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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Rubáiyát of Omar Khayyám (Fitzgerald 5th edition)</title><link>https://www.spreaker.com/podcast/rubaiyat-of-omar-khayyam-fitzgerald-5th-edition--7114957</link><description><![CDATA[Delve into the profound reflections on existence and the ephemeral nature of life with "Rubáiyát of Omar Khayyám (Fitzgerald 5th edition)" as your thematic guide. This podcast invites listeners to explore a rotating collection of works that resonate with the philosophical inquiries and poetic beauty found in Omar Khayyám’s quatrains. Each episode features a new complete audiobook, presenting a diverse array of voices that grapple with themes of mortality, knowledge, and the search for meaning within the human experience. The selections echo the timeless questions posed by Khayyám: What is the essence of our journey? How do we find joy amid uncertainty? This is not a single story but a series of unique explorations that challenge and inspire, encouraging listeners to discover a new book with every episode and engage deeply with the rich tapestry of wisdom literature.]]></description><atom:link href="https://www.spreaker.com/show/7114957/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Poetry Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5288c2174f7a49629a7cbdde8a849132.jpg</url><title>Rubáiyát of Omar Khayyám (Fitzgerald 5th edition)</title><link>https://www.spreaker.com/podcast/rubaiyat-of-omar-khayyam-fitzgerald-5th-edition--7114957</link></image><lastBuildDate>Wed, 09 Sep 2026 09:11:57 +0000</lastBuildDate><itunes:author>Omar Khayyám</itunes:author><itunes:owner><itunes:name>Poetry Genre</itunes:name><itunes:email>spreaker74@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5288c2174f7a49629a7cbdde8a849132.jpg"/><itunes:subtitle>Delve into the profound reflections on existence and the ephemeral nature of life with "Rubáiyát of Omar Khayyám (Fitzgerald 5th edition)" as your thematic guide. This podcast invites listeners to explore a rotating collection of works that resonate...</itunes:subtitle><itunes:summary><![CDATA[Delve into the profound reflections on existence and the ephemeral nature of life with "Rubáiyát of Omar Khayyám (Fitzgerald 5th edition)" as your thematic guide. This podcast invites listeners to explore a rotating collection of works that resonate with the philosophical inquiries and poetic beauty found in Omar Khayyám’s quatrains. Each episode features a new complete audiobook, presenting a diverse array of voices that grapple with themes of mortality, knowledge, and the search for meaning within the human experience. The selections echo the timeless questions posed by Khayyám: What is the essence of our journey? How do we find joy amid uncertainty? This is not a single story but a series of unique explorations that challenge and inspire, encouraging listeners to discover a new book with every episode and engage deeply with the rich tapestry of wisdom literature.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="History"/><itunes:category text="Society &amp; Culture"/><itunes:explicit>false</itunes:explicit><podcast:guid>21a3c1f4-88b9-593c-bcc3-e68c22d58f55</podcast:guid><itunes:type>episodic</itunes:type><item><title>Saga of the Greenlanders (Reeves Translation)-Unknown</title><link>https://www.spreaker.com/episode/saga-of-the-greenlanders-reeves-translation-unknown--74397808</link><description><![CDATA[The Rubáiyát of Omar Khayyám is so-named from the Persian word rubáiyát - a Persian word denoting a specific type of two-line stanza. Omar's Rubaiyat is a beautiful anthology of Islamic wisdom literature: originally penned in medieval Persian during the late 11th century AD. The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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Omar's Rubaiyat is a beautiful anthology of Islamic wisdom literature: originally penned in medieval Persian during the late 11th century AD. The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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Omar's Rubaiyat is a beautiful anthology of Islamic wisdom literature: originally penned in medieval Persian during the late 11th century AD. The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? (Introduction by Godsend)]]></itunes:summary><itunes:duration>21346</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5288c2174f7a49629a7cbdde8a849132.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Short Nonfiction Collection, Vol. 057-Various</title><link>https://www.spreaker.com/episode/short-nonfiction-collection-vol-057-various--73864913</link><description><![CDATA[The Rubáiyát of Omar Khayyám is so-named from the Persian word rubáiyát - a Persian word denoting a specific type of two-line stanza. Omar's Rubaiyat is a beautiful anthology of Islamic wisdom literature: originally penned in medieval Persian during the late 11th century AD. The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? (Introduction by Godsend)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73864913</guid><pubDate>Sun, 16 Aug 2026 09:02:48 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73864913/short_nonfiction_collection_vol_057_various.mp3" length="126623342" type="audio/mpeg"/><itunes:author>Omar Khayyám</itunes:author><itunes:subtitle>The Rubáiyát of Omar Khayyám is so-named from the Persian word rubáiyát - a Persian word denoting a specific type of two-line stanza. Omar's Rubaiyat is a beautiful anthology of Islamic wisdom literature: originally penned in medieval Persian during...</itunes:subtitle><itunes:summary><![CDATA[The Rubáiyát of Omar Khayyám is so-named from the Persian word rubáiyát - a Persian word denoting a specific type of two-line stanza. Omar's Rubaiyat is a beautiful anthology of Islamic wisdom literature: originally penned in medieval Persian during the late 11th century AD. The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? (Introduction by Godsend)]]></itunes:summary><itunes:duration>15812</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5288c2174f7a49629a7cbdde8a849132.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Introduction to The Philosophy of History-Georg Wilhelm Friedrich Hegel</title><link>https://www.spreaker.com/episode/introduction-to-the-philosophy-of-history-georg-wilhelm-friedrich-hegel--73845714</link><description><![CDATA[The Rubáiyát of Omar Khayyám is so-named from the Persian word rubáiyát - a Persian word denoting a specific type of two-line stanza. Omar's Rubaiyat is a beautiful anthology of Islamic wisdom literature: originally penned in medieval Persian during the late 11th century AD. The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? (Introduction by Godsend)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73845714</guid><pubDate>Sat, 15 Aug 2026 09:03:51 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73845714/introduction_to_the_philosophy_of_history_georg_wilhelm_friedrich_hegel.mp3" length="132379077" type="audio/mpeg"/><itunes:author>Omar Khayyám</itunes:author><itunes:subtitle>The Rubáiyát of Omar Khayyám is so-named from the Persian word rubáiyát - a Persian word denoting a specific type of two-line stanza. Omar's Rubaiyat is a beautiful anthology of Islamic wisdom literature: originally penned in medieval Persian during...</itunes:subtitle><itunes:summary><![CDATA[The Rubáiyát of Omar Khayyám is so-named from the Persian word rubáiyát - a Persian word denoting a specific type of two-line stanza. Omar's Rubaiyat is a beautiful anthology of Islamic wisdom literature: originally penned in medieval Persian during the late 11th century AD. The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? (Introduction by Godsend)]]></itunes:summary><itunes:duration>16530</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5288c2174f7a49629a7cbdde8a849132.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Diatessaron A Harmony of the Four Gospels-Tatian</title><link>https://www.spreaker.com/episode/diatessaron-a-harmony-of-the-four-gospels-tatian--73376566</link><description><![CDATA[Diatessaron A Harmony of the Four Gospels by Tatian presents a unique synthesis of the four canonical gospels, weaving them into a single narrative that highlights their shared messages and teachings. This work invites listeners to explore the core tenets of faith and morality that have shaped religious thought throughout history. Its enduring relevance lies in its ability to present the life and teachings of Jesus in a cohesive manner, making the spiritual and philosophical insights accessible to contemporary audiences. Engaging with this audiobook offers a profound opportunity to reflect on the universal themes of compassion, redemption, and the human experience that continue to resonate today.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73376566</guid><pubDate>Mon, 03 Aug 2026 09:01:56 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73376566/diatessaron_a_harmony_of_the_four_gospels_tatian.mp3" length="187974101" type="audio/mpeg"/><itunes:author>Omar Khayyám</itunes:author><itunes:subtitle>Diatessaron A Harmony of the Four Gospels by Tatian presents a unique synthesis of the four canonical gospels, weaving them into a single narrative that highlights their shared messages and teachings. 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Engaging with this audiobook offers a profound opportunity to reflect on the universal themes of compassion, redemption, and the human experience that continue to resonate today.]]></itunes:summary><itunes:duration>23473</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5288c2174f7a49629a7cbdde8a849132.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Rubaiyat of Omar Khayyam Fitzgerald 5th edition - Omar Khayyam</title><link>https://www.spreaker.com/episode/rubaiyat-of-omar-khayyam-fitzgerald-5th-edition-omar-khayyam--72586101</link><description><![CDATA[The Rubáiyát of Omar Khayyám is so-named from the Persian word rubáiyát - a Persian word denoting a specific type of two-line stanza. Omar's Rubaiyat is a beautiful anthology of Islamic wisdom literature: originally penned in medieval Persian during the late 11th century AD. The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? 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Omar's Rubaiyat is a beautiful anthology of Islamic wisdom literature: originally penned in medieval Persian during...</itunes:subtitle><itunes:summary><![CDATA[The Rubáiyát of Omar Khayyám is so-named from the Persian word rubáiyát - a Persian word denoting a specific type of two-line stanza. Omar's Rubaiyat is a beautiful anthology of Islamic wisdom literature: originally penned in medieval Persian during the late 11th century AD. The best known English translations are those by Edward Fitzgerald: his fifth (and last) translation includes a mere 101 quatrains - a fraction of Omar's original work. Fitzgerald's selection loosely groups quatrains by theme; rendering quatrains into English as four-line, rhymed stanzas. Omar's writings are pervaded by the consciousness of the transient quality of life. In his Rubáiyát, the author ponders the limits of human knowledge and morality: and confronts his readers point-blank with the difficult questions that challenge every generation: - what is the ultimate benefit derived from human knowledge? - given human mortality; is is best to guide our lives by the dictates of reason, or sensuality? - what happens to my soul when I die? - why did God - the Creator - give me existence? (Introduction by Godsend)]]></itunes:summary><itunes:duration>2256</itunes:duration><itunes:keywords>5th,denoting,edition,fitzgerald,khayy,omar,persian,poetry,quatrains,rub</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5288c2174f7a49629a7cbdde8a849132.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
