<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Letters from a Prairie Garden</title><link>https://www.spreaker.com/podcast/letters-from-a-prairie-garden--7085958</link><description><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></description><atom:link href="https://www.spreaker.com/show/7085958/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Literary Collections Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/12afea875e4489d58c5224c06fb8e529.jpg</url><title>Letters from a Prairie Garden</title><link>https://www.spreaker.com/podcast/letters-from-a-prairie-garden--7085958</link></image><lastBuildDate>Tue, 25 Aug 2026 09:16:01 +0000</lastBuildDate><itunes:author>Edna W. Underwood</itunes:author><itunes:owner><itunes:name>Literary Collections Genre</itunes:name><itunes:email>spreaker63@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/12afea875e4489d58c5224c06fb8e529.jpg"/><itunes:subtitle>The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with...</itunes:subtitle><itunes:summary><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Business"/><itunes:category text="Business"><itunes:category text="Management"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>302229d0-277d-5b35-9bbd-0859f1c84eb5</podcast:guid><itunes:type>episodic</itunes:type><item><title>Short Nonfiction Collection, Vol. 064-Various</title><link>https://www.spreaker.com/episode/short-nonfiction-collection-vol-064-various--74130114</link><description><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74130114</guid><pubDate>Tue, 25 Aug 2026 09:01:44 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74130114/short_nonfiction_collection_vol_064_various.mp3" length="154560874" type="audio/mpeg"/><itunes:author>Edna W. Underwood</itunes:author><itunes:subtitle>The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with...</itunes:subtitle><itunes:summary><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></itunes:summary><itunes:duration>19301</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/12afea875e4489d58c5224c06fb8e529.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Cinder Pond-Carroll Watson Rankin</title><link>https://www.spreaker.com/episode/cinder-pond-carroll-watson-rankin--74076514</link><description><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74076514</guid><pubDate>Mon, 24 Aug 2026 09:03:38 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74076514/cinder_pond_carroll_watson_rankin.mp3" length="152863661" type="audio/mpeg"/><itunes:author>Edna W. Underwood</itunes:author><itunes:subtitle>The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with...</itunes:subtitle><itunes:summary><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></itunes:summary><itunes:duration>19089</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/12afea875e4489d58c5224c06fb8e529.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Five Years of My Life 1894-1899-Alfred Dreyfus</title><link>https://www.spreaker.com/episode/five-years-of-my-life-1894-1899-alfred-dreyfus--74048758</link><description><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74048758</guid><pubDate>Sun, 23 Aug 2026 09:03:17 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74048758/five_years_of_my_life_1894_1899_alfred_dreyfus.mp3" length="179936406" type="audio/mpeg"/><itunes:author>Edna W. Underwood</itunes:author><itunes:subtitle>The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with...</itunes:subtitle><itunes:summary><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></itunes:summary><itunes:duration>22469</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/12afea875e4489d58c5224c06fb8e529.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>What Katy Did (Dramatic Reading)-Susan Coolidge</title><link>https://www.spreaker.com/episode/what-katy-did-dramatic-reading-susan-coolidge--74023430</link><description><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74023430</guid><pubDate>Sat, 22 Aug 2026 09:02:51 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74023430/what_katy_did_dramatic_reading_susan_coolidge.mp3" length="140068687" type="audio/mpeg"/><itunes:author>Edna W. Underwood</itunes:author><itunes:subtitle>The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with...</itunes:subtitle><itunes:summary><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></itunes:summary><itunes:duration>17491</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/12afea875e4489d58c5224c06fb8e529.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Andrew the Glad (Dramatic Reading)-Maria Thompson Daviess</title><link>https://www.spreaker.com/episode/andrew-the-glad-dramatic-reading-maria-thompson-daviess--73997254</link><description><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73997254</guid><pubDate>Fri, 21 Aug 2026 09:03:11 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73997254/andrew_the_glad_dramatic_reading_maria_thompson_daviess.mp3" length="159534245" type="audio/mpeg"/><itunes:author>Edna W. Underwood</itunes:author><itunes:subtitle>The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with...</itunes:subtitle><itunes:summary><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></itunes:summary><itunes:duration>19922</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/12afea875e4489d58c5224c06fb8e529.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>One-Act Play Collection 018-Various</title><link>https://www.spreaker.com/episode/one-act-play-collection-018-various--73971153</link><description><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73971153</guid><pubDate>Thu, 20 Aug 2026 09:03:09 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73971153/one_act_play_collection_018_various.mp3" length="192836067" type="audio/mpeg"/><itunes:author>Edna W. Underwood</itunes:author><itunes:subtitle>The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with...</itunes:subtitle><itunes:summary><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></itunes:summary><itunes:duration>24080</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/12afea875e4489d58c5224c06fb8e529.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Love Letters of Mrs. Piozzi, Written When She Was Eighty-Hester Lynch Piozzi</title><link>https://www.spreaker.com/episode/love-letters-of-mrs-piozzi-written-when-she-was-eighty-hester-lynch-piozzi--73946005</link><description><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73946005</guid><pubDate>Wed, 19 Aug 2026 09:03:04 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73946005/love_letters_of_mrs_piozzi_written_when_she_was_eighty_hester_lynch_piozzi.mp3" length="32693345" type="audio/mpeg"/><itunes:author>Edna W. Underwood</itunes:author><itunes:subtitle>The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with...</itunes:subtitle><itunes:summary><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></itunes:summary><itunes:duration>4083</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/12afea875e4489d58c5224c06fb8e529.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Recollections of Life in Ohio, from 1813-1840-William Cooper Howells</title><link>https://www.spreaker.com/episode/recollections-of-life-in-ohio-from-1813-1840-william-cooper-howells--73918916</link><description><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73918916</guid><pubDate>Tue, 18 Aug 2026 09:03:34 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73918916/recollections_of_life_in_ohio_from_1813_1840_william_cooper_howells.mp3" length="189716772" type="audio/mpeg"/><itunes:author>Edna W. Underwood</itunes:author><itunes:subtitle>The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with...</itunes:subtitle><itunes:summary><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></itunes:summary><itunes:duration>23691</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/12afea875e4489d58c5224c06fb8e529.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Shadowland October, 1919-Various</title><link>https://www.spreaker.com/episode/shadowland-october-1919-various--73891935</link><description><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73891935</guid><pubDate>Mon, 17 Aug 2026 09:03:27 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73891935/shadowland_october_1919_various.mp3" length="91024223" type="audio/mpeg"/><itunes:author>Edna W. Underwood</itunes:author><itunes:subtitle>The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with...</itunes:subtitle><itunes:summary><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></itunes:summary><itunes:duration>11367</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/12afea875e4489d58c5224c06fb8e529.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Revelations of Divine Love-Julian of Norwich</title><link>https://www.spreaker.com/episode/revelations-of-divine-love-julian-of-norwich--73866274</link><description><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73866274</guid><pubDate>Sun, 16 Aug 2026 09:03:00 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73866274/revelations_of_divine_love_julian_of_norwich.mp3" length="211742870" type="audio/mpeg"/><itunes:author>Edna W. Underwood</itunes:author><itunes:subtitle>The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with...</itunes:subtitle><itunes:summary><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></itunes:summary><itunes:duration>26442</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/12afea875e4489d58c5224c06fb8e529.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Bransford Of Rainbow Range-Eugene Manlove Rhodes</title><link>https://www.spreaker.com/episode/bransford-of-rainbow-range-eugene-manlove-rhodes--73843920</link><description><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73843920</guid><pubDate>Sat, 15 Aug 2026 09:03:43 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73843920/15060_bransford_of_rainbow_range_eugene_manlove_rhodes.mp3" length="160326147" type="audio/mpeg"/><itunes:author>Edna W. Underwood</itunes:author><itunes:subtitle>The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with...</itunes:subtitle><itunes:summary><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></itunes:summary><itunes:duration>20021</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/12afea875e4489d58c5224c06fb8e529.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>History of Emily Montague, Vol. IV (Dramatic Reading)-Frances Moore Brooke</title><link>https://www.spreaker.com/episode/history-of-emily-montague-vol-iv-dramatic-reading-frances-moore-brooke--73795180</link><description><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73795180</guid><pubDate>Tue, 11 Aug 2026 03:37:40 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73795180/history_of_emily_montague_vol_iv_dramatic_reading_frances_moore_brooke.mp3" length="75684791" type="audio/mpeg"/><itunes:author>Edna W. Underwood</itunes:author><itunes:subtitle>The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with...</itunes:subtitle><itunes:summary><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></itunes:summary><itunes:duration>9451</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/12afea875e4489d58c5224c06fb8e529.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Amoretti A sonnet sequence-Edmund Spenser</title><link>https://www.spreaker.com/episode/amoretti-a-sonnet-sequence-edmund-spenser--73340504</link><description><![CDATA["Amoretti," a sonnet sequence by Edmund Spenser, explores the themes of love, beauty, and the complexities of romantic relationships through a series of intricately crafted poems. This collection captures the essence of courtly love and the emotional journey that accompanies it, making it a timeless reflection on the human experience. Spenser's masterful use of language and form invites listeners to immerse themselves in his lyrical expressions, revealing the enduring power of love and the challenges it presents. The themes of devotion and the pursuit of beauty resonate just as strongly today, reminding us of the universal nature of love and the artistry that can emerge from its trials.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73340504</guid><pubDate>Sun, 02 Aug 2026 15:35:20 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73340504/amoretti_a_sonnet_sequence_edmund_spenser.mp3" length="53763461" type="audio/mpeg"/><itunes:author>Edna W. Underwood</itunes:author><itunes:subtitle>"Amoretti," a sonnet sequence by Edmund Spenser, explores the themes of love, beauty, and the complexities of romantic relationships through a series of intricately crafted poems. This collection captures the essence of courtly love and the emotional...</itunes:subtitle><itunes:summary><![CDATA["Amoretti," a sonnet sequence by Edmund Spenser, explores the themes of love, beauty, and the complexities of romantic relationships through a series of intricately crafted poems. This collection captures the essence of courtly love and the emotional journey that accompanies it, making it a timeless reflection on the human experience. Spenser's masterful use of language and form invites listeners to immerse themselves in his lyrical expressions, revealing the enduring power of love and the challenges it presents. The themes of devotion and the pursuit of beauty resonate just as strongly today, reminding us of the universal nature of love and the artistry that can emerge from its trials.]]></itunes:summary><itunes:duration>6713</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/12afea875e4489d58c5224c06fb8e529.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Letters from a Prairie Garden - Edna W Underwood</title><link>https://www.spreaker.com/episode/letters-from-a-prairie-garden-edna-w-underwood--72369018</link><description><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72369018</guid><pubDate>Fri, 05 Jun 2026 14:31:32 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72369018/letters_from_a_prairie_garden_edna_w_underwood.mp3" length="111830241" type="audio/mpeg"/><itunes:author>Edna W. Underwood</itunes:author><itunes:subtitle>The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with...</itunes:subtitle><itunes:summary><![CDATA[The "Letters from a Prairie Garden," are genuine letters and not fiction. They went through the mail. An explanatory word about their origin may not be amiss. Some years ago a famous artist came to a certain mid-western city on business connected with his profession. He had an acquaintance who lived in the hotel where the writer lived at that time and with whom he talked over the phone. The writer frequently happened to be talking at the same time, and the wires crossing, he heard me laugh repeatedly, and he nicknamed me "the woman who laughs." At length he called up the hotel clerk and asked to be permitted to talk over the wire with "the woman who laughs." The clerk connected my apartment. In this way the "Letters" (which must now tell the rest of the story themselves) originated, and it explains likewise why the subjects discussed are so often pictures and objects of art. They were written to a connoisseur of things beautiful. - Summary by Edna Worthley Underwood. Read by TR Love with an introduction by Larry Wilson.]]></itunes:summary><itunes:duration>13979</itunes:duration><itunes:keywords>clerk,connected,garden,hotel,laughs,letters,phone,prairie,underwood,worthley</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/12afea875e4489d58c5224c06fb8e529.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
