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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Audubon's Western Journal: 1849-1850</title><link>https://www.spreaker.com/podcast/audubon-s-western-journal-1849-1850--7095306</link><description><![CDATA[John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. From New Orleans the expedition sailed to the Rio Grande; it headed west overland through northern Mexico and through Arizona to San Diego, California. Cholera and outlaws decimated the group. Many of them turned back, including the leader. Audubon assumed command of those remaining and they pushed on to California, although he was forced to abandon his paints and canvases in the desert…. Throughout the whole of this long journey Mr. Audubon took notes of scenes and occurrences by the way. In his descriptions he exhibits the keen observation of the naturalist and the trained eye of the artist. The result is a remarkable picture of social conditions in Mexico, of birds and trees, of sky and mountains and the changing face of nature, of the barrenness of the desert and the difficulties of the journey, of the ruined missions of California, of methods of mining, and of the chaos of races and babel of tongues in the gold fields. It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. Because it was not edited by Audubon, the text (and this recording) ends abruptly. - Summary by Book Introduction and David Wales<br /><br />This show includes AI-generated content.]]></description><atom:link href="https://www.spreaker.com/show/7095306/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Modern Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/065a5a796f700a50d887fc4552ceb6ea.jpg</url><title>Audubon's Western Journal: 1849-1850</title><link>https://www.spreaker.com/podcast/audubon-s-western-journal-1849-1850--7095306</link></image><lastBuildDate>Tue, 06 Oct 2026 16:08:02 +0000</lastBuildDate><itunes:author>John Woodhouse Audubon</itunes:author><itunes:owner><itunes:name>Modern Genre</itunes:name><itunes:email>spreaker66@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/065a5a796f700a50d887fc4552ceb6ea.jpg"/><itunes:subtitle>John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. 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The result is a remarkable picture of social conditions in Mexico, of birds and trees, of sky and mountains and the changing face of nature, of the barrenness of the desert and the difficulties of the journey, of the ruined missions of California, of methods of mining, and of the chaos of races and babel of tongues in the gold fields. It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. Because it was not edited by Audubon, the text (and this recording) ends abruptly. - Summary by Book Introduction and David Wales<br /><br />This show includes AI-generated content.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Science"/><itunes:category text="Science"><itunes:category text="Nature"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>bd4f9a85-99d8-5166-a564-c1a38ea17255</podcast:guid><podcast:txt purpose="ai-content">true</podcast:txt><itunes:type>episodic</itunes:type><item><title>Story of My Boyhood and Youth-John Muir</title><link>https://www.spreaker.com/episode/story-of-my-boyhood-and-youth-john-muir--74070694</link><description><![CDATA[John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. From New Orleans the expedition sailed to the Rio Grande; it headed west overland through northern Mexico and through Arizona to San Diego, California. Cholera and outlaws decimated the group. Many of them turned back, including the leader. Audubon assumed command of those remaining and they pushed on to California, although he was forced to abandon his paints and canvases in the desert…. Throughout the whole of this long journey Mr. Audubon took notes of scenes and occurrences by the way. In his descriptions he exhibits the keen observation of the naturalist and the trained eye of the artist. The result is a remarkable picture of social conditions in Mexico, of birds and trees, of sky and mountains and the changing face of nature, of the barrenness of the desert and the difficulties of the journey, of the ruined missions of California, of methods of mining, and of the chaos of races and babel of tongues in the gold fields. It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. Because it was not edited by Audubon, the text (and this recording) ends abruptly. - Summary by Book Introduction and David Wales<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74070694</guid><pubDate>Tue, 25 Aug 2026 09:00:55 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74070694/story_of_my_boyhood_and_youth_john_muir.mp3" length="156496018" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>John Woodhouse Audubon</itunes:author><itunes:subtitle>John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. From New Orleans the expedition sailed to the Rio Grande; it headed west...</itunes:subtitle><itunes:summary><![CDATA[John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. From New Orleans the expedition sailed to the Rio Grande; it headed west overland through northern Mexico and through Arizona to San Diego, California. Cholera and outlaws decimated the group. Many of them turned back, including the leader. Audubon assumed command of those remaining and they pushed on to California, although he was forced to abandon his paints and canvases in the desert…. Throughout the whole of this long journey Mr. Audubon took notes of scenes and occurrences by the way. In his descriptions he exhibits the keen observation of the naturalist and the trained eye of the artist. The result is a remarkable picture of social conditions in Mexico, of birds and trees, of sky and mountains and the changing face of nature, of the barrenness of the desert and the difficulties of the journey, of the ruined missions of California, of methods of mining, and of the chaos of races and babel of tongues in the gold fields. It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. Because it was not edited by Audubon, the text (and this recording) ends abruptly. - Summary by Book Introduction and David Wales<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>19542</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/065a5a796f700a50d887fc4552ceb6ea.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Outlaw Jack-Harry Hazelton</title><link>https://www.spreaker.com/episode/outlaw-jack-harry-hazelton--74045577</link><description><![CDATA[John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. From New Orleans the expedition sailed to the Rio Grande; it headed west overland through northern Mexico and through Arizona to San Diego, California. Cholera and outlaws decimated the group. Many of them turned back, including the leader. Audubon assumed command of those remaining and they pushed on to California, although he was forced to abandon his paints and canvases in the desert…. Throughout the whole of this long journey Mr. Audubon took notes of scenes and occurrences by the way. In his descriptions he exhibits the keen observation of the naturalist and the trained eye of the artist. The result is a remarkable picture of social conditions in Mexico, of birds and trees, of sky and mountains and the changing face of nature, of the barrenness of the desert and the difficulties of the journey, of the ruined missions of California, of methods of mining, and of the chaos of races and babel of tongues in the gold fields. It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. Because it was not edited by Audubon, the text (and this recording) ends abruptly. - Summary by Book Introduction and David Wales<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74045577</guid><pubDate>Mon, 24 Aug 2026 09:02:19 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74045577/outlaw_jack_harry_hazelton.mp3" length="107457524" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>John Woodhouse Audubon</itunes:author><itunes:subtitle>John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. 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The result is a remarkable picture of social conditions in Mexico, of birds and trees, of sky and mountains and the changing face of nature, of the barrenness of the desert and the difficulties of the journey, of the ruined missions of California, of methods of mining, and of the chaos of races and babel of tongues in the gold fields. It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. Because it was not edited by Audubon, the text (and this recording) ends abruptly. - Summary by Book Introduction and David Wales<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>13419</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/065a5a796f700a50d887fc4552ceb6ea.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Charles Simeon-Handley Carr Glyn Moule</title><link>https://www.spreaker.com/episode/charles-simeon-handley-carr-glyn-moule--74023254</link><description><![CDATA[John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. From New Orleans the expedition sailed to the Rio Grande; it headed west overland through northern Mexico and through Arizona to San Diego, California. Cholera and outlaws decimated the group. Many of them turned back, including the leader. Audubon assumed command of those remaining and they pushed on to California, although he was forced to abandon his paints and canvases in the desert…. Throughout the whole of this long journey Mr. Audubon took notes of scenes and occurrences by the way. In his descriptions he exhibits the keen observation of the naturalist and the trained eye of the artist. The result is a remarkable picture of social conditions in Mexico, of birds and trees, of sky and mountains and the changing face of nature, of the barrenness of the desert and the difficulties of the journey, of the ruined missions of California, of methods of mining, and of the chaos of races and babel of tongues in the gold fields. It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. Because it was not edited by Audubon, the text (and this recording) ends abruptly. - Summary by Book Introduction and David Wales<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74023254</guid><pubDate>Sun, 23 Aug 2026 09:02:21 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74023254/charles_simeon_handley_carr_glyn_moule.mp3" length="215575010" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>John Woodhouse Audubon</itunes:author><itunes:subtitle>John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. 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The result is a remarkable picture of social conditions in Mexico, of birds and trees, of sky and mountains and the changing face of nature, of the barrenness of the desert and the difficulties of the journey, of the ruined missions of California, of methods of mining, and of the chaos of races and babel of tongues in the gold fields. It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. Because it was not edited by Audubon, the text (and this recording) ends abruptly. - Summary by Book Introduction and David Wales<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>26919</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/065a5a796f700a50d887fc4552ceb6ea.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Post Mortems Two Mere Mortals Medico-Historical Essays-Charles MacLaurin</title><link>https://www.spreaker.com/episode/post-mortems-two-mere-mortals-medico-historical-essays-charles-maclaurin--74000386</link><description><![CDATA[John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. From New Orleans the expedition sailed to the Rio Grande; it headed west overland through northern Mexico and through Arizona to San Diego, California. Cholera and outlaws decimated the group. Many of them turned back, including the leader. Audubon assumed command of those remaining and they pushed on to California, although he was forced to abandon his paints and canvases in the desert…. Throughout the whole of this long journey Mr. Audubon took notes of scenes and occurrences by the way. In his descriptions he exhibits the keen observation of the naturalist and the trained eye of the artist. The result is a remarkable picture of social conditions in Mexico, of birds and trees, of sky and mountains and the changing face of nature, of the barrenness of the desert and the difficulties of the journey, of the ruined missions of California, of methods of mining, and of the chaos of races and babel of tongues in the gold fields. It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. Because it was not edited by Audubon, the text (and this recording) ends abruptly. - Summary by Book Introduction and David Wales<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74000386</guid><pubDate>Sat, 22 Aug 2026 09:01:50 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74000386/post_mortems_two_mere_mortals_medico_historical_essays_charles_maclaurin.mp3" length="190863806" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>John Woodhouse Audubon</itunes:author><itunes:subtitle>John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. 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The result is a remarkable picture of social conditions in Mexico, of birds and trees, of sky and mountains and the changing face of nature, of the barrenness of the desert and the difficulties of the journey, of the ruined missions of California, of methods of mining, and of the chaos of races and babel of tongues in the gold fields. It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. Because it was not edited by Audubon, the text (and this recording) ends abruptly. - Summary by Book Introduction and David Wales<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>23834</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/065a5a796f700a50d887fc4552ceb6ea.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>My Southern Home or, The South and Its People-William Wells Brown</title><link>https://www.spreaker.com/episode/my-southern-home-or-the-south-and-its-people-william-wells-brown--73976492</link><description><![CDATA[John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. From New Orleans the expedition sailed to the Rio Grande; it headed west overland through northern Mexico and through Arizona to San Diego, California. Cholera and outlaws decimated the group. Many of them turned back, including the leader. Audubon assumed command of those remaining and they pushed on to California, although he was forced to abandon his paints and canvases in the desert…. Throughout the whole of this long journey Mr. Audubon took notes of scenes and occurrences by the way. In his descriptions he exhibits the keen observation of the naturalist and the trained eye of the artist. The result is a remarkable picture of social conditions in Mexico, of birds and trees, of sky and mountains and the changing face of nature, of the barrenness of the desert and the difficulties of the journey, of the ruined missions of California, of methods of mining, and of the chaos of races and babel of tongues in the gold fields. It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. Because it was not edited by Audubon, the text (and this recording) ends abruptly. - Summary by Book Introduction and David Wales<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73976492</guid><pubDate>Fri, 21 Aug 2026 09:02:08 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73976492/my_southern_home_or_the_south_and_its_people_william_wells_brown.mp3" length="210418209" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>John Woodhouse Audubon</itunes:author><itunes:subtitle>John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. From New Orleans the expedition sailed to the Rio Grande; it headed west...</itunes:subtitle><itunes:summary><![CDATA[John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. From New Orleans the expedition sailed to the Rio Grande; it headed west overland through northern Mexico and through Arizona to San Diego, California. Cholera and outlaws decimated the group. Many of them turned back, including the leader. Audubon assumed command of those remaining and they pushed on to California, although he was forced to abandon his paints and canvases in the desert…. Throughout the whole of this long journey Mr. Audubon took notes of scenes and occurrences by the way. In his descriptions he exhibits the keen observation of the naturalist and the trained eye of the artist. The result is a remarkable picture of social conditions in Mexico, of birds and trees, of sky and mountains and the changing face of nature, of the barrenness of the desert and the difficulties of the journey, of the ruined missions of California, of methods of mining, and of the chaos of races and babel of tongues in the gold fields. It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. Because it was not edited by Audubon, the text (and this recording) ends abruptly. - Summary by Book Introduction and David Wales<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>26276</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/065a5a796f700a50d887fc4552ceb6ea.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Pilgrimage Of Etheria-Etheria</title><link>https://www.spreaker.com/episode/pilgrimage-of-etheria-etheria--73953205</link><description><![CDATA[John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. From New Orleans the expedition sailed to the Rio Grande; it headed west overland through northern Mexico and through Arizona to San Diego, California. Cholera and outlaws decimated the group. Many of them turned back, including the leader. Audubon assumed command of those remaining and they pushed on to California, although he was forced to abandon his paints and canvases in the desert…. Throughout the whole of this long journey Mr. Audubon took notes of scenes and occurrences by the way. In his descriptions he exhibits the keen observation of the naturalist and the trained eye of the artist. The result is a remarkable picture of social conditions in Mexico, of birds and trees, of sky and mountains and the changing face of nature, of the barrenness of the desert and the difficulties of the journey, of the ruined missions of California, of methods of mining, and of the chaos of races and babel of tongues in the gold fields. It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. Because it was not edited by Audubon, the text (and this recording) ends abruptly. - Summary by Book Introduction and David Wales<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73953205</guid><pubDate>Thu, 20 Aug 2026 09:02:16 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73953205/pilgrimage_of_etheria_etheria.mp3" length="99982485" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>John Woodhouse Audubon</itunes:author><itunes:subtitle>John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. 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The result is a remarkable picture of social conditions in Mexico, of birds and trees, of sky and mountains and the changing face of nature, of the barrenness of the desert and the difficulties of the journey, of the ruined missions of California, of methods of mining, and of the chaos of races and babel of tongues in the gold fields. It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. Because it was not edited by Audubon, the text (and this recording) ends abruptly. - Summary by Book Introduction and David Wales<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>12485</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/065a5a796f700a50d887fc4552ceb6ea.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Footnote to History Eight Years of Trouble in Samoa-Robert Louis Stevenson</title><link>https://www.spreaker.com/episode/footnote-to-history-eight-years-of-trouble-in-samoa-robert-louis-stevenson--73929192</link><description><![CDATA[John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. From New Orleans the expedition sailed to the Rio Grande; it headed west overland through northern Mexico and through Arizona to San Diego, California. Cholera and outlaws decimated the group. Many of them turned back, including the leader. Audubon assumed command of those remaining and they pushed on to California, although he was forced to abandon his paints and canvases in the desert…. Throughout the whole of this long journey Mr. Audubon took notes of scenes and occurrences by the way. In his descriptions he exhibits the keen observation of the naturalist and the trained eye of the artist. The result is a remarkable picture of social conditions in Mexico, of birds and trees, of sky and mountains and the changing face of nature, of the barrenness of the desert and the difficulties of the journey, of the ruined missions of California, of methods of mining, and of the chaos of races and babel of tongues in the gold fields. It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. Because it was not edited by Audubon, the text (and this recording) ends abruptly. - Summary by Book Introduction and David Wales<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73929192</guid><pubDate>Wed, 19 Aug 2026 09:01:55 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73929192/footnote_to_history_eight_years_of_trouble_in_samoa_robert_louis_stevenson.mp3" length="204355125" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>John Woodhouse Audubon</itunes:author><itunes:subtitle>John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. 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The result is a remarkable picture of social conditions in Mexico, of birds and trees, of sky and mountains and the changing face of nature, of the barrenness of the desert and the difficulties of the journey, of the ruined missions of California, of methods of mining, and of the chaos of races and babel of tongues in the gold fields. It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. Because it was not edited by Audubon, the text (and this recording) ends abruptly. - Summary by Book Introduction and David Wales<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>25518</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/065a5a796f700a50d887fc4552ceb6ea.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Letters on an Elk Hunt-Elinore Pruitt Stewart</title><link>https://www.spreaker.com/episode/letters-on-an-elk-hunt-elinore-pruitt-stewart--73903476</link><description><![CDATA[John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. From New Orleans the expedition sailed to the Rio Grande; it headed west overland through northern Mexico and through Arizona to San Diego, California. Cholera and outlaws decimated the group. Many of them turned back, including the leader. Audubon assumed command of those remaining and they pushed on to California, although he was forced to abandon his paints and canvases in the desert…. Throughout the whole of this long journey Mr. Audubon took notes of scenes and occurrences by the way. In his descriptions he exhibits the keen observation of the naturalist and the trained eye of the artist. The result is a remarkable picture of social conditions in Mexico, of birds and trees, of sky and mountains and the changing face of nature, of the barrenness of the desert and the difficulties of the journey, of the ruined missions of California, of methods of mining, and of the chaos of races and babel of tongues in the gold fields. It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. Because it was not edited by Audubon, the text (and this recording) ends abruptly. - Summary by Book Introduction and David Wales<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73903476</guid><pubDate>Tue, 18 Aug 2026 09:02:18 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73903476/letters_on_an_elk_hunt_elinore_pruitt_stewart.mp3" length="88179762" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>John Woodhouse Audubon</itunes:author><itunes:subtitle>John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. From New Orleans the expedition sailed to the Rio Grande; it headed west...</itunes:subtitle><itunes:summary><![CDATA[John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. From New Orleans the expedition sailed to the Rio Grande; it headed west overland through northern Mexico and through Arizona to San Diego, California. Cholera and outlaws decimated the group. Many of them turned back, including the leader. Audubon assumed command of those remaining and they pushed on to California, although he was forced to abandon his paints and canvases in the desert…. Throughout the whole of this long journey Mr. Audubon took notes of scenes and occurrences by the way. In his descriptions he exhibits the keen observation of the naturalist and the trained eye of the artist. The result is a remarkable picture of social conditions in Mexico, of birds and trees, of sky and mountains and the changing face of nature, of the barrenness of the desert and the difficulties of the journey, of the ruined missions of California, of methods of mining, and of the chaos of races and babel of tongues in the gold fields. It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. Because it was not edited by Audubon, the text (and this recording) ends abruptly. - Summary by Book Introduction and David Wales<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>11011</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/065a5a796f700a50d887fc4552ceb6ea.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Prelude-William Wordsworth</title><link>https://www.spreaker.com/episode/prelude-william-wordsworth--73879159</link><description><![CDATA[John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. From New Orleans the expedition sailed to the Rio Grande; it headed west overland through northern Mexico and through Arizona to San Diego, California. Cholera and outlaws decimated the group. Many of them turned back, including the leader. Audubon assumed command of those remaining and they pushed on to California, although he was forced to abandon his paints and canvases in the desert…. Throughout the whole of this long journey Mr. Audubon took notes of scenes and occurrences by the way. In his descriptions he exhibits the keen observation of the naturalist and the trained eye of the artist. The result is a remarkable picture of social conditions in Mexico, of birds and trees, of sky and mountains and the changing face of nature, of the barrenness of the desert and the difficulties of the journey, of the ruined missions of California, of methods of mining, and of the chaos of races and babel of tongues in the gold fields. It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. Because it was not edited by Audubon, the text (and this recording) ends abruptly. - Summary by Book Introduction and David Wales<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73879159</guid><pubDate>Mon, 17 Aug 2026 09:02:15 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73879159/prelude_william_wordsworth.mp3" length="228543030" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>John Woodhouse Audubon</itunes:author><itunes:subtitle>John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. 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The result is a remarkable picture of social conditions in Mexico, of birds and trees, of sky and mountains and the changing face of nature, of the barrenness of the desert and the difficulties of the journey, of the ruined missions of California, of methods of mining, and of the chaos of races and babel of tongues in the gold fields. It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. Because it was not edited by Audubon, the text (and this recording) ends abruptly. - Summary by Book Introduction and David Wales<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>28539</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/065a5a796f700a50d887fc4552ceb6ea.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Down South or Yacht Adventure in Florida-Oliver Optic</title><link>https://www.spreaker.com/episode/down-south-or-yacht-adventure-in-florida-oliver-optic--73857148</link><description><![CDATA[John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. 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It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. Because it was not edited by Audubon, the text (and this recording) ends abruptly. - Summary by Book Introduction and David Wales<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73857148</guid><pubDate>Sun, 16 Aug 2026 09:02:10 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73857148/5167_down_south_or_yacht_adventure_in_florida_oliver_optic.mp3" length="193391676" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>John Woodhouse Audubon</itunes:author><itunes:subtitle>John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. From New Orleans the expedition sailed to the Rio Grande; it headed west...</itunes:subtitle><itunes:summary><![CDATA[John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. From New Orleans the expedition sailed to the Rio Grande; it headed west overland through northern Mexico and through Arizona to San Diego, California. Cholera and outlaws decimated the group. Many of them turned back, including the leader. Audubon assumed command of those remaining and they pushed on to California, although he was forced to abandon his paints and canvases in the desert…. Throughout the whole of this long journey Mr. Audubon took notes of scenes and occurrences by the way. In his descriptions he exhibits the keen observation of the naturalist and the trained eye of the artist. The result is a remarkable picture of social conditions in Mexico, of birds and trees, of sky and mountains and the changing face of nature, of the barrenness of the desert and the difficulties of the journey, of the ruined missions of California, of methods of mining, and of the chaos of races and babel of tongues in the gold fields. It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. Because it was not edited by Audubon, the text (and this recording) ends abruptly. - Summary by Book Introduction and David Wales<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>24150</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/065a5a796f700a50d887fc4552ceb6ea.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Gold Hunter's Experience-Chalkley J. Hambleton</title><link>https://www.spreaker.com/episode/gold-hunter-s-experience-chalkley-j-hambleton--73839349</link><description><![CDATA[John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. From New Orleans the expedition sailed to the Rio Grande; it headed west overland through northern Mexico and through Arizona to San Diego, California. Cholera and outlaws decimated the group. Many of them turned back, including the leader. Audubon assumed command of those remaining and they pushed on to California, although he was forced to abandon his paints and canvases in the desert…. Throughout the whole of this long journey Mr. Audubon took notes of scenes and occurrences by the way. In his descriptions he exhibits the keen observation of the naturalist and the trained eye of the artist. The result is a remarkable picture of social conditions in Mexico, of birds and trees, of sky and mountains and the changing face of nature, of the barrenness of the desert and the difficulties of the journey, of the ruined missions of California, of methods of mining, and of the chaos of races and babel of tongues in the gold fields. It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. Because it was not edited by Audubon, the text (and this recording) ends abruptly. - Summary by Book Introduction and David Wales<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73839349</guid><pubDate>Sat, 15 Aug 2026 09:03:00 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73839349/gold_hunter_s_experience_chalkley_j_hambleton.mp3" length="58357620" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>John Woodhouse Audubon</itunes:author><itunes:subtitle>John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. 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The result is a remarkable picture of social conditions in Mexico, of birds and trees, of sky and mountains and the changing face of nature, of the barrenness of the desert and the difficulties of the journey, of the ruined missions of California, of methods of mining, and of the chaos of races and babel of tongues in the gold fields. It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. Because it was not edited by Audubon, the text (and this recording) ends abruptly. - Summary by Book Introduction and David Wales<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>7287</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/065a5a796f700a50d887fc4552ceb6ea.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Imperialism and World Politics, Part 3 of 4-Parker Thomas Moon</title><link>https://www.spreaker.com/episode/imperialism-and-world-politics-part-3-of-4-parker-thomas-moon--73348370</link><description><![CDATA["Imperialism and World Politics, Part 3 of 4" by Parker Thomas Moon delves into the complex interplay between imperialism and global politics, highlighting the intricacies of power dynamics that have shaped nations and their relationships throughout history. This work is particularly relevant today as it invites listeners to reflect on the lasting impacts of imperialist policies and their echoes in contemporary international relations. Moon's analysis encourages a deeper understanding of how historical events continue to influence modern governance and societal structures. Engaging with this text offers valuable insights into the forces that drive political decisions and the ongoing quest for power on the world stage.<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73348370</guid><pubDate>Sun, 02 Aug 2026 20:02:15 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73348370/20957_imperialism_and_world_politics_part_3_of_4_parker_thomas_moon.mp3" length="191104690" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>John Woodhouse Audubon</itunes:author><itunes:subtitle>"Imperialism and World Politics, Part 3 of 4" by Parker Thomas Moon delves into the complex interplay between imperialism and global politics, highlighting the intricacies of power dynamics that have shaped nations and their relationships throughout...</itunes:subtitle><itunes:summary><![CDATA["Imperialism and World Politics, Part 3 of 4" by Parker Thomas Moon delves into the complex interplay between imperialism and global politics, highlighting the intricacies of power dynamics that have shaped nations and their relationships throughout history. This work is particularly relevant today as it invites listeners to reflect on the lasting impacts of imperialist policies and their echoes in contemporary international relations. Moon's analysis encourages a deeper understanding of how historical events continue to influence modern governance and societal structures. Engaging with this text offers valuable insights into the forces that drive political decisions and the ongoing quest for power on the world stage.<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>23862</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/065a5a796f700a50d887fc4552ceb6ea.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Audubon's Western Journal 1849-1850 - John Woodhouse Audubon</title><link>https://www.spreaker.com/episode/audubon-s-western-journal-1849-1850-john-woodhouse-audubon--72446921</link><description><![CDATA[John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. 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It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. Because it was not edited by Audubon, the text (and this recording) ends abruptly. - Summary by Book Introduction and David Wales<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72446921</guid><pubDate>Wed, 10 Jun 2026 00:28:43 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72446921/audubon_s_western_journal_1849_1850_john_woodhouse_audubon.mp3" length="157680573" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>John Woodhouse Audubon</itunes:author><itunes:subtitle>John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. From New Orleans the expedition sailed to the Rio Grande; it headed west...</itunes:subtitle><itunes:summary><![CDATA[John Woodhouse Audubon (1812-1862), son of the famous painter John James Audubon and an artist in his own right, joined Col. Henry Webb's California Company expedition in 1849. From New Orleans the expedition sailed to the Rio Grande; it headed west overland through northern Mexico and through Arizona to San Diego, California. Cholera and outlaws decimated the group. Many of them turned back, including the leader. Audubon assumed command of those remaining and they pushed on to California, although he was forced to abandon his paints and canvases in the desert…. Throughout the whole of this long journey Mr. Audubon took notes of scenes and occurrences by the way. In his descriptions he exhibits the keen observation of the naturalist and the trained eye of the artist. The result is a remarkable picture of social conditions in Mexico, of birds and trees, of sky and mountains and the changing face of nature, of the barrenness of the desert and the difficulties of the journey, of the ruined missions of California, of methods of mining, and of the chaos of races and babel of tongues in the gold fields. It was manifestly impossible to keep a daily journal, and the entries were made from time to time as opportunity occurred. Considering the circumstances under which they were taken, the notes are remarkable for their accuracy. 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