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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Miss Mackenzie</title><link>https://www.spreaker.com/podcast/miss-mackenzie--7078560</link><description><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></description><atom:link href="https://www.spreaker.com/show/7078560/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Humor Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce621b98d871289aa9634f391fdebe5e.jpg</url><title>Miss Mackenzie</title><link>https://www.spreaker.com/podcast/miss-mackenzie--7078560</link></image><lastBuildDate>Mon, 24 Aug 2026 09:25:59 +0000</lastBuildDate><itunes:author>Anthony Trollope</itunes:author><itunes:owner><itunes:name>Humor Genre</itunes:name><itunes:email>spreaker60@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce621b98d871289aa9634f391fdebe5e.jpg"/><itunes:subtitle>The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and...</itunes:subtitle><itunes:summary><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="History"/><itunes:category text="Society &amp; Culture"/><itunes:explicit>false</itunes:explicit><podcast:guid>d28b60bd-7a72-540f-b425-3b3fc5f5899a</podcast:guid><itunes:type>episodic</itunes:type><item><title>Journal of John Woolman-John Woolman</title><link>https://www.spreaker.com/episode/journal-of-john-woolman-john-woolman--74064246</link><description><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74064246</guid><pubDate>Mon, 24 Aug 2026 09:03:11 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74064246/journal_of_john_woolman_john_woolman.mp3" length="190068447" type="audio/mpeg"/><itunes:author>Anthony Trollope</itunes:author><itunes:subtitle>The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and...</itunes:subtitle><itunes:summary><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></itunes:summary><itunes:duration>23735</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce621b98d871289aa9634f391fdebe5e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Immortal Moment-May Sinclair</title><link>https://www.spreaker.com/episode/immortal-moment-may-sinclair--74036459</link><description><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74036459</guid><pubDate>Sun, 23 Aug 2026 09:03:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74036459/immortal_moment_may_sinclair.mp3" length="185080122" type="audio/mpeg"/><itunes:author>Anthony Trollope</itunes:author><itunes:subtitle>The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and...</itunes:subtitle><itunes:summary><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></itunes:summary><itunes:duration>23112</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce621b98d871289aa9634f391fdebe5e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Letter Concerning Toleration-John Locke</title><link>https://www.spreaker.com/episode/letter-concerning-toleration-john-locke--74011956</link><description><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74011956</guid><pubDate>Sat, 22 Aug 2026 09:02:23 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74011956/letter_concerning_toleration_john_locke.mp3" length="71299891" type="audio/mpeg"/><itunes:author>Anthony Trollope</itunes:author><itunes:subtitle>The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and...</itunes:subtitle><itunes:summary><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></itunes:summary><itunes:duration>8903</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce621b98d871289aa9634f391fdebe5e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Six Characters in Search of an Author-Luigi Pirandello</title><link>https://www.spreaker.com/episode/six-characters-in-search-of-an-author-luigi-pirandello--73983568</link><description><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73983568</guid><pubDate>Fri, 21 Aug 2026 09:02:42 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73983568/six_characters_in_search_of_an_author_luigi_pirandello.mp3" length="61992381" type="audio/mpeg"/><itunes:author>Anthony Trollope</itunes:author><itunes:subtitle>The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and...</itunes:subtitle><itunes:summary><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></itunes:summary><itunes:duration>7741</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce621b98d871289aa9634f391fdebe5e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Gigolo-Edna Ferber</title><link>https://www.spreaker.com/episode/gigolo-edna-ferber--73958973</link><description><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73958973</guid><pubDate>Thu, 20 Aug 2026 09:02:40 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73958973/gigolo_edna_ferber.mp3" length="253304858" type="audio/mpeg"/><itunes:author>Anthony Trollope</itunes:author><itunes:subtitle>The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and...</itunes:subtitle><itunes:summary><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></itunes:summary><itunes:duration>31631</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce621b98d871289aa9634f391fdebe5e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Northanger Abbey (version 3 Dramatic Reading)-Jane Austen</title><link>https://www.spreaker.com/episode/northanger-abbey-version-3-dramatic-reading-jane-austen--73934050</link><description><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73934050</guid><pubDate>Wed, 19 Aug 2026 09:02:29 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73934050/northanger_abbey_version_3_dramatic_reading_jane_austen.mp3" length="215728852" type="audio/mpeg"/><itunes:author>Anthony Trollope</itunes:author><itunes:subtitle>The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and...</itunes:subtitle><itunes:summary><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></itunes:summary><itunes:duration>26939</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce621b98d871289aa9634f391fdebe5e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Cradock Nowell Vol. 3-Richard Doddridge Blackmore</title><link>https://www.spreaker.com/episode/cradock-nowell-vol-3-richard-doddridge-blackmore--73905111</link><description><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73905111</guid><pubDate>Tue, 18 Aug 2026 09:02:36 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73905111/cradock_nowell_vol_3_richard_doddridge_blackmore.mp3" length="237618610" type="audio/mpeg"/><itunes:author>Anthony Trollope</itunes:author><itunes:subtitle>The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and...</itunes:subtitle><itunes:summary><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></itunes:summary><itunes:duration>29673</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce621b98d871289aa9634f391fdebe5e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>On the Incarnation-Athanasius of Alexandria</title><link>https://www.spreaker.com/episode/on-the-incarnation-athanasius-of-alexandria--73878927</link><description><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73878927</guid><pubDate>Mon, 17 Aug 2026 09:02:20 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73878927/on_the_incarnation_athanasius_of_alexandria.mp3" length="67680357" type="audio/mpeg"/><itunes:author>Anthony Trollope</itunes:author><itunes:subtitle>The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and...</itunes:subtitle><itunes:summary><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></itunes:summary><itunes:duration>8451</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce621b98d871289aa9634f391fdebe5e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Real Latin Quarter-Frank Berkeley Smith</title><link>https://www.spreaker.com/episode/real-latin-quarter-frank-berkeley-smith--73855137</link><description><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73855137</guid><pubDate>Sun, 16 Aug 2026 09:01:53 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73855137/real_latin_quarter_frank_berkeley_smith.mp3" length="75710840" type="audio/mpeg"/><itunes:author>Anthony Trollope</itunes:author><itunes:subtitle>The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and...</itunes:subtitle><itunes:summary><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></itunes:summary><itunes:duration>9454</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce621b98d871289aa9634f391fdebe5e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Practice of the Presence of God (version 2)-Brother Lawrence</title><link>https://www.spreaker.com/episode/practice-of-the-presence-of-god-version-2-brother-lawrence--73836242</link><description><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73836242</guid><pubDate>Sat, 15 Aug 2026 09:02:29 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73836242/practice_of_the_presence_of_god_version_2_brother_lawrence.mp3" length="39218908" type="audio/mpeg"/><itunes:author>Anthony Trollope</itunes:author><itunes:subtitle>The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and...</itunes:subtitle><itunes:summary><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></itunes:summary><itunes:duration>4897</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce621b98d871289aa9634f391fdebe5e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Radio Beasts-Ralph Milne Farley</title><link>https://www.spreaker.com/episode/radio-beasts-ralph-milne-farley--73814488</link><description><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73814488</guid><pubDate>Tue, 11 Aug 2026 10:37:06 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73814488/radio_beasts_ralph_milne_farley.mp3" length="238784674" type="audio/mpeg"/><itunes:author>Anthony Trollope</itunes:author><itunes:subtitle>The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and...</itunes:subtitle><itunes:summary><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></itunes:summary><itunes:duration>29818</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce621b98d871289aa9634f391fdebe5e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Spoilers-Rex Beach</title><link>https://www.spreaker.com/episode/spoilers-rex-beach--73785521</link><description><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73785521</guid><pubDate>Mon, 10 Aug 2026 23:53:10 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73785521/4621_spoilers_rex_beach.mp3" length="245859610" type="audio/mpeg"/><itunes:author>Anthony Trollope</itunes:author><itunes:subtitle>The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and...</itunes:subtitle><itunes:summary><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></itunes:summary><itunes:duration>30702</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce621b98d871289aa9634f391fdebe5e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Convivio - Dante Alighieri</title><link>https://www.spreaker.com/episode/convivio-dante-alighieri--73327855</link><description><![CDATA["Convivio," written by Dante Alighieri, is a profound exploration of love, philosophy, and the human experience, articulated through a series of essays that reflect Dante's thoughts on life and knowledge. This work delves into the nature of wisdom and the importance of understanding one's own existence, making it a timeless piece that continues to resonate with readers today. Its themes of introspection and the quest for truth encourage listeners to reflect on their own lives and beliefs. As Dante navigates the complexities of love and intellect, "Convivio" invites us to engage with our inner selves and the world around us, ensuring its enduring relevance across generations.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73327855</guid><pubDate>Sat, 01 Aug 2026 22:06:27 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73327855/convivio_dante_alighieri.mp3" length="266936512" type="audio/mpeg"/><itunes:author>Anthony Trollope</itunes:author><itunes:subtitle>"Convivio," written by Dante Alighieri, is a profound exploration of love, philosophy, and the human experience, articulated through a series of essays that reflect Dante's thoughts on life and knowledge. This work delves into the nature of wisdom and...</itunes:subtitle><itunes:summary><![CDATA["Convivio," written by Dante Alighieri, is a profound exploration of love, philosophy, and the human experience, articulated through a series of essays that reflect Dante's thoughts on life and knowledge. This work delves into the nature of wisdom and the importance of understanding one's own existence, making it a timeless piece that continues to resonate with readers today. Its themes of introspection and the quest for truth encourage listeners to reflect on their own lives and beliefs. As Dante navigates the complexities of love and intellect, "Convivio" invites us to engage with our inner selves and the world around us, ensuring its enduring relevance across generations.]]></itunes:summary><itunes:duration>33333</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce621b98d871289aa9634f391fdebe5e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Miss Mackenzie - Anthony Trollope - Part 2</title><link>https://www.spreaker.com/episode/miss-mackenzie-anthony-trollope-part-2--72300578</link><description><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72300578</guid><pubDate>Wed, 03 Jun 2026 09:00:24 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72300578/miss_mackenzie_anthony_trollope_part_2.mp3" length="159787925" type="audio/mpeg"/><itunes:author>Anthony Trollope</itunes:author><itunes:subtitle>The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and...</itunes:subtitle><itunes:summary><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></itunes:summary><itunes:duration>19974</itunes:duration><itunes:keywords>care,classism,humorous,mackenzie,mammonism,miss,snipes,swipes,trollope,trollopian</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce621b98d871289aa9634f391fdebe5e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Miss Mackenzie - Anthony Trollope - Part 1</title><link>https://www.spreaker.com/episode/miss-mackenzie-anthony-trollope-part-1--72300571</link><description><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72300571</guid><pubDate>Tue, 02 Jun 2026 17:16:34 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72300571/miss_mackenzie_anthony_trollope_part_1.mp3" length="277235288" type="audio/mpeg"/><itunes:author>Anthony Trollope</itunes:author><itunes:subtitle>The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and...</itunes:subtitle><itunes:summary><![CDATA[The thirty-five year-old (hence utterly over-the-hill) Miss Margaret Mackenzie, having devoted her life to others, suddenly finds herself with no one to care for, and in possession of a moderate fortune. Having money, she is now much sought-after and no longer universally deemed too old to marry. Partly because she has spent her life taking care of the brother whose money she has now inherited, she has no experience of wealth or popularity. Miss Mackenzie is the definition of “other-oriented. (Indeed, Trollope originally considered naming the novel, and his heroine, “Griselda”, presumably to invoke the folkloric character’s qualities of stolid obedience and endless patience.) These circumstances are the perfect set-up for classic Trollopian swipes and snipes at various fortune-hunters and other obsequies, and more broadly at society’s sexism, classism, and Mammonism. She comes into her own and begins to try to enjoy life, at first juggling, but ultimately rejecting, three serious suitors. As the story unfolds, the particulars of her deceased brother’s life and death reveal themselves, Miss Mackenzie becomes increasingly able to know who she is and what she wants, and both she and the reader are better able to discern the true colors of those around her. The question is: Will her self-knowledge overcome both her personal history and various social prejudices, so as to allow her to fall in love with – and say “yes” to – a really good man? (Summary by Kirsten Wever)]]></itunes:summary><itunes:duration>34655</itunes:duration><itunes:keywords>care,classism,humorous,mackenzie,mammonism,miss,snipes,swipes,trollope,trollopian</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/ce621b98d871289aa9634f391fdebe5e.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
