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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>History of Britain</title><link>https://www.spreaker.com/podcast/history-of-britain--7095010</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><atom:link href="https://www.spreaker.com/show/7095010/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Modern Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg</url><title>History of Britain</title><link>https://www.spreaker.com/podcast/history-of-britain--7095010</link></image><lastBuildDate>Fri, 11 Sep 2026 09:12:38 +0000</lastBuildDate><itunes:author>John Milton</itunes:author><itunes:owner><itunes:name>Modern Genre</itunes:name><itunes:email>spreaker66@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Kids &amp; Family"><itunes:category text="Pets &amp; Animals"/></itunes:category><itunes:category text="Science"><itunes:category text="Nature"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>58a0034e-a33c-59c0-93a8-2ed0d4762339</podcast:guid><itunes:type>episodic</itunes:type><item><title>Traveller’s Narrative Written to Illustrate the Episode of the Báb-Abdu’l-Bahá ‘Abbás</title><link>https://www.spreaker.com/episode/traveller-s-narrative-written-to-illustrate-the-episode-of-the-bab-abdu-l-baha-abbas--74846013</link><description><![CDATA["Traveller’s Narrative Written to Illustrate the Episode of the Báb-Abdu’l-Bahá ‘Abbas" offers a unique perspective on a pivotal moment in religious history, capturing the experiences and insights surrounding the Báb and Abdu’l-Bahá. This narrative not only sheds light on the events that shaped the Bahá'í faith but also explores themes of spiritual awakening and the quest for truth that resonate deeply in today's world. As listeners engage with the rich tapestry of this account, they will discover enduring lessons about resilience, faith, and the transformative power of belief. The story invites reflection on our own journeys and the universal search for meaning, making it a timeless exploration of human experience.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74846013</guid><pubDate>Sat, 12 Sep 2026 09:01:22 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74846013/traveller_s_narrative_written_to_illustrate_the_episode_of_the_ba_b_abdu_l_baha_abba_s.mp3" length="144802623" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>"Traveller’s Narrative Written to Illustrate the Episode of the Báb-Abdu’l-Bahá ‘Abbas" offers a unique perspective on a pivotal moment in religious history, capturing the experiences and insights surrounding the Báb and Abdu’l-Bahá. This narrative...</itunes:subtitle><itunes:summary><![CDATA["Traveller’s Narrative Written to Illustrate the Episode of the Báb-Abdu’l-Bahá ‘Abbas" offers a unique perspective on a pivotal moment in religious history, capturing the experiences and insights surrounding the Báb and Abdu’l-Bahá. This narrative not only sheds light on the events that shaped the Bahá'í faith but also explores themes of spiritual awakening and the quest for truth that resonate deeply in today's world. As listeners engage with the rich tapestry of this account, they will discover enduring lessons about resilience, faith, and the transformative power of belief. The story invites reflection on our own journeys and the universal search for meaning, making it a timeless exploration of human experience.]]></itunes:summary><itunes:duration>18082</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Watsons (Dramatic Reading)-Jane Austen, L. Oulton</title><link>https://www.spreaker.com/episode/watsons-dramatic-reading-jane-austen-l-oulton--74952409</link><description><![CDATA["Watsons," a dramatic reading of Jane Austen's unfinished novel, invites listeners into a world of social intricacies and familial dynamics in early 19th-century England. This poignant tale explores themes of love, duty, and the quest for personal happiness amidst societal expectations, making it a timeless reflection on human relationships. Austen's keen observations of character and society resonate even today, as they illuminate the enduring struggles of finding one's place in a complex world. With L. Oulton's evocative narration, this audiobook offers a rich auditory experience that captures the essence of Austen's wit and insight, ensuring that her legacy continues to inspire and entertain.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74952409</guid><pubDate>Fri, 11 Sep 2026 09:01:17 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74952409/watsons_dramatic_reading_jane_austen_l_oulton.mp3" length="112077080" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>"Watsons," a dramatic reading of Jane Austen's unfinished novel, invites listeners into a world of social intricacies and familial dynamics in early 19th-century England. This poignant tale explores themes of love, duty, and the quest for personal...</itunes:subtitle><itunes:summary><![CDATA["Watsons," a dramatic reading of Jane Austen's unfinished novel, invites listeners into a world of social intricacies and familial dynamics in early 19th-century England. This poignant tale explores themes of love, duty, and the quest for personal happiness amidst societal expectations, making it a timeless reflection on human relationships. Austen's keen observations of character and society resonate even today, as they illuminate the enduring struggles of finding one's place in a complex world. With L. Oulton's evocative narration, this audiobook offers a rich auditory experience that captures the essence of Austen's wit and insight, ensuring that her legacy continues to inspire and entertain.]]></itunes:summary><itunes:duration>13995</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Conciliatory or Irenical Animadversions on Antinomians and Neonomians-Hermann Witsius</title><link>https://www.spreaker.com/episode/conciliatory-or-irenical-animadversions-on-antinomians-and-neonomians-hermann-witsius--74949794</link><description><![CDATA["Conciliatory or Irenical Animadversions on Antinomians and Neonomians" by Hermann Witsius delves into the theological debates surrounding antinomianism and neonomianism, exploring the complexities of faith and morality within the Christian doctrine. This work is significant for its rigorous analysis and conciliatory approach, urging a harmonious understanding of differing theological perspectives. Witsius's insights into the balance between law and grace remain relevant today, as they invite contemporary readers to reflect on the ongoing discussions about faith, ethics, and community in a diverse society.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74949794</guid><pubDate>Thu, 10 Sep 2026 09:01:12 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74949794/conciliatory_or_irenical_animadversions_on_antinomians_and_neonomians_hermann_witsius.mp3" length="119501686" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>"Conciliatory or Irenical Animadversions on Antinomians and Neonomians" by Hermann Witsius delves into the theological debates surrounding antinomianism and neonomianism, exploring the complexities of faith and morality within the Christian doctrine....</itunes:subtitle><itunes:summary><![CDATA["Conciliatory or Irenical Animadversions on Antinomians and Neonomians" by Hermann Witsius delves into the theological debates surrounding antinomianism and neonomianism, exploring the complexities of faith and morality within the Christian doctrine. This work is significant for its rigorous analysis and conciliatory approach, urging a harmonious understanding of differing theological perspectives. Witsius's insights into the balance between law and grace remain relevant today, as they invite contemporary readers to reflect on the ongoing discussions about faith, ethics, and community in a diverse society.]]></itunes:summary><itunes:duration>14922</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>New Discoveries at Jamestown-John L. Cotter, J. Paul Hudson</title><link>https://www.spreaker.com/episode/new-discoveries-at-jamestown-john-l-cotter-j-paul-hudson--74947339</link><description><![CDATA["New Discoveries at Jamestown" by John L. Cotter and J. Paul Hudson delves into the archaeological findings at one of America's first permanent settlements, revealing insights into the lives of early colonists. This exploration not only uncovers the physical remnants of Jamestown but also sheds light on the broader themes of survival, adaptation, and cultural exchange that resonate throughout history. As we reflect on the challenges faced by those early settlers, the lessons learned about resilience and community remain relevant today. This audiobook invites listeners to engage with the past, offering a deeper understanding of a pivotal moment in American history that continues to shape our identity.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74947339</guid><pubDate>Wed, 09 Sep 2026 09:01:41 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74947339/new_discoveries_at_jamestown_john_l_cotter_j_paul_hudson.mp3" length="61264035" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>"New Discoveries at Jamestown" by John L. Cotter and J. Paul Hudson delves into the archaeological findings at one of America's first permanent settlements, revealing insights into the lives of early colonists. This exploration not only uncovers the...</itunes:subtitle><itunes:summary><![CDATA["New Discoveries at Jamestown" by John L. Cotter and J. Paul Hudson delves into the archaeological findings at one of America's first permanent settlements, revealing insights into the lives of early colonists. This exploration not only uncovers the physical remnants of Jamestown but also sheds light on the broader themes of survival, adaptation, and cultural exchange that resonate throughout history. As we reflect on the challenges faced by those early settlers, the lessons learned about resilience and community remain relevant today. This audiobook invites listeners to engage with the past, offering a deeper understanding of a pivotal moment in American history that continues to shape our identity.]]></itunes:summary><itunes:duration>7650</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>King Lear (version 2)-William Shakespeare</title><link>https://www.spreaker.com/episode/king-lear-version-2-william-shakespeare--74944551</link><description><![CDATA["King Lear," a timeless tragedy by William Shakespeare, delves into themes of power, betrayal, and the complexities of familial relationships. The story follows the aging King Lear as he divides his kingdom among his daughters, leading to devastating consequences that explore the depths of human folly and the quest for understanding. This poignant narrative resonates today as it reflects the struggles of authority, loyalty, and the search for identity in a chaotic world. Shakespeare's profound insights into human nature and the consequences of our choices make "King Lear" an enduring masterpiece that continues to captivate and provoke thought in listeners across generations.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74944551</guid><pubDate>Tue, 08 Sep 2026 09:01:44 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74944551/king_lear_version_2_william_shakespeare.mp3" length="97955170" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>"King Lear," a timeless tragedy by William Shakespeare, delves into themes of power, betrayal, and the complexities of familial relationships. The story follows the aging King Lear as he divides his kingdom among his daughters, leading to devastating...</itunes:subtitle><itunes:summary><![CDATA["King Lear," a timeless tragedy by William Shakespeare, delves into themes of power, betrayal, and the complexities of familial relationships. The story follows the aging King Lear as he divides his kingdom among his daughters, leading to devastating consequences that explore the depths of human folly and the quest for understanding. This poignant narrative resonates today as it reflects the struggles of authority, loyalty, and the search for identity in a chaotic world. Shakespeare's profound insights into human nature and the consequences of our choices make "King Lear" an enduring masterpiece that continues to captivate and provoke thought in listeners across generations.]]></itunes:summary><itunes:duration>12232</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Outlaw of Torn-Edgar Rice Burroughs</title><link>https://www.spreaker.com/episode/outlaw-of-torn-edgar-rice-burroughs--74405107</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74405107</guid><pubDate>Mon, 07 Sep 2026 09:01:30 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74405107/3632_outlaw_of_torn_edgar_rice_burroughs.mp3" length="201694351" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>25186</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Poems of William Blake-William Blake</title><link>https://www.spreaker.com/episode/poems-of-william-blake-william-blake--74374715</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74374715</guid><pubDate>Sun, 06 Sep 2026 09:01:01 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74374715/poems_of_william_blake_william_blake.mp3" length="26451499" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>3303</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Twin-Rivals-George Farquhar</title><link>https://www.spreaker.com/episode/twin-rivals-george-farquhar--74350811</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74350811</guid><pubDate>Sat, 05 Sep 2026 09:00:46 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74350811/twin_rivals_george_farquhar.mp3" length="85739464" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>10707</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>King Lear (version 2)-William Shakespeare</title><link>https://www.spreaker.com/episode/king-lear-version-2-william-shakespeare--74326153</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74326153</guid><pubDate>Fri, 04 Sep 2026 09:00:55 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74326153/king_lear_version_2_william_shakespeare.mp3" length="97955170" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>12232</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Short Nonfiction Collection, Vol. 064-Various</title><link>https://www.spreaker.com/episode/short-nonfiction-collection-vol-064-various--74302675</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74302675</guid><pubDate>Thu, 03 Sep 2026 09:00:57 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74302675/short_nonfiction_collection_vol_064_various.mp3" length="154560874" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>19301</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Sonnets-Edna St. Vincent Millay</title><link>https://www.spreaker.com/episode/sonnets-edna-st-vincent-millay--74283383</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74283383</guid><pubDate>Wed, 02 Sep 2026 09:01:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74283383/sonnets_edna_st_vincent_millay.mp3" length="26619271" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>3324</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Stories of the Lifeboat-Frank Mundell</title><link>https://www.spreaker.com/episode/stories-of-the-lifeboat-frank-mundell--74262329</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74262329</guid><pubDate>Tue, 01 Sep 2026 09:00:51 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74262329/stories_of_the_lifeboat_frank_mundell.mp3" length="98917508" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>12352</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Sins of Hollywood-Edward Roberts</title><link>https://www.spreaker.com/episode/sins-of-hollywood-edward-roberts--74244748</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74244748</guid><pubDate>Mon, 31 Aug 2026 09:00:55 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74244748/sins_of_hollywood_edward_roberts.mp3" length="80412362" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>10041</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>History of the United States, Vol. VI-Charles Austin Beard, Mary Ritter Beard</title><link>https://www.spreaker.com/episode/history-of-the-united-states-vol-vi-charles-austin-beard-mary-ritter-beard--74228970</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74228970</guid><pubDate>Sun, 30 Aug 2026 09:00:51 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74228970/history_of_the_united_states_vol_vi_charles_austin_beard_mary_ritter_beard.mp3" length="133099771" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>16621</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>High Wind in Jamaica-Richard Hughes</title><link>https://www.spreaker.com/episode/high-wind-in-jamaica-richard-hughes--74208781</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74208781</guid><pubDate>Sat, 29 Aug 2026 09:01:01 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74208781/high_wind_in_jamaica_richard_hughes.mp3" length="179577445" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>22425</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Selected Poems of Oscar Wilde-Robert Baldwin Ross, Oscar Wilde</title><link>https://www.spreaker.com/episode/selected-poems-of-oscar-wilde-robert-baldwin-ross-oscar-wilde--74179490</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74179490</guid><pubDate>Fri, 28 Aug 2026 09:01:02 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74179490/selected_poems_of_oscar_wilde_robert_baldwin_ross_oscar_wilde.mp3" length="47092780" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>5881</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>History of the United States, Vol. II Conflict &amp; Independence-Charles Austin Beard, Mary Ritter Beard</title><link>https://www.spreaker.com/episode/history-of-the-united-states-vol-ii-conflict-independence-charles-austin-beard-mary-ritter-beard--74151157</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74151157</guid><pubDate>Thu, 27 Aug 2026 09:01:01 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74151157/history_of_the_united_states_vol_ii_conflict_independence_charles_austin_beard_mary_ritter_beard.mp3" length="65829803" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>8220</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Running Water-A. E. W. Mason</title><link>https://www.spreaker.com/episode/running-water-a-e-w-mason--74095877</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74095877</guid><pubDate>Wed, 26 Aug 2026 09:01:11 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74095877/5569_running_water_a_e_w_mason.mp3" length="248837065" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>31073</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Letters of Travel-Rudyard Kipling</title><link>https://www.spreaker.com/episode/letters-of-travel-rudyard-kipling--74072018</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74072018</guid><pubDate>Tue, 25 Aug 2026 09:00:55 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74072018/6291_letters_of_travel_rudyard_kipling.mp3" length="223431982" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>27901</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Furies (Morshead Translation)-Aeschylus</title><link>https://www.spreaker.com/episode/furies-morshead-translation-aeschylus--74047132</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74047132</guid><pubDate>Mon, 24 Aug 2026 09:02:23 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74047132/furies_morshead_translation_aeschylus.mp3" length="32121445" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>4011</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Traveller’s Narrative Written to Illustrate the Episode of the Báb-Abdu’l-Bahá ‘Abbás</title><link>https://www.spreaker.com/episode/traveller-s-narrative-written-to-illustrate-the-episode-of-the-bab-abdu-l-baha-abbas--74024474</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74024474</guid><pubDate>Sun, 23 Aug 2026 09:02:14 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74024474/traveller_s_narrative_written_to_illustrate_the_episode_of_the_ba_b_abdu_l_baha_abba_s.mp3" length="144802623" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>18082</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Imperialism and World Politics, Part 3 of 4-Parker Thomas Moon</title><link>https://www.spreaker.com/episode/imperialism-and-world-politics-part-3-of-4-parker-thomas-moon--74002129</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74002129</guid><pubDate>Sat, 22 Aug 2026 09:01:52 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74002129/20957_imperialism_and_world_politics_part_3_of_4_parker_thomas_moon.mp3" length="191104690" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>23862</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>EDWY A Poem, in Three Parts-Ann Radcliffe</title><link>https://www.spreaker.com/episode/edwy-a-poem-in-three-parts-ann-radcliffe--73977667</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73977667</guid><pubDate>Fri, 21 Aug 2026 09:02:13 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73977667/edwy_a_poem_in_three_parts_ann_radcliffe.mp3" length="27156029" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>3391</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Hero and Leander-George Chapman, Christopher Marlowe</title><link>https://www.spreaker.com/episode/hero-and-leander-george-chapman-christopher-marlowe--73954574</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73954574</guid><pubDate>Thu, 20 Aug 2026 09:02:23 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73954574/hero_and_leander_george_chapman_christopher_marlowe.mp3" length="104387358" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>13035</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Flowers of Evil-Charles Baudelaire, James Huneker</title><link>https://www.spreaker.com/episode/flowers-of-evil-charles-baudelaire-james-huneker--73930874</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73930874</guid><pubDate>Wed, 19 Aug 2026 09:02:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73930874/flowers_of_evil_charles_baudelaire_james_huneker.mp3" length="53809748" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>6719</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Amoretti A sonnet sequence-Edmund Spenser</title><link>https://www.spreaker.com/episode/amoretti-a-sonnet-sequence-edmund-spenser--73904879</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73904879</guid><pubDate>Tue, 18 Aug 2026 09:02:22 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73904879/amoretti_a_sonnet_sequence_edmund_spenser.mp3" length="53763461" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>6713</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Romance of Polar Exploration-G. Firth Scott</title><link>https://www.spreaker.com/episode/romance-of-polar-exploration-g-firth-scott--73880779</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73880779</guid><pubDate>Mon, 17 Aug 2026 09:02:29 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73880779/12212_romance_of_polar_exploration_g_firth_scott.mp3" length="248508711" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>31032</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Studies in Pessimism-Arthur Schopenhauer</title><link>https://www.spreaker.com/episode/studies-in-pessimism-arthur-schopenhauer--73858494</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73858494</guid><pubDate>Sun, 16 Aug 2026 09:02:08 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73858494/studies_in_pessimism_arthur_schopenhauer.mp3" length="98919328" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>12352</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>H.M.S. Pinafore; Or, The Lass That Loved A Sailor-W. S. Gilbert</title><link>https://www.spreaker.com/episode/h-m-s-pinafore-or-the-lass-that-loved-a-sailor-w-s-gilbert--73840157</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73840157</guid><pubDate>Sat, 15 Aug 2026 09:03:01 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73840157/h_m_s_pinafore_or_the_lass_that_loved_a_sailor_w_s_gilbert.mp3" length="30216817" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>3773</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Germania-Publius Cornelius Tacitus</title><link>https://www.spreaker.com/episode/germania-publius-cornelius-tacitus--73349508</link><description><![CDATA["Germania" by Publius Cornelius Tacitus offers a profound exploration of the tribes inhabiting the region of Germania, providing insights into their customs, social structures, and interactions with the Roman Empire. Tacitus's keen observations reveal not only the complexities of these ancient societies but also the contrasts between their values and those of Rome. The themes of cultural identity, the nature of civilization, and the impact of external influences remain relevant today, inviting listeners to reflect on the ongoing dialogue between tradition and change. This enduring work serves as a vital historical document, illuminating the past while prompting contemporary discussions about cultural heritage and the human experience.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73349508</guid><pubDate>Sun, 02 Aug 2026 20:36:37 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73349508/germania_publius_cornelius_tacitus.mp3" length="33594511" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>"Germania" by Publius Cornelius Tacitus offers a profound exploration of the tribes inhabiting the region of Germania, providing insights into their customs, social structures, and interactions with the Roman Empire. Tacitus's keen observations reveal...</itunes:subtitle><itunes:summary><![CDATA["Germania" by Publius Cornelius Tacitus offers a profound exploration of the tribes inhabiting the region of Germania, providing insights into their customs, social structures, and interactions with the Roman Empire. Tacitus's keen observations reveal not only the complexities of these ancient societies but also the contrasts between their values and those of Rome. The themes of cultural identity, the nature of civilization, and the impact of external influences remain relevant today, inviting listeners to reflect on the ongoing dialogue between tradition and change. This enduring work serves as a vital historical document, illuminating the past while prompting contemporary discussions about cultural heritage and the human experience.]]></itunes:summary><itunes:duration>4195</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>History of Britain - John Milton - Part 2</title><link>https://www.spreaker.com/episode/history-of-britain-john-milton-part-2--72443904</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72443904</guid><pubDate>Wed, 10 Jun 2026 09:00:19 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72443904/history_of_britain_john_milton_part_2.mp3" length="73553336" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>9195</itunes:duration><itunes:keywords>ages,britain,carefully,dissertational,endearingly,history,middle,milton,philips,scholarly</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>History of Britain - John Milton - Part 1</title><link>https://www.spreaker.com/episode/history-of-britain-john-milton-part-1--72443902</link><description><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72443902</guid><pubDate>Tue, 09 Jun 2026 20:50:52 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72443902/history_of_britain_john_milton_part_1.mp3" length="271097142" type="audio/mpeg"/><itunes:author>John Milton</itunes:author><itunes:subtitle>A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than...</itunes:subtitle><itunes:summary><![CDATA[A reader of this history, encountering the frequent references to “my author,” meaning the current source, will be reminded of DON QUIXOTE and of THE MORTE D'ARTHUR, for Milton employs a style that might be called dissertational rather than novelistic; he carefully identifies his sources and often quotes from them. However, much of the scholarly documentation has been omitted from the reading—all except footnotes indicating the years—to avoid cumbersome interruptions. What will be obvious to a listener, though, is that Milton uses earlier chronicles with discretion. He doubts the very existence of Arthur and proposes an ingenious explanation of the origin of his supposed father's name, Uther. When obliged to cite George Buchanan, the world-renowned neo-Latin author and tutor (later detractor) of Mary Queen of Scots, he regularly uses more than a grain of salt, in view of that scholar’s Scottish bias. And as he carefully weighs the reliability of his sources, so he offers his candid opinion of the wisdom and integrity of historical figures. He sneers at the story of King Canute’s famously commanding the rising tide of waves to retire, but not for the reason one might suppose. Boadicea gets low marks, Alfred high ones—but not without some reservations. And in a long digression comparing the government of Britain, newly freed from Roman domination, to the British republic under Cromwell (for which, as Secretary of the Foreign Tongues, Milton was the voice), his criticism is so frank and savage that the passage had to be suppressed during his lifetime. Such personal opinions are what make this book entertaining and useful for the serious study of the author’s thought and personality. The endearingly affectionate life of the author, written by his elder nephew, Edward Philips, offers much first-hand information although its facts are not always accurate and its coverage spotty. One learns nothing, for example, about Milton’s visit to the home of Galileo, but Philips's discussion of the role his cousins played in their father’s scholarly pursuits is detailed and affords no basis to the myth that he ever dictated his poetry to his daughters. (Summary by T. A. Copeland)]]></itunes:summary><itunes:duration>33888</itunes:duration><itunes:keywords>ages,britain,carefully,dissertational,endearingly,history,middle,milton,philips,scholarly</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/5fcd25d4556508e60d6f3ad9ba58101d.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
