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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>The Ordeal of Mark Twain (Version 2)</title><link>https://www.spreaker.com/podcast/the-ordeal-of-mark-twain-version-2--7088209</link><description><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman &amp; Wikipedia)]]></description><atom:link href="https://www.spreaker.com/show/7088209/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Literary Fiction Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32b47e175d6d8b091a34c5fac586f432.jpg</url><title>The Ordeal of Mark Twain (Version 2)</title><link>https://www.spreaker.com/podcast/the-ordeal-of-mark-twain-version-2--7088209</link></image><lastBuildDate>Tue, 25 Aug 2026 09:06:47 +0000</lastBuildDate><itunes:author>Van Wyck Brooks</itunes:author><itunes:owner><itunes:name>Literary Fiction Genre</itunes:name><itunes:email>spreaker64@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32b47e175d6d8b091a34c5fac586f432.jpg"/><itunes:subtitle>The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had...</itunes:subtitle><itunes:summary><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman &amp; Wikipedia)]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Religion &amp; Spirituality"/><itunes:category text="Religion &amp; Spirituality"><itunes:category text="Religion"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>50acd6aa-5af5-5c70-aaed-dd88c191ce5a</podcast:guid><itunes:type>episodic</itunes:type><item><title>John Donne's Satires-John Donne</title><link>https://www.spreaker.com/episode/john-donne-s-satires-john-donne--74065483</link><description><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74065483</guid><pubDate>Tue, 25 Aug 2026 09:00:47 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74065483/john_donne_s_satires_john_donne.mp3" length="39822705" type="audio/mpeg"/><itunes:author>Van Wyck Brooks</itunes:author><itunes:subtitle>The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had...</itunes:subtitle><itunes:summary><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></itunes:summary><itunes:duration>4972</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32b47e175d6d8b091a34c5fac586f432.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Nami-ko-Kenjiro Tokutomi</title><link>https://www.spreaker.com/episode/nami-ko-kenjiro-tokutomi--74040831</link><description><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74040831</guid><pubDate>Mon, 24 Aug 2026 09:02:12 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74040831/nami_ko_kenjiro_tokutomi.mp3" length="213177001" type="audio/mpeg"/><itunes:author>Van Wyck Brooks</itunes:author><itunes:subtitle>The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had...</itunes:subtitle><itunes:summary><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></itunes:summary><itunes:duration>26621</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32b47e175d6d8b091a34c5fac586f432.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Crimes of England-G. K. Chesterton</title><link>https://www.spreaker.com/episode/crimes-of-england-g-k-chesterton--74018451</link><description><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74018451</guid><pubDate>Sun, 23 Aug 2026 09:02:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74018451/crimes_of_england_g_k_chesterton.mp3" length="99906215" type="audio/mpeg"/><itunes:author>Van Wyck Brooks</itunes:author><itunes:subtitle>The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had...</itunes:subtitle><itunes:summary><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></itunes:summary><itunes:duration>12476</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32b47e175d6d8b091a34c5fac586f432.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Shelley Selected Poems and Prose-Percy Bysshe Shelley</title><link>https://www.spreaker.com/episode/shelley-selected-poems-and-prose-percy-bysshe-shelley--73994411</link><description><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73994411</guid><pubDate>Sat, 22 Aug 2026 09:01:38 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73994411/shelley_selected_poems_and_prose_percy_bysshe_shelley.mp3" length="201931411" type="audio/mpeg"/><itunes:author>Van Wyck Brooks</itunes:author><itunes:subtitle>The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had...</itunes:subtitle><itunes:summary><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></itunes:summary><itunes:duration>25216</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32b47e175d6d8b091a34c5fac586f432.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Reign of King Edward the Third-William Shakespeare</title><link>https://www.spreaker.com/episode/reign-of-king-edward-the-third-william-shakespeare--73971131</link><description><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73971131</guid><pubDate>Fri, 21 Aug 2026 09:01:41 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73971131/reign_of_king_edward_the_third_william_shakespeare.mp3" length="75415780" type="audio/mpeg"/><itunes:author>Van Wyck Brooks</itunes:author><itunes:subtitle>The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had...</itunes:subtitle><itunes:summary><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></itunes:summary><itunes:duration>9417</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32b47e175d6d8b091a34c5fac586f432.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Moon Endureth Tales and Fancies-John Buchan</title><link>https://www.spreaker.com/episode/moon-endureth-tales-and-fancies-john-buchan--73948251</link><description><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73948251</guid><pubDate>Thu, 20 Aug 2026 09:01:48 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73948251/19396_moon_endureth_tales_and_fancies_john_buchan.mp3" length="230280576" type="audio/mpeg"/><itunes:author>Van Wyck Brooks</itunes:author><itunes:subtitle>The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had...</itunes:subtitle><itunes:summary><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></itunes:summary><itunes:duration>28756</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32b47e175d6d8b091a34c5fac586f432.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Gold Hunter's Experience-Chalkley J. Hambleton</title><link>https://www.spreaker.com/episode/gold-hunter-s-experience-chalkley-j-hambleton--73923665</link><description><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73923665</guid><pubDate>Wed, 19 Aug 2026 09:01:36 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73923665/gold_hunter_s_experience_chalkley_j_hambleton.mp3" length="58357620" type="audio/mpeg"/><itunes:author>Van Wyck Brooks</itunes:author><itunes:subtitle>The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had...</itunes:subtitle><itunes:summary><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></itunes:summary><itunes:duration>7287</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32b47e175d6d8b091a34c5fac586f432.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Interpretation of Keats's Endymion-Henry Clement Notcutt</title><link>https://www.spreaker.com/episode/interpretation-of-keats-s-endymion-henry-clement-notcutt--73898629</link><description><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73898629</guid><pubDate>Tue, 18 Aug 2026 09:01:50 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73898629/interpretation_of_keats_s_endymion_henry_clement_notcutt.mp3" length="105684927" type="audio/mpeg"/><itunes:author>Van Wyck Brooks</itunes:author><itunes:subtitle>The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had...</itunes:subtitle><itunes:summary><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></itunes:summary><itunes:duration>13197</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32b47e175d6d8b091a34c5fac586f432.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Short Nonfiction Collection, Vol. 073-Various</title><link>https://www.spreaker.com/episode/short-nonfiction-collection-vol-073-various--73874354</link><description><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73874354</guid><pubDate>Mon, 17 Aug 2026 09:01:47 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73874354/short_nonfiction_collection_vol_073_various.mp3" length="196155599" type="audio/mpeg"/><itunes:author>Van Wyck Brooks</itunes:author><itunes:subtitle>The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had...</itunes:subtitle><itunes:summary><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></itunes:summary><itunes:duration>24495</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32b47e175d6d8b091a34c5fac586f432.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Irish Impressions-G. K. Chesterton</title><link>https://www.spreaker.com/episode/irish-impressions-g-k-chesterton--73853193</link><description><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73853193</guid><pubDate>Sun, 16 Aug 2026 09:01:48 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73853193/3149_irish_impressions_g_k_chesterton.mp3" length="123895307" type="audio/mpeg"/><itunes:author>Van Wyck Brooks</itunes:author><itunes:subtitle>The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had...</itunes:subtitle><itunes:summary><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></itunes:summary><itunes:duration>15471</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32b47e175d6d8b091a34c5fac586f432.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Malaria in Greek History-William Henry Samuel Jones, Edward Theodore Withington</title><link>https://www.spreaker.com/episode/malaria-in-greek-history-william-henry-samuel-jones-edward-theodore-withington--73836475</link><description><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73836475</guid><pubDate>Sat, 15 Aug 2026 09:02:33 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73836475/malaria_in_greek_history_william_henry_samuel_jones_edward_theodore_withington.mp3" length="113512127" type="audio/mpeg"/><itunes:author>Van Wyck Brooks</itunes:author><itunes:subtitle>The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had...</itunes:subtitle><itunes:summary><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></itunes:summary><itunes:duration>14175</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32b47e175d6d8b091a34c5fac586f432.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Ashton-Kirk, Investigator-John Thomas McIntyre</title><link>https://www.spreaker.com/episode/ashton-kirk-investigator-john-thomas-mcintyre--73800743</link><description><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73800743</guid><pubDate>Tue, 11 Aug 2026 05:35:19 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73800743/ashton_kirk_investigator_john_thomas_mcintyre.mp3" length="90476083" type="audio/mpeg"/><itunes:author>Van Wyck Brooks</itunes:author><itunes:subtitle>The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had...</itunes:subtitle><itunes:summary><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></itunes:summary><itunes:duration>11298</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32b47e175d6d8b091a34c5fac586f432.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Diatessaron A Harmony of the Four Gospels-Tatian</title><link>https://www.spreaker.com/episode/diatessaron-a-harmony-of-the-four-gospels-tatian--73344718</link><description><![CDATA["Diatessaron: A Harmony of the Four Gospels" by Tatian presents a unique synthesis of the four canonical Gospels, weaving them into a single narrative that captures the essence of Christ's life and teachings. This work is a remarkable testament to early Christian thought and the quest for unity within the diverse accounts of Jesus' story. Hearing this audiobook allows listeners to engage with the foundational texts of Christianity in a fresh and cohesive way, highlighting themes of faith, redemption, and the human experience that continue to resonate today. Tatian's effort to harmonize these scriptures reflects an enduring desire for understanding and connection that remains relevant in our contemporary spiritual journeys.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73344718</guid><pubDate>Sun, 02 Aug 2026 18:02:24 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73344718/diatessaron_a_harmony_of_the_four_gospels_tatian.mp3" length="187974101" type="audio/mpeg"/><itunes:author>Van Wyck Brooks</itunes:author><itunes:subtitle>"Diatessaron: A Harmony of the Four Gospels" by Tatian presents a unique synthesis of the four canonical Gospels, weaving them into a single narrative that captures the essence of Christ's life and teachings. This work is a remarkable testament to...</itunes:subtitle><itunes:summary><![CDATA["Diatessaron: A Harmony of the Four Gospels" by Tatian presents a unique synthesis of the four canonical Gospels, weaving them into a single narrative that captures the essence of Christ's life and teachings. This work is a remarkable testament to early Christian thought and the quest for unity within the diverse accounts of Jesus' story. Hearing this audiobook allows listeners to engage with the foundational texts of Christianity in a fresh and cohesive way, highlighting themes of faith, redemption, and the human experience that continue to resonate today. Tatian's effort to harmonize these scriptures reflects an enduring desire for understanding and connection that remains relevant in our contemporary spiritual journeys.]]></itunes:summary><itunes:duration>23473</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32b47e175d6d8b091a34c5fac586f432.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Ordeal of Mark Twain Version 2 - Van Wyck Brooks - Part 2</title><link>https://www.spreaker.com/episode/the-ordeal-of-mark-twain-version-2-van-wyck-brooks-part-2--72388002</link><description><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72388002</guid><pubDate>Sun, 07 Jun 2026 09:00:18 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72388002/the_ordeal_of_mark_twain_version_2_van_wyck_brooks_part_2.mp3" length="59093620" type="audio/mpeg"/><itunes:author>Van Wyck Brooks</itunes:author><itunes:subtitle>The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had...</itunes:subtitle><itunes:summary><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></itunes:summary><itunes:duration>7387</itunes:duration><itunes:keywords>blind,brooks,clemens,criticism,inner,itself,literary,mark,ordeal,twain</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32b47e175d6d8b091a34c5fac586f432.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>The Ordeal of Mark Twain Version 2 - Van Wyck Brooks - Part 1</title><link>https://www.spreaker.com/episode/the-ordeal-of-mark-twain-version-2-van-wyck-brooks-part-1--72388001</link><description><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72388001</guid><pubDate>Sat, 06 Jun 2026 14:37:39 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72388001/the_ordeal_of_mark_twain_version_2_van_wyck_brooks_part_1.mp3" length="259203279" type="audio/mpeg"/><itunes:author>Van Wyck Brooks</itunes:author><itunes:subtitle>The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had...</itunes:subtitle><itunes:summary><![CDATA[The Ordeal of Mark Twain analyzes the literary progression of Samuel L. Clemens and attributes shortcomings to Clemens' mother and wife. The Encyclopaedia Britannica says, Brooks' work "was a psychological study attempting to show that Twain had crippled himself emotionally and curtailed his genius by repressing his natural artistic bent for the sake of his Calvinist upbringing." Also, Brooks says, his literary spirit was sidelined as "...Mark Twain was inducted (with the success of 'Innocents Abroad') into the Gilded Age, launched, in defiance of that instinct which only for a few years was to allow him inner peace, upon the vast welter of a society blind like himself, like him committed to the pursuit of worldly success." And, still more disturbingly, Brooks maintains... "We shall see that in the end, never having been able to develop, to express itself, to fulfill itself, to air itself in the sun and the wind of the world, it turned as it were black and malignant, like some monstrous, morbid inner growth, poisoning Mark Twain's whole spiritual system. We have now to note its constant blind efforts to break through the censorship that had been imposed on it, to cross the threshold of the unconscious and play its part in the conscious life of this man whose will was always enlisted against it." The implication of all this begs the question, "What might a truly unleashed Mark Twain have produced?" For a recording of a New York Times review of this book, go this link: Review ( John Greenman & Wikipedia)]]></itunes:summary><itunes:duration>32401</itunes:duration><itunes:keywords>blind,brooks,clemens,criticism,inner,itself,literary,mark,ordeal,twain</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/32b47e175d6d8b091a34c5fac586f432.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
