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The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. (Introduction from Wikipedia)]]></description><atom:link href="https://www.spreaker.com/show/7076802/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Horror Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3b8baa24f144eccb07e8ae7cbdd64e84.jpg</url><title>Widdershins (Version 2)</title><link>https://www.spreaker.com/podcast/widdershins-version-2--7076802</link></image><lastBuildDate>Mon, 24 Aug 2026 10:39:11 +0000</lastBuildDate><itunes:author>Oliver Onions</itunes:author><itunes:owner><itunes:name>Horror Genre</itunes:name><itunes:email>spreaker59@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3b8baa24f144eccb07e8ae7cbdd64e84.jpg"/><itunes:subtitle>Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On...</itunes:subtitle><itunes:summary><![CDATA[Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. (Introduction from Wikipedia)]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Science"/><itunes:category text="Science"><itunes:category text="Nature"/></itunes:category><itunes:explicit>false</itunes:explicit><podcast:guid>25a5fabf-d797-5dff-a3f6-d922d7729a76</podcast:guid><itunes:type>episodic</itunes:type><item><title>Heptameron of the Tales of Margaret, Queen of Navarre, Volume 3-Marguerite of Navarre</title><link>https://www.spreaker.com/episode/heptameron-of-the-tales-of-margaret-queen-of-navarre-volume-3-marguerite-of-navarre--74061638</link><description><![CDATA[Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. 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On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. (Introduction from Wikipedia)]]></itunes:summary><itunes:duration>14287</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3b8baa24f144eccb07e8ae7cbdd64e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Lucy Maud Montgomery Short Stories, 1907-1908-Lucy Maud Montgomery</title><link>https://www.spreaker.com/episode/lucy-maud-montgomery-short-stories-1907-1908-lucy-maud-montgomery--74033744</link><description><![CDATA[Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. (Introduction from Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/74033744</guid><pubDate>Sun, 23 Aug 2026 09:02:48 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/74033744/lucy_maud_montgomery_short_stories_1907_1908_lucy_maud_montgomery.mp3" length="254191052" type="audio/mpeg"/><itunes:author>Oliver Onions</itunes:author><itunes:subtitle>Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On...</itunes:subtitle><itunes:summary><![CDATA[Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. 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His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. 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On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. (Introduction from Wikipedia)]]></itunes:summary><itunes:duration>5638</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3b8baa24f144eccb07e8ae7cbdd64e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Countess of Lowndes Square, and Other Stories-E. F. Benson</title><link>https://www.spreaker.com/episode/countess-of-lowndes-square-and-other-stories-e-f-benson--73981327</link><description><![CDATA[Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. 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On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. (Introduction from Wikipedia)]]></itunes:summary><itunes:duration>28463</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3b8baa24f144eccb07e8ae7cbdd64e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Selected Early Poems of William Carlos Williams-William Carlos Williams</title><link>https://www.spreaker.com/episode/selected-early-poems-of-william-carlos-williams-william-carlos-williams--73956633</link><description><![CDATA[Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. (Introduction from Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73956633</guid><pubDate>Thu, 20 Aug 2026 09:02:33 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73956633/selected_early_poems_of_william_carlos_williams_william_carlos_williams.mp3" length="26313918" type="audio/mpeg"/><itunes:author>Oliver Onions</itunes:author><itunes:subtitle>Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On...</itunes:subtitle><itunes:summary><![CDATA[Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. (Introduction from Wikipedia)]]></itunes:summary><itunes:duration>3286</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3b8baa24f144eccb07e8ae7cbdd64e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Sevastopol-Leo Tolstoy</title><link>https://www.spreaker.com/episode/sevastopol-leo-tolstoy--73931449</link><description><![CDATA[Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. (Introduction from Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73931449</guid><pubDate>Wed, 19 Aug 2026 09:02:18 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73931449/8732_sevastopol_leo_tolstoy.mp3" length="141775092" type="audio/mpeg"/><itunes:author>Oliver Onions</itunes:author><itunes:subtitle>Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On...</itunes:subtitle><itunes:summary><![CDATA[Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. (Introduction from Wikipedia)]]></itunes:summary><itunes:duration>17704</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3b8baa24f144eccb07e8ae7cbdd64e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Light Invisible-Robert Hugh Benson</title><link>https://www.spreaker.com/episode/light-invisible-robert-hugh-benson--73902620</link><description><![CDATA[Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. 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On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. (Introduction from Wikipedia)]]></itunes:summary><itunes:duration>13153</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3b8baa24f144eccb07e8ae7cbdd64e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Stoneground Ghost Tales-Edmund Gill Swain</title><link>https://www.spreaker.com/episode/stoneground-ghost-tales-edmund-gill-swain--73876688</link><description><![CDATA[Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. (Introduction from Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73876688</guid><pubDate>Mon, 17 Aug 2026 09:02:03 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73876688/stoneground_ghost_tales_edmund_gill_swain.mp3" length="123781291" type="audio/mpeg"/><itunes:author>Oliver Onions</itunes:author><itunes:subtitle>Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On...</itunes:subtitle><itunes:summary><![CDATA[Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. (Introduction from Wikipedia)]]></itunes:summary><itunes:duration>15457</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3b8baa24f144eccb07e8ae7cbdd64e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Heir-Vita Sackville-West</title><link>https://www.spreaker.com/episode/heir-vita-sackville-west--73853372</link><description><![CDATA[Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. (Introduction from Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73853372</guid><pubDate>Sun, 16 Aug 2026 09:01:42 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73853372/heir_vita_sackville_west.mp3" length="148730724" type="audio/mpeg"/><itunes:author>Oliver Onions</itunes:author><itunes:subtitle>Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On...</itunes:subtitle><itunes:summary><![CDATA[Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. (Introduction from Wikipedia)]]></itunes:summary><itunes:duration>18573</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3b8baa24f144eccb07e8ae7cbdd64e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Thin Ghost And Others-M. R. James</title><link>https://www.spreaker.com/episode/thin-ghost-and-others-m-r-james--73834893</link><description><![CDATA[Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. (Introduction from Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73834893</guid><pubDate>Sat, 15 Aug 2026 09:02:16 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73834893/thin_ghost_and_others_m_r_james.mp3" length="90646936" type="audio/mpeg"/><itunes:author>Oliver Onions</itunes:author><itunes:subtitle>Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On...</itunes:subtitle><itunes:summary><![CDATA[Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. (Introduction from Wikipedia)]]></itunes:summary><itunes:duration>11320</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3b8baa24f144eccb07e8ae7cbdd64e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Lines, On Hearing That Lady Byron Was Ill-George Gordon, Lord Byron</title><link>https://www.spreaker.com/episode/lines-on-hearing-that-lady-byron-was-ill-george-gordon-lord-byron--73812587</link><description><![CDATA[Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. (Introduction from Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73812587</guid><pubDate>Tue, 11 Aug 2026 09:53:55 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73812587/lines_on_hearing_that_lady_byron_was_ill_george_gordon_lord_byron.mp3" length="27856878" type="audio/mpeg"/><itunes:author>Oliver Onions</itunes:author><itunes:subtitle>Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On...</itunes:subtitle><itunes:summary><![CDATA[Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. (Introduction from Wikipedia)]]></itunes:summary><itunes:duration>3479</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3b8baa24f144eccb07e8ae7cbdd64e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Luck Of Roaring Camp And Other Sketches-Bret Harte</title><link>https://www.spreaker.com/episode/luck-of-roaring-camp-and-other-sketches-bret-harte--73783620</link><description><![CDATA[Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. (Introduction from Wikipedia)]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73783620</guid><pubDate>Mon, 10 Aug 2026 23:09:12 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73783620/luck_of_roaring_camp_and_other_sketches_bret_harte.mp3" length="207377599" type="audio/mpeg"/><itunes:author>Oliver Onions</itunes:author><itunes:subtitle>Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On...</itunes:subtitle><itunes:summary><![CDATA[Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. 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(Introduction from Wikipedia)]]></itunes:summary><itunes:duration>25896</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3b8baa24f144eccb07e8ae7cbdd64e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Tongues of Conscience - Robert Smythe Hichens</title><link>https://www.spreaker.com/episode/tongues-of-conscience-robert-smythe-hichens--73326545</link><description><![CDATA["Tongues of Conscience" by Robert Smythe Hichens delves into the intricate landscape of human morality and the struggle between conscience and desire. This thought-provoking work invites listeners to explore the depths of ethical dilemmas and the profound impact of individual choices. Its exploration of the human condition remains relevant today, as it prompts reflection on our own moral compass and the consequences of our actions. Hichens' eloquent prose and insightful observations make this audiobook a captivating experience, encouraging listeners to engage with timeless themes of guilt, redemption, and the complexities of the soul. Embrace this literary journey that resonates across generations, inviting contemplation and introspection.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73326545</guid><pubDate>Sat, 01 Aug 2026 21:13:49 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73326545/tongues_of_conscience_robert_smythe_hichens.mp3" length="251574452" type="audio/mpeg"/><itunes:author>Oliver Onions</itunes:author><itunes:subtitle>"Tongues of Conscience" by Robert Smythe Hichens delves into the intricate landscape of human morality and the struggle between conscience and desire. 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Embrace this literary journey that resonates across generations, inviting contemplation and introspection.]]></itunes:summary><itunes:duration>31415</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/3b8baa24f144eccb07e8ae7cbdd64e84.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Widdershins Version 2 - Oliver Onions</title><link>https://www.spreaker.com/episode/widdershins-version-2-oliver-onions--72282360</link><description><![CDATA[Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. 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On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the sufferer's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. 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