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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Marriage of Heaven and Hell</title><link>https://www.spreaker.com/podcast/marriage-of-heaven-and-hell--7110614</link><description><![CDATA[Dive into the intricate interplay of light and darkness, as suggested by the thought-provoking title. This podcast invites listeners to explore the profound dualities that define our existence, examining the tensions between heaven and hell, spirit and matter, and morality and desire. Each episode features a new complete audiobook that delves into themes of transcendence and the acceptance of complexity within the human experience. This is not a single story but a series of unique explorations, inviting contemplation of how these opposing forces shape our lives and our understanding of the universe. From visionary insights to radical philosophies, discover a new book with every episode that challenges conventions and ignites the imagination. Join us on this journey of enlightenment and discovery, where the boundaries of the sacred and the profane blur into a rich tapestry of narrative and thought.]]></description><atom:link href="https://www.spreaker.com/show/7110614/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Philosophy Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg</url><title>Marriage of Heaven and Hell</title><link>https://www.spreaker.com/podcast/marriage-of-heaven-and-hell--7110614</link></image><lastBuildDate>Thu, 10 Sep 2026 09:09:14 +0000</lastBuildDate><itunes:author>William Blake</itunes:author><itunes:owner><itunes:name>Philosophy Genre</itunes:name><itunes:email>spreaker72@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:subtitle>Dive into the intricate interplay of light and darkness, as suggested by the thought-provoking title. This podcast invites listeners to explore the profound dualities that define our existence, examining the tensions between heaven and hell, spirit...</itunes:subtitle><itunes:summary><![CDATA[Dive into the intricate interplay of light and darkness, as suggested by the thought-provoking title. This podcast invites listeners to explore the profound dualities that define our existence, examining the tensions between heaven and hell, spirit and matter, and morality and desire. Each episode features a new complete audiobook that delves into themes of transcendence and the acceptance of complexity within the human experience. This is not a single story but a series of unique explorations, inviting contemplation of how these opposing forces shape our lives and our understanding of the universe. From visionary insights to radical philosophies, discover a new book with every episode that challenges conventions and ignites the imagination. Join us on this journey of enlightenment and discovery, where the boundaries of the sacred and the profane blur into a rich tapestry of narrative and thought.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Science"/><itunes:category text="Science"><itunes:category text="Astronomy"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>b42f18df-9259-56d3-a75e-1b50b173b83e</podcast:guid><itunes:type>episodic</itunes:type><item><title>Foxe's Book of Martyrs Vol 2: Lives and Deaths of Early Christian and Protestant Martyrs-Forbush, Foxe</title><link>https://www.spreaker.com/episode/foxe-s-book-of-martyrs-vol-2-lives-and-deaths-of-early-christian-and-protestant-martyrs-forbush-foxe--74416141</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74416141</guid><pubDate>Thu, 10 Sep 2026 09:00:45 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74416141/foxe_s_book_of_martyrs_vol_2_lives_and_deaths_of_early_christian_and_protestant_martyrs_forbush_foxe.mp3" length="274822740" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>34318</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Prelude-William Wordsworth</title><link>https://www.spreaker.com/episode/prelude-william-wordsworth--74388837</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74388837</guid><pubDate>Wed, 09 Sep 2026 09:00:50 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74388837/prelude_william_wordsworth.mp3" length="228543030" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>28539</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Taking the Bastile-Alexandre Dumas</title><link>https://www.spreaker.com/episode/taking-the-bastile-alexandre-dumas--74363814</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74363814</guid><pubDate>Tue, 08 Sep 2026 09:00:48 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74363814/taking_the_bastile_alexandre_dumas.mp3" length="214992096" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>26847</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Four Hymns-Edmund Spenser</title><link>https://www.spreaker.com/episode/four-hymns-edmund-spenser--74344985</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74344985</guid><pubDate>Mon, 07 Sep 2026 09:00:52 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74344985/four_hymns_edmund_spenser.mp3" length="34401374" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>4296</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Boys' and Girls' Pliny Vol. 1-Pliny the Elder, John S. White</title><link>https://www.spreaker.com/episode/boys-and-girls-pliny-vol-1-pliny-the-elder-john-s-white--74320047</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74320047</guid><pubDate>Sun, 06 Sep 2026 09:00:33 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74320047/boys_and_girls_pliny_vol_1_pliny_the_elder_john_s_white.mp3" length="60777261" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>7590</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Culture and Anarchy-Matthew Arnold</title><link>https://www.spreaker.com/episode/culture-and-anarchy-matthew-arnold--74300814</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74300814</guid><pubDate>Sat, 05 Sep 2026 09:00:24 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74300814/culture_and_anarchy_matthew_arnold.mp3" length="173751022" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>21697</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Politics-Aristotle</title><link>https://www.spreaker.com/episode/politics-aristotle--74283193</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74283193</guid><pubDate>Fri, 04 Sep 2026 09:00:26 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74283193/politics_aristotle.mp3" length="266685330" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>33302</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Easter Mystery Of Jesus Christ; A Miscellany Of Readings, Poems, And Hymn Texts-Various</title><link>https://www.spreaker.com/episode/easter-mystery-of-jesus-christ-a-miscellany-of-readings-poems-and-hymn-texts-various--74264092</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74264092</guid><pubDate>Thu, 03 Sep 2026 09:00:29 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74264092/easter_mystery_of_jesus_christ_a_miscellany_of_readings_poems_and_hymn_texts_various.mp3" length="109333472" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>13653</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Arabic Hidden Words-Bahá'u'lláh</title><link>https://www.spreaker.com/episode/arabic-hidden-words-baha-u-llah--74248949</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74248949</guid><pubDate>Wed, 02 Sep 2026 09:00:31 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74248949/arabic_hidden_words_baha_u_lla_h.mp3" length="17145245" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>2141</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Germania-Publius Cornelius Tacitus</title><link>https://www.spreaker.com/episode/germania-publius-cornelius-tacitus--74235055</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74235055</guid><pubDate>Tue, 01 Sep 2026 09:00:29 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74235055/germania_publius_cornelius_tacitus.mp3" length="33594511" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>4195</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Outa Karel’s Stories South African Folk-Lore Tales-Sanni Metelerkamp</title><link>https://www.spreaker.com/episode/outa-karel-s-stories-south-african-folk-lore-tales-sanni-metelerkamp--74221059</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74221059</guid><pubDate>Mon, 31 Aug 2026 09:00:34 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74221059/outa_karel_s_stories_south_african_folk_lore_tales_sanni_metelerkamp.mp3" length="90559958" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>11309</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Autobiography of Charles Darwin-Charles Darwin</title><link>https://www.spreaker.com/episode/autobiography-of-charles-darwin-charles-darwin--74197330</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74197330</guid><pubDate>Sun, 30 Aug 2026 09:00:27 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74197330/autobiography_of_charles_darwin_charles_darwin.mp3" length="79240698" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>9895</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Wise Woman-George MacDonald</title><link>https://www.spreaker.com/episode/wise-woman-george-macdonald--74170758</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74170758</guid><pubDate>Sat, 29 Aug 2026 09:00:31 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74170758/wise_woman_george_macdonald.mp3" length="85298999" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>10652</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Moral Equivalent of War</title><link>https://www.spreaker.com/episode/the-moral-equivalent-of-war--74145100</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74145100</guid><pubDate>Fri, 28 Aug 2026 09:00:29 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74145100/the_moral_equivalent_of_war.mp3" length="21127029" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>2638</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Hill of Dreams-Arthur Machen</title><link>https://www.spreaker.com/episode/hill-of-dreams-arthur-machen--74093200</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74093200</guid><pubDate>Thu, 27 Aug 2026 09:00:29 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74093200/hill_of_dreams_arthur_machen.mp3" length="204695658" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>25561</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>War of Antichrist with the Church and Christian Civilization-George F. Dillon</title><link>https://www.spreaker.com/episode/war-of-antichrist-with-the-church-and-christian-civilization-george-f-dillon--74071890</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74071890</guid><pubDate>Wed, 26 Aug 2026 09:00:31 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74071890/9311_war_of_antichrist_with_the_church_and_christian_civilization_george_f_dillon.mp3" length="216306811" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>27011</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Machine Stops-E. M. Forster</title><link>https://www.spreaker.com/episode/machine-stops-e-m-forster--74049007</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74049007</guid><pubDate>Tue, 25 Aug 2026 09:00:18 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74049007/machine_stops_e_m_forster.mp3" length="34782835" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>4343</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Lifted Veil (Version 2)-George Eliot</title><link>https://www.spreaker.com/episode/lifted-veil-version-2-george-eliot--74027701</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74027701</guid><pubDate>Mon, 24 Aug 2026 09:01:35 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74027701/lifted_veil_version_2_george_eliot.mp3" length="62104064" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>7755</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Bible (Fenton) NT 03, 05 Holy Bible in Modern English, The Luke, Acts-Ferrar Fenton Bible</title><link>https://www.spreaker.com/episode/bible-fenton-nt-03-05-holy-bible-in-modern-english-the-luke-acts-ferrar-fenton-bible--74008200</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74008200</guid><pubDate>Sun, 23 Aug 2026 09:01:39 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74008200/bible_fenton_nt_03_05_holy_bible_in_modern_english_the_luke_acts_ferrar_fenton_bible.mp3" length="149509080" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>18670</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Apology of Socrates (version 2)-Plato (Πλάτων)</title><link>https://www.spreaker.com/episode/apology-of-socrates-version-2-plato-platon--73985206</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73985206</guid><pubDate>Sat, 22 Aug 2026 09:01:14 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73985206/apology_of_socrates_version_2_plato.mp3" length="36663983" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>4578</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Louis Lambert-Honoré de Balzac</title><link>https://www.spreaker.com/episode/louis-lambert-honore-de-balzac--73965841</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73965841</guid><pubDate>Fri, 21 Aug 2026 09:01:27 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73965841/louis_lambert_honore_de_balzac.mp3" length="115981834" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>14483</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Breviate of the Life of Margaret Baxter-Richard Baxter</title><link>https://www.spreaker.com/episode/breviate-of-the-life-of-margaret-baxter-richard-baxter--73945449</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73945449</guid><pubDate>Thu, 20 Aug 2026 09:01:38 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73945449/breviate_of_the_life_of_margaret_baxter_richard_baxter.mp3" length="75125238" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>9381</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Songs of Innocence and Experience (version 3)-William Blake</title><link>https://www.spreaker.com/episode/songs-of-innocence-and-experience-version-3-william-blake--73923256</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73923256</guid><pubDate>Wed, 19 Aug 2026 09:01:29 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73923256/songs_of_innocence_and_experience_version_3_william_blake.mp3" length="21102743" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>2635</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Introduction to The Philosophy of History-Georg Wilhelm Friedrich Hegel</title><link>https://www.spreaker.com/episode/introduction-to-the-philosophy-of-history-georg-wilhelm-friedrich-hegel--73900144</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73900144</guid><pubDate>Tue, 18 Aug 2026 09:01:58 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73900144/introduction_to_the_philosophy_of_history_georg_wilhelm_friedrich_hegel.mp3" length="132379077" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>16530</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Spiritual Dialogue Between the Soul, the Body, Self-Love, the Spirit, Humanity, and the Lord God-Saint Catherine of Genoa</title><link>https://www.spreaker.com/episode/spiritual-dialogue-between-the-soul-the-body-self-love-the-spirit-humanity-and-the-lord-god-saint-catherine-of-genoa--73878391</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73878391</guid><pubDate>Mon, 17 Aug 2026 09:02:11 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73878391/spiritual_dialogue_between_the_soul_the_body_self_love_the_spirit_humanity_and_the_lord_god_saint_catherine_of_genoa.mp3" length="109920449" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>13726</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Childe Harold's Pilgrimage Canto IV-George Gordon, Lord Byron</title><link>https://www.spreaker.com/episode/childe-harold-s-pilgrimage-canto-iv-george-gordon-lord-byron--73858317</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73858317</guid><pubDate>Sun, 16 Aug 2026 09:02:21 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73858317/childe_harold_s_pilgrimage_canto_iv_george_gordon_lord_byron.mp3" length="57239088" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>7148</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Childe Harold's Pilgrimage Canto III-George Gordon, Lord Byron</title><link>https://www.spreaker.com/episode/childe-harold-s-pilgrimage-canto-iii-george-gordon-lord-byron--73840423</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73840423</guid><pubDate>Sat, 15 Aug 2026 09:03:07 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73840423/childe_harold_s_pilgrimage_canto_iii_george_gordon_lord_byron.mp3" length="38093680" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>4757</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Prince (Version 3)-Niccolò Machiavelli</title><link>https://www.spreaker.com/episode/prince-version-3-niccolo-machiavelli--73369621</link><description><![CDATA["Prince (Version 3)" by Niccolò Machiavelli is a seminal work that delves into political philosophy and the intricacies of power dynamics. It offers insights into the nature of leadership, the complexities of governance, and the often harsh realities of political life. This timeless text remains relevant today as it explores themes of authority, morality, and the balance between ethics and pragmatism in leadership. Machiavelli's unflinching examination of the human condition and the pursuit of power continues to resonate, prompting listeners to reflect on the motives and strategies that shape our world. Engaging with this classic will enrich your understanding of both historical and contemporary political landscapes.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73369621</guid><pubDate>Mon, 03 Aug 2026 09:01:34 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73369621/prince_version_3_niccolo_machiavelli.mp3" length="99073803" type="audio/mpeg"/><itunes:author>William Blake</itunes:author><itunes:subtitle>"Prince (Version 3)" by Niccolò Machiavelli is a seminal work that delves into political philosophy and the intricacies of power dynamics. It offers insights into the nature of leadership, the complexities of governance, and the often harsh realities...</itunes:subtitle><itunes:summary><![CDATA["Prince (Version 3)" by Niccolò Machiavelli is a seminal work that delves into political philosophy and the intricacies of power dynamics. It offers insights into the nature of leadership, the complexities of governance, and the often harsh realities of political life. This timeless text remains relevant today as it explores themes of authority, morality, and the balance between ethics and pragmatism in leadership. Machiavelli's unflinching examination of the human condition and the pursuit of power continues to resonate, prompting listeners to reflect on the motives and strategies that shape our world. Engaging with this classic will enrich your understanding of both historical and contemporary political landscapes.]]></itunes:summary><itunes:duration>12372</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Marriage of Heaven and Hell - William Blake</title><link>https://www.spreaker.com/episode/marriage-of-heaven-and-hell-william-blake--72552421</link><description><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72552421</guid><pubDate>Tue, 16 Jun 2026 17:27:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72552421/marriage_of_heaven_and_hell_william_blake.mp3" length="19924994" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/b80348dd-d73a-4299-ae9e-8bb0974a094e/b80348dd-d73a-4299-ae9e-8bb0974a094e.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/b80348dd-d73a-4299-ae9e-8bb0974a094e/b80348dd-d73a-4299-ae9e-8bb0974a094e.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/b80348dd-d73a-4299-ae9e-8bb0974a094e/b80348dd-d73a-4299-ae9e-8bb0974a094e.vtt" type="text/vtt" language="en"/><itunes:author>William Blake</itunes:author><itunes:subtitle>The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin...</itunes:subtitle><itunes:summary><![CDATA[The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order, hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Inferno and Milton's Paradise Lost. (Summary by Wikipedia)]]></itunes:summary><itunes:duration>2491</itunes:duration><itunes:keywords>blake,depolarized,emanuel,foment,heaven,hell,manichean,marriage,non,swedenborg</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/cb78e2e3003e1c0dfe72c6148c396fdd.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
