guid><pubDate>Sat, 22 Aug 2026 09:07:37 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/74455651/brewster_s_millions_byron_ongley_winchell_smith.mp3" length="94023139" type="audio/mpeg"/><itunes:author>Jane Austen</itunes:author><itunes:subtitle>This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to...</itunes:subtitle><itunes:summary><![CDATA[This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to live in happy, idle leisure, complete with servants and a prestigious address. Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. Smith)]]></itunes:summary><itunes:duration>11741</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/fcb41e9d5b74cc58493e1b6fdd4783b1.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>History of King Lear-Nahum Tate</title><link>https://www.spreaker.com/episode/history-of-king-lear-nahum-tate--74423248</link><description><![CDATA[This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to live in happy, idle leisure, complete with servants and a prestigious address. Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. Smith)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74423248</guid><pubDate>Fri, 21 Aug 2026 09:08:25 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/74423248/history_of_king_lear_nahum_tate.mp3" length="76325858" type="audio/mpeg"/><itunes:author>Jane Austen</itunes:author><itunes:subtitle>This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to...</itunes:subtitle><itunes:summary><![CDATA[This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to live in happy, idle leisure, complete with servants and a prestigious address. Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. Smith)]]></itunes:summary><itunes:duration>9531</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/fcb41e9d5b74cc58493e1b6fdd4783b1.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Blue Bird A Fairy Play in Six Acts-Maurice Maeterlinck</title><link>https://www.spreaker.com/episode/blue-bird-a-fairy-play-in-six-acts-maurice-maeterlinck--74376741</link><description><![CDATA[This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to live in happy, idle leisure, complete with servants and a prestigious address. Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. Smith)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74376741</guid><pubDate>Thu, 20 Aug 2026 09:42:23 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/74376741/blue_bird_a_fairy_play_in_six_acts_maurice_maeterlinck.mp3" length="104527091" type="audio/mpeg"/><itunes:author>Jane Austen</itunes:author><itunes:subtitle>This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to...</itunes:subtitle><itunes:summary><![CDATA[This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to live in happy, idle leisure, complete with servants and a prestigious address. Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. Smith)]]></itunes:summary><itunes:duration>13053</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/fcb41e9d5b74cc58493e1b6fdd4783b1.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>New Discoveries at Jamestown-John L. Cotter, J. Paul Hudson</title><link>https://www.spreaker.com/episode/new-discoveries-at-jamestown-john-l-cotter-j-paul-hudson--74336926</link><description><![CDATA[This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to live in happy, idle leisure, complete with servants and a prestigious address. Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. Smith)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74336926</guid><pubDate>Wed, 19 Aug 2026 20:12:46 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/74336926/new_discoveries_at_jamestown_john_l_cotter_j_paul_hudson.mp3" length="61264035" type="audio/mpeg"/><itunes:author>Jane Austen</itunes:author><itunes:subtitle>This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to...</itunes:subtitle><itunes:summary><![CDATA[This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to live in happy, idle leisure, complete with servants and a prestigious address. Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. Smith)]]></itunes:summary><itunes:duration>7650</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/fcb41e9d5b74cc58493e1b6fdd4783b1.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Getting of Wisdom (Version 2)-Henry Handel Richardson</title><link>https://www.spreaker.com/episode/getting-of-wisdom-version-2-henry-handel-richardson--74194569</link><description><![CDATA[This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to live in happy, idle leisure, complete with servants and a prestigious address. Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. Smith)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74194569</guid><pubDate>Tue, 18 Aug 2026 09:08:57 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/74194569/getting_of_wisdom_version_2_henry_handel_richardson.mp3" length="204927520" type="audio/mpeg"/><itunes:author>Jane Austen</itunes:author><itunes:subtitle>This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to...</itunes:subtitle><itunes:summary><![CDATA[This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to live in happy, idle leisure, complete with servants and a prestigious address. Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. Smith)]]></itunes:summary><itunes:duration>25590</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/fcb41e9d5b74cc58493e1b6fdd4783b1.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Faust I-Johann Wolfgang von Goethe</title><link>https://www.spreaker.com/episode/faust-i-johann-wolfgang-von-goethe--74147839</link><description><![CDATA[This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to live in happy, idle leisure, complete with servants and a prestigious address. Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. Smith)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74147839</guid><pubDate>Mon, 17 Aug 2026 09:08:48 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/74147839/faust_i_johann_wolfgang_von_goethe.mp3" length="124462662" type="audio/mpeg"/><itunes:author>Jane Austen</itunes:author><itunes:subtitle>This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to...</itunes:subtitle><itunes:summary><![CDATA[This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to live in happy, idle leisure, complete with servants and a prestigious address. Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. Smith)]]></itunes:summary><itunes:duration>15542</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/fcb41e9d5b74cc58493e1b6fdd4783b1.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Mystery of a Hansom Cab (Version 2 Dramatic Reading)-Fergus Hume</title><link>https://www.spreaker.com/episode/mystery-of-a-hansom-cab-version-2-dramatic-reading-fergus-hume--74108580</link><description><![CDATA[This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to live in happy, idle leisure, complete with servants and a prestigious address. Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. Smith)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74108580</guid><pubDate>Sun, 16 Aug 2026 09:08:06 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/74108580/mystery_of_a_hansom_cab_version_2_dramatic_reading_fergus_hume.mp3" length="282651464" type="audio/mpeg"/><itunes:author>Jane Austen</itunes:author><itunes:subtitle>This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to...</itunes:subtitle><itunes:summary><![CDATA[This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to live in happy, idle leisure, complete with servants and a prestigious address. Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. Smith)]]></itunes:summary><itunes:duration>35296</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/fcb41e9d5b74cc58493e1b6fdd4783b1.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Astrophel and Stella-Sir Philip Sidney</title><link>https://www.spreaker.com/episode/astrophel-and-stella-sir-philip-sidney--73388745</link><description><![CDATA[Astrophel and Stella, penned by Sir Philip Sidney, is a seminal work in the canon of English poetry, comprising a series of sonnets that explore themes of love, desire, and the complexities of human emotion. This collection reflects the profound struggles of the speaker, Astrophel, as he grapples with his passionate feelings for Stella, revealing the timeless nature of love's joys and sorrows. The emotional depth and lyrical beauty of Sidney's verses resonate with listeners today, reminding us of the universal quest for connection and understanding in relationships. As a cornerstone of the sonnet tradition, this work continues to inspire and captivate, making it a must-listen for anyone interested in the enduring power of love poetry.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73388745</guid><pubDate>Mon, 03 Aug 2026 14:14:35 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/73388745/astrophel_and_stella_sir_philip_sidney.mp3" length="48482480" type="audio/mpeg"/><itunes:author>Jane Austen</itunes:author><itunes:subtitle>Astrophel and Stella, penned by Sir Philip Sidney, is a seminal work in the canon of English poetry, comprising a series of sonnets that explore themes of love, desire, and the complexities of human emotion. This collection reflects the profound...</itunes:subtitle><itunes:summary><![CDATA[Astrophel and Stella, penned by Sir Philip Sidney, is a seminal work in the canon of English poetry, comprising a series of sonnets that explore themes of love, desire, and the complexities of human emotion. This collection reflects the profound struggles of the speaker, Astrophel, as he grapples with his passionate feelings for Stella, revealing the timeless nature of love's joys and sorrows. The emotional depth and lyrical beauty of Sidney's verses resonate with listeners today, reminding us of the universal quest for connection and understanding in relationships. As a cornerstone of the sonnet tradition, this work continues to inspire and captivate, making it a must-listen for anyone interested in the enduring power of love poetry.]]></itunes:summary><itunes:duration>6054</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/fcb41e9d5b74cc58493e1b6fdd4783b1.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Sense and Sensibility version 2 - Jane Austen - Part 2</title><link>https://www.spreaker.com/episode/sense-and-sensibility-version-2-jane-austen-part-2--72689472</link><description><![CDATA[This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to live in happy, idle leisure, complete with servants and a prestigious address. Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. Smith)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72689472</guid><pubDate>Fri, 26 Jun 2026 09:00:20 +0000</pubDate><enclosure url="https://api.spreaker.com/download/episode/72689472/sense_and_sensibility_version_2_jane_austen_part_2.mp3" length="102809220" type="audio/mpeg"/><itunes:author>Jane Austen</itunes:author><itunes:subtitle>This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to...</itunes:subtitle><itunes:summary><![CDATA[This is a story of the English moneyed class and its eternal struggle for creating “sense and sensibility” in its world. A potential marriage prospect must make “sense” by bringing with it enough assets and income to permit the couple to continue to live in happy, idle leisure, complete with servants and a prestigious address. Provided one can find such a match among the eligible persons of the opposite sex, one then hopes for “sensibility”, or capacity for emotion, so that if love is not immediately to hand, it might come around later. And while these gentlemen and ladies make their hopeful pirouettes in the social eye, they must of course adhere to all the forms of civility. Jane Austen writes of the family of a gentleman named Dashwood who dies and leaves most of his fortune to his son, with the understanding that he will “look out for” his mother and three sisters. When that son marries a grasping woman who convinces him that his sisters’ funds are suitable to their needs and so require no contributions from his inherited fortune, the sisters are left to play the game of “Sense and Sensibility” in earnest. But all’s not fair in love. Carefully prepared “attachments” can and do go awry when gentlemen find other young women of greater fortunes than the Dashwood sisters. So, will they marry for love? Or money? Or perhaps, not at all? (Summary by Mark F. Smith)]]></itunes:summary><itunes:duration>12852</itunes:duration><itunes:keywords>assets,austen,civility,dashwood,gentlemen,moneyed,pirouettes,sense,sensibility,sisters</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/fcb41e9d5b74cc58493e1b6fdd4783b1.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
