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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Romany Rye</title><link>https://www.spreaker.com/podcast/romany-rye--7088379</link><description><![CDATA["The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></description><atom:link href="https://www.spreaker.com/show/7088379/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Literary Fiction Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4c69f9cb816699fcebf23922061c00a8.jpg</url><title>Romany Rye</title><link>https://www.spreaker.com/podcast/romany-rye--7088379</link></image><lastBuildDate>Tue, 25 Aug 2026 09:06:53 +0000</lastBuildDate><itunes:author>George Borrow</itunes:author><itunes:owner><itunes:name>Literary Fiction Genre</itunes:name><itunes:email>spreaker64@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4c69f9cb816699fcebf23922061c00a8.jpg"/><itunes:subtitle>"The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the...</itunes:subtitle><itunes:summary><![CDATA["The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Religion &amp; Spirituality"/><itunes:category text="Religion &amp; Spirituality"><itunes:category text="Religion"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>bc6443dd-98da-5604-85d0-5fa63c2c20fc</podcast:guid><itunes:type>episodic</itunes:type><item><title>Convivio-Dante Alighieri</title><link>https://www.spreaker.com/episode/convivio-dante-alighieri--74064755</link><description><![CDATA[The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74064755</guid><pubDate>Tue, 25 Aug 2026 09:00:44 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74064755/convivio_dante_alighieri.mp3" length="266936512" type="audio/mpeg"/><itunes:author>George Borrow</itunes:author><itunes:subtitle>The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the...</itunes:subtitle><itunes:summary><![CDATA[The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>33333</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4c69f9cb816699fcebf23922061c00a8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Mother’s Nursery Tales-Katharine Pyle</title><link>https://www.spreaker.com/episode/mother-s-nursery-tales-katharine-pyle--74040325</link><description><![CDATA[The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74040325</guid><pubDate>Mon, 24 Aug 2026 09:02:13 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74040325/mother_s_nursery_tales_katharine_pyle.mp3" length="190408027" type="audio/mpeg"/><itunes:author>George Borrow</itunes:author><itunes:subtitle>The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the...</itunes:subtitle><itunes:summary><![CDATA[The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>23777</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4c69f9cb816699fcebf23922061c00a8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Stories of Don Quixote written anew for young people-James Baldwin</title><link>https://www.spreaker.com/episode/stories-of-don-quixote-written-anew-for-young-people-james-baldwin--74017815</link><description><![CDATA[The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74017815</guid><pubDate>Sun, 23 Aug 2026 09:02:01 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74017815/stories_of_don_quixote_written_anew_for_young_people_james_baldwin.mp3" length="134742500" type="audio/mpeg"/><itunes:author>George Borrow</itunes:author><itunes:subtitle>The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the...</itunes:subtitle><itunes:summary><![CDATA[The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>16826</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4c69f9cb816699fcebf23922061c00a8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Amoretti A sonnet sequence-Edmund Spenser</title><link>https://www.spreaker.com/episode/amoretti-a-sonnet-sequence-edmund-spenser--73993764</link><description><![CDATA[The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73993764</guid><pubDate>Sat, 22 Aug 2026 09:01:42 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73993764/amoretti_a_sonnet_sequence_edmund_spenser.mp3" length="53763461" type="audio/mpeg"/><itunes:author>George Borrow</itunes:author><itunes:subtitle>The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the...</itunes:subtitle><itunes:summary><![CDATA[The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>6713</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4c69f9cb816699fcebf23922061c00a8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>One-Act Play Collection 012-Various</title><link>https://www.spreaker.com/episode/one-act-play-collection-012-various--73970455</link><description><![CDATA[The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73970455</guid><pubDate>Fri, 21 Aug 2026 09:01:41 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73970455/one_act_play_collection_012_various.mp3" length="159400296" type="audio/mpeg"/><itunes:author>George Borrow</itunes:author><itunes:subtitle>The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the...</itunes:subtitle><itunes:summary><![CDATA[The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>19905</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4c69f9cb816699fcebf23922061c00a8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Human Nature and Conduct - Part 4, Conclusion-John Dewey</title><link>https://www.spreaker.com/episode/human-nature-and-conduct-part-4-conclusion-john-dewey--73947656</link><description><![CDATA[The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73947656</guid><pubDate>Thu, 20 Aug 2026 09:01:42 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73947656/human_nature_and_conduct_part_4_conclusion_john_dewey.mp3" length="53514725" type="audio/mpeg"/><itunes:author>George Borrow</itunes:author><itunes:subtitle>The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the...</itunes:subtitle><itunes:summary><![CDATA[The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>6682</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4c69f9cb816699fcebf23922061c00a8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Crimes of England-G. K. Chesterton</title><link>https://www.spreaker.com/episode/crimes-of-england-g-k-chesterton--73923050</link><description><![CDATA[The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73923050</guid><pubDate>Wed, 19 Aug 2026 09:01:27 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73923050/crimes_of_england_g_k_chesterton.mp3" length="99906215" type="audio/mpeg"/><itunes:author>George Borrow</itunes:author><itunes:subtitle>The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the...</itunes:subtitle><itunes:summary><![CDATA[The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>12476</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4c69f9cb816699fcebf23922061c00a8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Story of My Boyhood and Youth-John Muir</title><link>https://www.spreaker.com/episode/story-of-my-boyhood-and-youth-john-muir--73898005</link><description><![CDATA[The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73898005</guid><pubDate>Tue, 18 Aug 2026 09:01:46 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73898005/story_of_my_boyhood_and_youth_john_muir.mp3" length="156496018" type="audio/mpeg"/><itunes:author>George Borrow</itunes:author><itunes:subtitle>The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the...</itunes:subtitle><itunes:summary><![CDATA[The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>19542</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4c69f9cb816699fcebf23922061c00a8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Journal of John Woolman-John Woolman</title><link>https://www.spreaker.com/episode/journal-of-john-woolman-john-woolman--73873681</link><description><![CDATA[The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73873681</guid><pubDate>Mon, 17 Aug 2026 09:01:50 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73873681/journal_of_john_woolman_john_woolman.mp3" length="190068447" type="audio/mpeg"/><itunes:author>George Borrow</itunes:author><itunes:subtitle>The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the...</itunes:subtitle><itunes:summary><![CDATA[The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>23735</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4c69f9cb816699fcebf23922061c00a8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Peer Gynt-Henrik Ibsen</title><link>https://www.spreaker.com/episode/peer-gynt-henrik-ibsen--73852901</link><description><![CDATA[The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73852901</guid><pubDate>Sun, 16 Aug 2026 09:01:40 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73852901/peer_gynt_henrik_ibsen.mp3" length="153073234" type="audio/mpeg"/><itunes:author>George Borrow</itunes:author><itunes:subtitle>The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the...</itunes:subtitle><itunes:summary><![CDATA[The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>19115</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4c69f9cb816699fcebf23922061c00a8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Foxe's Book of Martyrs Vol 2: Lives and Deaths of Early Christian and Protestant Martyrs-Forbush, Foxe</title><link>https://www.spreaker.com/episode/foxe-s-book-of-martyrs-vol-2-lives-and-deaths-of-early-christian-and-protestant-martyrs-forbush-foxe--73836081</link><description><![CDATA[The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73836081</guid><pubDate>Sat, 15 Aug 2026 09:02:29 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73836081/foxe_s_book_of_martyrs_vol_2_lives_and_deaths_of_early_christian_and_protestant_martyrs_forbush_foxe.mp3" length="274822740" type="audio/mpeg"/><itunes:author>George Borrow</itunes:author><itunes:subtitle>The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the...</itunes:subtitle><itunes:summary><![CDATA[The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>34318</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4c69f9cb816699fcebf23922061c00a8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Life and Times of Kateri Tekakwitha, The Lily of the Mohawks-Ellen Walworth</title><link>https://www.spreaker.com/episode/life-and-times-of-kateri-tekakwitha-the-lily-of-the-mohawks-ellen-walworth--73800037</link><description><![CDATA[The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73800037</guid><pubDate>Tue, 11 Aug 2026 05:24:10 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73800037/life_and_times_of_kateri_tekakwitha_the_lily_of_the_mohawks_ellen_walworth.mp3" length="272310841" type="audio/mpeg"/><itunes:author>George Borrow</itunes:author><itunes:subtitle>The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the...</itunes:subtitle><itunes:summary><![CDATA[The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>34005</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4c69f9cb816699fcebf23922061c00a8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Astrophel and Stella-Sir Philip Sidney</title><link>https://www.spreaker.com/episode/astrophel-and-stella-sir-philip-sidney--73344239</link><description><![CDATA["Astrophel and Stella" by Sir Philip Sidney is a poignant exploration of love and longing, expressed through a series of sonnets that capture the complexities of desire and the heart's deepest yearnings. This timeless work delves into themes of unrequited love, the struggles of the soul, and the interplay between passion and reason, resonating with listeners today as they navigate their own emotional landscapes. Sidney's masterful use of language and poetic form elevates the experience, making it a profound reflection on the human condition. As relevant now as it was in the Elizabethan era, this collection invites contemplation on the nature of love, loss, and the pursuit of beauty in an often tumultuous world.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73344239</guid><pubDate>Sun, 02 Aug 2026 17:45:45 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73344239/astrophel_and_stella_sir_philip_sidney.mp3" length="48482480" type="audio/mpeg"/><itunes:author>George Borrow</itunes:author><itunes:subtitle>"Astrophel and Stella" by Sir Philip Sidney is a poignant exploration of love and longing, expressed through a series of sonnets that capture the complexities of desire and the heart's deepest yearnings. This timeless work delves into themes of...</itunes:subtitle><itunes:summary><![CDATA["Astrophel and Stella" by Sir Philip Sidney is a poignant exploration of love and longing, expressed through a series of sonnets that capture the complexities of desire and the heart's deepest yearnings. This timeless work delves into themes of unrequited love, the struggles of the soul, and the interplay between passion and reason, resonating with listeners today as they navigate their own emotional landscapes. Sidney's masterful use of language and poetic form elevates the experience, making it a profound reflection on the human condition. As relevant now as it was in the Elizabethan era, this collection invites contemplation on the nature of love, loss, and the pursuit of beauty in an often tumultuous world.]]></itunes:summary><itunes:duration>6054</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4c69f9cb816699fcebf23922061c00a8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Romany Rye - George Borrow - Part 2</title><link>https://www.spreaker.com/episode/romany-rye-george-borrow-part-2--72389069</link><description><![CDATA["The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72389069</guid><pubDate>Sun, 07 Jun 2026 09:00:22 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72389069/romany_rye_george_borrow_part_2.mp3" length="160287590" type="audio/mpeg"/><itunes:author>George Borrow</itunes:author><itunes:subtitle>"The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the...</itunes:subtitle><itunes:summary><![CDATA["The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>20036</itunes:duration><itunes:keywords>borrow,categorisation,demoralised,depredations,horse,lavengro,literary,romany,rye,spinners</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4c69f9cb816699fcebf23922061c00a8.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Romany Rye - George Borrow - Part 1</title><link>https://www.spreaker.com/episode/romany-rye-george-borrow-part-1--72389063</link><description><![CDATA["The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72389063</guid><pubDate>Sat, 06 Jun 2026 15:33:49 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72389063/romany_rye_george_borrow_part_1.mp3" length="273987945" type="audio/mpeg"/><itunes:author>George Borrow</itunes:author><itunes:subtitle>"The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the...</itunes:subtitle><itunes:summary><![CDATA["The Romany Rye" is a direct continuation of George Borrow's "Lavengro", taking up the latter's story immediately where it (rather abruptly) concluded. Borrow himself referred to both books collectively as "Lavengro", and asserted that he wrote the work for the express purpose of inculcating virtue, love of country, learning, manly pursuits, and genuine religion, for example, that of the Church of England, and for awakening a contempt for nonsense of every kind, and a hatred for priest craft, more especially that of Rome. While this may be so as far as it goes, Borrow's account of his book's purpose does little to capture the extraordinary liveliness of a work whose genre defies categorisation, but which certainly includes elements of autobiography, travelogue and (often, most amusing) invective. Those willing to come along for the ride with Borrow's narrator will meet some marvellous yarn-spinners and leg-pullers in early- to mid-nineteenth century England. Among others, you'll meet a demoralised inn-keeper whose fortunes are transformed the minutes he refuses to become a Papist, a joyous rat catcher, a dupe caught up in a bank note forgery case, a wistful beekeeper who brews strong mead, a grief-stricken widower who learns Chinese by studying pottery inscriptions but cannot tell the time, a card sharper who almost inveigled the Pope into playing a game of cards with him for money, and many other quirky individuals. You'll learn all about the depredations of coach drivers, how to sell a horse at a horse fair without being taken advantage of, the history of Hungary told by one who knows, why teaching one's beloved Armenian may not be the best way to win her heart, and much else of besides — all told in some of the most interestingly-fashioned mid-nineteenth century English prose you are ever likely to encounter. (Summary by Peter Dann)]]></itunes:summary><itunes:duration>34249</itunes:duration><itunes:keywords>borrow,categorisation,demoralised,depredations,horse,lavengro,literary,romany,rye,spinners</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4c69f9cb816699fcebf23922061c00a8.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
