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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Lifted Veil (Version 2)</title><link>https://www.spreaker.com/podcast/lifted-veil-version-2--7127897</link><description><![CDATA[Explore the enigmatic boundaries between perception and reality in the "Lifted Veil (Version 2)" podcast, where each episode offers a complete audiobook that delves into themes of the unseen and the psychological complexities of human relationships. This rotating collection invites listeners to journey through narratives that echo the haunting atmospheres and mystical elements found in classic literature, inviting contemplation on clairvoyance, intimacy, and the mysteries that lie beneath the surface of our connections. As characters grapple with their own insights and the limitations of understanding those closest to them, profound questions arise about the nature of knowledge and the depths of human emotion. This is not a single story but a tapestry of unique explorations that challenge perceptions and invite reflection. Discover a new book with every episode, and immerse yourself in the rich, thought-provoking world of the unseen.]]></description><atom:link href="https://www.spreaker.com/show/7127897/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright 1800s Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce6025ad1ebfd59bf6754687d65cfdbe.jpg</url><title>Lifted Veil (Version 2)</title><link>https://www.spreaker.com/podcast/lifted-veil-version-2--7127897</link></image><lastBuildDate>Fri, 28 Aug 2026 09:14:14 +0000</lastBuildDate><itunes:author>George Eliot</itunes:author><itunes:owner><itunes:name>1800s Genre</itunes:name><itunes:email>spreaker76@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce6025ad1ebfd59bf6754687d65cfdbe.jpg"/><itunes:subtitle>Explore the enigmatic boundaries between perception and reality in the "Lifted Veil (Version 2)" podcast, where each episode offers a complete audiobook that delves into themes of the unseen and the psychological complexities of human relationships....</itunes:subtitle><itunes:summary><![CDATA[Explore the enigmatic boundaries between perception and reality in the "Lifted Veil (Version 2)" podcast, where each episode offers a complete audiobook that delves into themes of the unseen and the psychological complexities of human relationships. This rotating collection invites listeners to journey through narratives that echo the haunting atmospheres and mystical elements found in classic literature, inviting contemplation on clairvoyance, intimacy, and the mysteries that lie beneath the surface of our connections. As characters grapple with their own insights and the limitations of understanding those closest to them, profound questions arise about the nature of knowledge and the depths of human emotion. This is not a single story but a tapestry of unique explorations that challenge perceptions and invite reflection. Discover a new book with every episode, and immerse yourself in the rich, thought-provoking world of the unseen.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Fiction"/><itunes:category text="Fiction"><itunes:category text="Drama"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>14b8a763-0830-5381-a70b-050336f129d8</podcast:guid><itunes:type>episodic</itunes:type><item><title>Reign of King Edward the Third-William Shakespeare</title><link>https://www.spreaker.com/episode/reign-of-king-edward-the-third-william-shakespeare--74651566</link><description><![CDATA[George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. Its tone calls to mind the works of middlebrow Sensationists, like Wilkie Collins (The Moonstone), and of some of the better known authors of Victorian era horror writings, such as Bram Stoker (Dracula) and Mary Shelley (Frankenstein). Eliot here explores mystical themes, considering the world of phenomena which are felt but not seen. Yet in doing so she suggests that the apparent clairvoyance of her main character, Latimer, may in fact be, at least in part, psychological expressions of his early life experiences. This view is supported by the fact that most of Latimer’s vision-based predictions of how people will behave and events unfold do not, in the end, turn out as he had foretold. Much of this work’s power and complexity lie in Latimer’s relationship with Bertha, whom he ultimately, unhappily, marries. Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74651566</guid><pubDate>Fri, 28 Aug 2026 09:02:07 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74651566/reign_of_king_edward_the_third_william_shakespeare.mp3" length="75415780" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. 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Much of this work’s power and complexity lie in Latimer’s relationship with Bertha, whom he ultimately, unhappily, marries. Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></itunes:summary><itunes:duration>9417</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce6025ad1ebfd59bf6754687d65cfdbe.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Eskimo Folk-Tales-Knud Rasmussen</title><link>https://www.spreaker.com/episode/eskimo-folk-tales-knud-rasmussen--74615978</link><description><![CDATA[George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. Its tone calls to mind the works of middlebrow Sensationists, like Wilkie Collins (The Moonstone), and of some of the better known authors of Victorian era horror writings, such as Bram Stoker (Dracula) and Mary Shelley (Frankenstein). Eliot here explores mystical themes, considering the world of phenomena which are felt but not seen. Yet in doing so she suggests that the apparent clairvoyance of her main character, Latimer, may in fact be, at least in part, psychological expressions of his early life experiences. This view is supported by the fact that most of Latimer’s vision-based predictions of how people will behave and events unfold do not, in the end, turn out as he had foretold. Much of this work’s power and complexity lie in Latimer’s relationship with Bertha, whom he ultimately, unhappily, marries. Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74615978</guid><pubDate>Thu, 27 Aug 2026 09:02:16 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74615978/eskimo_folk_tales_knud_rasmussen.mp3" length="118887012" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. Its tone calls to mind the works of middlebrow Sensationists, like Wilkie Collins...</itunes:subtitle><itunes:summary><![CDATA[George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. 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Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></itunes:summary><itunes:duration>14846</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce6025ad1ebfd59bf6754687d65cfdbe.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Global Trends 2030 Alternative Worlds-National Intelligence Council</title><link>https://www.spreaker.com/episode/global-trends-2030-alternative-worlds-national-intelligence-council--74583550</link><description><![CDATA[George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. 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Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74583550</guid><pubDate>Wed, 26 Aug 2026 09:02:38 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74583550/global_trends_2030_alternative_worlds_national_intelligence_council.mp3" length="254700309" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. 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Much of this work’s power and complexity lie in Latimer’s relationship with Bertha, whom he ultimately, unhappily, marries. Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></itunes:summary><itunes:duration>31806</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce6025ad1ebfd59bf6754687d65cfdbe.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Guide to Health-Mohandas Karamchand Gandhi</title><link>https://www.spreaker.com/episode/guide-to-health-mohandas-karamchand-gandhi--74552205</link><description><![CDATA[George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. Its tone calls to mind the works of middlebrow Sensationists, like Wilkie Collins (The Moonstone), and of some of the better known authors of Victorian era horror writings, such as Bram Stoker (Dracula) and Mary Shelley (Frankenstein). Eliot here explores mystical themes, considering the world of phenomena which are felt but not seen. Yet in doing so she suggests that the apparent clairvoyance of her main character, Latimer, may in fact be, at least in part, psychological expressions of his early life experiences. This view is supported by the fact that most of Latimer’s vision-based predictions of how people will behave and events unfold do not, in the end, turn out as he had foretold. Much of this work’s power and complexity lie in Latimer’s relationship with Bertha, whom he ultimately, unhappily, marries. Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74552205</guid><pubDate>Tue, 25 Aug 2026 09:02:09 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74552205/guide_to_health_mohandas_karamchand_gandhi.mp3" length="99616771" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. Its tone calls to mind the works of middlebrow Sensationists, like Wilkie Collins...</itunes:subtitle><itunes:summary><![CDATA[George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. 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Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></itunes:summary><itunes:duration>12440</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce6025ad1ebfd59bf6754687d65cfdbe.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Country of the Pointed Firs (Version 2)-Sarah Orne Jewett</title><link>https://www.spreaker.com/episode/country-of-the-pointed-firs-version-2-sarah-orne-jewett--74519427</link><description><![CDATA[George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. 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Much of this work’s power and complexity lie in Latimer’s relationship with Bertha, whom he ultimately, unhappily, marries. Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></itunes:summary><itunes:duration>21127</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce6025ad1ebfd59bf6754687d65cfdbe.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Aristotle's Masterpiece-Pseudo-Aristotle</title><link>https://www.spreaker.com/episode/aristotle-s-masterpiece-pseudo-aristotle--74489644</link><description><![CDATA[George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. Its tone calls to mind the works of middlebrow Sensationists, like Wilkie Collins (The Moonstone), and of some of the better known authors of Victorian era horror writings, such as Bram Stoker (Dracula) and Mary Shelley (Frankenstein). Eliot here explores mystical themes, considering the world of phenomena which are felt but not seen. Yet in doing so she suggests that the apparent clairvoyance of her main character, Latimer, may in fact be, at least in part, psychological expressions of his early life experiences. This view is supported by the fact that most of Latimer’s vision-based predictions of how people will behave and events unfold do not, in the end, turn out as he had foretold. Much of this work’s power and complexity lie in Latimer’s relationship with Bertha, whom he ultimately, unhappily, marries. Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74489644</guid><pubDate>Sun, 23 Aug 2026 09:08:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74489644/aristotle_s_masterpiece_pseudo_aristotle.mp3" length="69132909" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. Its tone calls to mind the works of middlebrow Sensationists, like Wilkie Collins...</itunes:subtitle><itunes:summary><![CDATA[George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. Its tone calls to mind the works of middlebrow Sensationists, like Wilkie Collins (The Moonstone), and of some of the better known authors of Victorian era horror writings, such as Bram Stoker (Dracula) and Mary Shelley (Frankenstein). Eliot here explores mystical themes, considering the world of phenomena which are felt but not seen. Yet in doing so she suggests that the apparent clairvoyance of her main character, Latimer, may in fact be, at least in part, psychological expressions of his early life experiences. This view is supported by the fact that most of Latimer’s vision-based predictions of how people will behave and events unfold do not, in the end, turn out as he had foretold. Much of this work’s power and complexity lie in Latimer’s relationship with Bertha, whom he ultimately, unhappily, marries. Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></itunes:summary><itunes:duration>8633</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce6025ad1ebfd59bf6754687d65cfdbe.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Agnes Grey-Anne Brontë</title><link>https://www.spreaker.com/episode/agnes-grey-anne-bronte--74449105</link><description><![CDATA[George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. Its tone calls to mind the works of middlebrow Sensationists, like Wilkie Collins (The Moonstone), and of some of the better known authors of Victorian era horror writings, such as Bram Stoker (Dracula) and Mary Shelley (Frankenstein). Eliot here explores mystical themes, considering the world of phenomena which are felt but not seen. Yet in doing so she suggests that the apparent clairvoyance of her main character, Latimer, may in fact be, at least in part, psychological expressions of his early life experiences. This view is supported by the fact that most of Latimer’s vision-based predictions of how people will behave and events unfold do not, in the end, turn out as he had foretold. Much of this work’s power and complexity lie in Latimer’s relationship with Bertha, whom he ultimately, unhappily, marries. Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74449105</guid><pubDate>Sat, 22 Aug 2026 09:07:24 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74449105/agnes_grey_anne_bronte.mp3" length="192846376" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. 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Much of this work’s power and complexity lie in Latimer’s relationship with Bertha, whom he ultimately, unhappily, marries. Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></itunes:summary><itunes:duration>24082</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce6025ad1ebfd59bf6754687d65cfdbe.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Heptameron of the Tales of Margaret, Queen of Navarre, Volume 4-Marguerite of Navarre</title><link>https://www.spreaker.com/episode/heptameron-of-the-tales-of-margaret-queen-of-navarre-volume-4-marguerite-of-navarre--74415964</link><description><![CDATA[George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. Its tone calls to mind the works of middlebrow Sensationists, like Wilkie Collins (The Moonstone), and of some of the better known authors of Victorian era horror writings, such as Bram Stoker (Dracula) and Mary Shelley (Frankenstein). Eliot here explores mystical themes, considering the world of phenomena which are felt but not seen. Yet in doing so she suggests that the apparent clairvoyance of her main character, Latimer, may in fact be, at least in part, psychological expressions of his early life experiences. This view is supported by the fact that most of Latimer’s vision-based predictions of how people will behave and events unfold do not, in the end, turn out as he had foretold. Much of this work’s power and complexity lie in Latimer’s relationship with Bertha, whom he ultimately, unhappily, marries. Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74415964</guid><pubDate>Fri, 21 Aug 2026 09:08:20 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74415964/heptameron_of_the_tales_of_margaret_queen_of_navarre_volume_4_marguerite_of_navarre.mp3" length="111438738" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. 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Much of this work’s power and complexity lie in Latimer’s relationship with Bertha, whom he ultimately, unhappily, marries. Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></itunes:summary><itunes:duration>13916</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce6025ad1ebfd59bf6754687d65cfdbe.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Kreutzer Sonata-Leo Tolstoy</title><link>https://www.spreaker.com/episode/kreutzer-sonata-leo-tolstoy--74367771</link><description><![CDATA[George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. Its tone calls to mind the works of middlebrow Sensationists, like Wilkie Collins (The Moonstone), and of some of the better known authors of Victorian era horror writings, such as Bram Stoker (Dracula) and Mary Shelley (Frankenstein). Eliot here explores mystical themes, considering the world of phenomena which are felt but not seen. Yet in doing so she suggests that the apparent clairvoyance of her main character, Latimer, may in fact be, at least in part, psychological expressions of his early life experiences. This view is supported by the fact that most of Latimer’s vision-based predictions of how people will behave and events unfold do not, in the end, turn out as he had foretold. Much of this work’s power and complexity lie in Latimer’s relationship with Bertha, whom he ultimately, unhappily, marries. Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74367771</guid><pubDate>Thu, 20 Aug 2026 09:08:30 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74367771/kreutzer_sonata_leo_tolstoy.mp3" length="106369880" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. Its tone calls to mind the works of middlebrow Sensationists, like Wilkie Collins...</itunes:subtitle><itunes:summary><![CDATA[George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. 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Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></itunes:summary><itunes:duration>13283</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce6025ad1ebfd59bf6754687d65cfdbe.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Imperialism and World Politics, Part 3 of 4-Parker Thomas Moon</title><link>https://www.spreaker.com/episode/imperialism-and-world-politics-part-3-of-4-parker-thomas-moon--74329107</link><description><![CDATA[George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. 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Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74329107</guid><pubDate>Wed, 19 Aug 2026 17:50:45 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74329107/20957_imperialism_and_world_politics_part_3_of_4_parker_thomas_moon.mp3" length="191104690" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. 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Much of this work’s power and complexity lie in Latimer’s relationship with Bertha, whom he ultimately, unhappily, marries. Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></itunes:summary><itunes:duration>23862</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce6025ad1ebfd59bf6754687d65cfdbe.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>If I May (Version 2)-A. A. Milne</title><link>https://www.spreaker.com/episode/if-i-may-version-2-a-a-milne--74185129</link><description><![CDATA[George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. Its tone calls to mind the works of middlebrow Sensationists, like Wilkie Collins (The Moonstone), and of some of the better known authors of Victorian era horror writings, such as Bram Stoker (Dracula) and Mary Shelley (Frankenstein). Eliot here explores mystical themes, considering the world of phenomena which are felt but not seen. Yet in doing so she suggests that the apparent clairvoyance of her main character, Latimer, may in fact be, at least in part, psychological expressions of his early life experiences. This view is supported by the fact that most of Latimer’s vision-based predictions of how people will behave and events unfold do not, in the end, turn out as he had foretold. Much of this work’s power and complexity lie in Latimer’s relationship with Bertha, whom he ultimately, unhappily, marries. Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74185129</guid><pubDate>Tue, 18 Aug 2026 09:08:16 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74185129/if_i_may_version_2_a_a_milne.mp3" length="164337321" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. 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Much of this work’s power and complexity lie in Latimer’s relationship with Bertha, whom he ultimately, unhappily, marries. Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></itunes:summary><itunes:duration>20522</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce6025ad1ebfd59bf6754687d65cfdbe.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Dramatic Reading Scene and Story Collection, Volume 005-Various</title><link>https://www.spreaker.com/episode/dramatic-reading-scene-and-story-collection-volume-005-various--74138625</link><description><![CDATA[George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. Its tone calls to mind the works of middlebrow Sensationists, like Wilkie Collins (The Moonstone), and of some of the better known authors of Victorian era horror writings, such as Bram Stoker (Dracula) and Mary Shelley (Frankenstein). Eliot here explores mystical themes, considering the world of phenomena which are felt but not seen. Yet in doing so she suggests that the apparent clairvoyance of her main character, Latimer, may in fact be, at least in part, psychological expressions of his early life experiences. This view is supported by the fact that most of Latimer’s vision-based predictions of how people will behave and events unfold do not, in the end, turn out as he had foretold. Much of this work’s power and complexity lie in Latimer’s relationship with Bertha, whom he ultimately, unhappily, marries. Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74138625</guid><pubDate>Mon, 17 Aug 2026 09:08:35 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74138625/20304_dramatic_reading_scene_and_story_collection_volume_005_various.mp3" length="174099545" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. Its tone calls to mind the works of middlebrow Sensationists, like Wilkie Collins...</itunes:subtitle><itunes:summary><![CDATA[George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. 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Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></itunes:summary><itunes:duration>21739</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce6025ad1ebfd59bf6754687d65cfdbe.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Primrose Path-Bram Stoker</title><link>https://www.spreaker.com/episode/primrose-path-bram-stoker--74102615</link><description><![CDATA[George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. Its tone calls to mind the works of middlebrow Sensationists, like Wilkie Collins (The Moonstone), and of some of the better known authors of Victorian era horror writings, such as Bram Stoker (Dracula) and Mary Shelley (Frankenstein). Eliot here explores mystical themes, considering the world of phenomena which are felt but not seen. Yet in doing so she suggests that the apparent clairvoyance of her main character, Latimer, may in fact be, at least in part, psychological expressions of his early life experiences. This view is supported by the fact that most of Latimer’s vision-based predictions of how people will behave and events unfold do not, in the end, turn out as he had foretold. Much of this work’s power and complexity lie in Latimer’s relationship with Bertha, whom he ultimately, unhappily, marries. Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74102615</guid><pubDate>Sun, 16 Aug 2026 09:07:52 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74102615/primrose_path_bram_stoker.mp3" length="90881545" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. 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Much of this work’s power and complexity lie in Latimer’s relationship with Bertha, whom he ultimately, unhappily, marries. Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></itunes:summary><itunes:duration>11349</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce6025ad1ebfd59bf6754687d65cfdbe.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Lifted Veil-George Eliot</title><link>https://www.spreaker.com/episode/lifted-veil-george-eliot--73382836</link><description><![CDATA["Lifted Veil" by George Eliot explores profound themes of knowledge, fate, and the human condition through the lens of a man's unique ability to foresee the future. This thought-provoking narrative delves into the complexities of consciousness and the moral implications of knowing what lies ahead. Its exploration of existential questions and the struggle between desire and destiny remains relevant today, inviting listeners to reflect on their own lives and choices. Eliot's masterful prose and insightful character reflections make this work a timeless examination of the human experience, resonating with anyone seeking to understand the intricacies of life and the consequences of our actions.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73382836</guid><pubDate>Mon, 03 Aug 2026 11:47:37 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73382836/lifted_veil_george_eliot.mp3" length="57136200" type="audio/mpeg"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>"Lifted Veil" by George Eliot explores profound themes of knowledge, fate, and the human condition through the lens of a man's unique ability to foresee the future. This thought-provoking narrative delves into the complexities of consciousness and the...</itunes:subtitle><itunes:summary><![CDATA["Lifted Veil" by George Eliot explores profound themes of knowledge, fate, and the human condition through the lens of a man's unique ability to foresee the future. This thought-provoking narrative delves into the complexities of consciousness and the moral implications of knowing what lies ahead. Its exploration of existential questions and the struggle between desire and destiny remains relevant today, inviting listeners to reflect on their own lives and choices. Eliot's masterful prose and insightful character reflections make this work a timeless examination of the human experience, resonating with anyone seeking to understand the intricacies of life and the consequences of our actions.]]></itunes:summary><itunes:duration>7135</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce6025ad1ebfd59bf6754687d65cfdbe.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Lifted Veil Version 2 - George Eliot</title><link>https://www.spreaker.com/episode/lifted-veil-version-2-george-eliot--72675448</link><description><![CDATA[George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. Its tone calls to mind the works of middlebrow Sensationists, like Wilkie Collins (The Moonstone), and of some of the better known authors of Victorian era horror writings, such as Bram Stoker (Dracula) and Mary Shelley (Frankenstein). Eliot here explores mystical themes, considering the world of phenomena which are felt but not seen. Yet in doing so she suggests that the apparent clairvoyance of her main character, Latimer, may in fact be, at least in part, psychological expressions of his early life experiences. This view is supported by the fact that most of Latimer’s vision-based predictions of how people will behave and events unfold do not, in the end, turn out as he had foretold. Much of this work’s power and complexity lie in Latimer’s relationship with Bertha, whom he ultimately, unhappily, marries. Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72675448</guid><pubDate>Wed, 24 Jun 2026 17:01:13 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72675448/lifted_veil_version_2_george_eliot.mp3" length="62038350" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/96cd1125-c8e8-401d-97f3-b2ca464ce6de/96cd1125-c8e8-401d-97f3-b2ca464ce6de.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/96cd1125-c8e8-401d-97f3-b2ca464ce6de/96cd1125-c8e8-401d-97f3-b2ca464ce6de.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/96cd1125-c8e8-401d-97f3-b2ca464ce6de/96cd1125-c8e8-401d-97f3-b2ca464ce6de.vtt" type="text/vtt" language="en"/><itunes:author>George Eliot</itunes:author><itunes:subtitle>George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. Its tone calls to mind the works of middlebrow Sensationists, like Wilkie Collins...</itunes:subtitle><itunes:summary><![CDATA[George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. Its tone calls to mind the works of middlebrow Sensationists, like Wilkie Collins (The Moonstone), and of some of the better known authors of Victorian era horror writings, such as Bram Stoker (Dracula) and Mary Shelley (Frankenstein). Eliot here explores mystical themes, considering the world of phenomena which are felt but not seen. Yet in doing so she suggests that the apparent clairvoyance of her main character, Latimer, may in fact be, at least in part, psychological expressions of his early life experiences. This view is supported by the fact that most of Latimer’s vision-based predictions of how people will behave and events unfold do not, in the end, turn out as he had foretold. Much of this work’s power and complexity lie in Latimer’s relationship with Bertha, whom he ultimately, unhappily, marries. Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him. (Introduction by Kirsten Wever)]]></itunes:summary><itunes:duration>7755</itunes:duration><itunes:keywords>bertha,clairvoyance,deronda,eliot,latimer,lifted,middlebrow,middlemarch,sensationists,veil</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce6025ad1ebfd59bf6754687d65cfdbe.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
