<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Love Songs (Version 2)</title><link>https://www.spreaker.com/podcast/love-songs-version-2--7092717</link><description><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></description><atom:link href="https://www.spreaker.com/show/7092717/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Memoirs Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/89968869f9ad160d8db4d1d26d09d32b.jpg</url><title>Love Songs (Version 2)</title><link>https://www.spreaker.com/podcast/love-songs-version-2--7092717</link></image><lastBuildDate>Tue, 25 Aug 2026 09:07:19 +0000</lastBuildDate><itunes:author>Sara Teasdale</itunes:author><itunes:owner><itunes:name>Memoirs Genre</itunes:name><itunes:email>spreaker65@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/89968869f9ad160d8db4d1d26d09d32b.jpg"/><itunes:subtitle>With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional...</itunes:subtitle><itunes:summary><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Arts"/><itunes:category text="Arts"><itunes:category text="Performing Arts"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>10825a76-7224-5038-ac64-a0cb965949fc</podcast:guid><itunes:type>episodic</itunes:type><item><title>Dozen Short Stories from H. G. Wells-H. G. Wells</title><link>https://www.spreaker.com/episode/dozen-short-stories-from-h-g-wells-h-g-wells--74068028</link><description><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74068028</guid><pubDate>Tue, 25 Aug 2026 09:00:49 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74068028/dozen_short_stories_from_h_g_wells_h_g_wells.mp3" length="110192857" type="audio/mpeg"/><itunes:author>Sara Teasdale</itunes:author><itunes:subtitle>With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional...</itunes:subtitle><itunes:summary><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></itunes:summary><itunes:duration>13761</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/89968869f9ad160d8db4d1d26d09d32b.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Second April-Edna St. Vincent Millay</title><link>https://www.spreaker.com/episode/second-april-edna-st-vincent-millay--74043258</link><description><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74043258</guid><pubDate>Mon, 24 Aug 2026 09:02:15 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74043258/second_april_edna_st_vincent_millay.mp3" length="36303895" type="audio/mpeg"/><itunes:author>Sara Teasdale</itunes:author><itunes:subtitle>With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional...</itunes:subtitle><itunes:summary><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></itunes:summary><itunes:duration>4534</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/89968869f9ad160d8db4d1d26d09d32b.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Prophet (version 3)-Kahlil Gibran</title><link>https://www.spreaker.com/episode/prophet-version-3-kahlil-gibran--74020870</link><description><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74020870</guid><pubDate>Sun, 23 Aug 2026 09:02:14 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74020870/prophet_version_3_kahlil_gibran.mp3" length="37525696" type="audio/mpeg"/><itunes:author>Sara Teasdale</itunes:author><itunes:subtitle>With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional...</itunes:subtitle><itunes:summary><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></itunes:summary><itunes:duration>4686</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/89968869f9ad160d8db4d1d26d09d32b.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Black Panther-John Hall Wheelock</title><link>https://www.spreaker.com/episode/black-panther-john-hall-wheelock--73997471</link><description><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73997471</guid><pubDate>Sat, 22 Aug 2026 09:01:43 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73997471/black_panther_john_hall_wheelock.mp3" length="40361871" type="audio/mpeg"/><itunes:author>Sara Teasdale</itunes:author><itunes:subtitle>With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional...</itunes:subtitle><itunes:summary><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></itunes:summary><itunes:duration>5040</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/89968869f9ad160d8db4d1d26d09d32b.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Star-Treader and Other Poems-Clark Ashton Smith</title><link>https://www.spreaker.com/episode/star-treader-and-other-poems-clark-ashton-smith--73974061</link><description><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73974061</guid><pubDate>Fri, 21 Aug 2026 09:01:56 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73974061/star_treader_and_other_poems_clark_ashton_smith.mp3" length="62439854" type="audio/mpeg"/><itunes:author>Sara Teasdale</itunes:author><itunes:subtitle>With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional...</itunes:subtitle><itunes:summary><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></itunes:summary><itunes:duration>7797</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/89968869f9ad160d8db4d1d26d09d32b.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Love Songs (Version 2)-Sara Teasdale</title><link>https://www.spreaker.com/episode/love-songs-version-2-sara-teasdale--73950614</link><description><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73950614</guid><pubDate>Thu, 20 Aug 2026 09:02:01 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73950614/love_songs_version_2_sara_teasdale.mp3" length="28032530" type="audio/mpeg"/><itunes:author>Sara Teasdale</itunes:author><itunes:subtitle>With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional...</itunes:subtitle><itunes:summary><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></itunes:summary><itunes:duration>3501</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/89968869f9ad160d8db4d1d26d09d32b.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Harp-Weaver, and Other Poems-Edna St. Vincent Millay</title><link>https://www.spreaker.com/episode/harp-weaver-and-other-poems-edna-st-vincent-millay--73926474</link><description><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73926474</guid><pubDate>Wed, 19 Aug 2026 09:01:44 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73926474/harp_weaver_and_other_poems_edna_st_vincent_millay.mp3" length="32568034" type="audio/mpeg"/><itunes:author>Sara Teasdale</itunes:author><itunes:subtitle>With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional...</itunes:subtitle><itunes:summary><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></itunes:summary><itunes:duration>4067</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/89968869f9ad160d8db4d1d26d09d32b.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Pale Woman-Sara Bard Field</title><link>https://www.spreaker.com/episode/pale-woman-sara-bard-field--73901027</link><description><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73901027</guid><pubDate>Tue, 18 Aug 2026 09:02:02 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73901027/pale_woman_sara_bard_field.mp3" length="31057970" type="audio/mpeg"/><itunes:author>Sara Teasdale</itunes:author><itunes:subtitle>With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional...</itunes:subtitle><itunes:summary><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></itunes:summary><itunes:duration>3879</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/89968869f9ad160d8db4d1d26d09d32b.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Tales of Wonder-Lord Dunsany</title><link>https://www.spreaker.com/episode/tales-of-wonder-lord-dunsany--73876662</link><description><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73876662</guid><pubDate>Mon, 17 Aug 2026 09:02:00 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73876662/tales_of_wonder_lord_dunsany.mp3" length="125044620" type="audio/mpeg"/><itunes:author>Sara Teasdale</itunes:author><itunes:subtitle>With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional...</itunes:subtitle><itunes:summary><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></itunes:summary><itunes:duration>15615</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/89968869f9ad160d8db4d1d26d09d32b.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Augustan Books of Modern Poetry Emily Brontë-Emily Brontë</title><link>https://www.spreaker.com/episode/augustan-books-of-modern-poetry-emily-bronte-emily-bronte--73855035</link><description><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73855035</guid><pubDate>Sun, 16 Aug 2026 09:01:55 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73855035/augustan_books_of_modern_poetry_emily_bronte_emily_bronte.mp3" length="22959229" type="audio/mpeg"/><itunes:author>Sara Teasdale</itunes:author><itunes:subtitle>With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional...</itunes:subtitle><itunes:summary><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></itunes:summary><itunes:duration>2867</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/89968869f9ad160d8db4d1d26d09d32b.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Inn of Dreams-Olive Custance</title><link>https://www.spreaker.com/episode/inn-of-dreams-olive-custance--73837983</link><description><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73837983</guid><pubDate>Sat, 15 Aug 2026 09:02:46 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73837983/inn_of_dreams_olive_custance.mp3" length="25845653" type="audio/mpeg"/><itunes:author>Sara Teasdale</itunes:author><itunes:subtitle>With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional...</itunes:subtitle><itunes:summary><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></itunes:summary><itunes:duration>3228</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/89968869f9ad160d8db4d1d26d09d32b.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Amoretti A sonnet sequence-Edmund Spenser</title><link>https://www.spreaker.com/episode/amoretti-a-sonnet-sequence-edmund-spenser--73802734</link><description><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73802734</guid><pubDate>Tue, 11 Aug 2026 06:22:15 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73802734/amoretti_a_sonnet_sequence_edmund_spenser.mp3" length="53763461" type="audio/mpeg"/><itunes:author>Sara Teasdale</itunes:author><itunes:subtitle>With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional...</itunes:subtitle><itunes:summary><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></itunes:summary><itunes:duration>6713</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/89968869f9ad160d8db4d1d26d09d32b.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Love Songs (Version 2)-Sara Teasdale</title><link>https://www.spreaker.com/episode/love-songs-version-2-sara-teasdale--73346591</link><description><![CDATA["Love Songs (Version 2)" by Sara Teasdale captures the essence of love through lyrical poetry that speaks to the heart and soul. Teasdale's exploration of love's beauty, longing, and complexity resonates deeply with listeners, inviting them to reflect on their own experiences and emotions. The timeless themes of love and yearning found in her verses continue to echo in today's world, reminding us of the universal nature of these feelings across generations. This collection offers a poignant reminder of the power of love to inspire and transform, making it a compelling listen for anyone seeking solace or connection in the timeless dance of romance.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73346591</guid><pubDate>Sun, 02 Aug 2026 19:02:53 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73346591/love_songs_version_2_sara_teasdale.mp3" length="28032530" type="audio/mpeg"/><itunes:author>Sara Teasdale</itunes:author><itunes:subtitle>"Love Songs (Version 2)" by Sara Teasdale captures the essence of love through lyrical poetry that speaks to the heart and soul. Teasdale's exploration of love's beauty, longing, and complexity resonates deeply with listeners, inviting them to reflect...</itunes:subtitle><itunes:summary><![CDATA["Love Songs (Version 2)" by Sara Teasdale captures the essence of love through lyrical poetry that speaks to the heart and soul. Teasdale's exploration of love's beauty, longing, and complexity resonates deeply with listeners, inviting them to reflect on their own experiences and emotions. The timeless themes of love and yearning found in her verses continue to echo in today's world, reminding us of the universal nature of these feelings across generations. This collection offers a poignant reminder of the power of love to inspire and transform, making it a compelling listen for anyone seeking solace or connection in the timeless dance of romance.]]></itunes:summary><itunes:duration>3501</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/89968869f9ad160d8db4d1d26d09d32b.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Love Songs Version 2 - Sara Teasdale</title><link>https://www.spreaker.com/episode/love-songs-version-2-sara-teasdale--72419717</link><description><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72419717</guid><pubDate>Mon, 08 Jun 2026 15:12:13 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72419717/love_songs_version_2_sara_teasdale.mp3" length="28001815" type="audio/mpeg"/><podcast:transcript url="https://transcription.spreaker.com/starship/045bbd88-e7a6-4aaa-bca3-92940d8e34e9/045bbd88-e7a6-4aaa-bca3-92940d8e34e9.srt" type="application/x-subrip" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/045bbd88-e7a6-4aaa-bca3-92940d8e34e9/045bbd88-e7a6-4aaa-bca3-92940d8e34e9.txt" type="text/plain" language="en"/><podcast:transcript url="https://transcription.spreaker.com/starship/045bbd88-e7a6-4aaa-bca3-92940d8e34e9/045bbd88-e7a6-4aaa-bca3-92940d8e34e9.vtt" type="text/vtt" language="en"/><itunes:author>Sara Teasdale</itunes:author><itunes:subtitle>With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional...</itunes:subtitle><itunes:summary><![CDATA[With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee]]></itunes:summary><itunes:duration>3501</itunes:duration><itunes:keywords>edition,love,lyric,millay,printings,prize,songs,teasdale,tones,work</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/89968869f9ad160d8db4d1d26d09d32b.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
