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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Princess Casamassima</title><link>https://www.spreaker.com/podcast/princess-casamassima--7088406</link><description><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></description><atom:link href="https://www.spreaker.com/show/7088406/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Literary Fiction Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bc1779fa4b50e7f9ac981e5e5215a1bc.jpg</url><title>Princess Casamassima</title><link>https://www.spreaker.com/podcast/princess-casamassima--7088406</link></image><lastBuildDate>Tue, 25 Aug 2026 09:06:32 +0000</lastBuildDate><itunes:author>Henry James</itunes:author><itunes:owner><itunes:name>Literary Fiction Genre</itunes:name><itunes:email>spreaker64@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bc1779fa4b50e7f9ac981e5e5215a1bc.jpg"/><itunes:subtitle>Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the...</itunes:subtitle><itunes:summary><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Science"/><itunes:category text="Science"><itunes:category text="Astronomy"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>2bcee6d6-bb62-51f5-b476-b2e1608be3e6</podcast:guid><itunes:type>episodic</itunes:type><item><title>Crome Yellow, Version 2-Aldous Huxley</title><link>https://www.spreaker.com/episode/crome-yellow-version-2-aldous-huxley--74064603</link><description><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74064603</guid><pubDate>Tue, 25 Aug 2026 09:00:45 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74064603/crome_yellow_version_2_aldous_huxley.mp3" length="175186716" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the...</itunes:subtitle><itunes:summary><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></itunes:summary><itunes:duration>21876</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bc1779fa4b50e7f9ac981e5e5215a1bc.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Culture and Anarchy-Matthew Arnold</title><link>https://www.spreaker.com/episode/culture-and-anarchy-matthew-arnold--74039961</link><description><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74039961</guid><pubDate>Mon, 24 Aug 2026 09:02:10 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74039961/culture_and_anarchy_matthew_arnold.mp3" length="173751022" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the...</itunes:subtitle><itunes:summary><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></itunes:summary><itunes:duration>21697</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bc1779fa4b50e7f9ac981e5e5215a1bc.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Neighbors - Life Stories of the Other Half-Jacob A. Riis</title><link>https://www.spreaker.com/episode/neighbors-life-stories-of-the-other-half-jacob-a-riis--74017687</link><description><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74017687</guid><pubDate>Sun, 23 Aug 2026 09:02:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74017687/neighbors_life_stories_of_the_other_half_jacob_a_riis.mp3" length="85994180" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the...</itunes:subtitle><itunes:summary><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></itunes:summary><itunes:duration>10739</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bc1779fa4b50e7f9ac981e5e5215a1bc.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Mother Earth, Vol. 1 No. 7, September 1906-Various</title><link>https://www.spreaker.com/episode/mother-earth-vol-1-no-7-september-1906-various--73993603</link><description><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73993603</guid><pubDate>Sat, 22 Aug 2026 09:01:35 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73993603/mother_earth_vol_1_no_7_september_1906_various.mp3" length="76865833" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the...</itunes:subtitle><itunes:summary><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></itunes:summary><itunes:duration>9599</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bc1779fa4b50e7f9ac981e5e5215a1bc.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Short Nonfiction Collection, Vol. 073-Various</title><link>https://www.spreaker.com/episode/short-nonfiction-collection-vol-073-various--73970293</link><description><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73970293</guid><pubDate>Fri, 21 Aug 2026 09:01:39 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73970293/short_nonfiction_collection_vol_073_various.mp3" length="196155599" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the...</itunes:subtitle><itunes:summary><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></itunes:summary><itunes:duration>24495</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bc1779fa4b50e7f9ac981e5e5215a1bc.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Lesson of the Master-Henry James</title><link>https://www.spreaker.com/episode/lesson-of-the-master-henry-james--73947514</link><description><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73947514</guid><pubDate>Thu, 20 Aug 2026 09:01:45 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73947514/lesson_of_the_master_henry_james.mp3" length="71759775" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the...</itunes:subtitle><itunes:summary><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></itunes:summary><itunes:duration>8961</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bc1779fa4b50e7f9ac981e5e5215a1bc.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Feminism in Greek Literature-Frederick Adam Wright</title><link>https://www.spreaker.com/episode/feminism-in-greek-literature-frederick-adam-wright--73922807</link><description><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73922807</guid><pubDate>Wed, 19 Aug 2026 09:01:26 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73922807/feminism_in_greek_literature_frederick_adam_wright.mp3" length="158150755" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the...</itunes:subtitle><itunes:summary><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></itunes:summary><itunes:duration>19749</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bc1779fa4b50e7f9ac981e5e5215a1bc.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Astrophel and Stella-Sir Philip Sidney</title><link>https://www.spreaker.com/episode/astrophel-and-stella-sir-philip-sidney--73897875</link><description><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73897875</guid><pubDate>Tue, 18 Aug 2026 09:01:50 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73897875/astrophel_and_stella_sir_philip_sidney.mp3" length="48482480" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the...</itunes:subtitle><itunes:summary><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></itunes:summary><itunes:duration>6054</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bc1779fa4b50e7f9ac981e5e5215a1bc.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Comical History of Don Quixote, Part 1-Thomas D'Urfey</title><link>https://www.spreaker.com/episode/comical-history-of-don-quixote-part-1-thomas-d-urfey--73873540</link><description><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73873540</guid><pubDate>Mon, 17 Aug 2026 09:01:45 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73873540/comical_history_of_don_quixote_part_1_thomas_d_urfey.mp3" length="98899118" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the...</itunes:subtitle><itunes:summary><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></itunes:summary><itunes:duration>12350</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bc1779fa4b50e7f9ac981e5e5215a1bc.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Essays of Francis Bacon-Sir Francis Bacon</title><link>https://www.spreaker.com/episode/essays-of-francis-bacon-sir-francis-bacon--73852776</link><description><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73852776</guid><pubDate>Sun, 16 Aug 2026 09:01:29 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73852776/essays_of_francis_bacon_sir_francis_bacon.mp3" length="181204259" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the...</itunes:subtitle><itunes:summary><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></itunes:summary><itunes:duration>22628</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bc1779fa4b50e7f9ac981e5e5215a1bc.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>As I Lay Dying-William Faulkner</title><link>https://www.spreaker.com/episode/as-i-lay-dying-william-faulkner--73836003</link><description><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73836003</guid><pubDate>Sat, 15 Aug 2026 09:02:34 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73836003/as_i_lay_dying_william_faulkner.mp3" length="184958715" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the...</itunes:subtitle><itunes:summary><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></itunes:summary><itunes:duration>23096</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bc1779fa4b50e7f9ac981e5e5215a1bc.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>High Wind in Jamaica-Richard Hughes</title><link>https://www.spreaker.com/episode/high-wind-in-jamaica-richard-hughes--73799916</link><description><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73799916</guid><pubDate>Tue, 11 Aug 2026 05:21:30 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73799916/high_wind_in_jamaica_richard_hughes.mp3" length="179577445" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the...</itunes:subtitle><itunes:summary><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></itunes:summary><itunes:duration>22425</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bc1779fa4b50e7f9ac981e5e5215a1bc.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Dramatic Reading Scene and Story Collection, Volume 005-Various</title><link>https://www.spreaker.com/episode/dramatic-reading-scene-and-story-collection-volume-005-various--73344108</link><description><![CDATA[Dramatic Reading Scene and Story Collection, Volume 005-Various invites listeners to experience a rich tapestry of dramatic readings that showcase the power of storytelling. This volume, featuring the anchor title "Princess Casamassima," captures the essence of human emotion and conflict, making it a timeless exploration of themes such as love, ambition, and societal struggle. The collection's diverse stories resonate with audiences today, as they reflect enduring questions about identity and purpose. Engaging with these narratives offers a chance to connect with the universal experiences that define the human condition, reminding us of the timeless nature of great literature and its ability to inspire and provoke thought.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73344108</guid><pubDate>Sun, 02 Aug 2026 17:42:37 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73344108/20304_dramatic_reading_scene_and_story_collection_volume_005_various.mp3" length="174099545" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>Dramatic Reading Scene and Story Collection, Volume 005-Various invites listeners to experience a rich tapestry of dramatic readings that showcase the power of storytelling. This volume, featuring the anchor title "Princess Casamassima," captures the...</itunes:subtitle><itunes:summary><![CDATA[Dramatic Reading Scene and Story Collection, Volume 005-Various invites listeners to experience a rich tapestry of dramatic readings that showcase the power of storytelling. This volume, featuring the anchor title "Princess Casamassima," captures the essence of human emotion and conflict, making it a timeless exploration of themes such as love, ambition, and societal struggle. The collection's diverse stories resonate with audiences today, as they reflect enduring questions about identity and purpose. Engaging with these narratives offers a chance to connect with the universal experiences that define the human condition, reminding us of the timeless nature of great literature and its ability to inspire and provoke thought.]]></itunes:summary><itunes:duration>21739</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bc1779fa4b50e7f9ac981e5e5215a1bc.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Princess Casamassima - Henry James - Part 3</title><link>https://www.spreaker.com/episode/princess-casamassima-henry-james-part-3--72389284</link><description><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72389284</guid><pubDate>Mon, 08 Jun 2026 09:00:25 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72389284/princess_casamassima_henry_james_part_3.mp3" length="80098156" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the...</itunes:subtitle><itunes:summary><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></itunes:summary><itunes:duration>10013</itunes:duration><itunes:keywords>anarchistic,casamassima,conundrum,james,literary,london,neapolitan,princess,revolutionary,robinson</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bc1779fa4b50e7f9ac981e5e5215a1bc.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Princess Casamassima - Henry James - Part 2</title><link>https://www.spreaker.com/episode/princess-casamassima-henry-james-part-2--72389283</link><description><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72389283</guid><pubDate>Sun, 07 Jun 2026 09:00:20 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72389283/princess_casamassima_henry_james_part_2.mp3" length="273687020" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the...</itunes:subtitle><itunes:summary><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></itunes:summary><itunes:duration>34211</itunes:duration><itunes:keywords>anarchistic,casamassima,conundrum,james,literary,london,neapolitan,princess,revolutionary,robinson</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bc1779fa4b50e7f9ac981e5e5215a1bc.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Princess Casamassima - Henry James - Part 1</title><link>https://www.spreaker.com/episode/princess-casamassima-henry-james-part-1--72389282</link><description><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72389282</guid><pubDate>Sat, 06 Jun 2026 15:43:49 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72389282/princess_casamassima_henry_james_part_1.mp3" length="267529023" type="audio/mpeg"/><itunes:author>Henry James</itunes:author><itunes:subtitle>Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the...</itunes:subtitle><itunes:summary><![CDATA[Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. (Nicholas Clifford)]]></itunes:summary><itunes:duration>33442</itunes:duration><itunes:keywords>anarchistic,casamassima,conundrum,james,literary,london,neapolitan,princess,revolutionary,robinson</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/bc1779fa4b50e7f9ac981e5e5215a1bc.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
