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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Hero and Leander</title><link>https://www.spreaker.com/podcast/hero-and-leander--7083863</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This show includes AI-generated content.]]></description><atom:link href="https://www.spreaker.com/show/7083863/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Legends and Fairy Tales</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg</url><title>Hero and Leander</title><link>https://www.spreaker.com/podcast/hero-and-leander--7083863</link></image><lastBuildDate>Tue, 06 Oct 2026 13:47:02 +0000</lastBuildDate><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:owner><itunes:name>Legends and Fairy Tales</itunes:name><itunes:email>spreaker62@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This show includes AI-generated content.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Kids &amp; Family"><itunes:category text="Pets &amp; Animals"/></itunes:category><itunes:category text="Science"><itunes:category text="Nature"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>183b2508-7e4c-561f-b262-6862afb603e7</podcast:guid><podcast:txt purpose="ai-content">true</podcast:txt><itunes:type>episodic</itunes:type><item><title>Cobwebs from an Empty Skull-Ambrose Bierce</title><link>https://www.spreaker.com/episode/cobwebs-from-an-empty-skull-ambrose-bierce--74409517</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74409517</guid><pubDate>Sat, 05 Sep 2026 09:01:17 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74409517/cobwebs_from_an_empty_skull_ambrose_bierce.mp3" length="174900694" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>21841</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Three Good Giants-François Rabelais</title><link>https://www.spreaker.com/episode/three-good-giants-francois-rabelais--74376323</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. 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Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>22619</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Life and Adventures of Santa Claus (Version 4)-L. Frank Baum</title><link>https://www.spreaker.com/episode/life-and-adventures-of-santa-claus-version-4-l-frank-baum--74350013</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74350013</guid><pubDate>Thu, 03 Sep 2026 09:01:15 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74350013/life_and_adventures_of_santa_claus_version_4_l_frank_baum.mp3" length="99273959" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>12397</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Russian Fairy Tales-Peter Nikolaevich Polevoi</title><link>https://www.spreaker.com/episode/russian-fairy-tales-peter-nikolaevich-polevoi--74323056</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74323056</guid><pubDate>Wed, 02 Sep 2026 09:01:29 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74323056/russian_fairy_tales_peter_nikolaevich_polevoi.mp3" length="170070753" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>21237</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Faerie Queene Book 1-Edmund Spenser</title><link>https://www.spreaker.com/episode/faerie-queene-book-1-edmund-spenser--74298832</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74298832</guid><pubDate>Tue, 01 Sep 2026 09:01:23 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74298832/faerie_queene_book_1_edmund_spenser.mp3" length="154812772" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>19332</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Black Folk Tales-Erick Berry</title><link>https://www.spreaker.com/episode/black-folk-tales-erick-berry--74276796</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74276796</guid><pubDate>Mon, 31 Aug 2026 09:01:19 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74276796/black_folk_tales_erick_berry.mp3" length="26423267" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>3300</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Lost King of Oz-Ruth Plumly Thompson</title><link>https://www.spreaker.com/episode/lost-king-of-oz-ruth-plumly-thompson--74256279</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74256279</guid><pubDate>Sun, 30 Aug 2026 09:01:17 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74256279/lost_king_of_oz_ruth_plumly_thompson.mp3" length="143368769" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>17903</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Book of Stories for the Storyteller-Fanny E. Coe</title><link>https://www.spreaker.com/episode/book-of-stories-for-the-storyteller-fanny-e-coe--74237594</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74237594</guid><pubDate>Sat, 29 Aug 2026 09:01:12 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74237594/book_of_stories_for_the_storyteller_fanny_e_coe.mp3" length="175696592" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>21940</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Ikom Folk Stories from Southern Nigeria-Elphinstone Dayrell</title><link>https://www.spreaker.com/episode/ikom-folk-stories-from-southern-nigeria-elphinstone-dayrell--74219755</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74219755</guid><pubDate>Fri, 28 Aug 2026 09:01:19 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74219755/19685_ikom_folk_stories_from_southern_nigeria_elphinstone_dayrell.mp3" length="171319429" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>21394</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Story of the Amulet (version 3 dramatic reading)-E. Nesbit</title><link>https://www.spreaker.com/episode/story-of-the-amulet-version-3-dramatic-reading-e-nesbit--74189281</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74189281</guid><pubDate>Thu, 27 Aug 2026 09:01:23 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74189281/story_of_the_amulet_version_3_dramatic_reading_e_nesbit.mp3" length="226702297" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>28310</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Granny's Wonderful Chair (Dramatic Reading)-Frances Browne</title><link>https://www.spreaker.com/episode/granny-s-wonderful-chair-dramatic-reading-frances-browne--74158096</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74158096</guid><pubDate>Wed, 26 Aug 2026 09:01:37 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74158096/granny_s_wonderful_chair_dramatic_reading_frances_browne.mp3" length="69802554" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>8717</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Collection of Beatrix Potter Stories-Beatrix Potter</title><link>https://www.spreaker.com/episode/collection-of-beatrix-potter-stories-beatrix-potter--74124882</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74124882</guid><pubDate>Tue, 25 Aug 2026 09:01:29 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74124882/collection_of_beatrix_potter_stories_beatrix_potter.mp3" length="69777879" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>8714</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Topaz Story Book Stories and Legends of Autumn, Hallowe'en, and Thanksgiving-Ada M. Skinner, Eleanor L. Skinner</title><link>https://www.spreaker.com/episode/topaz-story-book-stories-and-legends-of-autumn-hallowe-en-and-thanksgiving-ada-m-skinner-eleanor-l-skinner--74072560</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74072560</guid><pubDate>Mon, 24 Aug 2026 09:03:32 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74072560/topaz_story_book_stories_and_legends_of_autumn_hallowe_en_and_thanksgiving_ada_m_skinner_eleanor_l_skinner.mp3" length="200201435" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>25000</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Mother’s Nursery Tales-Katharine Pyle</title><link>https://www.spreaker.com/episode/mother-s-nursery-tales-katharine-pyle--74044918</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74044918</guid><pubDate>Sun, 23 Aug 2026 09:03:14 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74044918/mother_s_nursery_tales_katharine_pyle.mp3" length="190408027" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>23777</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Stories from the Arabian Nights-Laurence Housman</title><link>https://www.spreaker.com/episode/stories-from-the-arabian-nights-laurence-housman--74019875</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74019875</guid><pubDate>Sat, 22 Aug 2026 09:02:43 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74019875/stories_from_the_arabian_nights_laurence_housman.mp3" length="80661334" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>10073</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Primary Reader Old-time Stories, Fairy Tales and Myths Retold by Children (Version 2)-E. Louise Smythe</title><link>https://www.spreaker.com/episode/primary-reader-old-time-stories-fairy-tales-and-myths-retold-by-children-version-2-e-louise-smythe--73992504</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73992504</guid><pubDate>Fri, 21 Aug 2026 09:03:06 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73992504/primary_reader_old_time_stories_fairy_tales_and_myths_retold_by_children_version_2_e_louise_smythe.mp3" length="25172908" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>3144</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Three Hundred Aesop's Fables-Aesop</title><link>https://www.spreaker.com/episode/three-hundred-aesop-s-fables-aesop--73966967</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73966967</guid><pubDate>Thu, 20 Aug 2026 09:03:05 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73966967/three_hundred_aesop_s_fables_aesop.mp3" length="170291679" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>21265</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Stories from Virgil-Alfred John Church</title><link>https://www.spreaker.com/episode/stories-from-virgil-alfred-john-church--73942185</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73942185</guid><pubDate>Wed, 19 Aug 2026 09:02:54 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73942185/7117_stories_from_virgil_alfred_john_church.mp3" length="150546838" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>18800</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Venus and Adonis</title><link>https://www.spreaker.com/episode/venus-and-adonis--73914423</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73914423</guid><pubDate>Tue, 18 Aug 2026 09:03:19 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73914423/venus_and_adonis.mp3" length="32230506" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>4025</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Aesop's Fables A New Revised Edition-Aesop</title><link>https://www.spreaker.com/episode/aesop-s-fables-a-new-revised-edition-aesop--73887754</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73887754</guid><pubDate>Mon, 17 Aug 2026 09:03:06 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73887754/aesop_s_fables_a_new_revised_edition_aesop.mp3" length="99725030" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>12453</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Grimm Tales Made Gay-Guy Wetmore Carryl</title><link>https://www.spreaker.com/episode/grimm-tales-made-gay-guy-wetmore-carryl--73861969</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73861969</guid><pubDate>Sun, 16 Aug 2026 09:02:37 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73861969/grimm_tales_made_gay_guy_wetmore_carryl.mp3" length="32139096" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>4014</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Lady of the Lake-Sir Walter Scott</title><link>https://www.spreaker.com/episode/lady-of-the-lake-sir-walter-scott--73840965</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73840965</guid><pubDate>Sat, 15 Aug 2026 09:03:15 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73840965/lady_of_the_lake_sir_walter_scott.mp3" length="133297110" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>16646</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Faust I-Johann Wolfgang von Goethe</title><link>https://www.spreaker.com/episode/faust-i-johann-wolfgang-von-goethe--73821709</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73821709</guid><pubDate>Tue, 11 Aug 2026 13:04:08 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73821709/faust_i_johann_wolfgang_von_goethe.mp3" length="124462662" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>15542</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Aesop's Fables A New Revised Edition-Aesop</title><link>https://www.spreaker.com/episode/aesop-s-fables-a-new-revised-edition-aesop--73791945</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73791945</guid><pubDate>Tue, 11 Aug 2026 02:25:29 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73791945/aesop_s_fables_a_new_revised_edition_aesop.mp3" length="99725030" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>12453</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Tales of 1928 A Selection of Folktales, Fables, and Legends from Books Published in 1928-Various</title><link>https://www.spreaker.com/episode/tales-of-1928-a-selection-of-folktales-fables-and-legends-from-books-published-in-1928-various--73337262</link><description><![CDATA["Tales of 1928" is a captivating anthology that brings together a selection of folktales, fables, and legends from various books published in the year 1928. This collection showcases the rich tapestry of storytelling that transcends time, offering listeners a glimpse into the cultural narratives that shaped an era. The enduring themes of love, adventure, and moral lessons resonate just as powerfully today, reminding us of the universal truths found in folklore. By exploring these tales, listeners can connect with the past while reflecting on the timeless nature of human experience, making this audiobook a valuable journey through history and imagination.<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73337262</guid><pubDate>Sun, 02 Aug 2026 14:02:56 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73337262/tales_of_1928_a_selection_of_folktales_fables_and_legends_from_books_published_in_1928_various.mp3" length="94490060" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>"Tales of 1928" is a captivating anthology that brings together a selection of folktales, fables, and legends from various books published in the year 1928. This collection showcases the rich tapestry of storytelling that transcends time, offering...</itunes:subtitle><itunes:summary><![CDATA["Tales of 1928" is a captivating anthology that brings together a selection of folktales, fables, and legends from various books published in the year 1928. This collection showcases the rich tapestry of storytelling that transcends time, offering listeners a glimpse into the cultural narratives that shaped an era. The enduring themes of love, adventure, and moral lessons resonate just as powerfully today, reminding us of the universal truths found in folklore. By exploring these tales, listeners can connect with the past while reflecting on the timeless nature of human experience, making this audiobook a valuable journey through history and imagination.<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>11799</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Hero and Leander - George Chapman Christopher Marlowe</title><link>https://www.spreaker.com/episode/hero-and-leander-george-chapman-christopher-marlowe--72347587</link><description><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72347587</guid><pubDate>Thu, 04 Jun 2026 16:17:21 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72347587/hero_and_leander_george_chapman_christopher_marlowe.mp3" length="104279181" type="audio/mpeg"/><podcast:txt purpose="ai-content">true</podcast:txt><itunes:author>George Chapman, Christopher Marlowe</itunes:author><itunes:subtitle>“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously...</itunes:subtitle><itunes:summary><![CDATA[“Who ever lov’d, that lov’d not at first sight?” The wonder-decade of the English drama was suddenly interrupted in 1592, when serious plague broke out in London, forcing the closure of the theatres. Leading playwrights took to penning languorously erotic poetry to make ends meet: so we have Venus and Adonis, The Rape of Lucrece - and Marlowe’s blazing masterpiece, Hero and Leander. Marlowe’s poem became more notorious than either of Shakespeare’s, due not only to its homophile provocations but also to the scandal attaching to every aspect of Marlowe’s brief life, violently ended in a mysterious brawl, leaving the poem in an unfinished state. The edition read here includes the wonderful continuation by George Chapman, a versatile playwright: tragedian as well as author of Jonsonian metropolitan comedies: in short, an all-round literary craftsman, whose Homer translation was famously admired by Keats. Chapman excels in extended allegory, but also in pithiest epigram – “Love is a golden bubble, full of dreams, That waking breaks, and fills us with extremes.” All these playwrights come from the generation of grammar-school alumni raised on the secular curriculum of Latin poetry: above all, Ovid – the source of the story of Hero and Leander, and their “love-death” in the Hellespont. (Summary by Martin Geeson)<br /><br />This episode includes AI-generated content.]]></itunes:summary><itunes:duration>13035</itunes:duration><itunes:keywords>chapman,fairy,hero,languorously,leander,legends,marlowe,pithiest,playwrights,tales</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/228aca1d6c3f5bf8d901b1182308ecf0.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
