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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Shadow Flies</title><link>https://www.spreaker.com/podcast/shadow-flies--7088608</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This show includes AI-generated content.]]></description><atom:link href="https://www.spreaker.com/show/7088608/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Literary Fiction Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg</url><title>Shadow Flies</title><link>https://www.spreaker.com/podcast/shadow-flies--7088608</link></image><lastBuildDate>Mon, 12 Oct 2026 12:49:25 +0000</lastBuildDate><itunes:author>Rose Macaulay</itunes:author><itunes:owner><itunes:name>Literary Fiction Genre</itunes:name><itunes:email>spreaker64@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This show includes AI-generated content.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Religion &amp; Spirituality"/><itunes:category text="Religion &amp; Spirituality"><itunes:category text="Religion"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>0ffc2702-b38f-5dd3-accf-48ae230dcda3</podcast:guid><podcast:txt purpose="ai-content">true</podcast:txt><itunes:type>episodic</itunes:type><item><title>Woman and the War-Frances Evelyn (Daisy) Greville</title><link>https://www.spreaker.com/episode/woman-and-the-war-frances-evelyn-daisy-greville--74395854</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74395854</guid><pubDate>Mon, 07 Sep 2026 09:01:20 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74395854/woman_and_the_war_frances_evelyn_daisy_greville.mp3" length="199118835" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>24864</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>St. George and St. Michael, Volume 1-George MacDonald</title><link>https://www.spreaker.com/episode/st-george-and-st-michael-volume-1-george-macdonald--74366649</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74366649</guid><pubDate>Sun, 06 Sep 2026 09:00:57 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74366649/st_george_and_st_michael_volume_1_george_macdonald.mp3" length="150252784" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>18763</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Maid of Maiden Lane (dramatic reading)-Amelia E. Barr</title><link>https://www.spreaker.com/episode/maid-of-maiden-lane-dramatic-reading-amelia-e-barr--74345339</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74345339</guid><pubDate>Sat, 05 Sep 2026 09:00:44 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74345339/6850_maid_of_maiden_lane_dramatic_reading_amelia_e_barr.mp3" length="238049339" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>29726</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Poems (1686)-Anne Killigrew</title><link>https://www.spreaker.com/episode/poems-1686-anne-killigrew--74317760</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74317760</guid><pubDate>Fri, 04 Sep 2026 09:00:51 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74317760/poems_1686_anne_killigrew.mp3" length="52778217" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>6591</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Absalom and Achitophel-John Dryden</title><link>https://www.spreaker.com/episode/absalom-and-achitophel-john-dryden--74297273</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74297273</guid><pubDate>Thu, 03 Sep 2026 09:00:48 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74297273/absalom_and_achitophel_john_dryden.mp3" length="27953997" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>3491</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>John Donne's Satires-John Donne</title><link>https://www.spreaker.com/episode/john-donne-s-satires-john-donne--74276508</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74276508</guid><pubDate>Wed, 02 Sep 2026 09:00:55 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74276508/john_donne_s_satires_john_donne.mp3" length="39822705" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>4972</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Towards Democracy-Edward Carpenter</title><link>https://www.spreaker.com/episode/towards-democracy-edward-carpenter--74257680</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74257680</guid><pubDate>Tue, 01 Sep 2026 09:00:45 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74257680/towards_democracy_edward_carpenter.mp3" length="112974375" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>14108</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Letters Written During a Short Residence in Sweden, Norway and Denmark-Mary Wollstonecraft</title><link>https://www.spreaker.com/episode/letters-written-during-a-short-residence-in-sweden-norway-and-denmark-mary-wollstonecraft--74240297</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74240297</guid><pubDate>Mon, 31 Aug 2026 09:00:53 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74240297/letters_written_during_a_short_residence_in_sweden_norway_and_denmark_mary_wollstonecraft.mp3" length="167092522" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>20865</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Rosalynde or, Euphues' Golden Legacie-Thomas Lodge</title><link>https://www.spreaker.com/episode/rosalynde-or-euphues-golden-legacie-thomas-lodge--74224327</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74224327</guid><pubDate>Sun, 30 Aug 2026 09:00:46 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74224327/6996_rosalynde_or_euphues_golden_legacie_thomas_lodge.mp3" length="154377456" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>19278</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Charles Simeon-Handley Carr Glyn Moule</title><link>https://www.spreaker.com/episode/charles-simeon-handley-carr-glyn-moule--74200234</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74200234</guid><pubDate>Sat, 29 Aug 2026 09:00:58 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74200234/charles_simeon_handley_carr_glyn_moule.mp3" length="215575010" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>26919</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>As I Lay Dying-William Faulkner</title><link>https://www.spreaker.com/episode/as-i-lay-dying-william-faulkner--74170924</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74170924</guid><pubDate>Fri, 28 Aug 2026 09:00:55 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74170924/as_i_lay_dying_william_faulkner.mp3" length="184958715" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>23096</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Sonnets from the Portuguese-Elizabeth Barrett Browning</title><link>https://www.spreaker.com/episode/sonnets-from-the-portuguese-elizabeth-barrett-browning--74142449</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74142449</guid><pubDate>Thu, 27 Aug 2026 09:00:55 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74142449/sonnets_from_the_portuguese_elizabeth_barrett_browning.mp3" length="23214933" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>2899</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Goblins and Pagodas-John Gould Fletcher</title><link>https://www.spreaker.com/episode/goblins-and-pagodas-john-gould-fletcher--74089008</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74089008</guid><pubDate>Wed, 26 Aug 2026 09:01:08 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74089008/goblins_and_pagodas_john_gould_fletcher.mp3" length="61525799" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>7683</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Genji Monogatari (The Tale of Genji)-Murasaki Shikibu</title><link>https://www.spreaker.com/episode/genji-monogatari-the-tale-of-genji-murasaki-shikibu--74065002</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74065002</guid><pubDate>Tue, 25 Aug 2026 09:00:45 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74065002/genji_monogatari_the_tale_of_genji_murasaki_shikibu.mp3" length="255865488" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>31951</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Short Nonfiction Collection, Vol. 072-Various</title><link>https://www.spreaker.com/episode/short-nonfiction-collection-vol-072-various--74040532</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74040532</guid><pubDate>Mon, 24 Aug 2026 09:02:10 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74040532/short_nonfiction_collection_vol_072_various.mp3" length="185944394" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>23220</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>H.M.S. Pinafore; Or, The Lass That Loved A Sailor-W. S. Gilbert</title><link>https://www.spreaker.com/episode/h-m-s-pinafore-or-the-lass-that-loved-a-sailor-w-s-gilbert--74018026</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74018026</guid><pubDate>Sun, 23 Aug 2026 09:02:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74018026/h_m_s_pinafore_or_the_lass_that_loved_a_sailor_w_s_gilbert.mp3" length="30216817" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>3773</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Bacteria in Daily Life-Grace Coleridge Frankland</title><link>https://www.spreaker.com/episode/bacteria-in-daily-life-grace-coleridge-frankland--73994050</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73994050</guid><pubDate>Sat, 22 Aug 2026 09:01:37 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73994050/bacteria_in_daily_life_grace_coleridge_frankland.mp3" length="137514004" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>17172</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Frankenstein, or The Modern Prometheus (Edition 1831)-Mary Wollstonecraft Shelley</title><link>https://www.spreaker.com/episode/frankenstein-or-the-modern-prometheus-edition-1831-mary-wollstonecraft-shelley--73970683</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73970683</guid><pubDate>Fri, 21 Aug 2026 09:01:45 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73970683/frankenstein_or_the_modern_prometheus_edition_1831_mary_wollstonecraft_shelley.mp3" length="252257070" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>31500</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Short Nonfiction Collection, Vol. 062-Various</title><link>https://www.spreaker.com/episode/short-nonfiction-collection-vol-062-various--73947894</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73947894</guid><pubDate>Thu, 20 Aug 2026 09:01:43 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73947894/short_nonfiction_collection_vol_062_various.mp3" length="106966214" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>13357</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Four Hymns-Edmund Spenser</title><link>https://www.spreaker.com/episode/four-hymns-edmund-spenser--73923238</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73923238</guid><pubDate>Wed, 19 Aug 2026 09:01:21 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73923238/four_hymns_edmund_spenser.mp3" length="34401374" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>4296</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Outlaw of Torn-Edgar Rice Burroughs</title><link>https://www.spreaker.com/episode/outlaw-of-torn-edgar-rice-burroughs--73898248</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73898248</guid><pubDate>Tue, 18 Aug 2026 09:01:55 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73898248/3632_outlaw_of_torn_edgar_rice_burroughs.mp3" length="201694351" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>25186</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>They Flee From Me and other poems-Thomas Wyatt</title><link>https://www.spreaker.com/episode/they-flee-from-me-and-other-poems-thomas-wyatt--73873969</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73873969</guid><pubDate>Mon, 17 Aug 2026 09:01:51 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73873969/they_flee_from_me_and_other_poems_thomas_wyatt.mp3" length="20061049" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>2505</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>According to Promise, or The Lord’s Method of Dealing with His Chosen People-Charles H. Spurgeon</title><link>https://www.spreaker.com/episode/according-to-promise-or-the-lord-s-method-of-dealing-with-his-chosen-people-charles-h-spurgeon--73853031</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73853031</guid><pubDate>Sun, 16 Aug 2026 09:01:38 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73853031/according_to_promise_or_the_lord_s_method_of_dealing_with_his_chosen_people_charles_h_spurgeon.mp3" length="130349323" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>16277</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Tea Its History and Mystery-Joseph M. Walsh</title><link>https://www.spreaker.com/episode/tea-its-history-and-mystery-joseph-m-walsh--73836243</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73836243</guid><pubDate>Sat, 15 Aug 2026 09:02:27 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73836243/tea_its_history_and_mystery_joseph_m_walsh.mp3" length="251616977" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>31421</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Tamburlaine the Great, Part 2-Christopher Marlowe</title><link>https://www.spreaker.com/episode/tamburlaine-the-great-part-2-christopher-marlowe--73800209</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73800209</guid><pubDate>Tue, 11 Aug 2026 05:27:39 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73800209/tamburlaine_the_great_part_2_christopher_marlowe.mp3" length="68183408" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>8514</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Dramatic Reading Scene and Story Collection, Volume 005-Various</title><link>https://www.spreaker.com/episode/dramatic-reading-scene-and-story-collection-volume-005-various--73344425</link><description><![CDATA["Dramatic Reading Scene and Story Collection, Volume 005-Various" invites listeners to immerse themselves in a captivating assortment of narratives, showcasing the art of dramatic reading. This collection features a diverse range of scenes and stories that highlight the power of voice and performance, breathing life into the written word. As timeless themes of human experience unfold, listeners are reminded of the shared emotions and connections that resonate across cultures and generations. The artistry of storytelling remains a vital part of our collective heritage, making this collection not only an entertaining listen but also a celebration of the enduring impact of narrative in our lives.<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73344425</guid><pubDate>Sun, 02 Aug 2026 17:52:49 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73344425/20304_dramatic_reading_scene_and_story_collection_volume_005_various.mp3" length="174099545" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>"Dramatic Reading Scene and Story Collection, Volume 005-Various" invites listeners to immerse themselves in a captivating assortment of narratives, showcasing the art of dramatic reading. This collection features a diverse range of scenes and stories...</itunes:subtitle><itunes:summary><![CDATA["Dramatic Reading Scene and Story Collection, Volume 005-Various" invites listeners to immerse themselves in a captivating assortment of narratives, showcasing the art of dramatic reading. This collection features a diverse range of scenes and stories that highlight the power of voice and performance, breathing life into the written word. As timeless themes of human experience unfold, listeners are reminded of the shared emotions and connections that resonate across cultures and generations. The artistry of storytelling remains a vital part of our collective heritage, making this collection not only an entertaining listen but also a celebration of the enduring impact of narrative in our lives.<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>21739</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Shadow Flies - Rose Macaulay - Part 2</title><link>https://www.spreaker.com/episode/shadow-flies-rose-macaulay-part-2--72389996</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72389996</guid><pubDate>Sun, 07 Jun 2026 09:00:23 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72389996/shadow_flies_rose_macaulay_part_2.mp3" length="115466490" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>14434</itunes:duration><itunes:keywords>characters,curricula,exults,flies,literary,macaulay,reeling,shadow,title,wrangles</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Shadow Flies - Rose Macaulay - Part 1</title><link>https://www.spreaker.com/episode/shadow-flies-rose-macaulay-part-1--72389995</link><description><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72389995</guid><pubDate>Sat, 06 Jun 2026 16:30:52 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72389995/shadow_flies_rose_macaulay_part_1.mp3" length="279413273" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>Rose Macaulay</itunes:author><itunes:subtitle>The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title...</itunes:subtitle><itunes:summary><![CDATA[The title of the original, British release of this novel was They Were Defeated, referring, among other matters, to the English Civil War, 1642 to 1651. Since the main action covers the build-up toward this event and climaxes in 1641, the title implies that defeat had been inevitable for both sides even before the war began. The American title, The Shadow Flies, comes from a poem on the vanity of human wishes. Yet, for all that, the story is full of life and yearning, of effort and fun, of assertion and tolerance, of conscience and love. In keeping with these themes, the action and the characters are loosely linked to the incomparable lyric poet Robert Herrick in his remote home in Devonshire, where he exults in the beauty of nature and wrangles with his backward parishioners, waiting in vain for the recognition and fame which he would be denied until long after his death. The emotional focus of the novel is an adolescent girl, a scholar and poet of promise, encouraged by an educated father of unconventional opinions. In particular, his insistence that education ought to be offered equally to both sexes endears him to moderns but sets him at odds with his peers—as does his scorn of religion, which, in its turn, complicates many readers’ response to him. The issues into which individual characters draw the reader include, beyond the strictly political, poetic taste, academic curricula, witchcraft, science, superstition, and religious observances in an England still reeling from the Reformation, which had taken place in the lifetime of the generation just preceding that of the oldest characters. Many well known historical figures, and especially poets, make brief appearances, and the language the author puts into their mouths is as close as she can manage to that of the mid seventeenth century, with different dialects faithfully represented in spelling when convenient. - Summary by Thomas A. Copeland<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>34927</itunes:duration><itunes:keywords>characters,curricula,exults,flies,literary,macaulay,reeling,shadow,title,wrangles</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/073accb86d2cd8ec195650b767243960.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
