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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Lost Girl</title><link>https://www.spreaker.com/podcast/lost-girl--7088303</link><description><![CDATA["There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like Ursula Brangwen in The Rainbow) longing for escape. Alvina Houghton's plight, however, is given a rather comic and even picaresque treatment. Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse. 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Lawrence</itunes:author><itunes:owner><itunes:name>Literary Fiction Genre</itunes:name><itunes:email>spreaker64@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1b2b2322d3029d7bcbd0a8a678b5bd81.jpg"/><itunes:subtitle>"There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like...</itunes:subtitle><itunes:summary><![CDATA["There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like Ursula Brangwen in The Rainbow) longing for escape. Alvina Houghton's plight, however, is given a rather comic and even picaresque treatment. Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse. Into this drab environment enter the Natcha-Kee-Tawara: a polyglot, poly-amorous troupe of travelling players united, on- and off-stage, in a fantasy of Native American nomadism. Enter Ciccio, the surly dark-eyed horseman. The Italian's potent and threatening physicality overwhelms Alvina and soon will propel her into - what? Perdition, or the paradoxical freedom of a girl who 'like(s) being lost'?(Summary by Martin Geeson)]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="History"/><itunes:category text="Society &amp; Culture"/><itunes:explicit>false</itunes:explicit><podcast:guid>9d808f21-7932-52f1-a6f3-bc958167ab86</podcast:guid><itunes:type>episodic</itunes:type><item><title>Wise Woman-George MacDonald</title><link>https://www.spreaker.com/episode/wise-woman-george-macdonald--74063828</link><description><![CDATA[There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like Ursula Brangwen in The Rainbow) longing for escape. Alvina Houghton's plight, however, is given a rather comic and even picaresque treatment. Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse. Into this drab environment enter the Natcha-Kee-Tawara: a polyglot, poly-amorous troupe of travelling players united, on- and off-stage, in a fantasy of Native American nomadism. Enter Ciccio, the surly dark-eyed horseman. The Italian's potent and threatening physicality overwhelms Alvina and soon will propel her into - what? 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In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like Ursula Brangwen in The Rainbow) longing for escape. Alvina Houghton's plight, however, is given a rather comic and even picaresque treatment. Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse. Into this drab environment enter the Natcha-Kee-Tawara: a polyglot, poly-amorous troupe of travelling players united, on- and off-stage, in a fantasy of Native American nomadism. Enter Ciccio, the surly dark-eyed horseman. The Italian's potent and threatening physicality overwhelms Alvina and soon will propel her into - what? 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Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse. Into this drab environment enter the Natcha-Kee-Tawara: a polyglot, poly-amorous troupe of travelling players united, on- and off-stage, in a fantasy of Native American nomadism. Enter Ciccio, the surly dark-eyed horseman. The Italian's potent and threatening physicality overwhelms Alvina and soon will propel her into - what? 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In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like Ursula Brangwen in The Rainbow) longing for escape. Alvina Houghton's plight, however, is given a rather comic and even picaresque treatment. Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse. Into this drab environment enter the Natcha-Kee-Tawara: a polyglot, poly-amorous troupe of travelling players united, on- and off-stage, in a fantasy of Native American nomadism. Enter Ciccio, the surly dark-eyed horseman. The Italian's potent and threatening physicality overwhelms Alvina and soon will propel her into - what? 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Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse. Into this drab environment enter the Natcha-Kee-Tawara: a polyglot, poly-amorous troupe of travelling players united, on- and off-stage, in a fantasy of Native American nomadism. Enter Ciccio, the surly dark-eyed horseman. The Italian's potent and threatening physicality overwhelms Alvina and soon will propel her into - what? 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In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like Ursula Brangwen in The Rainbow) longing for escape. Alvina Houghton's plight, however, is given a rather comic and even picaresque treatment. Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse. Into this drab environment enter the Natcha-Kee-Tawara: a polyglot, poly-amorous troupe of travelling players united, on- and off-stage, in a fantasy of Native American nomadism. Enter Ciccio, the surly dark-eyed horseman. The Italian's potent and threatening physicality overwhelms Alvina and soon will propel her into - what? 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Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse. Into this drab environment enter the Natcha-Kee-Tawara: a polyglot, poly-amorous troupe of travelling players united, on- and off-stage, in a fantasy of Native American nomadism. Enter Ciccio, the surly dark-eyed horseman. The Italian's potent and threatening physicality overwhelms Alvina and soon will propel her into - what? 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Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse. Into this drab environment enter the Natcha-Kee-Tawara: a polyglot, poly-amorous troupe of travelling players united, on- and off-stage, in a fantasy of Native American nomadism. Enter Ciccio, the surly dark-eyed horseman. The Italian's potent and threatening physicality overwhelms Alvina and soon will propel her into - what? 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In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like Ursula Brangwen in The Rainbow) longing for escape. Alvina Houghton's plight, however, is given a rather comic and even picaresque treatment. Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse. Into this drab environment enter the Natcha-Kee-Tawara: a polyglot, poly-amorous troupe of travelling players united, on- and off-stage, in a fantasy of Native American nomadism. Enter Ciccio, the surly dark-eyed horseman. The Italian's potent and threatening physicality overwhelms Alvina and soon will propel her into - what? 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Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse. Into this drab environment enter the Natcha-Kee-Tawara: a polyglot, poly-amorous troupe of travelling players united, on- and off-stage, in a fantasy of Native American nomadism. Enter Ciccio, the surly dark-eyed horseman. The Italian's potent and threatening physicality overwhelms Alvina and soon will propel her into - what? Perdition, or the paradoxical freedom of a girl who 'like(s) being lost'?(Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73946787</guid><pubDate>Thu, 20 Aug 2026 09:01:43 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73946787/5569_running_water_a_e_w_mason.mp3" length="248837065" type="audio/mpeg"/><itunes:author>D. H. Lawrence</itunes:author><itunes:subtitle>There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like...</itunes:subtitle><itunes:summary><![CDATA[There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." 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Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse. Into this drab environment enter the Natcha-Kee-Tawara: a polyglot, poly-amorous troupe of travelling players united, on- and off-stage, in a fantasy of Native American nomadism. Enter Ciccio, the surly dark-eyed horseman. The Italian's potent and threatening physicality overwhelms Alvina and soon will propel her into - what? Perdition, or the paradoxical freedom of a girl who 'like(s) being lost'?(Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73921955</guid><pubDate>Wed, 19 Aug 2026 09:01:25 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73921955/on_the_trail_of_the_immigrant_edward_a_steiner.mp3" length="258420142" type="audio/mpeg"/><itunes:author>D. H. Lawrence</itunes:author><itunes:subtitle>There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like...</itunes:subtitle><itunes:summary><![CDATA[There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like Ursula Brangwen in The Rainbow) longing for escape. Alvina Houghton's plight, however, is given a rather comic and even picaresque treatment. Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse. Into this drab environment enter the Natcha-Kee-Tawara: a polyglot, poly-amorous troupe of travelling players united, on- and off-stage, in a fantasy of Native American nomadism. Enter Ciccio, the surly dark-eyed horseman. The Italian's potent and threatening physicality overwhelms Alvina and soon will propel her into - what? Perdition, or the paradoxical freedom of a girl who 'like(s) being lost'?(Summary by Martin Geeson)]]></itunes:summary><itunes:duration>32270</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1b2b2322d3029d7bcbd0a8a678b5bd81.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Seven Against Thebes-Aeschylus</title><link>https://www.spreaker.com/episode/seven-against-thebes-aeschylus--73897080</link><description><![CDATA[There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like Ursula Brangwen in The Rainbow) longing for escape. Alvina Houghton's plight, however, is given a rather comic and even picaresque treatment. Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse. Into this drab environment enter the Natcha-Kee-Tawara: a polyglot, poly-amorous troupe of travelling players united, on- and off-stage, in a fantasy of Native American nomadism. Enter Ciccio, the surly dark-eyed horseman. The Italian's potent and threatening physicality overwhelms Alvina and soon will propel her into - what? Perdition, or the paradoxical freedom of a girl who 'like(s) being lost'?(Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73897080</guid><pubDate>Tue, 18 Aug 2026 09:01:46 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73897080/seven_against_thebes_aeschylus.mp3" length="33670948" type="audio/mpeg"/><itunes:author>D. H. Lawrence</itunes:author><itunes:subtitle>There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like...</itunes:subtitle><itunes:summary><![CDATA[There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like Ursula Brangwen in The Rainbow) longing for escape. Alvina Houghton's plight, however, is given a rather comic and even picaresque treatment. Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse. Into this drab environment enter the Natcha-Kee-Tawara: a polyglot, poly-amorous troupe of travelling players united, on- and off-stage, in a fantasy of Native American nomadism. Enter Ciccio, the surly dark-eyed horseman. The Italian's potent and threatening physicality overwhelms Alvina and soon will propel her into - what? Perdition, or the paradoxical freedom of a girl who 'like(s) being lost'?(Summary by Martin Geeson)]]></itunes:summary><itunes:duration>4205</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1b2b2322d3029d7bcbd0a8a678b5bd81.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Roosevelt-Rondon Scientific-Expedition and the Telegraph Line Commission-Candido Mariano da Silva Rondon</title><link>https://www.spreaker.com/episode/roosevelt-rondon-scientific-expedition-and-the-telegraph-line-commission-candido-mariano-da-silva-rondon--73872746</link><description><![CDATA[There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like Ursula Brangwen in The Rainbow) longing for escape. Alvina Houghton's plight, however, is given a rather comic and even picaresque treatment. Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse. Into this drab environment enter the Natcha-Kee-Tawara: a polyglot, poly-amorous troupe of travelling players united, on- and off-stage, in a fantasy of Native American nomadism. Enter Ciccio, the surly dark-eyed horseman. The Italian's potent and threatening physicality overwhelms Alvina and soon will propel her into - what? Perdition, or the paradoxical freedom of a girl who 'like(s) being lost'?(Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73872746</guid><pubDate>Mon, 17 Aug 2026 09:01:47 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73872746/13659_roosevelt_rondon_scientific_expedition_and_the_telegraph_line_commission_candido_mariano_da_silva_rondon.mp3" length="284093119" type="audio/mpeg"/><itunes:author>D. H. Lawrence</itunes:author><itunes:subtitle>There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like...</itunes:subtitle><itunes:summary><![CDATA[There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like Ursula Brangwen in The Rainbow) longing for escape. Alvina Houghton's plight, however, is given a rather comic and even picaresque treatment. Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse. Into this drab environment enter the Natcha-Kee-Tawara: a polyglot, poly-amorous troupe of travelling players united, on- and off-stage, in a fantasy of Native American nomadism. Enter Ciccio, the surly dark-eyed horseman. The Italian's potent and threatening physicality overwhelms Alvina and soon will propel her into - what? Perdition, or the paradoxical freedom of a girl who 'like(s) being lost'?(Summary by Martin Geeson)]]></itunes:summary><itunes:duration>35476</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1b2b2322d3029d7bcbd0a8a678b5bd81.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Town is Drowning-C. M. Kornbluth, Frederik Pohl</title><link>https://www.spreaker.com/episode/town-is-drowning-c-m-kornbluth-frederik-pohl--73852182</link><description><![CDATA[There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like Ursula Brangwen in The Rainbow) longing for escape. Alvina Houghton's plight, however, is given a rather comic and even picaresque treatment. Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse. Into this drab environment enter the Natcha-Kee-Tawara: a polyglot, poly-amorous troupe of travelling players united, on- and off-stage, in a fantasy of Native American nomadism. Enter Ciccio, the surly dark-eyed horseman. The Italian's potent and threatening physicality overwhelms Alvina and soon will propel her into - what? Perdition, or the paradoxical freedom of a girl who 'like(s) being lost'?(Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73852182</guid><pubDate>Sun, 16 Aug 2026 09:01:36 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73852182/town_is_drowning_c_m_kornbluth_frederik_pohl.mp3" length="132353313" type="audio/mpeg"/><itunes:author>D. H. Lawrence</itunes:author><itunes:subtitle>There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like...</itunes:subtitle><itunes:summary><![CDATA[There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like Ursula Brangwen in The Rainbow) longing for escape. Alvina Houghton's plight, however, is given a rather comic and even picaresque treatment. Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse. Into this drab environment enter the Natcha-Kee-Tawara: a polyglot, poly-amorous troupe of travelling players united, on- and off-stage, in a fantasy of Native American nomadism. Enter Ciccio, the surly dark-eyed horseman. The Italian's potent and threatening physicality overwhelms Alvina and soon will propel her into - what? Perdition, or the paradoxical freedom of a girl who 'like(s) being lost'?(Summary by Martin Geeson)]]></itunes:summary><itunes:duration>16527</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1b2b2322d3029d7bcbd0a8a678b5bd81.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Pippa Passes-Robert Browning</title><link>https://www.spreaker.com/episode/pippa-passes-robert-browning--73835557</link><description><![CDATA[There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like Ursula Brangwen in The Rainbow) longing for escape. Alvina Houghton's plight, however, is given a rather comic and even picaresque treatment. Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse. Into this drab environment enter the Natcha-Kee-Tawara: a polyglot, poly-amorous troupe of travelling players united, on- and off-stage, in a fantasy of Native American nomadism. Enter Ciccio, the surly dark-eyed horseman. The Italian's potent and threatening physicality overwhelms Alvina and soon will propel her into - what? Perdition, or the paradoxical freedom of a girl who 'like(s) being lost'?(Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73835557</guid><pubDate>Sat, 15 Aug 2026 09:02:28 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73835557/pippa_passes_robert_browning.mp3" length="53193503" type="audio/mpeg"/><itunes:author>D. H. Lawrence</itunes:author><itunes:subtitle>There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like...</itunes:subtitle><itunes:summary><![CDATA[There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like Ursula Brangwen in The Rainbow) longing for escape. Alvina Houghton's plight, however, is given a rather comic and even picaresque treatment. Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse. Into this drab environment enter the Natcha-Kee-Tawara: a polyglot, poly-amorous troupe of travelling players united, on- and off-stage, in a fantasy of Native American nomadism. Enter Ciccio, the surly dark-eyed horseman. The Italian's potent and threatening physicality overwhelms Alvina and soon will propel her into - what? Perdition, or the paradoxical freedom of a girl who 'like(s) being lost'?(Summary by Martin Geeson)]]></itunes:summary><itunes:duration>6643</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1b2b2322d3029d7bcbd0a8a678b5bd81.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Buffalo Bill from Prairie to Palace-John M. Burke</title><link>https://www.spreaker.com/episode/buffalo-bill-from-prairie-to-palace-john-m-burke--73799301</link><description><![CDATA[There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like Ursula Brangwen in The Rainbow) longing for escape. Alvina Houghton's plight, however, is given a rather comic and even picaresque treatment. Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse. Into this drab environment enter the Natcha-Kee-Tawara: a polyglot, poly-amorous troupe of travelling players united, on- and off-stage, in a fantasy of Native American nomadism. Enter Ciccio, the surly dark-eyed horseman. The Italian's potent and threatening physicality overwhelms Alvina and soon will propel her into - what? Perdition, or the paradoxical freedom of a girl who 'like(s) being lost'?(Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73799301</guid><pubDate>Tue, 11 Aug 2026 05:07:25 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73799301/buffalo_bill_from_prairie_to_palace_john_m_burke.mp3" length="208423702" type="audio/mpeg"/><itunes:author>D. H. Lawrence</itunes:author><itunes:subtitle>There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like...</itunes:subtitle><itunes:summary><![CDATA[There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." 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Perdition, or the paradoxical freedom of a girl who 'like(s) being lost'?(Summary by Martin Geeson)]]></itunes:summary><itunes:duration>26027</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1b2b2322d3029d7bcbd0a8a678b5bd81.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Germania-Publius Cornelius Tacitus</title><link>https://www.spreaker.com/episode/germania-publius-cornelius-tacitus--73343454</link><description><![CDATA["Germania" by Publius Cornelius Tacitus offers a detailed ethnographic account of the Germanic tribes during the Roman Empire, exploring their customs, social structures, and interactions with Rome. This work is not only a historical document but also a reflection on the nature of civilization and barbarism, themes that continue to resonate in contemporary discussions about cultural identity and societal values. Tacitus’s insights into the contrasts between the Germanic tribes and Roman society provoke thought about the complexities of cultural exchange and the often blurred lines between 'civilized' and 'barbaric.']]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73343454</guid><pubDate>Sun, 02 Aug 2026 17:23:44 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73343454/germania_publius_cornelius_tacitus.mp3" length="33594511" type="audio/mpeg"/><itunes:author>D. H. Lawrence</itunes:author><itunes:subtitle>"Germania" by Publius Cornelius Tacitus offers a detailed ethnographic account of the Germanic tribes during the Roman Empire, exploring their customs, social structures, and interactions with Rome. This work is not only a historical document but also...</itunes:subtitle><itunes:summary><![CDATA["Germania" by Publius Cornelius Tacitus offers a detailed ethnographic account of the Germanic tribes during the Roman Empire, exploring their customs, social structures, and interactions with Rome. This work is not only a historical document but also a reflection on the nature of civilization and barbarism, themes that continue to resonate in contemporary discussions about cultural identity and societal values. 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Perdition, or the paradoxical freedom of a girl who 'like(s) being lost'?(Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72388415</guid><pubDate>Sun, 07 Jun 2026 09:00:20 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72388415/lost_girl_d_h_lawrence_part_2.mp3" length="141930619" type="audio/mpeg"/><itunes:author>D. H. Lawrence</itunes:author><itunes:subtitle>"There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like...</itunes:subtitle><itunes:summary><![CDATA["There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." 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Perdition, or the paradoxical freedom of a girl who 'like(s) being lost'?(Summary by Martin Geeson)]]></itunes:summary><itunes:duration>17742</itunes:duration><itunes:keywords>alvina,ciccio,enter,girl,lawrence,literary,lost,natcha,nomadism,tawara</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/1b2b2322d3029d7bcbd0a8a678b5bd81.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Lost Girl - D H Lawrence - Part 1</title><link>https://www.spreaker.com/episode/lost-girl-d-h-lawrence-part-1--72388408</link><description><![CDATA["There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like Ursula Brangwen in The Rainbow) longing for escape. Alvina Houghton's plight, however, is given a rather comic and even picaresque treatment. Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse. Into this drab environment enter the Natcha-Kee-Tawara: a polyglot, poly-amorous troupe of travelling players united, on- and off-stage, in a fantasy of Native American nomadism. Enter Ciccio, the surly dark-eyed horseman. The Italian's potent and threatening physicality overwhelms Alvina and soon will propel her into - what? Perdition, or the paradoxical freedom of a girl who 'like(s) being lost'?(Summary by Martin Geeson)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72388408</guid><pubDate>Sat, 06 Jun 2026 15:12:50 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72388408/lost_girl_d_h_lawrence_part_1.mp3" length="281953840" type="audio/mpeg"/><itunes:author>D. H. Lawrence</itunes:author><itunes:subtitle>"There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like...</itunes:subtitle><itunes:summary><![CDATA["There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like Ursula Brangwen in The Rainbow) longing for escape. Alvina Houghton's plight, however, is given a rather comic and even picaresque treatment. Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse. Into this drab environment enter the Natcha-Kee-Tawara: a polyglot, poly-amorous troupe of travelling players united, on- and off-stage, in a fantasy of Native American nomadism. Enter Ciccio, the surly dark-eyed horseman. The Italian's potent and threatening physicality overwhelms Alvina and soon will propel her into - what? 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