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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Liber Amoris</title><link>https://www.spreaker.com/podcast/liber-amoris--7125679</link><description><![CDATA[Immerse yourself in the complexities of desire, longing, and introspection as you explore the themes of love and heartbreak in "Liber Amoris." This podcast delves into the intricate tapestry of human emotions, focusing on the often tumultuous journey of personal relationships and the self. Each episode features a new complete audiobook that invites listeners to engage with various narratives reflecting the struggles and triumphs of love in all its forms. This is not a single story but a series of unique explorations, offering a diverse array of perspectives that challenge conventional notions of romance and attachment. With every episode, you are encouraged to discover a new book that will deepen your understanding of love's many facets and the profound impact it has on our lives. Join us in this literary journey as we navigate the delicate interplay between passion and reflection, revealing the beauty and pain that define our connections with others.]]></description><atom:link href="https://www.spreaker.com/show/7125679/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Politics Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg</url><title>Liber Amoris</title><link>https://www.spreaker.com/podcast/liber-amoris--7125679</link></image><lastBuildDate>Wed, 09 Sep 2026 09:26:28 +0000</lastBuildDate><itunes:author>William Hazlitt</itunes:author><itunes:owner><itunes:name>Politics Genre</itunes:name><itunes:email>spreaker75@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:subtitle>Immerse yourself in the complexities of desire, longing, and introspection as you explore the themes of love and heartbreak in "Liber Amoris." This podcast delves into the intricate tapestry of human emotions, focusing on the often tumultuous journey...</itunes:subtitle><itunes:summary><![CDATA[Immerse yourself in the complexities of desire, longing, and introspection as you explore the themes of love and heartbreak in "Liber Amoris." This podcast delves into the intricate tapestry of human emotions, focusing on the often tumultuous journey of personal relationships and the self. Each episode features a new complete audiobook that invites listeners to engage with various narratives reflecting the struggles and triumphs of love in all its forms. This is not a single story but a series of unique explorations, offering a diverse array of perspectives that challenge conventional notions of romance and attachment. With every episode, you are encouraged to discover a new book that will deepen your understanding of love's many facets and the profound impact it has on our lives. Join us in this literary journey as we navigate the delicate interplay between passion and reflection, revealing the beauty and pain that define our connections with others.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Health &amp; Fitness"/><itunes:category text="Health &amp; Fitness"><itunes:category text="Mental Health"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>f79558d2-bd1c-5211-bf1e-fcfc4b961166</podcast:guid><itunes:type>episodic</itunes:type><item><title>Into The Valley Of Death Crimea, Balaklava, The Light Brigade Russell, Tennyson And Kipling-Various</title><link>https://www.spreaker.com/episode/into-the-valley-of-death-crimea-balaklava-the-light-brigade-russell-tennyson-and-kipling-various--74400739</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74400739</guid><pubDate>Wed, 09 Sep 2026 09:00:58 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74400739/into_the_valley_of_death_crimea_balaklava_the_light_brigade_russell_tennyson_and_kipling_various.mp3" length="24861620" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>3104</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>An Essay on Criticism</title><link>https://www.spreaker.com/episode/an-essay-on-criticism--74373811</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74373811</guid><pubDate>Tue, 08 Sep 2026 09:01:10 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74373811/an_essay_on_criticism.mp3" length="21756952" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>2717</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Eyes and No Eyes and Other Stories-John Aikin, Anna Laetitia Barbauld, Jane Marcet, Jane Taylor</title><link>https://www.spreaker.com/episode/eyes-and-no-eyes-and-other-stories-john-aikin-anna-laetitia-barbauld-jane-marcet-jane-taylor--74351908</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74351908</guid><pubDate>Mon, 07 Sep 2026 09:01:09 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74351908/eyes_and_no_eyes_and_other_stories_john_aikin_anna_laetitia_barbauld_jane_marcet_jane_taylor.mp3" length="38884167" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>4856</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Frankenstein, or The Modern Prometheus (Edition 1831)-Mary Wollstonecraft Shelley</title><link>https://www.spreaker.com/episode/frankenstein-or-the-modern-prometheus-edition-1831-mary-wollstonecraft-shelley--74331117</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74331117</guid><pubDate>Sun, 06 Sep 2026 09:00:46 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74331117/frankenstein_or_the_modern_prometheus_edition_1831_mary_wollstonecraft_shelley.mp3" length="252257070" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>31500</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Narrative of the Life and Adventures of Henry Bibb, an American Slave-Henry Bibb</title><link>https://www.spreaker.com/episode/narrative-of-the-life-and-adventures-of-henry-bibb-an-american-slave-henry-bibb--74308580</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74308580</guid><pubDate>Sat, 05 Sep 2026 09:00:36 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74308580/narrative_of_the_life_and_adventures_of_henry_bibb_an_american_slave_henry_bibb.mp3" length="153482560" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>19166</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Random Reminiscences of Men and Events-John D. Rockefeller</title><link>https://www.spreaker.com/episode/random-reminiscences-of-men-and-events-john-d-rockefeller--74291275</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74291275</guid><pubDate>Fri, 04 Sep 2026 09:00:40 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74291275/random_reminiscences_of_men_and_events_john_d_rockefeller.mp3" length="108831319" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>13590</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Robert Browning (Version 2)-G. K. Chesterton</title><link>https://www.spreaker.com/episode/robert-browning-version-2-g-k-chesterton--74270904</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74270904</guid><pubDate>Thu, 03 Sep 2026 09:00:39 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74270904/robert_browning_version_2_g_k_chesterton.mp3" length="203095355" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>25362</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Soren Kierkegaard, Various Readings-Various</title><link>https://www.spreaker.com/episode/soren-kierkegaard-various-readings-various--74256108</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74256108</guid><pubDate>Wed, 02 Sep 2026 09:00:47 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74256108/soren_kierkegaard_various_readings_various.mp3" length="128630190" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>16062</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>On Nothing &amp; Kindred Subjects-Hilaire Belloc</title><link>https://www.spreaker.com/episode/on-nothing-kindred-subjects-hilaire-belloc--74240731</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74240731</guid><pubDate>Tue, 01 Sep 2026 09:00:39 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74240731/on_nothing_kindred_subjects_hilaire_belloc.mp3" length="174730169" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>21820</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Loves of Great Composers-Gustav Kobbé</title><link>https://www.spreaker.com/episode/loves-of-great-composers-gustav-kobbe--74226955</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74226955</guid><pubDate>Mon, 31 Aug 2026 09:00:46 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74226955/loves_of_great_composers_gustav_kobbe.mp3" length="81354382" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>10159</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Story of My Boyhood and Youth-John Muir</title><link>https://www.spreaker.com/episode/story-of-my-boyhood-and-youth-john-muir--74208441</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74208441</guid><pubDate>Sun, 30 Aug 2026 09:00:43 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74208441/story_of_my_boyhood_and_youth_john_muir.mp3" length="156496018" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>19542</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Practice of the Presence of God (version 2)-Brother Lawrence</title><link>https://www.spreaker.com/episode/practice-of-the-presence-of-god-version-2-brother-lawrence--74182073</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74182073</guid><pubDate>Sat, 29 Aug 2026 09:00:52 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74182073/practice_of_the_presence_of_god_version_2_brother_lawrence.mp3" length="39218908" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>4897</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Essays on Art-Johann Wolfgang von Goethe</title><link>https://www.spreaker.com/episode/essays-on-art-johann-wolfgang-von-goethe--74156328</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74156328</guid><pubDate>Fri, 28 Aug 2026 09:00:39 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74156328/essays_on_art_johann_wolfgang_von_goethe.mp3" length="209263460" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>26132</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Bill &amp; Doreen's Courtship (Selections from The Songs of a Sentimental Bloke)-C. J. Dennis</title><link>https://www.spreaker.com/episode/bill-doreen-s-courtship-selections-from-the-songs-of-a-sentimental-bloke-c-j-dennis--74129671</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74129671</guid><pubDate>Thu, 27 Aug 2026 09:00:47 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74129671/bill_doreen_s_courtship_selections_from_the_songs_of_a_sentimental_bloke_c_j_dennis.mp3" length="19156246" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>2392</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Joseph Conrad-Hugh Walpole</title><link>https://www.spreaker.com/episode/joseph-conrad-hugh-walpole--74081133</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74081133</guid><pubDate>Wed, 26 Aug 2026 09:00:58 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74081133/joseph_conrad_hugh_walpole.mp3" length="66060154" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>8249</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Extant Works of St. Pacian of Barcelona-Pacian of Barcelona</title><link>https://www.spreaker.com/episode/extant-works-of-st-pacian-of-barcelona-pacian-of-barcelona--74058754</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74058754</guid><pubDate>Tue, 25 Aug 2026 09:00:36 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74058754/extant_works_of_st_pacian_of_barcelona_pacian_of_barcelona.mp3" length="68803747" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>8592</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Growth of a Soul-August Strindberg</title><link>https://www.spreaker.com/episode/growth-of-a-soul-august-strindberg--74036615</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74036615</guid><pubDate>Mon, 24 Aug 2026 09:01:56 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74036615/growth_of_a_soul_august_strindberg.mp3" length="197942256" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>24718</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Watsons (Dramatic Reading)-Jane Austen, L. Oulton</title><link>https://www.spreaker.com/episode/watsons-dramatic-reading-jane-austen-l-oulton--74017138</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74017138</guid><pubDate>Sun, 23 Aug 2026 09:01:57 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74017138/watsons_dramatic_reading_jane_austen_l_oulton.mp3" length="112077080" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>13995</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Landlady-Fyodor Dostoyevsky</title><link>https://www.spreaker.com/episode/landlady-fyodor-dostoyevsky--73995284</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73995284</guid><pubDate>Sat, 22 Aug 2026 09:01:37 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73995284/landlady_fyodor_dostoyevsky.mp3" length="122140985" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>15253</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Mary Frances Story Book-Jane Eayre Fryer</title><link>https://www.spreaker.com/episode/mary-frances-story-book-jane-eayre-fryer--73975021</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73975021</guid><pubDate>Fri, 21 Aug 2026 09:02:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73975021/mary_frances_story_book_jane_eayre_fryer.mp3" length="285553106" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>35658</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>William the Conqueror-Jacob Abbott</title><link>https://www.spreaker.com/episode/william-the-conqueror-jacob-abbott--73953981</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73953981</guid><pubDate>Thu, 20 Aug 2026 09:02:16 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73953981/william_the_conqueror_jacob_abbott.mp3" length="176480972" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>22038</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Strophes of Omar Khayyám-Omar Khayyám</title><link>https://www.spreaker.com/episode/strophes-of-omar-khayyam-omar-khayyam--73932824</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73932824</guid><pubDate>Wed, 19 Aug 2026 09:02:14 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73932824/strophes_of_omar_khayya_m_omar_khayya_m.mp3" length="24830323" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>3101</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Selected Poems-Dante Gabriel Rossetti, Christina Rossetti</title><link>https://www.spreaker.com/episode/selected-poems-dante-gabriel-rossetti-christina-rossetti--73909379</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73909379</guid><pubDate>Tue, 18 Aug 2026 09:02:45 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73909379/selected_poems_dante_gabriel_rossetti_christina_rossetti.mp3" length="52221137" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>6521</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Florence Nightingale the Angel of the Crimea-Laura E. Howe Richards</title><link>https://www.spreaker.com/episode/florence-nightingale-the-angel-of-the-crimea-laura-e-howe-richards--73888043</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73888043</guid><pubDate>Mon, 17 Aug 2026 09:03:11 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73888043/florence_nightingale_the_angel_of_the_crimea_laura_e_howe_richards.mp3" length="97853702" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>12220</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Boy Scout And Other Stories For Boys-Richard Harding Davis</title><link>https://www.spreaker.com/episode/boy-scout-and-other-stories-for-boys-richard-harding-davis--73867151</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73867151</guid><pubDate>Sun, 16 Aug 2026 09:03:06 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73867151/boy_scout_and_other_stories_for_boys_richard_harding_davis.mp3" length="142791507" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>17831</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Cymbeline (Version 2)-William Shakespeare</title><link>https://www.spreaker.com/episode/cymbeline-version-2-william-shakespeare--73847072</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73847072</guid><pubDate>Sat, 15 Aug 2026 09:04:09 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73847072/cymbeline_version_2_william_shakespeare.mp3" length="109982638" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>13734</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Spirit of the Age; Or, Contemporary Portraits-William Hazlitt</title><link>https://www.spreaker.com/episode/spirit-of-the-age-or-contemporary-portraits-william-hazlitt--73378737</link><description><![CDATA["Spirit of the Age; Or, Contemporary Portraits" by William Hazlitt offers a profound exploration of the intellectual landscape of its time, capturing the essence of contemporary thought and the diverse personalities that shaped the era. Through sharp observations and vivid portrayals, Hazlitt delves into the ideas and influences that define human experience, making it a timeless reflection on society. The themes of individuality, creativity, and the complexities of human nature resonate strongly today, inviting listeners to reflect on the interplay between personal identity and the broader cultural context.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73378737</guid><pubDate>Mon, 03 Aug 2026 10:00:34 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73378737/spirit_of_the_age_or_contemporary_portraits_william_hazlitt.mp3" length="261805377" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>"Spirit of the Age; Or, Contemporary Portraits" by William Hazlitt offers a profound exploration of the intellectual landscape of its time, capturing the essence of contemporary thought and the diverse personalities that shaped the era. Through sharp...</itunes:subtitle><itunes:summary><![CDATA["Spirit of the Age; Or, Contemporary Portraits" by William Hazlitt offers a profound exploration of the intellectual landscape of its time, capturing the essence of contemporary thought and the diverse personalities that shaped the era. Through sharp observations and vivid portrayals, Hazlitt delves into the ideas and influences that define human experience, making it a timeless reflection on society. The themes of individuality, creativity, and the complexities of human nature resonate strongly today, inviting listeners to reflect on the interplay between personal identity and the broader cultural context.]]></itunes:summary><itunes:duration>32693</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Liber Amoris - William Hazlitt</title><link>https://www.spreaker.com/episode/liber-amoris-william-hazlitt--72654950</link><description><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72654950</guid><pubDate>Tue, 23 Jun 2026 18:11:15 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72654950/liber_amoris_william_hazlitt.mp3" length="104169889" type="audio/mpeg"/><itunes:author>William Hazlitt</itunes:author><itunes:subtitle>Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a...</itunes:subtitle><itunes:summary><![CDATA[Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable. I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artistic truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades. So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art. Notes: Nick Duncan]]></itunes:summary><itunes:duration>13022</itunes:duration><itunes:keywords>amoris,comfortable,feel,hazlitt,liber,merit,poetry,polished,portrait,rousseau</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bb06600f97b3e2003bff3c545de557a7.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
