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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Marriage of Heaven and Hell</title><link>https://www.spreaker.com/podcast/marriage-of-heaven-and-hell--7125670</link><description><![CDATA[Dive into the intricate interplay of light and darkness, as suggested by the thought-provoking title. This podcast invites listeners to explore the profound dualities that define our existence, examining the tensions between heaven and hell, spirit and matter, and morality and desire. Each episode features a new complete audiobook that delves into themes of transcendence and the acceptance of complexity within the human experience. This is not a single story but a series of unique explorations, inviting contemplation of how these opposing forces shape our lives and our understanding of the universe. From visionary insights to radical philosophies, discover a new book with every episode that challenges conventions and ignites the imagination. Join us on this journey of enlightenment and discovery, where the boundaries of the sacred and the profane blur into a rich tapestry of narrative and thought.<br /><br />This show includes AI-generated content.]]></description><atom:link href="https://www.spreaker.com/show/7125670/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Politics Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg</url><title>Marriage of Heaven and Hell</title><link>https://www.spreaker.com/podcast/marriage-of-heaven-and-hell--7125670</link></image><lastBuildDate>Tue, 06 Oct 2026 15:17:22 +0000</lastBuildDate><itunes:author>William Blake</itunes:author><itunes:owner><itunes:name>Politics Genre</itunes:name><itunes:email>spreaker75@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:subtitle>Dive into the intricate interplay of light and darkness, as suggested by the thought-provoking title. This podcast invites listeners to explore the profound dualities that define our existence, examining the tensions between heaven and hell, spirit...</itunes:subtitle><itunes:summary><![CDATA[Dive into the intricate interplay of light and darkness, as suggested by the thought-provoking title. This podcast invites listeners to explore the profound dualities that define our existence, examining the tensions between heaven and hell, spirit and matter, and morality and desire. Each episode features a new complete audiobook that delves into themes of transcendence and the acceptance of complexity within the human experience. This is not a single story but a series of unique explorations, inviting contemplation of how these opposing forces shape our lives and our understanding of the universe. From visionary insights to radical philosophies, discover a new book with every episode that challenges conventions and ignites the imagination. Join us on this journey of enlightenment and discovery, where the boundaries of the sacred and the profane blur into a rich tapestry of narrative and thought.<br /><br />This show includes AI-generated content.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Science"/><itunes:category text="Science"><itunes:category text="Astronomy"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>981d2d3a-4750-5c43-981b-735dc09093c8</podcast:guid><podcast:txt purpose="ai-content">true</podcast:txt><itunes:type>episodic</itunes:type><item><title>Spring of Joy A Little Book of Healing-Mary Webb</title><link>https://www.spreaker.com/episode/spring-of-joy-a-little-book-of-healing-mary-webb--74401076</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74401076</guid><pubDate>Wed, 09 Sep 2026 09:01:06 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74401076/spring_of_joy_a_little_book_of_healing_mary_webb.mp3" length="86799966" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>10839</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>History of the United States, Vol. IV The West and Jacksonian Democracy-Charles Austin Beard, Mary Ritter Beard</title><link>https://www.spreaker.com/episode/history-of-the-united-states-vol-iv-the-west-and-jacksonian-democracy-charles-austin-beard-mary-ritter-beard--74374028</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74374028</guid><pubDate>Tue, 08 Sep 2026 09:01:05 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74374028/history_of_the_united_states_vol_iv_the_west_and_jacksonian_democracy_charles_austin_beard_mary_ritter_beard.mp3" length="93915685" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>11728</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Milton's Minor Poems-John Milton</title><link>https://www.spreaker.com/episode/milton-s-minor-poems-john-milton--74352069</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74352069</guid><pubDate>Mon, 07 Sep 2026 09:01:08 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74352069/milton_s_minor_poems_john_milton.mp3" length="113621840" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>14188</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Taking the Bastile-Alexandre Dumas</title><link>https://www.spreaker.com/episode/taking-the-bastile-alexandre-dumas--74331423</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74331423</guid><pubDate>Sun, 06 Sep 2026 09:00:50 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74331423/taking_the_bastile_alexandre_dumas.mp3" length="214992096" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>26847</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Ukraina and the Peace-conference-Stanislav Dnistriansky</title><link>https://www.spreaker.com/episode/ukraina-and-the-peace-conference-stanislav-dnistriansky--74308777</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74308777</guid><pubDate>Sat, 05 Sep 2026 09:00:39 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74308777/ukraina_and_the_peace_conference_stanislav_dnistriansky.mp3" length="100079896" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>12498</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Areopagitica (Version 2)-John Milton</title><link>https://www.spreaker.com/episode/areopagitica-version-2-john-milton--74291449</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74291449</guid><pubDate>Fri, 04 Sep 2026 09:00:47 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74291449/areopagitica_version_2_john_milton.mp3" length="80482602" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>10050</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Culture and Anarchy-Matthew Arnold</title><link>https://www.spreaker.com/episode/culture-and-anarchy-matthew-arnold--74271071</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74271071</guid><pubDate>Thu, 03 Sep 2026 09:00:41 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74271071/culture_and_anarchy_matthew_arnold.mp3" length="173751022" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>21697</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Reign of King Edward the Third-William Shakespeare</title><link>https://www.spreaker.com/episode/reign-of-king-edward-the-third-william-shakespeare--74256241</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74256241</guid><pubDate>Wed, 02 Sep 2026 09:00:50 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74256241/reign_of_king_edward_the_third_william_shakespeare.mp3" length="75415780" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>9417</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Four Hymns-Edmund Spenser</title><link>https://www.spreaker.com/episode/four-hymns-edmund-spenser--74240866</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74240866</guid><pubDate>Tue, 01 Sep 2026 09:00:40 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74240866/four_hymns_edmund_spenser.mp3" length="34401374" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>4296</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Letters of Travel-Rudyard Kipling</title><link>https://www.spreaker.com/episode/letters-of-travel-rudyard-kipling--74227093</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74227093</guid><pubDate>Mon, 31 Aug 2026 09:00:52 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74227093/6291_letters_of_travel_rudyard_kipling.mp3" length="223431982" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>27901</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Vision of Piers the Plowman (Warren translation)-William Langland</title><link>https://www.spreaker.com/episode/vision-of-piers-the-plowman-warren-translation-william-langland--74208660</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74208660</guid><pubDate>Sun, 30 Aug 2026 09:00:43 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74208660/vision_of_piers_the_plowman_warren_translation_william_langland.mp3" length="133492424" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>16670</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Politics-Aristotle</title><link>https://www.spreaker.com/episode/politics-aristotle--74182339</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74182339</guid><pubDate>Sat, 29 Aug 2026 09:00:43 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74182339/politics_aristotle.mp3" length="266685330" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>33302</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Practice of Perfection and Christian Virtues - First Treatise-Alphonsus Rodriguez</title><link>https://www.spreaker.com/episode/practice-of-perfection-and-christian-virtues-first-treatise-alphonsus-rodriguez--74156532</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74156532</guid><pubDate>Fri, 28 Aug 2026 09:00:47 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74156532/practice_of_perfection_and_christian_virtues_first_treatise_alphonsus_rodriguez.mp3" length="97027590" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>12116</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Theological Tractates-Anicius Manlius Severinus Boethius</title><link>https://www.spreaker.com/episode/theological-tractates-anicius-manlius-severinus-boethius--74129957</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74129957</guid><pubDate>Thu, 27 Aug 2026 09:00:45 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74129957/theological_tractates_anicius_manlius_severinus_boethius.mp3" length="48725881" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>6084</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Common Sense (version 3)-Thomas Paine</title><link>https://www.spreaker.com/episode/common-sense-version-3-thomas-paine--74081323</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74081323</guid><pubDate>Wed, 26 Aug 2026 09:00:51 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74081323/common_sense_version_3_thomas_paine.mp3" length="76371196" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>9537</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Bible (Fenton) NT 03, 05 Holy Bible in Modern English, The Luke, Acts-Ferrar Fenton Bible</title><link>https://www.spreaker.com/episode/bible-fenton-nt-03-05-holy-bible-in-modern-english-the-luke-acts-ferrar-fenton-bible--74058972</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74058972</guid><pubDate>Tue, 25 Aug 2026 09:00:37 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74058972/bible_fenton_nt_03_05_holy_bible_in_modern_english_the_luke_acts_ferrar_fenton_bible.mp3" length="149509080" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>18670</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Faust I-Johann Wolfgang von Goethe</title><link>https://www.spreaker.com/episode/faust-i-johann-wolfgang-von-goethe--74037056</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74037056</guid><pubDate>Mon, 24 Aug 2026 09:02:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74037056/faust_i_johann_wolfgang_von_goethe.mp3" length="124462662" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>15542</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Prose Edda (Brodeur Translation)-Snorri Sturleson</title><link>https://www.spreaker.com/episode/prose-edda-brodeur-translation-snorri-sturleson--74017386</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74017386</guid><pubDate>Sun, 23 Aug 2026 09:02:02 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74017386/prose_edda_brodeur_translation_snorri_sturleson.mp3" length="183066115" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>22860</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Facts of Reconstruction-John R. Lynch</title><link>https://www.spreaker.com/episode/facts-of-reconstruction-john-r-lynch--73995741</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73995741</guid><pubDate>Sat, 22 Aug 2026 09:01:48 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73995741/facts_of_reconstruction_john_r_lynch.mp3" length="234071549" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>29230</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Collection of Letters (Dramatic Reading)-Jane Austen</title><link>https://www.spreaker.com/episode/collection-of-letters-dramatic-reading-jane-austen--73975197</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73975197</guid><pubDate>Fri, 21 Aug 2026 09:02:02 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73975197/collection_of_letters_dramatic_reading_jane_austen.mp3" length="23761272" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>2967</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Satires-Decimus Iunius Iuvenalis</title><link>https://www.spreaker.com/episode/satires-decimus-iunius-iuvenalis--73954224</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73954224</guid><pubDate>Thu, 20 Aug 2026 09:02:22 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73954224/satires_decimus_iunius_iuvenalis.mp3" length="152905447" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>19094</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>California History -- Two Pieces-Various</title><link>https://www.spreaker.com/episode/california-history-two-pieces-various--73933065</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73933065</guid><pubDate>Wed, 19 Aug 2026 09:02:12 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73933065/california_history_two_pieces_various.mp3" length="47334719" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>5911</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Flowers of Evil-Charles Baudelaire, James Huneker</title><link>https://www.spreaker.com/episode/flowers-of-evil-charles-baudelaire-james-huneker--73909649</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73909649</guid><pubDate>Tue, 18 Aug 2026 09:02:53 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73909649/flowers_of_evil_charles_baudelaire_james_huneker.mp3" length="53809748" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>6719</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Dawn of All-Robert Hugh Benson</title><link>https://www.spreaker.com/episode/dawn-of-all-robert-hugh-benson--73888375</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73888375</guid><pubDate>Mon, 17 Aug 2026 09:03:06 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73888375/dawn_of_all_robert_hugh_benson.mp3" length="260807361" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>32568</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Fables of Phaedrus-Phaedrus</title><link>https://www.spreaker.com/episode/fables-of-phaedrus-phaedrus--73867329</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73867329</guid><pubDate>Sun, 16 Aug 2026 09:03:14 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73867329/fables_of_phaedrus_phaedrus.mp3" length="55519843" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>6933</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Study in Scarlet (Version 7 Dramatic Reading)-Sir Arthur Conan Doyle</title><link>https://www.spreaker.com/episode/study-in-scarlet-version-7-dramatic-reading-sir-arthur-conan-doyle--73847372</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73847372</guid><pubDate>Sat, 15 Aug 2026 09:04:00 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73847372/study_in_scarlet_version_7_dramatic_reading_sir_arthur_conan_doyle.mp3" length="138659020" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>17315</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Prince (Version 3)-Niccolò Machiavelli</title><link>https://www.spreaker.com/episode/prince-version-3-niccolo-machiavelli--73379034</link><description><![CDATA["Prince (Version 3)" by Niccolò Machiavelli is a seminal work that explores the intricacies of political power and leadership. This influential treatise delves into the tactics and strategies necessary for rulers to maintain control and navigate the complexities of governance. Its themes of pragmatism, the nature of power, and the moral ambiguities of leadership continue to resonate today, offering timeless insights into the dynamics of authority and ambition. Machiavelli's candid examination of human behavior and the often harsh realities of political life makes this audiobook an essential listen for anyone seeking to understand the foundations of political thought and the enduring nature of power struggles throughout history.<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73379034</guid><pubDate>Mon, 03 Aug 2026 10:07:20 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73379034/prince_version_3_niccolo_machiavelli.mp3" length="99073803" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>"Prince (Version 3)" by Niccolò Machiavelli is a seminal work that explores the intricacies of political power and leadership. This influential treatise delves into the tactics and strategies necessary for rulers to maintain control and navigate the...</itunes:subtitle><itunes:summary><![CDATA["Prince (Version 3)" by Niccolò Machiavelli is a seminal work that explores the intricacies of political power and leadership. This influential treatise delves into the tactics and strategies necessary for rulers to maintain control and navigate the complexities of governance. Its themes of pragmatism, the nature of power, and the moral ambiguities of leadership continue to resonate today, offering timeless insights into the dynamics of authority and ambition. Machiavelli's candid examination of human behavior and the often harsh realities of political life makes this audiobook an essential listen for anyone seeking to understand the foundations of political thought and the enduring nature of power struggles throughout history.<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>12372</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Marriage of Heaven and Hell - William Blake</title><link>https://www.spreaker.com/episode/marriage-of-heaven-and-hell-william-blake--72654931</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72654931</guid><pubDate>Tue, 23 Jun 2026 18:10:31 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72654931/marriage_of_heaven_and_hell_william_blake.mp3" length="19924994" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/2fa465ca-a3b0-40ff-ba29-bba83c718fd7/2fa465ca-a3b0-40ff-ba29-bba83c718fd7.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/2fa465ca-a3b0-40ff-ba29-bba83c718fd7/2fa465ca-a3b0-40ff-ba29-bba83c718fd7.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/2fa465ca-a3b0-40ff-ba29-bba83c718fd7/2fa465ca-a3b0-40ff-ba29-bba83c718fd7.vtt" type="text/vtt" language="en"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>2491</itunes:duration><itunes:keywords>blake,depolarized,emanuel,foment,heaven,hell,manichean,marriage,poetry,swedenborg</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/c2712d8e513d95064bc9dee5edb40e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
