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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Music</title><link>https://www.spreaker.com/podcast/music--7100116</link><description><![CDATA["So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><atom:link href="https://www.spreaker.com/show/7100116/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Myths Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg</url><title>Music</title><link>https://www.spreaker.com/podcast/music--7100116</link></image><lastBuildDate>Mon, 07 Sep 2026 09:14:08 +0000</lastBuildDate><itunes:author>Ursula Creighton</itunes:author><itunes:owner><itunes:name>Myths Genre</itunes:name><itunes:email>spreaker68@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:subtitle>"So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA["So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Kids &amp; Family"><itunes:category text="Pets &amp; Animals"/></itunes:category><itunes:category text="Science"><itunes:category text="Nature"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>955adb73-6b81-58a7-b726-46d38b586412</podcast:guid><itunes:type>episodic</itunes:type><item><title>Salad-Sydney Smith</title><link>https://www.spreaker.com/episode/salad-sydney-smith--74414716</link><description><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74414716</guid><pubDate>Mon, 07 Sep 2026 09:01:24 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74414716/salad_sydney_smith.mp3" length="14959292" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:duration>1868</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Match-Algernon Charles Swinburne</title><link>https://www.spreaker.com/episode/match-algernon-charles-swinburne--74384569</link><description><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74384569</guid><pubDate>Sun, 06 Sep 2026 09:01:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74384569/match_algernon_charles_swinburne.mp3" length="21704705" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:duration>2711</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Rain-Madison Cawein</title><link>https://www.spreaker.com/episode/rain-madison-cawein--74357675</link><description><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74357675</guid><pubDate>Sat, 05 Sep 2026 09:00:55 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74357675/rain_madison_cawein.mp3" length="17111538" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:duration>2137</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Serenade-Thomas Hood</title><link>https://www.spreaker.com/episode/serenade-thomas-hood--74335292</link><description><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74335292</guid><pubDate>Fri, 04 Sep 2026 09:01:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74335292/serenade_thomas_hood.mp3" length="16582264" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:duration>2071</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Watsons (Dramatic Reading)-Jane Austen, L. Oulton</title><link>https://www.spreaker.com/episode/watsons-dramatic-reading-jane-austen-l-oulton--74309447</link><description><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74309447</guid><pubDate>Thu, 03 Sep 2026 09:01:01 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74309447/watsons_dramatic_reading_jane_austen_l_oulton.mp3" length="112077080" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:duration>13995</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Main Street-Joyce Kilmer</title><link>https://www.spreaker.com/episode/main-street-joyce-kilmer--74290234</link><description><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74290234</guid><pubDate>Wed, 02 Sep 2026 09:01:09 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74290234/main_street_joyce_kilmer.mp3" length="15265643" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:duration>1906</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Red Flower-Henry van Dyke</title><link>https://www.spreaker.com/episode/red-flower-henry-van-dyke--74268381</link><description><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74268381</guid><pubDate>Tue, 01 Sep 2026 09:01:12 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74268381/red_flower_henry_van_dyke.mp3" length="26712980" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:duration>3336</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Snowed Under-Ella Wheeler Wilcox</title><link>https://www.spreaker.com/episode/snowed-under-ella-wheeler-wilcox--74250747</link><description><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74250747</guid><pubDate>Mon, 31 Aug 2026 09:01:07 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74250747/snowed_under_ella_wheeler_wilcox.mp3" length="17894939" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:duration>2235</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Reporter-Ivan Turgenev</title><link>https://www.spreaker.com/episode/reporter-ivan-turgenev--74234061</link><description><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74234061</guid><pubDate>Sun, 30 Aug 2026 09:00:59 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74234061/reporter_ivan_turgenev.mp3" length="16375204" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:duration>2045</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Thanksgiving Dream-Joseph Crosby Lincoln</title><link>https://www.spreaker.com/episode/thanksgiving-dream-joseph-crosby-lincoln--74218117</link><description><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74218117</guid><pubDate>Sat, 29 Aug 2026 09:00:57 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74218117/thanksgiving_dream_joseph_crosby_lincoln.mp3" length="14521131" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:duration>1814</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Inscriptions Written With A Slate Pencil Upon A Stone Near a Deserted Quarry at Rydal-William Wordsworth</title><link>https://www.spreaker.com/episode/inscriptions-written-with-a-slate-pencil-upon-a-stone-near-a-deserted-quarry-at-rydal-william-wordsworth--74189305</link><description><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74189305</guid><pubDate>Fri, 28 Aug 2026 09:01:08 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74189305/inscriptions_written_with_a_slate_pencil_upon_a_stone_near_a_deserted_quarry_at_rydal_william_wordsworth.mp3" length="17724471" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:duration>2213</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>How a Fisherman Corked up His Foe in a Jar-Guy Wetmore Carryl</title><link>https://www.spreaker.com/episode/how-a-fisherman-corked-up-his-foe-in-a-jar-guy-wetmore-carryl--74160755</link><description><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74160755</guid><pubDate>Thu, 27 Aug 2026 09:01:07 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74160755/how_a_fisherman_corked_up_his_foe_in_a_jar_guy_wetmore_carryl.mp3" length="18375441" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:duration>2295</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>O Captain! My Captain!-Walt Whitman</title><link>https://www.spreaker.com/episode/o-captain-my-captain-walt-whitman--74131742</link><description><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74131742</guid><pubDate>Wed, 26 Aug 2026 09:01:14 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74131742/o_captain_my_captain_walt_whitman.mp3" length="17608512" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:duration>2199</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Winter In Canada-Rosanna Eleanor Leprohon</title><link>https://www.spreaker.com/episode/winter-in-canada-rosanna-eleanor-leprohon--74079984</link><description><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74079984</guid><pubDate>Tue, 25 Aug 2026 09:01:05 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74079984/winter_in_canada_rosanna_eleanor_leprohon.mp3" length="16981157" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:duration>2121</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Mind Dark-Henry Bellamann</title><link>https://www.spreaker.com/episode/mind-dark-henry-bellamann--74055537</link><description><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74055537</guid><pubDate>Mon, 24 Aug 2026 09:02:51 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74055537/mind_dark_henry_bellamann.mp3" length="18333584" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:duration>2290</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Heart of the Tree-Henry Cuyler Bunner</title><link>https://www.spreaker.com/episode/heart-of-the-tree-henry-cuyler-bunner--74031038</link><description><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74031038</guid><pubDate>Sun, 23 Aug 2026 09:02:38 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74031038/heart_of_the_tree_henry_cuyler_bunner.mp3" length="15853530" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:duration>1980</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Quiet-Madison Cawein</title><link>https://www.spreaker.com/episode/quiet-madison-cawein--74009292</link><description><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74009292</guid><pubDate>Sat, 22 Aug 2026 09:02:19 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74009292/quiet_madison_cawein.mp3" length="18160211" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:duration>2268</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Leaf-Samuel G. Goodrich</title><link>https://www.spreaker.com/episode/leaf-samuel-g-goodrich--73984227</link><description><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73984227</guid><pubDate>Fri, 21 Aug 2026 09:02:40 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73984227/leaf_samuel_g_goodrich.mp3" length="19213078" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:duration>2399</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Hallowe'en-Virna Sheard</title><link>https://www.spreaker.com/episode/hallowe-en-virna-sheard--73961848</link><description><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73961848</guid><pubDate>Thu, 20 Aug 2026 09:02:55 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73961848/hallowe_en_virna_sheard.mp3" length="14727949" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:duration>1839</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Naughty Little Comet-Ella Wheeler Wilcox</title><link>https://www.spreaker.com/episode/naughty-little-comet-ella-wheeler-wilcox--73938963</link><description><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73938963</guid><pubDate>Wed, 19 Aug 2026 09:02:36 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73938963/naughty_little_comet_ella_wheeler_wilcox.mp3" length="16269986" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:duration>2032</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Ole In The Ark-Marriott Edgar</title><link>https://www.spreaker.com/episode/ole-in-the-ark-marriott-edgar--73913613</link><description><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73913613</guid><pubDate>Tue, 18 Aug 2026 09:03:06 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73913613/ole_in_the_ark_marriott_edgar.mp3" length="25742116" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:duration>3215</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Eight Hours-George A. Baker, Jr</title><link>https://www.spreaker.com/episode/eight-hours-george-a-baker-jr--73889365</link><description><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73889365</guid><pubDate>Mon, 17 Aug 2026 09:03:12 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73889365/eight_hours_george_a_baker_jr.mp3" length="21476985" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:duration>2682</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Farewell of the Seal-Anonymous</title><link>https://www.spreaker.com/episode/farewell-of-the-seal-anonymous--73865916</link><description><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73865916</guid><pubDate>Sun, 16 Aug 2026 09:03:08 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73865916/farewell_of_the_seal_anonymous.mp3" length="23944716" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:duration>2990</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Parental Ode to My Son, Aged Three Years and Five Months-Thomas Hood</title><link>https://www.spreaker.com/episode/parental-ode-to-my-son-aged-three-years-and-five-months-thomas-hood--73845731</link><description><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73845731</guid><pubDate>Sat, 15 Aug 2026 09:03:56 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73845731/parental_ode_to_my_son_aged_three_years_and_five_months_thomas_hood.mp3" length="25131047" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA[So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:duration>3138</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Cry From An Indian Wife-E. Pauline Johnson</title><link>https://www.spreaker.com/episode/cry-from-an-indian-wife-e-pauline-johnson--73356598</link><description><![CDATA["Cry From An Indian Wife" by E. Pauline Johnson is a poignant exploration of love, loss, and cultural identity through the lens of an Indigenous woman. The narrative captures the deep emotional turmoil faced by the protagonist, reflecting the struggles and resilience of Indigenous peoples. This timeless story resonates today as it speaks to the enduring themes of connection and the complexities of cultural heritage, inviting listeners to reflect on their own relationships and identities. Johnson's eloquent prose and powerful imagery make this audiobook a compelling experience, reminding us of the universal human experiences that transcend time and place.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73356598</guid><pubDate>Sun, 02 Aug 2026 23:46:16 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73356598/cry_from_an_indian_wife_e_pauline_johnson.mp3" length="25614504" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>"Cry From An Indian Wife" by E. Pauline Johnson is a poignant exploration of love, loss, and cultural identity through the lens of an Indigenous woman. The narrative captures the deep emotional turmoil faced by the protagonist, reflecting the...</itunes:subtitle><itunes:summary><![CDATA["Cry From An Indian Wife" by E. Pauline Johnson is a poignant exploration of love, loss, and cultural identity through the lens of an Indigenous woman. The narrative captures the deep emotional turmoil faced by the protagonist, reflecting the struggles and resilience of Indigenous peoples. This timeless story resonates today as it speaks to the enduring themes of connection and the complexities of cultural heritage, inviting listeners to reflect on their own relationships and identities. Johnson's eloquent prose and powerful imagery make this audiobook a compelling experience, reminding us of the universal human experiences that transcend time and place.]]></itunes:summary><itunes:duration>3198</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Music - Ursula Creighton</title><link>https://www.spreaker.com/episode/music-ursula-creighton--72484672</link><description><![CDATA["So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72484672</guid><pubDate>Thu, 11 Jun 2026 18:05:14 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72484672/music_ursula_creighton.mp3" length="199773025" type="audio/mpeg"/><itunes:author>Ursula Creighton</itunes:author><itunes:subtitle>"So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as...</itunes:subtitle><itunes:summary><![CDATA["So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)]]></itunes:summary><itunes:duration>24972</itunes:duration><itunes:keywords>appreciation,creighton,dipping,discursiveness,enjoyed,enjoyment,examinations,music,pleasure,unauthenticated</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1a7d90188bb8d13a316b935b249bb7a2.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
