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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Interior Castle</title><link>https://www.spreaker.com/podcast/interior-castle--7108900</link><description><![CDATA[El Castillo Interior or Las Moradas (trans.:The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. (from wikipedia.org)]]></description><atom:link href="https://www.spreaker.com/show/7108900/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Non Fiction Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3a7147f282b45c24429fe3c175804250.jpg</url><title>Interior Castle</title><link>https://www.spreaker.com/podcast/interior-castle--7108900</link></image><lastBuildDate>Thu, 10 Sep 2026 09:09:24 +0000</lastBuildDate><itunes:author>Saint Teresa of Avila</itunes:author><itunes:owner><itunes:name>Non Fiction Genre</itunes:name><itunes:email>spreaker71@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3a7147f282b45c24429fe3c175804250.jpg"/><itunes:subtitle>El Castillo Interior or Las Moradas (trans.:The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of...</itunes:subtitle><itunes:summary><![CDATA[El Castillo Interior or Las Moradas (trans.:The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. (from wikipedia.org)]]></itunes:summary><itunes:duration>28091</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3a7147f282b45c24429fe3c175804250.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Steps to Christ-Ellen G. White</title><link>https://www.spreaker.com/episode/steps-to-christ-ellen-g-white--74340296</link><description><![CDATA[El Castillo Interior or Las Moradas (trans.:The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. (from wikipedia.org)]]></itunes:summary><itunes:duration>11142</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3a7147f282b45c24429fe3c175804250.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Letters to His Children-Theodore Roosevelt</title><link>https://www.spreaker.com/episode/letters-to-his-children-theodore-roosevelt--74315214</link><description><![CDATA[El Castillo Interior or Las Moradas (trans.:The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. (from wikipedia.org)]]></itunes:summary><itunes:duration>17266</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3a7147f282b45c24429fe3c175804250.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Interior Castle-Saint Teresa of Avila</title><link>https://www.spreaker.com/episode/interior-castle-saint-teresa-of-avila--74297577</link><description><![CDATA[El Castillo Interior or Las Moradas (trans.:The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. (from wikipedia.org)]]></itunes:summary><itunes:duration>25835</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3a7147f282b45c24429fe3c175804250.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Agathos, the Rocky Island, and Other Sunday Stories and Parables-Samuel Wilberforce</title><link>https://www.spreaker.com/episode/agathos-the-rocky-island-and-other-sunday-stories-and-parables-samuel-wilberforce--74279860</link><description><![CDATA[El Castillo Interior or Las Moradas (trans.:The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. (from wikipedia.org)]]></itunes:summary><itunes:duration>16713</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3a7147f282b45c24429fe3c175804250.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Practice of the Presence of God (version 2)-Brother Lawrence</title><link>https://www.spreaker.com/episode/practice-of-the-presence-of-god-version-2-brother-lawrence--74261452</link><description><![CDATA[El Castillo Interior or Las Moradas (trans.:The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. (from wikipedia.org)]]></itunes:summary><itunes:duration>4897</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3a7147f282b45c24429fe3c175804250.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>St Augustine's Treatise on the City of God-Saint Augustine of Hippo</title><link>https://www.spreaker.com/episode/st-augustine-s-treatise-on-the-city-of-god-saint-augustine-of-hippo--74245919</link><description><![CDATA[El Castillo Interior or Las Moradas (trans.:The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. (from wikipedia.org)]]></itunes:summary><itunes:duration>9418</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3a7147f282b45c24429fe3c175804250.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Tales of the Five Towns-Arnold Bennett</title><link>https://www.spreaker.com/episode/tales-of-the-five-towns-arnold-bennett--74231977</link><description><![CDATA[El Castillo Interior or Las Moradas (trans.:The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. (from wikipedia.org)]]></itunes:summary><itunes:duration>20382</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3a7147f282b45c24429fe3c175804250.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Letters of Travel-Rudyard Kipling</title><link>https://www.spreaker.com/episode/letters-of-travel-rudyard-kipling--74218231</link><description><![CDATA[El Castillo Interior or Las Moradas (trans.:The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. (from wikipedia.org)]]></itunes:summary><itunes:duration>27901</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3a7147f282b45c24429fe3c175804250.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Backwater (Pilgrimage, Vol. 2)-Dorothy Richardson</title><link>https://www.spreaker.com/episode/backwater-pilgrimage-vol-2-dorothy-richardson--74192150</link><description><![CDATA[El Castillo Interior or Las Moradas (trans.:The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. (from wikipedia.org)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74192150</guid><pubDate>Sun, 30 Aug 2026 09:00:25 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74192150/backwater_pilgrimage_vol_2_dorothy_richardson.mp3" length="157472568" type="audio/mpeg"/><itunes:author>Saint Teresa of Avila</itunes:author><itunes:subtitle>El Castillo Interior or Las Moradas (trans.:The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of...</itunes:subtitle><itunes:summary><![CDATA[El Castillo Interior or Las Moradas (trans.:The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. (from wikipedia.org)]]></itunes:summary><itunes:duration>19664</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3a7147f282b45c24429fe3c175804250.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Dryden vs Shadwell - a Poetic Duel-John Dryden, Thomas Shadwell</title><link>https://www.spreaker.com/episode/dryden-vs-shadwell-a-poetic-duel-john-dryden-thomas-shadwell--74165954</link><description><![CDATA[El Castillo Interior or Las Moradas (trans.:The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. (from wikipedia.org)]]></itunes:summary><itunes:duration>26958</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3a7147f282b45c24429fe3c175804250.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Germania-Publius Cornelius Tacitus</title><link>https://www.spreaker.com/episode/germania-publius-cornelius-tacitus--74024129</link><description><![CDATA[El Castillo Interior or Las Moradas (trans.:The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. (from wikipedia.org)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74024129</guid><pubDate>Mon, 24 Aug 2026 09:01:22 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74024129/germania_publius_cornelius_tacitus.mp3" length="33594511" type="audio/mpeg"/><itunes:author>Saint Teresa of Avila</itunes:author><itunes:subtitle>El Castillo Interior or Las Moradas (trans.:The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of...</itunes:subtitle><itunes:summary><![CDATA[El Castillo Interior or Las Moradas (trans.:The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. (from wikipedia.org)]]></itunes:summary><itunes:duration>4195</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3a7147f282b45c24429fe3c175804250.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Reconciliation of Races and Religions-Thomas Kelly Cheyne</title><link>https://www.spreaker.com/episode/reconciliation-of-races-and-religions-thomas-kelly-cheyne--74004174</link><description><![CDATA[El Castillo Interior or Las Moradas (trans.:The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. (from wikipedia.org)]]></itunes:summary><itunes:duration>25822</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3a7147f282b45c24429fe3c175804250.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Aleriel; or, A Voyage to Other Worlds-Wladislaw Lach-Szyrma</title><link>https://www.spreaker.com/episode/aleriel-or-a-voyage-to-other-worlds-wladislaw-lach-szyrma--73981563</link><description><![CDATA[El Castillo Interior or Las Moradas (trans.:The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. (from wikipedia.org)]]></itunes:summary><itunes:duration>18670</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3a7147f282b45c24429fe3c175804250.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>On the Good of Marriage-Saint Augustine of Hippo</title><link>https://www.spreaker.com/episode/on-the-good-of-marriage-saint-augustine-of-hippo--73941477</link><description><![CDATA[El Castillo Interior or Las Moradas (trans.:The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. (from wikipedia.org)]]></itunes:summary><itunes:duration>20865</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3a7147f282b45c24429fe3c175804250.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Mysterious Forces of Civilization-Abdu’l-Bahá ‘Abbás</title><link>https://www.spreaker.com/episode/mysterious-forces-of-civilization-abdu-l-baha-abbas--73896120</link><description><![CDATA[El Castillo Interior or Las Moradas (trans.:The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. (from wikipedia.org)]]></itunes:summary><itunes:duration>22871</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3a7147f282b45c24429fe3c175804250.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Story of a Soul-Saint Therese of Lisieux</title><link>https://www.spreaker.com/episode/story-of-a-soul-saint-therese-of-lisieux--73838153</link><description><![CDATA[El Castillo Interior or Las Moradas (trans.:The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Listening to Donne's timeless observations can inspire a renewed understanding of our own moral dilemmas and the intricacies of the human experience, making his work as relevant now as it was in the past.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73365632</guid><pubDate>Mon, 03 Aug 2026 09:01:15 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73365632/john_donne_s_satires_john_donne.mp3" length="39822705" type="audio/mpeg"/><itunes:author>Saint Teresa of Avila</itunes:author><itunes:subtitle>John Donne's Satires presents a compelling exploration of the complexities of human nature, faith, and morality through sharp wit and profound insight. This collection of satirical poems delves into the contradictions of life, challenging readers to...</itunes:subtitle><itunes:summary><![CDATA[John Donne's Satires presents a compelling exploration of the complexities of human nature, faith, and morality through sharp wit and profound insight. This collection of satirical poems delves into the contradictions of life, challenging readers to reflect on their own beliefs and the society around them. The themes of hypocrisy, self-examination, and the quest for truth resonate deeply in today's world, where similar struggles persist. Listening to Donne's timeless observations can inspire a renewed understanding of our own moral dilemmas and the intricacies of the human experience, making his work as relevant now as it was in the past.]]></itunes:summary><itunes:duration>4972</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3a7147f282b45c24429fe3c175804250.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Interior Castle - Saint Teresa of Avila</title><link>https://www.spreaker.com/episode/interior-castle-saint-teresa-of-avila--72537853</link><description><![CDATA[El Castillo Interior or Las Moradas (trans.:The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa, "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures." With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century. An English translation was published in London in 1852. 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