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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>House of the White Shadows</title><link>https://www.spreaker.com/podcast/house-of-the-white-shadows--7088265</link><description><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></description><atom:link href="https://www.spreaker.com/show/7088265/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Literary Fiction Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce36151dbbc56b6f429e330b5de3ab9f.jpg</url><title>House of the White Shadows</title><link>https://www.spreaker.com/podcast/house-of-the-white-shadows--7088265</link></image><lastBuildDate>Tue, 25 Aug 2026 09:07:40 +0000</lastBuildDate><itunes:author>B. L. Farjeon</itunes:author><itunes:owner><itunes:name>Literary Fiction Genre</itunes:name><itunes:email>spreaker64@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce36151dbbc56b6f429e330b5de3ab9f.jpg"/><itunes:subtitle>Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware...</itunes:subtitle><itunes:summary><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Kids &amp; Family"><itunes:category text="Pets &amp; Animals"/></itunes:category><itunes:category text="Science"><itunes:category text="Nature"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>40717fc6-1fd5-52a2-b4ba-776e4a060c69</podcast:guid><itunes:type>episodic</itunes:type><item><title>Phantastes A Faerie Romance for Men and Women (version 2)-George MacDonald</title><link>https://www.spreaker.com/episode/phantastes-a-faerie-romance-for-men-and-women-version-2-george-macdonald--74063334</link><description><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74063334</guid><pubDate>Tue, 25 Aug 2026 09:00:46 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74063334/8447_phantastes_a_faerie_romance_for_men_and_women_version_2_george_macdonald.mp3" length="219632934" type="audio/mpeg"/><itunes:author>B. L. Farjeon</itunes:author><itunes:subtitle>Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware...</itunes:subtitle><itunes:summary><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></itunes:summary><itunes:duration>27426</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce36151dbbc56b6f429e330b5de3ab9f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Dramatic Reading Scene and Story Collection, Volume 002-Various</title><link>https://www.spreaker.com/episode/dramatic-reading-scene-and-story-collection-volume-002-various--74038559</link><description><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74038559</guid><pubDate>Mon, 24 Aug 2026 09:02:07 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74038559/dramatic_reading_scene_and_story_collection_volume_002_various.mp3" length="182162483" type="audio/mpeg"/><itunes:author>B. L. Farjeon</itunes:author><itunes:subtitle>Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware...</itunes:subtitle><itunes:summary><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></itunes:summary><itunes:duration>22747</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce36151dbbc56b6f429e330b5de3ab9f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Magic City-E. Nesbit</title><link>https://www.spreaker.com/episode/magic-city-e-nesbit--74016537</link><description><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74016537</guid><pubDate>Sun, 23 Aug 2026 09:01:55 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74016537/magic_city_e_nesbit.mp3" length="219715680" type="audio/mpeg"/><itunes:author>B. L. Farjeon</itunes:author><itunes:subtitle>Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware...</itunes:subtitle><itunes:summary><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></itunes:summary><itunes:duration>27437</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce36151dbbc56b6f429e330b5de3ab9f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>White Dove-William John Locke</title><link>https://www.spreaker.com/episode/white-dove-william-john-locke--73991912</link><description><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73991912</guid><pubDate>Sat, 22 Aug 2026 09:01:29 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73991912/white_dove_william_john_locke.mp3" length="215164049" type="audio/mpeg"/><itunes:author>B. L. Farjeon</itunes:author><itunes:subtitle>Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware...</itunes:subtitle><itunes:summary><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></itunes:summary><itunes:duration>26869</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce36151dbbc56b6f429e330b5de3ab9f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Home-Maker-Dorothy Canfield Fisher</title><link>https://www.spreaker.com/episode/home-maker-dorothy-canfield-fisher--73968820</link><description><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73968820</guid><pubDate>Fri, 21 Aug 2026 09:01:38 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73968820/home_maker_dorothy_canfield_fisher.mp3" length="216585745" type="audio/mpeg"/><itunes:author>B. L. Farjeon</itunes:author><itunes:subtitle>Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware...</itunes:subtitle><itunes:summary><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></itunes:summary><itunes:duration>27046</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce36151dbbc56b6f429e330b5de3ab9f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Edmond Dantès-Edmund Flagg</title><link>https://www.spreaker.com/episode/edmond-dantes-edmund-flagg--73946180</link><description><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73946180</guid><pubDate>Thu, 20 Aug 2026 09:01:39 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73946180/11691_edmond_dante_s_edmund_flagg.mp3" length="277842746" type="audio/mpeg"/><itunes:author>B. L. Farjeon</itunes:author><itunes:subtitle>Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware...</itunes:subtitle><itunes:summary><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></itunes:summary><itunes:duration>34696</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce36151dbbc56b6f429e330b5de3ab9f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Vision of Piers the Plowman (Warren translation)-William Langland</title><link>https://www.spreaker.com/episode/vision-of-piers-the-plowman-warren-translation-william-langland--73921439</link><description><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73921439</guid><pubDate>Wed, 19 Aug 2026 09:01:18 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73921439/vision_of_piers_the_plowman_warren_translation_william_langland.mp3" length="133492424" type="audio/mpeg"/><itunes:author>B. L. Farjeon</itunes:author><itunes:subtitle>Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware...</itunes:subtitle><itunes:summary><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></itunes:summary><itunes:duration>16670</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce36151dbbc56b6f429e330b5de3ab9f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>On the Incarnation-Athanasius of Alexandria</title><link>https://www.spreaker.com/episode/on-the-incarnation-athanasius-of-alexandria--73896602</link><description><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73896602</guid><pubDate>Tue, 18 Aug 2026 09:01:39 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73896602/on_the_incarnation_athanasius_of_alexandria.mp3" length="67680357" type="audio/mpeg"/><itunes:author>B. L. Farjeon</itunes:author><itunes:subtitle>Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware...</itunes:subtitle><itunes:summary><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></itunes:summary><itunes:duration>8451</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce36151dbbc56b6f429e330b5de3ab9f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>History of the United States, Vol. II Conflict &amp; Independence-Charles Austin Beard, Mary Ritter Beard</title><link>https://www.spreaker.com/episode/history-of-the-united-states-vol-ii-conflict-independence-charles-austin-beard-mary-ritter-beard--73872298</link><description><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73872298</guid><pubDate>Mon, 17 Aug 2026 09:01:39 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73872298/history_of_the_united_states_vol_ii_conflict_independence_charles_austin_beard_mary_ritter_beard.mp3" length="65829803" type="audio/mpeg"/><itunes:author>B. L. Farjeon</itunes:author><itunes:subtitle>Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware...</itunes:subtitle><itunes:summary><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></itunes:summary><itunes:duration>8220</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce36151dbbc56b6f429e330b5de3ab9f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Gerrard Street Mystery and Other Weird Tales-John Charles Dent</title><link>https://www.spreaker.com/episode/gerrard-street-mystery-and-other-weird-tales-john-charles-dent--73852008</link><description><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73852008</guid><pubDate>Sun, 16 Aug 2026 09:01:33 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73852008/gerrard_street_mystery_and_other_weird_tales_john_charles_dent.mp3" length="157486299" type="audio/mpeg"/><itunes:author>B. L. Farjeon</itunes:author><itunes:subtitle>Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware...</itunes:subtitle><itunes:summary><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></itunes:summary><itunes:duration>19666</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce36151dbbc56b6f429e330b5de3ab9f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Dream Days-Kenneth Grahame</title><link>https://www.spreaker.com/episode/dream-days-kenneth-grahame--73835266</link><description><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73835266</guid><pubDate>Sat, 15 Aug 2026 09:02:23 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73835266/dream_days_kenneth_grahame.mp3" length="140210484" type="audio/mpeg"/><itunes:author>B. L. Farjeon</itunes:author><itunes:subtitle>Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware...</itunes:subtitle><itunes:summary><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></itunes:summary><itunes:duration>17509</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce36151dbbc56b6f429e330b5de3ab9f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Madam Crowl's Ghost and Other Tales of Mystery-Joseph Sheridan Le Fanu</title><link>https://www.spreaker.com/episode/madam-crowl-s-ghost-and-other-tales-of-mystery-joseph-sheridan-le-fanu--73798864</link><description><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73798864</guid><pubDate>Tue, 11 Aug 2026 04:56:38 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73798864/madam_crowl_s_ghost_and_other_tales_of_mystery_joseph_sheridan_le_fanu.mp3" length="219662184" type="audio/mpeg"/><itunes:author>B. L. Farjeon</itunes:author><itunes:subtitle>Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware...</itunes:subtitle><itunes:summary><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></itunes:summary><itunes:duration>27430</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce36151dbbc56b6f429e330b5de3ab9f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Imperialism and World Politics, Part 3 of 4-Parker Thomas Moon</title><link>https://www.spreaker.com/episode/imperialism-and-world-politics-part-3-of-4-parker-thomas-moon--73343086</link><description><![CDATA["Imperialism and World Politics, Part 3 of 4" by Parker Thomas Moon delves into the intricate dynamics of imperialism and its profound impact on global politics. This thought-provoking work invites listeners to explore the mechanisms of power and influence that shaped nations and societies, offering insights that remain relevant in today's geopolitical landscape. The themes of dominance, control, and the interplay between nations resonate deeply as we navigate contemporary international relations. Moon's analysis encourages reflection on the historical context of imperialism and its lasting effects, making this audiobook a compelling listen for anyone interested in understanding the roots of current global conflicts and power structures.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73343086</guid><pubDate>Sun, 02 Aug 2026 17:11:48 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73343086/20957_imperialism_and_world_politics_part_3_of_4_parker_thomas_moon.mp3" length="191104690" type="audio/mpeg"/><itunes:author>B. L. Farjeon</itunes:author><itunes:subtitle>"Imperialism and World Politics, Part 3 of 4" by Parker Thomas Moon delves into the intricate dynamics of imperialism and its profound impact on global politics. This thought-provoking work invites listeners to explore the mechanisms of power and...</itunes:subtitle><itunes:summary><![CDATA["Imperialism and World Politics, Part 3 of 4" by Parker Thomas Moon delves into the intricate dynamics of imperialism and its profound impact on global politics. This thought-provoking work invites listeners to explore the mechanisms of power and influence that shaped nations and societies, offering insights that remain relevant in today's geopolitical landscape. The themes of dominance, control, and the interplay between nations resonate deeply as we navigate contemporary international relations. Moon's analysis encourages reflection on the historical context of imperialism and its lasting effects, making this audiobook a compelling listen for anyone interested in understanding the roots of current global conflicts and power structures.]]></itunes:summary><itunes:duration>23862</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce36151dbbc56b6f429e330b5de3ab9f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>House of the White Shadows - B L Farjeon - Part 2</title><link>https://www.spreaker.com/episode/house-of-the-white-shadows-b-l-farjeon-part-2--72388141</link><description><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72388141</guid><pubDate>Sun, 07 Jun 2026 09:00:20 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72388141/house_of_the_white_shadows_b_l_farjeon_part_2.mp3" length="199867909" type="audio/mpeg"/><itunes:author>B. L. Farjeon</itunes:author><itunes:subtitle>Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware...</itunes:subtitle><itunes:summary><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></itunes:summary><itunes:duration>24984</itunes:duration><itunes:keywords>athen,commenced,dickens,farjeon,house,literary,realism,shadows,trial,white</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce36151dbbc56b6f429e330b5de3ab9f.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>House of the White Shadows - B L Farjeon - Part 1</title><link>https://www.spreaker.com/episode/house-of-the-white-shadows-b-l-farjeon-part-1--72388140</link><description><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72388140</guid><pubDate>Sat, 06 Jun 2026 14:53:27 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72388140/house_of_the_white_shadows_b_l_farjeon_part_1.mp3" length="283918247" type="audio/mpeg"/><itunes:author>B. L. Farjeon</itunes:author><itunes:subtitle>Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware...</itunes:subtitle><itunes:summary><![CDATA[Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)]]></itunes:summary><itunes:duration>35490</itunes:duration><itunes:keywords>athen,commenced,dickens,farjeon,house,literary,realism,shadows,trial,white</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce36151dbbc56b6f429e330b5de3ab9f.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
