<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Ivory Tower</title><link>https://www.spreaker.com/podcast/ivory-tower--7088411</link><description><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></description><atom:link href="https://www.spreaker.com/show/7088411/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Literary Fiction Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/28d77fcf8319eae392eb0fef63fd9499.jpg</url><title>Ivory Tower</title><link>https://www.spreaker.com/podcast/ivory-tower--7088411</link></image><lastBuildDate>Tue, 25 Aug 2026 09:07:44 +0000</lastBuildDate><itunes:author>Henry James</itunes:author><itunes:owner><itunes:name>Literary Fiction Genre</itunes:name><itunes:email>spreaker64@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/28d77fcf8319eae392eb0fef63fd9499.jpg"/><itunes:subtitle>An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in...</itunes:subtitle><itunes:summary><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Fiction"/><itunes:category text="Fiction"><itunes:category text="Drama"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>14a2a8e0-c893-5906-911c-0f71f50a7937</podcast:guid><itunes:type>episodic</itunes:type><item><title>Room of One's Own-Virginia Woolf</title><link>https://www.spreaker.com/episode/room-of-one-s-own-virginia-woolf--74063471</link><description><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74063471</guid><pubDate>Tue, 25 Aug 2026 09:00:44 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74063471/room_of_one_s_own_virginia_woolf.mp3" length="116835426" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in...</itunes:subtitle><itunes:summary><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></itunes:summary><itunes:duration>14590</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/28d77fcf8319eae392eb0fef63fd9499.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Dinner Club-Sapper</title><link>https://www.spreaker.com/episode/dinner-club-sapper--74038723</link><description><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74038723</guid><pubDate>Mon, 24 Aug 2026 09:02:07 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74038723/17952_dinner_club_sapper.mp3" length="246169792" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in...</itunes:subtitle><itunes:summary><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></itunes:summary><itunes:duration>30741</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/28d77fcf8319eae392eb0fef63fd9499.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>History of the United States, Vol. VII-Charles Austin Beard, Mary Ritter Beard</title><link>https://www.spreaker.com/episode/history-of-the-united-states-vol-vii-charles-austin-beard-mary-ritter-beard--74016663</link><description><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74016663</guid><pubDate>Sun, 23 Aug 2026 09:01:59 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74016663/history_of_the_united_states_vol_vii_charles_austin_beard_mary_ritter_beard.mp3" length="129161137" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in...</itunes:subtitle><itunes:summary><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></itunes:summary><itunes:duration>16129</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/28d77fcf8319eae392eb0fef63fd9499.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Love and Freindship (Dramatic Reading)-Jane Austen</title><link>https://www.spreaker.com/episode/love-and-freindship-dramatic-reading-jane-austen--73992137</link><description><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73992137</guid><pubDate>Sat, 22 Aug 2026 09:01:26 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73992137/18468_love_and_freindship_dramatic_reading_jane_austen.mp3" length="40433717" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in...</itunes:subtitle><itunes:summary><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></itunes:summary><itunes:duration>5049</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/28d77fcf8319eae392eb0fef63fd9499.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Miss Crespigny-Frances Hodgson Burnett</title><link>https://www.spreaker.com/episode/miss-crespigny-frances-hodgson-burnett--73968980</link><description><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73968980</guid><pubDate>Fri, 21 Aug 2026 09:01:36 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73968980/miss_crespigny_frances_hodgson_burnett.mp3" length="130322679" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in...</itunes:subtitle><itunes:summary><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></itunes:summary><itunes:duration>16274</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/28d77fcf8319eae392eb0fef63fd9499.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Frankenstein; or The Modern Prometheus (1818)-Mary Wollstonecraft Shelley</title><link>https://www.spreaker.com/episode/frankenstein-or-the-modern-prometheus-1818-mary-wollstonecraft-shelley--73946365</link><description><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73946365</guid><pubDate>Thu, 20 Aug 2026 09:01:42 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73946365/frankenstein_or_the_modern_prometheus_1818_mary_wollstonecraft_shelley.mp3" length="230931723" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in...</itunes:subtitle><itunes:summary><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></itunes:summary><itunes:duration>28838</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/28d77fcf8319eae392eb0fef63fd9499.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Four Noncanonical Sherlock Holmes Short Stories-Sir Arthur Conan Doyle</title><link>https://www.spreaker.com/episode/four-noncanonical-sherlock-holmes-short-stories-sir-arthur-conan-doyle--73921569</link><description><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73921569</guid><pubDate>Wed, 19 Aug 2026 09:01:14 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73921569/four_noncanonical_sherlock_holmes_short_stories_sir_arthur_conan_doyle.mp3" length="47656455" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in...</itunes:subtitle><itunes:summary><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></itunes:summary><itunes:duration>5951</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/28d77fcf8319eae392eb0fef63fd9499.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Valley of Fear (Version 4 Dramatic Reading)-Sir Arthur Conan Doyle</title><link>https://www.spreaker.com/episode/valley-of-fear-version-4-dramatic-reading-sir-arthur-conan-doyle--73896718</link><description><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73896718</guid><pubDate>Tue, 18 Aug 2026 09:01:46 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73896718/valley_of_fear_version_4_dramatic_reading_sir_arthur_conan_doyle.mp3" length="186585672" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in...</itunes:subtitle><itunes:summary><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></itunes:summary><itunes:duration>23299</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/28d77fcf8319eae392eb0fef63fd9499.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>No More Parades-Ford Madox Ford</title><link>https://www.spreaker.com/episode/no-more-parades-ford-madox-ford--73872418</link><description><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73872418</guid><pubDate>Mon, 17 Aug 2026 09:01:44 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73872418/16674_no_more_parades_ford_madox_ford.mp3" length="243307480" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in...</itunes:subtitle><itunes:summary><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></itunes:summary><itunes:duration>30383</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/28d77fcf8319eae392eb0fef63fd9499.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Autobiography of Goethe Volume 2-Johann Wolfgang von Goethe</title><link>https://www.spreaker.com/episode/autobiography-of-goethe-volume-2-johann-wolfgang-von-goethe--73852084</link><description><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73852084</guid><pubDate>Sun, 16 Aug 2026 09:01:34 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73852084/8949_autobiography_of_goethe_volume_2_johann_wolfgang_von_goethe.mp3" length="250804946" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in...</itunes:subtitle><itunes:summary><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></itunes:summary><itunes:duration>31319</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/28d77fcf8319eae392eb0fef63fd9499.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>To the Lighthouse (Version 2)-Virginia Woolf</title><link>https://www.spreaker.com/episode/to-the-lighthouse-version-2-virginia-woolf--73835360</link><description><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73835360</guid><pubDate>Sat, 15 Aug 2026 09:02:25 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73835360/to_the_lighthouse_version_2_virginia_woolf.mp3" length="234744218" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in...</itunes:subtitle><itunes:summary><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></itunes:summary><itunes:duration>29314</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/28d77fcf8319eae392eb0fef63fd9499.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Eugénie Grandet-Honoré de Balzac</title><link>https://www.spreaker.com/episode/eugenie-grandet-honore-de-balzac--73798987</link><description><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73798987</guid><pubDate>Tue, 11 Aug 2026 04:59:51 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73798987/euge_nie_grandet_honore_de_balzac.mp3" length="210070181" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in...</itunes:subtitle><itunes:summary><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></itunes:summary><itunes:duration>26233</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/28d77fcf8319eae392eb0fef63fd9499.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Ball at Sceaux-Honoré de Balzac</title><link>https://www.spreaker.com/episode/ball-at-sceaux-honore-de-balzac--73343180</link><description><![CDATA["Ball at Sceaux" by Honoré de Balzac invites listeners into the opulent world of 19th-century French society, where the intricacies of love and ambition unfold against the backdrop of a grand ball. This tale captures the essence of social maneuvering and the pursuit of status, themes that resonate deeply in today's fast-paced, image-driven culture. Through its exploration of desire and the lengths individuals will go to secure their place in the social hierarchy, the story remains timeless, reflecting the universal human experience of longing and aspiration.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73343180</guid><pubDate>Sun, 02 Aug 2026 17:15:22 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73343180/ball_at_sceaux_honore_de_balzac.mp3" length="78637454" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>"Ball at Sceaux" by Honoré de Balzac invites listeners into the opulent world of 19th-century French society, where the intricacies of love and ambition unfold against the backdrop of a grand ball. This tale captures the essence of social maneuvering...</itunes:subtitle><itunes:summary><![CDATA["Ball at Sceaux" by Honoré de Balzac invites listeners into the opulent world of 19th-century French society, where the intricacies of love and ambition unfold against the backdrop of a grand ball. This tale captures the essence of social maneuvering and the pursuit of status, themes that resonate deeply in today's fast-paced, image-driven culture. Through its exploration of desire and the lengths individuals will go to secure their place in the social hierarchy, the story remains timeless, reflecting the universal human experience of longing and aspiration.]]></itunes:summary><itunes:duration>9820</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/28d77fcf8319eae392eb0fef63fd9499.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Ivory Tower - Henry James</title><link>https://www.spreaker.com/episode/ivory-tower-henry-james--72389355</link><description><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72389355</guid><pubDate>Sat, 06 Jun 2026 15:47:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72389355/ivory_tower_henry_james.mp3" length="245542069" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in...</itunes:subtitle><itunes:summary><![CDATA[An unfinished manuscript written in ponderous, convoluted language making possible subterfuge and frankness in wealthy American society of James' purview, in which a character as unsuspecting as the reader gets embroiled more or less willingly in power shifts over a massive inheritance. The first part of the book is an example of James' late adoption of narrator as seemingly blinkered as his characters to the unseen, leaving the "i's" deliberately undotted, as he says; and the second part is a great study in the stages of execution of a novel, notably sketching out the flow and identifying "joints" in the drama, and resolving potential sticking points. James' style lends itself to filmic imagination. (summary by Czandra)]]></itunes:summary><itunes:duration>30693</itunes:duration><itunes:keywords>blinkered,filmic,ivory,james,joints,literary,purview,resolving,tower,undotted</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/28d77fcf8319eae392eb0fef63fd9499.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
