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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Gargantua and Pantagruel, Book IV</title><link>https://www.spreaker.com/podcast/gargantua-and-pantagruel-book-iv--7088359</link><description><![CDATA[This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find an oracle (the Holy Bottle). Their adventures provide many opportunities for satire, the most effective being against intolerance, credulity, and cowardice, with Pantagruel himself always affording a calm center of sanity and equilibrium. 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Copeland)]]></description><atom:link href="https://www.spreaker.com/show/7088359/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Literary Fiction Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4b0d7a0a929fa1479cf70f2f253d2035.jpg</url><title>Gargantua and Pantagruel, Book IV</title><link>https://www.spreaker.com/podcast/gargantua-and-pantagruel-book-iv--7088359</link></image><lastBuildDate>Tue, 25 Aug 2026 09:06:50 +0000</lastBuildDate><itunes:author>François Rabelais</itunes:author><itunes:owner><itunes:name>Literary Fiction Genre</itunes:name><itunes:email>spreaker64@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4b0d7a0a929fa1479cf70f2f253d2035.jpg"/><itunes:subtitle>This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. 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The author's imagination appears to explode with jokes, nonsense, flights of fancy, frivolities, and fun, held loosely together by a set of well-defined characters and a silly quest. (Summary by Thomas A. Copeland)]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="History"/><itunes:category text="Society &amp; Culture"/><itunes:explicit>false</itunes:explicit><podcast:guid>d26d05ac-850f-59af-a6e5-ad9c05eb896b</podcast:guid><itunes:type>episodic</itunes:type><item><title>Tysons-May Sinclair</title><link>https://www.spreaker.com/episode/tysons-may-sinclair--74062854</link><description><![CDATA[This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find an oracle (the Holy Bottle). Their adventures provide many opportunities for satire, the most effective being against intolerance, credulity, and cowardice, with Pantagruel himself always affording a calm center of sanity and equilibrium. As the sea and the islands teem with monsters and madmen, so the style erupts: Nearly endless lists tumble out, nonsense words of 20-30 syllables challenge the tongue and baffle the mind, and recondite learning spills with hilarity onto the page. The author's imagination appears to explode with jokes, nonsense, flights of fancy, frivolities, and fun, held loosely together by a set of well-defined characters and a silly quest. (Summary by Thomas A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74062854</guid><pubDate>Tue, 25 Aug 2026 09:00:44 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74062854/tysons_may_sinclair.mp3" length="142347448" type="audio/mpeg"/><itunes:author>François Rabelais</itunes:author><itunes:subtitle>This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find...</itunes:subtitle><itunes:summary><![CDATA[This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find an oracle (the Holy Bottle). Their adventures provide many opportunities for satire, the most effective being against intolerance, credulity, and cowardice, with Pantagruel himself always affording a calm center of sanity and equilibrium. As the sea and the islands teem with monsters and madmen, so the style erupts: Nearly endless lists tumble out, nonsense words of 20-30 syllables challenge the tongue and baffle the mind, and recondite learning spills with hilarity onto the page. The author's imagination appears to explode with jokes, nonsense, flights of fancy, frivolities, and fun, held loosely together by a set of well-defined characters and a silly quest. (Summary by Thomas A. 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As the sea and the islands teem with monsters and madmen, so the style erupts: Nearly endless lists tumble out, nonsense words of 20-30 syllables challenge the tongue and baffle the mind, and recondite learning spills with hilarity onto the page. The author's imagination appears to explode with jokes, nonsense, flights of fancy, frivolities, and fun, held loosely together by a set of well-defined characters and a silly quest. (Summary by Thomas A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74038175</guid><pubDate>Mon, 24 Aug 2026 09:02:01 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74038175/19038_pirates_of_venus_edgar_rice_burroughs.mp3" length="180272388" type="audio/mpeg"/><itunes:author>François Rabelais</itunes:author><itunes:subtitle>This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. 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Their adventures provide many opportunities for satire, the most effective being against intolerance, credulity, and cowardice, with Pantagruel himself always affording a calm center of sanity and equilibrium. As the sea and the islands teem with monsters and madmen, so the style erupts: Nearly endless lists tumble out, nonsense words of 20-30 syllables challenge the tongue and baffle the mind, and recondite learning spills with hilarity onto the page. The author's imagination appears to explode with jokes, nonsense, flights of fancy, frivolities, and fun, held loosely together by a set of well-defined characters and a silly quest. (Summary by Thomas A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74016241</guid><pubDate>Sun, 23 Aug 2026 09:01:59 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74016241/18665_rover_boys_winning_a_fortune_arthur_m_winfield.mp3" length="160746808" type="audio/mpeg"/><itunes:author>François Rabelais</itunes:author><itunes:subtitle>This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find...</itunes:subtitle><itunes:summary><![CDATA[This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find an oracle (the Holy Bottle). Their adventures provide many opportunities for satire, the most effective being against intolerance, credulity, and cowardice, with Pantagruel himself always affording a calm center of sanity and equilibrium. As the sea and the islands teem with monsters and madmen, so the style erupts: Nearly endless lists tumble out, nonsense words of 20-30 syllables challenge the tongue and baffle the mind, and recondite learning spills with hilarity onto the page. The author's imagination appears to explode with jokes, nonsense, flights of fancy, frivolities, and fun, held loosely together by a set of well-defined characters and a silly quest. (Summary by Thomas A. Copeland)]]></itunes:summary><itunes:duration>20073</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4b0d7a0a929fa1479cf70f2f253d2035.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Texan Scouts-Joseph A. Altsheler</title><link>https://www.spreaker.com/episode/texan-scouts-joseph-a-altsheler--73991478</link><description><![CDATA[This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find an oracle (the Holy Bottle). Their adventures provide many opportunities for satire, the most effective being against intolerance, credulity, and cowardice, with Pantagruel himself always affording a calm center of sanity and equilibrium. As the sea and the islands teem with monsters and madmen, so the style erupts: Nearly endless lists tumble out, nonsense words of 20-30 syllables challenge the tongue and baffle the mind, and recondite learning spills with hilarity onto the page. The author's imagination appears to explode with jokes, nonsense, flights of fancy, frivolities, and fun, held loosely together by a set of well-defined characters and a silly quest. (Summary by Thomas A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73991478</guid><pubDate>Sat, 22 Aug 2026 09:01:29 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73991478/texan_scouts_joseph_a_altsheler.mp3" length="263159503" type="audio/mpeg"/><itunes:author>François Rabelais</itunes:author><itunes:subtitle>This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. 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The author's imagination appears to explode with jokes, nonsense, flights of fancy, frivolities, and fun, held loosely together by a set of well-defined characters and a silly quest. (Summary by Thomas A. Copeland)]]></itunes:summary><itunes:duration>32862</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4b0d7a0a929fa1479cf70f2f253d2035.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Land of Frozen Suns-Bertrand W. Sinclair</title><link>https://www.spreaker.com/episode/land-of-frozen-suns-bertrand-w-sinclair--73968414</link><description><![CDATA[This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find an oracle (the Holy Bottle). Their adventures provide many opportunities for satire, the most effective being against intolerance, credulity, and cowardice, with Pantagruel himself always affording a calm center of sanity and equilibrium. As the sea and the islands teem with monsters and madmen, so the style erupts: Nearly endless lists tumble out, nonsense words of 20-30 syllables challenge the tongue and baffle the mind, and recondite learning spills with hilarity onto the page. The author's imagination appears to explode with jokes, nonsense, flights of fancy, frivolities, and fun, held loosely together by a set of well-defined characters and a silly quest. (Summary by Thomas A. 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Their adventures provide many opportunities for satire, the most effective being against intolerance, credulity, and cowardice, with Pantagruel himself always affording a calm center of sanity and equilibrium. As the sea and the islands teem with monsters and madmen, so the style erupts: Nearly endless lists tumble out, nonsense words of 20-30 syllables challenge the tongue and baffle the mind, and recondite learning spills with hilarity onto the page. The author's imagination appears to explode with jokes, nonsense, flights of fancy, frivolities, and fun, held loosely together by a set of well-defined characters and a silly quest. (Summary by Thomas A. Copeland)]]></itunes:summary><itunes:duration>24096</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4b0d7a0a929fa1479cf70f2f253d2035.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Doctor Syn-Russell Thorndike</title><link>https://www.spreaker.com/episode/doctor-syn-russell-thorndike--73945760</link><description><![CDATA[This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find an oracle (the Holy Bottle). Their adventures provide many opportunities for satire, the most effective being against intolerance, credulity, and cowardice, with Pantagruel himself always affording a calm center of sanity and equilibrium. As the sea and the islands teem with monsters and madmen, so the style erupts: Nearly endless lists tumble out, nonsense words of 20-30 syllables challenge the tongue and baffle the mind, and recondite learning spills with hilarity onto the page. The author's imagination appears to explode with jokes, nonsense, flights of fancy, frivolities, and fun, held loosely together by a set of well-defined characters and a silly quest. (Summary by Thomas A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73945760</guid><pubDate>Thu, 20 Aug 2026 09:01:39 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73945760/10262_doctor_syn_russell_thorndike.mp3" length="219798230" type="audio/mpeg"/><itunes:author>François Rabelais</itunes:author><itunes:subtitle>This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find...</itunes:subtitle><itunes:summary><![CDATA[This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find an oracle (the Holy Bottle). Their adventures provide many opportunities for satire, the most effective being against intolerance, credulity, and cowardice, with Pantagruel himself always affording a calm center of sanity and equilibrium. As the sea and the islands teem with monsters and madmen, so the style erupts: Nearly endless lists tumble out, nonsense words of 20-30 syllables challenge the tongue and baffle the mind, and recondite learning spills with hilarity onto the page. The author's imagination appears to explode with jokes, nonsense, flights of fancy, frivolities, and fun, held loosely together by a set of well-defined characters and a silly quest. (Summary by Thomas A. Copeland)]]></itunes:summary><itunes:duration>27447</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4b0d7a0a929fa1479cf70f2f253d2035.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Four Stragglers-Frank L. Packard</title><link>https://www.spreaker.com/episode/four-stragglers-frank-l-packard--73921092</link><description><![CDATA[This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find an oracle (the Holy Bottle). Their adventures provide many opportunities for satire, the most effective being against intolerance, credulity, and cowardice, with Pantagruel himself always affording a calm center of sanity and equilibrium. As the sea and the islands teem with monsters and madmen, so the style erupts: Nearly endless lists tumble out, nonsense words of 20-30 syllables challenge the tongue and baffle the mind, and recondite learning spills with hilarity onto the page. The author's imagination appears to explode with jokes, nonsense, flights of fancy, frivolities, and fun, held loosely together by a set of well-defined characters and a silly quest. (Summary by Thomas A. 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Their adventures provide many opportunities for satire, the most effective being against intolerance, credulity, and cowardice, with Pantagruel himself always affording a calm center of sanity and equilibrium. As the sea and the islands teem with monsters and madmen, so the style erupts: Nearly endless lists tumble out, nonsense words of 20-30 syllables challenge the tongue and baffle the mind, and recondite learning spills with hilarity onto the page. The author's imagination appears to explode with jokes, nonsense, flights of fancy, frivolities, and fun, held loosely together by a set of well-defined characters and a silly quest. (Summary by Thomas A. Copeland)]]></itunes:summary><itunes:duration>29844</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4b0d7a0a929fa1479cf70f2f253d2035.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Napoleon of Notting Hill-G. K. Chesterton</title><link>https://www.spreaker.com/episode/napoleon-of-notting-hill-g-k-chesterton--73896246</link><description><![CDATA[This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find an oracle (the Holy Bottle). Their adventures provide many opportunities for satire, the most effective being against intolerance, credulity, and cowardice, with Pantagruel himself always affording a calm center of sanity and equilibrium. As the sea and the islands teem with monsters and madmen, so the style erupts: Nearly endless lists tumble out, nonsense words of 20-30 syllables challenge the tongue and baffle the mind, and recondite learning spills with hilarity onto the page. The author's imagination appears to explode with jokes, nonsense, flights of fancy, frivolities, and fun, held loosely together by a set of well-defined characters and a silly quest. (Summary by Thomas A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73896246</guid><pubDate>Tue, 18 Aug 2026 09:01:43 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73896246/napoleon_of_notting_hill_g_k_chesterton.mp3" length="171483953" type="audio/mpeg"/><itunes:author>François Rabelais</itunes:author><itunes:subtitle>This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find...</itunes:subtitle><itunes:summary><![CDATA[This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find an oracle (the Holy Bottle). Their adventures provide many opportunities for satire, the most effective being against intolerance, credulity, and cowardice, with Pantagruel himself always affording a calm center of sanity and equilibrium. As the sea and the islands teem with monsters and madmen, so the style erupts: Nearly endless lists tumble out, nonsense words of 20-30 syllables challenge the tongue and baffle the mind, and recondite learning spills with hilarity onto the page. The author's imagination appears to explode with jokes, nonsense, flights of fancy, frivolities, and fun, held loosely together by a set of well-defined characters and a silly quest. (Summary by Thomas A. Copeland)]]></itunes:summary><itunes:duration>21414</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4b0d7a0a929fa1479cf70f2f253d2035.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Beasts of Tarzan-Edgar Rice Burroughs</title><link>https://www.spreaker.com/episode/beasts-of-tarzan-edgar-rice-burroughs--73872038</link><description><![CDATA[This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find an oracle (the Holy Bottle). Their adventures provide many opportunities for satire, the most effective being against intolerance, credulity, and cowardice, with Pantagruel himself always affording a calm center of sanity and equilibrium. As the sea and the islands teem with monsters and madmen, so the style erupts: Nearly endless lists tumble out, nonsense words of 20-30 syllables challenge the tongue and baffle the mind, and recondite learning spills with hilarity onto the page. The author's imagination appears to explode with jokes, nonsense, flights of fancy, frivolities, and fun, held loosely together by a set of well-defined characters and a silly quest. (Summary by Thomas A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73872038</guid><pubDate>Mon, 17 Aug 2026 09:01:38 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73872038/1849_beasts_of_tarzan_edgar_rice_burroughs.mp3" length="153805262" type="audio/mpeg"/><itunes:author>François Rabelais</itunes:author><itunes:subtitle>This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find...</itunes:subtitle><itunes:summary><![CDATA[This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find an oracle (the Holy Bottle). Their adventures provide many opportunities for satire, the most effective being against intolerance, credulity, and cowardice, with Pantagruel himself always affording a calm center of sanity and equilibrium. As the sea and the islands teem with monsters and madmen, so the style erupts: Nearly endless lists tumble out, nonsense words of 20-30 syllables challenge the tongue and baffle the mind, and recondite learning spills with hilarity onto the page. The author's imagination appears to explode with jokes, nonsense, flights of fancy, frivolities, and fun, held loosely together by a set of well-defined characters and a silly quest. (Summary by Thomas A. Copeland)]]></itunes:summary><itunes:duration>19207</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4b0d7a0a929fa1479cf70f2f253d2035.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Children's Book of Patriotic Stories-Various</title><link>https://www.spreaker.com/episode/children-s-book-of-patriotic-stories-various--73851827</link><description><![CDATA[This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find an oracle (the Holy Bottle). Their adventures provide many opportunities for satire, the most effective being against intolerance, credulity, and cowardice, with Pantagruel himself always affording a calm center of sanity and equilibrium. As the sea and the islands teem with monsters and madmen, so the style erupts: Nearly endless lists tumble out, nonsense words of 20-30 syllables challenge the tongue and baffle the mind, and recondite learning spills with hilarity onto the page. The author's imagination appears to explode with jokes, nonsense, flights of fancy, frivolities, and fun, held loosely together by a set of well-defined characters and a silly quest. (Summary by Thomas A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73851827</guid><pubDate>Sun, 16 Aug 2026 09:01:32 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73851827/children_s_book_of_patriotic_stories_various.mp3" length="214575084" type="audio/mpeg"/><itunes:author>François Rabelais</itunes:author><itunes:subtitle>This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. 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The author's imagination appears to explode with jokes, nonsense, flights of fancy, frivolities, and fun, held loosely together by a set of well-defined characters and a silly quest. (Summary by Thomas A. Copeland)]]></itunes:summary><itunes:duration>26795</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4b0d7a0a929fa1479cf70f2f253d2035.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Maracot Deep-Sir Arthur Conan Doyle</title><link>https://www.spreaker.com/episode/maracot-deep-sir-arthur-conan-doyle--73835120</link><description><![CDATA[This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find an oracle (the Holy Bottle). Their adventures provide many opportunities for satire, the most effective being against intolerance, credulity, and cowardice, with Pantagruel himself always affording a calm center of sanity and equilibrium. As the sea and the islands teem with monsters and madmen, so the style erupts: Nearly endless lists tumble out, nonsense words of 20-30 syllables challenge the tongue and baffle the mind, and recondite learning spills with hilarity onto the page. The author's imagination appears to explode with jokes, nonsense, flights of fancy, frivolities, and fun, held loosely together by a set of well-defined characters and a silly quest. (Summary by Thomas A. Copeland)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73835120</guid><pubDate>Sat, 15 Aug 2026 09:02:18 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73835120/maracot_deep_sir_arthur_conan_doyle.mp3" length="119752167" type="audio/mpeg"/><itunes:author>François Rabelais</itunes:author><itunes:subtitle>This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find...</itunes:subtitle><itunes:summary><![CDATA[This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find an oracle (the Holy Bottle). Their adventures provide many opportunities for satire, the most effective being against intolerance, credulity, and cowardice, with Pantagruel himself always affording a calm center of sanity and equilibrium. As the sea and the islands teem with monsters and madmen, so the style erupts: Nearly endless lists tumble out, nonsense words of 20-30 syllables challenge the tongue and baffle the mind, and recondite learning spills with hilarity onto the page. The author's imagination appears to explode with jokes, nonsense, flights of fancy, frivolities, and fun, held loosely together by a set of well-defined characters and a silly quest. (Summary by Thomas A. Copeland)]]></itunes:summary><itunes:duration>14954</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4b0d7a0a929fa1479cf70f2f253d2035.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Ward No. 6-Anton Chekhov</title><link>https://www.spreaker.com/episode/ward-no-6-anton-chekhov--73798623</link><description><![CDATA[This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find an oracle (the Holy Bottle). Their adventures provide many opportunities for satire, the most effective being against intolerance, credulity, and cowardice, with Pantagruel himself always affording a calm center of sanity and equilibrium. 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Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find...</itunes:subtitle><itunes:summary><![CDATA[This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find an oracle (the Holy Bottle). Their adventures provide many opportunities for satire, the most effective being against intolerance, credulity, and cowardice, with Pantagruel himself always affording a calm center of sanity and equilibrium. As the sea and the islands teem with monsters and madmen, so the style erupts: Nearly endless lists tumble out, nonsense words of 20-30 syllables challenge the tongue and baffle the mind, and recondite learning spills with hilarity onto the page. 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This installment delves into the absurdities of the world, showcasing Rabelais' sharp wit and keen observations of human nature that remain relevant today. The work invites listeners to reflect on the balance between wisdom and folly, as well as the importance of critical thought in an ever-changing landscape. Rabelais' masterful storytelling and rich satire make this audiobook a timeless exploration of the human experience, ensuring its place in the literary canon and its resonance with contemporary audiences.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73342876</guid><pubDate>Sun, 02 Aug 2026 17:03:44 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73342876/21291_gargantua_and_pantagruel_book_v_franc_ois_rabelais.mp3" length="187716343" type="audio/mpeg"/><itunes:author>François Rabelais</itunes:author><itunes:subtitle>Gargantua and Pantagruel, Book V by François Rabelais continues the epic journey of the giant Gargantua and his son Pantagruel, exploring themes of education, humanism, and the complexities of society. This installment delves into the absurdities of...</itunes:subtitle><itunes:summary><![CDATA[Gargantua and Pantagruel, Book V by François Rabelais continues the epic journey of the giant Gargantua and his son Pantagruel, exploring themes of education, humanism, and the complexities of society. This installment delves into the absurdities of the world, showcasing Rabelais' sharp wit and keen observations of human nature that remain relevant today. The work invites listeners to reflect on the balance between wisdom and folly, as well as the importance of critical thought in an ever-changing landscape. Rabelais' masterful storytelling and rich satire make this audiobook a timeless exploration of the human experience, ensuring its place in the literary canon and its resonance with contemporary audiences.]]></itunes:summary><itunes:duration>23441</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/4b0d7a0a929fa1479cf70f2f253d2035.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Gargantua and Pantagruel Book IV - Francois Rabelais</title><link>https://www.spreaker.com/episode/gargantua-and-pantagruel-book-iv-francois-rabelais--72388896</link><description><![CDATA[This fourth in the five novels about the giants Pantagruel and his father Gargantua is the last novel indusputably attributed to François Rabelais. Seeking an answer to doubts arising in the previous novel, Pantagruel and his friends go to sea to find an oracle (the Holy Bottle). Their adventures provide many opportunities for satire, the most effective being against intolerance, credulity, and cowardice, with Pantagruel himself always affording a calm center of sanity and equilibrium. As the sea and the islands teem with monsters and madmen, so the style erupts: Nearly endless lists tumble out, nonsense words of 20-30 syllables challenge the tongue and baffle the mind, and recondite learning spills with hilarity onto the page. The author's imagination appears to explode with jokes, nonsense, flights of fancy, frivolities, and fun, held loosely together by a set of well-defined characters and a silly quest. (Summary by Thomas A. 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Their adventures provide many opportunities for satire, the most effective being against intolerance, credulity, and cowardice, with Pantagruel himself always affording a calm center of sanity and equilibrium. As the sea and the islands teem with monsters and madmen, so the style erupts: Nearly endless lists tumble out, nonsense words of 20-30 syllables challenge the tongue and baffle the mind, and recondite learning spills with hilarity onto the page. The author's imagination appears to explode with jokes, nonsense, flights of fancy, frivolities, and fun, held loosely together by a set of well-defined characters and a silly quest. (Summary by Thomas A. 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