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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Shadow-Line</title><link>https://www.spreaker.com/podcast/shadow-line--7088490</link><description><![CDATA[Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in book form in 1917. The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." Summary by Wikipedia (edited by Expatriate)]]></description><atom:link href="https://www.spreaker.com/show/7088490/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Literary Fiction Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0eb4e2eaeff195fddd22008800a85796.jpg</url><title>Shadow-Line</title><link>https://www.spreaker.com/podcast/shadow-line--7088490</link></image><lastBuildDate>Tue, 25 Aug 2026 09:06:30 +0000</lastBuildDate><itunes:author>Joseph Conrad</itunes:author><itunes:owner><itunes:name>Literary Fiction Genre</itunes:name><itunes:email>spreaker64@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0eb4e2eaeff195fddd22008800a85796.jpg"/><itunes:subtitle>Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in...</itunes:subtitle><itunes:summary><![CDATA[Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in book form in 1917. The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." Summary by Wikipedia (edited by Expatriate)]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Science"/><itunes:category text="Science"><itunes:category text="Nature"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>38cea5c8-4dc1-589c-891a-168d42d03a2b</podcast:guid><itunes:type>episodic</itunes:type><item><title>Unknown Masterpiece-Honoré de Balzac</title><link>https://www.spreaker.com/episode/unknown-masterpiece-honore-de-balzac--74065012</link><description><![CDATA[Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in book form in 1917. The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." 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The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." 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The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." 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It was first published in 1916 as a serial and in book form in 1917. The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." 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The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." 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The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." Summary by Wikipedia (edited by Expatriate)]]></itunes:summary><itunes:duration>6054</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0eb4e2eaeff195fddd22008800a85796.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Eugene Onéguine-Alexander Pushkin</title><link>https://www.spreaker.com/episode/eugene-oneguine-alexander-pushkin--73994059</link><description><![CDATA[Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in book form in 1917. The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." 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The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." 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The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." Summary by Wikipedia (edited by Expatriate)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73970710</guid><pubDate>Fri, 21 Aug 2026 09:01:43 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73970710/gigolo_edna_ferber.mp3" length="253304858" type="audio/mpeg"/><itunes:author>Joseph Conrad</itunes:author><itunes:subtitle>Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in...</itunes:subtitle><itunes:summary><![CDATA[Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in book form in 1917. The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." Summary by Wikipedia (edited by Expatriate)]]></itunes:summary><itunes:duration>31631</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0eb4e2eaeff195fddd22008800a85796.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Diatessaron A Harmony of the Four Gospels-Tatian</title><link>https://www.spreaker.com/episode/diatessaron-a-harmony-of-the-four-gospels-tatian--73947905</link><description><![CDATA[Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in book form in 1917. The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." Summary by Wikipedia (edited by Expatriate)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73947905</guid><pubDate>Thu, 20 Aug 2026 09:01:43 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73947905/diatessaron_a_harmony_of_the_four_gospels_tatian.mp3" length="187974101" type="audio/mpeg"/><itunes:author>Joseph Conrad</itunes:author><itunes:subtitle>Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in...</itunes:subtitle><itunes:summary><![CDATA[Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in book form in 1917. The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." Summary by Wikipedia (edited by Expatriate)]]></itunes:summary><itunes:duration>23473</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0eb4e2eaeff195fddd22008800a85796.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Gallery of Children (Version 2)-A. A. Milne</title><link>https://www.spreaker.com/episode/gallery-of-children-version-2-a-a-milne--73923241</link><description><![CDATA[Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in book form in 1917. The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." Summary by Wikipedia (edited by Expatriate)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73923241</guid><pubDate>Wed, 19 Aug 2026 09:01:28 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73923241/gallery_of_children_version_2_a_a_milne.mp3" length="32084258" type="audio/mpeg"/><itunes:author>Joseph Conrad</itunes:author><itunes:subtitle>Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in...</itunes:subtitle><itunes:summary><![CDATA[Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in book form in 1917. The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." Summary by Wikipedia (edited by Expatriate)]]></itunes:summary><itunes:duration>4007</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0eb4e2eaeff195fddd22008800a85796.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Culture and Anarchy-Matthew Arnold</title><link>https://www.spreaker.com/episode/culture-and-anarchy-matthew-arnold--73898258</link><description><![CDATA[Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in book form in 1917. The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." Summary by Wikipedia (edited by Expatriate)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73898258</guid><pubDate>Tue, 18 Aug 2026 09:01:55 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73898258/culture_and_anarchy_matthew_arnold.mp3" length="173751022" type="audio/mpeg"/><itunes:author>Joseph Conrad</itunes:author><itunes:subtitle>Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in...</itunes:subtitle><itunes:summary><![CDATA[Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in book form in 1917. The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." Summary by Wikipedia (edited by Expatriate)]]></itunes:summary><itunes:duration>21697</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0eb4e2eaeff195fddd22008800a85796.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Treasure Island (version 3, dramatic reading)-Robert Louis Stevenson</title><link>https://www.spreaker.com/episode/treasure-island-version-3-dramatic-reading-robert-louis-stevenson--73873977</link><description><![CDATA[Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in book form in 1917. The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." Summary by Wikipedia (edited by Expatriate)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73873977</guid><pubDate>Mon, 17 Aug 2026 09:01:47 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73873977/treasure_island_version_3_dramatic_reading_robert_louis_stevenson.mp3" length="182860595" type="audio/mpeg"/><itunes:author>Joseph Conrad</itunes:author><itunes:subtitle>Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in...</itunes:subtitle><itunes:summary><![CDATA[Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in book form in 1917. The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." Summary by Wikipedia (edited by Expatriate)]]></itunes:summary><itunes:duration>22835</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0eb4e2eaeff195fddd22008800a85796.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Short Nonfiction Collection, Vol. 085-Various</title><link>https://www.spreaker.com/episode/short-nonfiction-collection-vol-085-various--73853036</link><description><![CDATA[Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in book form in 1917. The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." Summary by Wikipedia (edited by Expatriate)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73853036</guid><pubDate>Sun, 16 Aug 2026 09:01:39 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73853036/short_nonfiction_collection_vol_085_various.mp3" length="181407780" type="audio/mpeg"/><itunes:author>Joseph Conrad</itunes:author><itunes:subtitle>Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in...</itunes:subtitle><itunes:summary><![CDATA[Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in book form in 1917. The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." Summary by Wikipedia (edited by Expatriate)]]></itunes:summary><itunes:duration>22653</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0eb4e2eaeff195fddd22008800a85796.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Nigger of the Narcissus (Version 2)-Joseph Conrad</title><link>https://www.spreaker.com/episode/nigger-of-the-narcissus-version-2-joseph-conrad--73836245</link><description><![CDATA[Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in book form in 1917. The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." Summary by Wikipedia (edited by Expatriate)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73836245</guid><pubDate>Sat, 15 Aug 2026 09:02:34 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73836245/nigger_of_the_narcissus_version_2_joseph_conrad.mp3" length="167163035" type="audio/mpeg"/><itunes:author>Joseph Conrad</itunes:author><itunes:subtitle>Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in...</itunes:subtitle><itunes:summary><![CDATA[Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in book form in 1917. The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." Summary by Wikipedia (edited by Expatriate)]]></itunes:summary><itunes:duration>20875</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0eb4e2eaeff195fddd22008800a85796.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Spring of Joy A Little Book of Healing-Mary Webb</title><link>https://www.spreaker.com/episode/spring-of-joy-a-little-book-of-healing-mary-webb--73800214</link><description><![CDATA[Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in book form in 1917. The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." Summary by Wikipedia (edited by Expatriate)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73800214</guid><pubDate>Tue, 11 Aug 2026 05:27:44 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73800214/spring_of_joy_a_little_book_of_healing_mary_webb.mp3" length="86799966" type="audio/mpeg"/><itunes:author>Joseph Conrad</itunes:author><itunes:subtitle>Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in...</itunes:subtitle><itunes:summary><![CDATA[Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in book form in 1917. The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." Summary by Wikipedia (edited by Expatriate)]]></itunes:summary><itunes:duration>10839</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0eb4e2eaeff195fddd22008800a85796.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Diatessaron A Harmony of the Four Gospels-Tatian</title><link>https://www.spreaker.com/episode/diatessaron-a-harmony-of-the-four-gospels-tatian--73344433</link><description><![CDATA["Diatessaron: A Harmony of the Four Gospels" by Tatian presents a unique synthesis of the four canonical gospels, weaving together their narratives into a single, cohesive account of the life and teachings of Jesus Christ. This work not only reflects the early Christian desire for unity among the gospel messages but also invites listeners to explore the profound themes of faith, redemption, and the human experience that remain relevant today. By harmonizing the distinct perspectives of the gospel writers, Tatian offers a deeper understanding of the spiritual journey, making this audiobook a timeless resource for those seeking insight into the foundational stories of Christianity.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73344433</guid><pubDate>Sun, 02 Aug 2026 17:53:06 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73344433/diatessaron_a_harmony_of_the_four_gospels_tatian.mp3" length="187974101" type="audio/mpeg"/><itunes:author>Joseph Conrad</itunes:author><itunes:subtitle>"Diatessaron: A Harmony of the Four Gospels" by Tatian presents a unique synthesis of the four canonical gospels, weaving together their narratives into a single, cohesive account of the life and teachings of Jesus Christ. This work not only reflects...</itunes:subtitle><itunes:summary><![CDATA["Diatessaron: A Harmony of the Four Gospels" by Tatian presents a unique synthesis of the four canonical gospels, weaving together their narratives into a single, cohesive account of the life and teachings of Jesus Christ. This work not only reflects the early Christian desire for unity among the gospel messages but also invites listeners to explore the profound themes of faith, redemption, and the human experience that remain relevant today. By harmonizing the distinct perspectives of the gospel writers, Tatian offers a deeper understanding of the spiritual journey, making this audiobook a timeless resource for those seeking insight into the foundational stories of Christianity.]]></itunes:summary><itunes:duration>23473</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0eb4e2eaeff195fddd22008800a85796.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Shadow-Line - Joseph Conrad</title><link>https://www.spreaker.com/episode/shadow-line-joseph-conrad--72389555</link><description><![CDATA[Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in book form in 1917. The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." Summary by Wikipedia (edited by Expatriate)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72389555</guid><pubDate>Sat, 06 Jun 2026 16:06:16 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72389555/shadow_line_joseph_conrad.mp3" length="111806626" type="audio/mpeg"/><itunes:author>Joseph Conrad</itunes:author><itunes:subtitle>Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in...</itunes:subtitle><itunes:summary><![CDATA[Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in book form in 1917. The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist (who is never named) and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist. The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War. Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' (1920), claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is." Summary by Wikipedia (edited by Expatriate)]]></itunes:summary><itunes:duration>13976</itunes:duration><itunes:keywords>captaincy,conrad,factotum,line,link,literary,novella,protagonist,shadow,wounded</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/0eb4e2eaeff195fddd22008800a85796.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
