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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Hero and Leander</title><link>https://www.spreaker.com/podcast/hero-and-leander--7114735</link><description><![CDATA[Immerse yourself in a realm where love transcends boundaries and desire ignites the imagination, inspired by the themes of "Hero and Leander." This podcast delves into the intoxicating dance of passion and longing, exploring the complexities of romantic relationships through a rotating collection of captivating audiobooks. With each episode, listeners are invited to experience tales of ardor, heartbreak, and the exquisite beauty of love's triumphs and tribulations. This is not a single narrative but a series of unique explorations that celebrate the rich tapestry of human emotion. Each new audiobook offers fresh perspectives on love's challenges and joys, inviting you to discover profound connections in the written word. Join us on this literary journey and uncover the timeless allure of love in all its forms with every episode.]]></description><atom:link href="https://www.spreaker.com/show/7114735/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Poetry Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg</url><title>Hero and Leander</title><link>https://www.spreaker.com/podcast/hero-and-leander--7114735</link></image><lastBuildDate>Wed, 09 Sep 2026 09:10:44 +0000</lastBuildDate><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:owner><itunes:name>Poetry Genre</itunes:name><itunes:email>spreaker74@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:subtitle>Immerse yourself in a realm where love transcends boundaries and desire ignites the imagination, inspired by the themes of "Hero and Leander." This podcast delves into the intoxicating dance of passion and longing, exploring the complexities of...</itunes:subtitle><itunes:summary><![CDATA[Immerse yourself in a realm where love transcends boundaries and desire ignites the imagination, inspired by the themes of "Hero and Leander." This podcast delves into the intoxicating dance of passion and longing, exploring the complexities of romantic relationships through a rotating collection of captivating audiobooks. With each episode, listeners are invited to experience tales of ardor, heartbreak, and the exquisite beauty of love's triumphs and tribulations. This is not a single narrative but a series of unique explorations that celebrate the rich tapestry of human emotion. Each new audiobook offers fresh perspectives on love's challenges and joys, inviting you to discover profound connections in the written word. Join us on this literary journey and uncover the timeless allure of love in all its forms with every episode.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Kids &amp; Family"><itunes:category text="Pets &amp; Animals"/></itunes:category><itunes:category text="Science"><itunes:category text="Nature"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>646a9965-e09e-5e1d-924b-554b93e7e358</podcast:guid><itunes:type>episodic</itunes:type><item><title>Alice's Adventures in Wonderland (version 3)-Lewis Carroll</title><link>https://www.spreaker.com/episode/alice-s-adventures-in-wonderland-version-3-lewis-carroll--74396673</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. 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Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></itunes:summary><itunes:duration>9760</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Surprising Adventures of the Magical Monarch of Mo (Version 2)-L. Frank Baum</title><link>https://www.spreaker.com/episode/surprising-adventures-of-the-magical-monarch-of-mo-version-2-l-frank-baum--74370516</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. 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Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. 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Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. 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Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. 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Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74327132</guid><pubDate>Sun, 06 Sep 2026 09:00:39 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74327132/favorite_fairy_tales_various.mp3" length="164059579" type="audio/mpeg"/><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></itunes:summary><itunes:duration>20487</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>My Book of Favourite Fairy Tales (version 2)-Edric Vredenburg</title><link>https://www.spreaker.com/episode/my-book-of-favourite-fairy-tales-version-2-edric-vredenburg--74305823</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74305823</guid><pubDate>Sat, 05 Sep 2026 09:00:27 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74305823/my_book_of_favourite_fairy_tales_version_2_edric_vredenburg.mp3" length="104547210" type="audio/mpeg"/><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></itunes:summary><itunes:duration>13055</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Collection of Beatrix Potter Stories-Beatrix Potter</title><link>https://www.spreaker.com/episode/collection-of-beatrix-potter-stories-beatrix-potter--74288422</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74288422</guid><pubDate>Fri, 04 Sep 2026 09:00:36 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74288422/collection_of_beatrix_potter_stories_beatrix_potter.mp3" length="69777879" type="audio/mpeg"/><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></itunes:summary><itunes:duration>8714</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Demi-Gods-James Stephens</title><link>https://www.spreaker.com/episode/demi-gods-james-stephens--74269063</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74269063</guid><pubDate>Thu, 03 Sep 2026 09:00:32 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74269063/demi_gods_james_stephens.mp3" length="133435504" type="audio/mpeg"/><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></itunes:summary><itunes:duration>16663</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Folk-Lore and Legends Scandinavian-Charles John Tibbits</title><link>https://www.spreaker.com/episode/folk-lore-and-legends-scandinavian-charles-john-tibbits--74253915</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74253915</guid><pubDate>Wed, 02 Sep 2026 09:00:40 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74253915/folk_lore_and_legends_scandinavian_charles_john_tibbits.mp3" length="146660278" type="audio/mpeg"/><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></itunes:summary><itunes:duration>18314</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Book of Stories for the Storyteller-Fanny E. Coe</title><link>https://www.spreaker.com/episode/book-of-stories-for-the-storyteller-fanny-e-coe--74238898</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. 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Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></itunes:summary><itunes:duration>21940</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>John Dough and the Cherub-L. Frank Baum</title><link>https://www.spreaker.com/episode/john-dough-and-the-cherub-l-frank-baum--74225276</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. 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Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></itunes:summary><itunes:duration>16058</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Fables of Pilpay-Abdullah Ibn al-Muqaffaʿ</title><link>https://www.spreaker.com/episode/fables-of-pilpay-abdullah-ibn-al-muqaffa--74204750</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. 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Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></itunes:summary><itunes:duration>24393</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Story of Robin Hood-Bertha Evangeline Bush</title><link>https://www.spreaker.com/episode/story-of-robin-hood-bertha-evangeline-bush--74178411</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74178411</guid><pubDate>Sat, 29 Aug 2026 09:00:32 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74178411/12077_story_of_robin_hood_bertha_evangeline_bush.mp3" length="28119173" type="audio/mpeg"/><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></itunes:summary><itunes:duration>3512</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Hero and Leander-George Chapman, Christopher Marlowe</title><link>https://www.spreaker.com/episode/hero-and-leander-george-chapman-christopher-marlowe--74152510</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74152510</guid><pubDate>Fri, 28 Aug 2026 09:00:41 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74152510/hero_and_leander_george_chapman_christopher_marlowe.mp3" length="104387358" type="audio/mpeg"/><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></itunes:summary><itunes:duration>13035</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Kottō being Japanese curios, with sundry cobwebs-Lafcadio Hearn</title><link>https://www.spreaker.com/episode/kotto-being-japanese-curios-with-sundry-cobwebs-lafcadio-hearn--74125917</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74125917</guid><pubDate>Thu, 27 Aug 2026 09:00:34 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74125917/kotto_being_japanese_curios_with_sundry_cobwebs_lafcadio_hearn.mp3" length="124845253" type="audio/mpeg"/><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></itunes:summary><itunes:duration>15590</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Folk-lore and legends English-Charles John Tibbits</title><link>https://www.spreaker.com/episode/folk-lore-and-legends-english-charles-john-tibbits--74078034</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. 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Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></itunes:summary><itunes:duration>19178</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Another Brownie Book-Palmer Cox</title><link>https://www.spreaker.com/episode/another-brownie-book-palmer-cox--74055556</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. 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Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></itunes:summary><itunes:duration>7833</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Mother’s Nursery Tales-Katharine Pyle</title><link>https://www.spreaker.com/episode/mother-s-nursery-tales-katharine-pyle--74033261</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. 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Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></itunes:summary><itunes:duration>23777</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Children's stories that never grow old-Various</title><link>https://www.spreaker.com/episode/children-s-stories-that-never-grow-old-various--74014361</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74014361</guid><pubDate>Sun, 23 Aug 2026 09:01:51 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74014361/children_s_stories_that_never_grow_old_various.mp3" length="71761698" type="audio/mpeg"/><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></itunes:summary><itunes:duration>8961</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>In Indian Tents-Abby Langdon Alger</title><link>https://www.spreaker.com/episode/in-indian-tents-abby-langdon-alger--73991991</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73991991</guid><pubDate>Sat, 22 Aug 2026 09:01:28 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73991991/in_indian_tents_abby_langdon_alger.mp3" length="76049293" type="audio/mpeg"/><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></itunes:summary><itunes:duration>9497</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Old Testament Legends Being Stories Out Of Some Of The Less-Known Apocryphal Books Of The Old Testament-M. R. James</title><link>https://www.spreaker.com/episode/old-testament-legends-being-stories-out-of-some-of-the-less-known-apocryphal-books-of-the-old-testament-m-r-james--73971841</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73971841</guid><pubDate>Fri, 21 Aug 2026 09:01:46 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73971841/old_testament_legends_being_stories_out_of_some_of_the_less_known_apocryphal_books_of_the_old_testament_m_r_james.mp3" length="98576357" type="audio/mpeg"/><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></itunes:summary><itunes:duration>12310</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Life and Adventures of Santa Claus (Version 4)-L. Frank Baum</title><link>https://www.spreaker.com/episode/life-and-adventures-of-santa-claus-version-4-l-frank-baum--73951185</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73951185</guid><pubDate>Thu, 20 Aug 2026 09:02:02 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73951185/life_and_adventures_of_santa_claus_version_4_l_frank_baum.mp3" length="99273959" type="audio/mpeg"/><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></itunes:summary><itunes:duration>12397</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Aesop's Fables A New Revised Edition-Aesop</title><link>https://www.spreaker.com/episode/aesop-s-fables-a-new-revised-edition-aesop--73929561</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73929561</guid><pubDate>Wed, 19 Aug 2026 09:01:56 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73929561/aesop_s_fables_a_new_revised_edition_aesop.mp3" length="99725030" type="audio/mpeg"/><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></itunes:summary><itunes:duration>12453</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Drama of Exile-Elizabeth Barrett Browning</title><link>https://www.spreaker.com/episode/drama-of-exile-elizabeth-barrett-browning--73906160</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73906160</guid><pubDate>Tue, 18 Aug 2026 09:02:39 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73906160/drama_of_exile_elizabeth_barrett_browning.mp3" length="59107630" type="audio/mpeg"/><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></itunes:summary><itunes:duration>7381</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Oresteia-Aeschylus</title><link>https://www.spreaker.com/episode/oresteia-aeschylus--73884569</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73884569</guid><pubDate>Mon, 17 Aug 2026 09:02:53 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73884569/oresteia_aeschylus.mp3" length="124730124" type="audio/mpeg"/><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></itunes:summary><itunes:duration>15576</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Raggedy Andy Stories (version 2)-Johnny Gruelle</title><link>https://www.spreaker.com/episode/raggedy-andy-stories-version-2-johnny-gruelle--73864012</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73864012</guid><pubDate>Sun, 16 Aug 2026 09:02:47 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73864012/raggedy_andy_stories_version_2_johnny_gruelle.mp3" length="43682765" type="audio/mpeg"/><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></itunes:summary><itunes:duration>5455</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Ozoplaning with the Wizard of Oz (version 2)-Ruth Plumly Thompson</title><link>https://www.spreaker.com/episode/ozoplaning-with-the-wizard-of-oz-version-2-ruth-plumly-thompson--73844748</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73844748</guid><pubDate>Sat, 15 Aug 2026 09:03:49 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73844748/ozoplaning_with_the_wizard_of_oz_version_2_ruth_plumly_thompson.mp3" length="130853076" type="audio/mpeg"/><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></itunes:summary><itunes:duration>16340</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Hero and Leander-George Chapman, Christopher Marlowe</title><link>https://www.spreaker.com/episode/hero-and-leander-george-chapman-christopher-marlowe--73375582</link><description><![CDATA["Hero and Leander" by George Chapman and Christopher Marlowe is a timeless narrative that explores the themes of love, longing, and the pursuit of the unattainable. This poetic tale recounts the passionate and tragic love story between Hero, a beautiful priestess, and Leander, a young man from across the sea, whose devotion drives him to brave treacherous waters. The enduring nature of their romance resonates with listeners today, as it reflects the universal struggles of love against insurmountable odds. With its rich language and emotional depth, this work invites audiences to reflect on the nature of desire and the sacrifices made in the name of love, making it a compelling listen for anyone captivated by classic literature.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73375582</guid><pubDate>Mon, 03 Aug 2026 09:01:47 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73375582/hero_and_leander_george_chapman_christopher_marlowe.mp3" length="104387358" type="audio/mpeg"/><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>"Hero and Leander" by George Chapman and Christopher Marlowe is a timeless narrative that explores the themes of love, longing, and the pursuit of the unattainable. This poetic tale recounts the passionate and tragic love story between Hero, a...</itunes:subtitle><itunes:summary><![CDATA["Hero and Leander" by George Chapman and Christopher Marlowe is a timeless narrative that explores the themes of love, longing, and the pursuit of the unattainable. This poetic tale recounts the passionate and tragic love story between Hero, a beautiful priestess, and Leander, a young man from across the sea, whose devotion drives him to brave treacherous waters. The enduring nature of their romance resonates with listeners today, as it reflects the universal struggles of love against insurmountable odds. With its rich language and emotional depth, this work invites audiences to reflect on the nature of desire and the sacrifices made in the name of love, making it a compelling listen for anyone captivated by classic literature.]]></itunes:summary><itunes:duration>13035</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Hero and Leander - George Chapman Christopher Marlowe</title><link>https://www.spreaker.com/episode/hero-and-leander-george-chapman-christopher-marlowe--72585528</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72585528</guid><pubDate>Thu, 18 Jun 2026 18:51:58 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72585528/hero_and_leander_george_chapman_christopher_marlowe.mp3" length="104279181" type="audio/mpeg"/><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)]]></itunes:summary><itunes:duration>13035</itunes:duration><itunes:keywords>alumni,chapman,hero,jonsonian,languorously,leander,marlowe,pithiest,playwrights,poetry</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/130e8f5152db6262d687dac1910545ba.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
