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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Personal Record</title><link>https://www.spreaker.com/podcast/personal-record--7093049</link><description><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></description><atom:link href="https://www.spreaker.com/show/7093049/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Memoirs Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/e4f6bad191d7a1e9020dc490affb080c.jpg</url><title>Personal Record</title><link>https://www.spreaker.com/podcast/personal-record--7093049</link></image><lastBuildDate>Tue, 25 Aug 2026 09:07:41 +0000</lastBuildDate><itunes:author>Joseph Conrad</itunes:author><itunes:owner><itunes:name>Memoirs Genre</itunes:name><itunes:email>spreaker65@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/e4f6bad191d7a1e9020dc490affb080c.jpg"/><itunes:subtitle>Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work',...</itunes:subtitle><itunes:summary><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Science"/><itunes:category text="Science"><itunes:category text="Nature"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>8ab7278b-94e0-5c08-b311-dfabc41bfc6c</podcast:guid><itunes:type>episodic</itunes:type><item><title>Woman and the War-Frances Evelyn (Daisy) Greville</title><link>https://www.spreaker.com/episode/woman-and-the-war-frances-evelyn-daisy-greville--74069008</link><description><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74069008</guid><pubDate>Tue, 25 Aug 2026 09:00:51 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74069008/woman_and_the_war_frances_evelyn_daisy_greville.mp3" length="199118835" type="audio/mpeg"/><itunes:author>Joseph Conrad</itunes:author><itunes:subtitle>Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work',...</itunes:subtitle><itunes:summary><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>24864</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/e4f6bad191d7a1e9020dc490affb080c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Kingdom of Happiness-Jiddu Krishnamurti</title><link>https://www.spreaker.com/episode/kingdom-of-happiness-jiddu-krishnamurti--74044123</link><description><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74044123</guid><pubDate>Mon, 24 Aug 2026 09:02:16 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74044123/kingdom_of_happiness_jiddu_krishnamurti.mp3" length="65190085" type="audio/mpeg"/><itunes:author>Joseph Conrad</itunes:author><itunes:subtitle>Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work',...</itunes:subtitle><itunes:summary><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>8141</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/e4f6bad191d7a1e9020dc490affb080c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Mary Cary, Frequently Martha-Kate Langley Bosher</title><link>https://www.spreaker.com/episode/mary-cary-frequently-martha-kate-langley-bosher--74021719</link><description><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74021719</guid><pubDate>Sun, 23 Aug 2026 09:02:09 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74021719/mary_cary_frequently_martha_kate_langley_bosher.mp3" length="111095036" type="audio/mpeg"/><itunes:author>Joseph Conrad</itunes:author><itunes:subtitle>Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work',...</itunes:subtitle><itunes:summary><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>13873</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/e4f6bad191d7a1e9020dc490affb080c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>As I Lay Dying-William Faulkner</title><link>https://www.spreaker.com/episode/as-i-lay-dying-william-faulkner--73998549</link><description><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73998549</guid><pubDate>Sat, 22 Aug 2026 09:01:50 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73998549/as_i_lay_dying_william_faulkner.mp3" length="184958715" type="audio/mpeg"/><itunes:author>Joseph Conrad</itunes:author><itunes:subtitle>Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work',...</itunes:subtitle><itunes:summary><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>23096</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/e4f6bad191d7a1e9020dc490affb080c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Diary of Samuel Pepys 1660-Samuel Pepys</title><link>https://www.spreaker.com/episode/diary-of-samuel-pepys-1660-samuel-pepys--73974882</link><description><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73974882</guid><pubDate>Fri, 21 Aug 2026 09:01:56 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73974882/diary_of_samuel_pepys_1660_samuel_pepys.mp3" length="259823014" type="audio/mpeg"/><itunes:author>Joseph Conrad</itunes:author><itunes:subtitle>Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work',...</itunes:subtitle><itunes:summary><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>32446</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/e4f6bad191d7a1e9020dc490affb080c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>California-Henry Vizetelly</title><link>https://www.spreaker.com/episode/california-henry-vizetelly--73951413</link><description><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73951413</guid><pubDate>Thu, 20 Aug 2026 09:02:08 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73951413/california_henry_vizetelly.mp3" length="155143439" type="audio/mpeg"/><itunes:author>Joseph Conrad</itunes:author><itunes:subtitle>Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work',...</itunes:subtitle><itunes:summary><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>19373</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/e4f6bad191d7a1e9020dc490affb080c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Confessions of Two Brothers-John Cowper Powys, Llewelyn Powys</title><link>https://www.spreaker.com/episode/confessions-of-two-brothers-john-cowper-powys-llewelyn-powys--73927450</link><description><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73927450</guid><pubDate>Wed, 19 Aug 2026 09:01:46 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73927450/confessions_of_two_brothers_john_cowper_powys_llewelyn_powys.mp3" length="159234382" type="audio/mpeg"/><itunes:author>Joseph Conrad</itunes:author><itunes:subtitle>Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work',...</itunes:subtitle><itunes:summary><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>19885</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/e4f6bad191d7a1e9020dc490affb080c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Memoirs of Napoleon Bonaparte, Volume 01-Louis Antoine Fauvelet de Bourrienne</title><link>https://www.spreaker.com/episode/memoirs-of-napoleon-bonaparte-volume-01-louis-antoine-fauvelet-de-bourrienne--73901840</link><description><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73901840</guid><pubDate>Tue, 18 Aug 2026 09:02:07 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73901840/memoirs_of_napoleon_bonaparte_volume_01_louis_antoine_fauvelet_de_bourrienne.mp3" length="101766113" type="audio/mpeg"/><itunes:author>Joseph Conrad</itunes:author><itunes:subtitle>Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work',...</itunes:subtitle><itunes:summary><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>12708</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/e4f6bad191d7a1e9020dc490affb080c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>American Idyll The Life of Carlton H. Parker-Cornelia Stratton Parker</title><link>https://www.spreaker.com/episode/american-idyll-the-life-of-carlton-h-parker-cornelia-stratton-parker--73877480</link><description><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73877480</guid><pubDate>Mon, 17 Aug 2026 09:02:07 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73877480/american_idyll_the_life_of_carlton_h_parker_cornelia_stratton_parker.mp3" length="151821989" type="audio/mpeg"/><itunes:author>Joseph Conrad</itunes:author><itunes:subtitle>Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work',...</itunes:subtitle><itunes:summary><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>18959</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/e4f6bad191d7a1e9020dc490affb080c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Father and Son-Edmund Gosse</title><link>https://www.spreaker.com/episode/father-and-son-edmund-gosse--73855713</link><description><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73855713</guid><pubDate>Sun, 16 Aug 2026 09:01:58 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73855713/father_and_son_edmund_gosse.mp3" length="258779551" type="audio/mpeg"/><itunes:author>Joseph Conrad</itunes:author><itunes:subtitle>Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work',...</itunes:subtitle><itunes:summary><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>32315</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/e4f6bad191d7a1e9020dc490affb080c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Eighteen Months' Imprisonment-Donald Shaw</title><link>https://www.spreaker.com/episode/eighteen-months-imprisonment-donald-shaw--73838495</link><description><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73838495</guid><pubDate>Sat, 15 Aug 2026 09:02:46 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73838495/eighteen_months_imprisonment_donald_shaw.mp3" length="209284346" type="audio/mpeg"/><itunes:author>Joseph Conrad</itunes:author><itunes:subtitle>Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work',...</itunes:subtitle><itunes:summary><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>26135</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/e4f6bad191d7a1e9020dc490affb080c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>From Plotzk to Boston-Mary Antin</title><link>https://www.spreaker.com/episode/from-plotzk-to-boston-mary-antin--73803658</link><description><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73803658</guid><pubDate>Tue, 11 Aug 2026 06:39:13 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73803658/from_plotzk_to_boston_mary_antin.mp3" length="54569544" type="audio/mpeg"/><itunes:author>Joseph Conrad</itunes:author><itunes:subtitle>Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work',...</itunes:subtitle><itunes:summary><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>6814</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/e4f6bad191d7a1e9020dc490affb080c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Recollections of a Busy Life-William Forwood</title><link>https://www.spreaker.com/episode/recollections-of-a-busy-life-william-forwood--73347269</link><description><![CDATA["Recollections of a Busy Life" by William Forwood offers listeners a glimpse into the vibrant experiences and reflections of a life well-lived. Through his engaging narrative, Forwood captures the essence of a busy existence filled with both challenges and triumphs, inviting us to reflect on our own journeys. The themes of perseverance, the value of hard work, and the richness of personal history resonate deeply today, reminding us of the importance of embracing our own stories. This audiobook serves as an enduring testament to the human spirit, encouraging listeners to appreciate the moments that shape their lives and the legacies they create.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73347269</guid><pubDate>Sun, 02 Aug 2026 19:22:40 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73347269/recollections_of_a_busy_life_william_forwood.mp3" length="220289348" type="audio/mpeg"/><itunes:author>Joseph Conrad</itunes:author><itunes:subtitle>"Recollections of a Busy Life" by William Forwood offers listeners a glimpse into the vibrant experiences and reflections of a life well-lived. Through his engaging narrative, Forwood captures the essence of a busy existence filled with both...</itunes:subtitle><itunes:summary><![CDATA["Recollections of a Busy Life" by William Forwood offers listeners a glimpse into the vibrant experiences and reflections of a life well-lived. Through his engaging narrative, Forwood captures the essence of a busy existence filled with both challenges and triumphs, inviting us to reflect on our own journeys. The themes of perseverance, the value of hard work, and the richness of personal history resonate deeply today, reminding us of the importance of embracing our own stories. This audiobook serves as an enduring testament to the human spirit, encouraging listeners to appreciate the moments that shape their lives and the legacies they create.]]></itunes:summary><itunes:duration>27509</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/e4f6bad191d7a1e9020dc490affb080c.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Personal Record - Joseph Conrad</title><link>https://www.spreaker.com/episode/personal-record-joseph-conrad--72421496</link><description><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72421496</guid><pubDate>Mon, 08 Jun 2026 16:24:34 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72421496/personal_record_joseph_conrad.mp3" length="133418047" type="audio/mpeg"/><itunes:author>Joseph Conrad</itunes:author><itunes:subtitle>Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work',...</itunes:subtitle><itunes:summary><![CDATA[Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it. While some of the moments Conrad recalls seem slight enough in themselves - a general's daughter barges into his room while he is writing the end of 'Nostromo'; he supervises the unloading of a pony for the real Almayer up a river in Borneo - his manner of interweaving various episodes, abruptly dropping one and leaping to another epoch of his life, interspersing all with reflections on life and his own art - all this is Conrad at his most engaging. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>16678</itunes:duration><itunes:keywords>barges,conrad,deprecation,dictating,interspersing,memoirs,personal,record,supervises,unloading</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/e4f6bad191d7a1e9020dc490affb080c.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
