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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:podcast="https://podcastindex.org/namespace/1.0" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Popular History of the Art of Music</title><link>https://www.spreaker.com/podcast/popular-history-of-the-art-of-music--7076511</link><description><![CDATA[Preface by W.S.B. Mathews: I have here endeavored to provide a readable account of the entire history of the art of music, within the compass of a single small volume, and to treat the luxuriant and many-sided later development with the particularity proportionate to its importance, and the greater interest appertaining to it from its proximity to the times of the reader.The range of the work can be most easily estimated from the Table of Contents (pages 5-10). It will be seen that I have attempted to cover the same extent of history, in treating of which the standard musical histories of Naumann, Ambros, Fétis and others have employed from three times to ten times as much space. In the nature of the case there will be differences of opinion among competent judges concerning my success in this difficult undertaking. Upon this point I can only plead absolute sincerity of purpose, and a certain familiarity with the ground to be covered, due to having treated it in my lectures in the Chicago Musical College for five years, to the extent of about thirty-five lectures yearly. I have made free use of all the standard histories—those of Fétis, Ambros, Naumann, Brendel, Gevaert, Hawkins, Burney, the writings of Dr. Hugo Riemann, Dr. Ritter, Prof. Fillmore, and the dictionaries of Grove and Mendel, as well as many monographs in all the leading modern languages.]]></description><atom:link href="https://www.spreaker.com/show/7076511/episodes/feed" rel="self" type="application/rss+xml"/><language>en</language><category>Books</category><copyright>Copyright Horror Genre</copyright><image><url>https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/2821d4241d0e2e67522beca93795965e.jpg</url><title>Popular History of the Art of Music</title><link>https://www.spreaker.com/podcast/popular-history-of-the-art-of-music--7076511</link></image><lastBuildDate>Tue, 11 Aug 2026 10:48:17 +0000</lastBuildDate><itunes:author>W. S. B. Mathews</itunes:author><itunes:owner><itunes:name>Horror Genre</itunes:name><itunes:email>spreaker59@podcastlibrary.org</itunes:email></itunes:owner><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/2821d4241d0e2e67522beca93795965e.jpg"/><itunes:subtitle>Preface by W.S.B. Mathews: I have here endeavored to provide a readable account of the entire history of the art of music, within the compass of a single small volume, and to treat the luxuriant and many-sided later development with the particularity...</itunes:subtitle><itunes:summary><![CDATA[Preface by W.S.B. Mathews: I have here endeavored to provide a readable account of the entire history of the art of music, within the compass of a single small volume, and to treat the luxuriant and many-sided later development with the particularity proportionate to its importance, and the greater interest appertaining to it from its proximity to the times of the reader.The range of the work can be most easily estimated from the Table of Contents (pages 5-10). It will be seen that I have attempted to cover the same extent of history, in treating of which the standard musical histories of Naumann, Ambros, Fétis and others have employed from three times to ten times as much space. In the nature of the case there will be differences of opinion among competent judges concerning my success in this difficult undertaking. Upon this point I can only plead absolute sincerity of purpose, and a certain familiarity with the ground to be covered, due to having treated it in my lectures in the Chicago Musical College for five years, to the extent of about thirty-five lectures yearly. I have made free use of all the standard histories—those of Fétis, Ambros, Naumann, Brendel, Gevaert, Hawkins, Burney, the writings of Dr. Hugo Riemann, Dr. Ritter, Prof. Fillmore, and the dictionaries of Grove and Mendel, as well as many monographs in all the leading modern languages.]]></itunes:summary><itunes:category text="Arts"><itunes:category text="Books"/></itunes:category><itunes:category text="Science"/><itunes:category text="Science"><itunes:category text="Mathematics"/></itunes:category><itunes:explicit>false</itunes:explicit><itunes:type>episodic</itunes:type><item><title>Birds, Vol. I, No 1, January 1897-Various</title><link>https://www.spreaker.com/episode/birds-vol-i-no-1-january-1897-various--73811429</link><description><![CDATA[Preface by W.S.B. Mathews: I have here endeavored to provide a readable account of the entire history of the art of music, within the compass of a single small volume, and to treat the luxuriant and many-sided later development with the particularity proportionate to its importance, and the greater interest appertaining to it from its proximity to the times of the reader.The range of the work can be most easily estimated from the Table of Contents (pages 5-10). It will be seen that I have attempted to cover the same extent of history, in treating of which the standard musical histories of Naumann, Ambros, Fétis and others have employed from three times to ten times as much space. In the nature of the case there will be differences of opinion among competent judges concerning my success in this difficult undertaking. Upon this point I can only plead absolute sincerity of purpose, and a certain familiarity with the ground to be covered, due to having treated it in my lectures in the Chicago Musical College for five years, to the extent of about thirty-five lectures yearly. I have made free use of all the standard histories—those of Fétis, Ambros, Naumann, Brendel, Gevaert, Hawkins, Burney, the writings of Dr. Hugo Riemann, Dr. Ritter, Prof. Fillmore, and the dictionaries of Grove and Mendel, as well as many monographs in all the leading modern languages.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73811429</guid><pubDate>Tue, 11 Aug 2026 09:30:44 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73811429/birds_vol_i_no_1_january_1897_various.mp3" length="28364277" type="audio/mpeg"/><itunes:author>W. S. B. Mathews</itunes:author><itunes:subtitle>Preface by W.S.B. Mathews: I have here endeavored to provide a readable account of the entire history of the art of music, within the compass of a single small volume, and to treat the luxuriant and many-sided later development with the particularity...</itunes:subtitle><itunes:summary><![CDATA[Preface by W.S.B. Mathews: I have here endeavored to provide a readable account of the entire history of the art of music, within the compass of a single small volume, and to treat the luxuriant and many-sided later development with the particularity proportionate to its importance, and the greater interest appertaining to it from its proximity to the times of the reader.The range of the work can be most easily estimated from the Table of Contents (pages 5-10). It will be seen that I have attempted to cover the same extent of history, in treating of which the standard musical histories of Naumann, Ambros, Fétis and others have employed from three times to ten times as much space. In the nature of the case there will be differences of opinion among competent judges concerning my success in this difficult undertaking. Upon this point I can only plead absolute sincerity of purpose, and a certain familiarity with the ground to be covered, due to having treated it in my lectures in the Chicago Musical College for five years, to the extent of about thirty-five lectures yearly. I have made free use of all the standard histories—those of Fétis, Ambros, Naumann, Brendel, Gevaert, Hawkins, Burney, the writings of Dr. Hugo Riemann, Dr. Ritter, Prof. Fillmore, and the dictionaries of Grove and Mendel, as well as many monographs in all the leading modern languages.]]></itunes:summary><itunes:duration>3542</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/2821d4241d0e2e67522beca93795965e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>France At War On the Frontier of Civilization-Rudyard Kipling</title><link>https://www.spreaker.com/episode/france-at-war-on-the-frontier-of-civilization-rudyard-kipling--73782668</link><description><![CDATA[Preface by W.S.B. Mathews: I have here endeavored to provide a readable account of the entire history of the art of music, within the compass of a single small volume, and to treat the luxuriant and many-sided later development with the particularity proportionate to its importance, and the greater interest appertaining to it from its proximity to the times of the reader.The range of the work can be most easily estimated from the Table of Contents (pages 5-10). It will be seen that I have attempted to cover the same extent of history, in treating of which the standard musical histories of Naumann, Ambros, Fétis and others have employed from three times to ten times as much space. In the nature of the case there will be differences of opinion among competent judges concerning my success in this difficult undertaking. Upon this point I can only plead absolute sincerity of purpose, and a certain familiarity with the ground to be covered, due to having treated it in my lectures in the Chicago Musical College for five years, to the extent of about thirty-five lectures yearly. I have made free use of all the standard histories—those of Fétis, Ambros, Naumann, Brendel, Gevaert, Hawkins, Burney, the writings of Dr. Hugo Riemann, Dr. Ritter, Prof. Fillmore, and the dictionaries of Grove and Mendel, as well as many monographs in all the leading modern languages.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73782668</guid><pubDate>Mon, 10 Aug 2026 22:46:23 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73782668/france_at_war_on_the_frontier_of_civilization_rudyard_kipling.mp3" length="49187898" type="audio/mpeg"/><itunes:author>W. S. B. Mathews</itunes:author><itunes:subtitle>Preface by W.S.B. Mathews: I have here endeavored to provide a readable account of the entire history of the art of music, within the compass of a single small volume, and to treat the luxuriant and many-sided later development with the particularity...</itunes:subtitle><itunes:summary><![CDATA[Preface by W.S.B. Mathews: I have here endeavored to provide a readable account of the entire history of the art of music, within the compass of a single small volume, and to treat the luxuriant and many-sided later development with the particularity proportionate to its importance, and the greater interest appertaining to it from its proximity to the times of the reader.The range of the work can be most easily estimated from the Table of Contents (pages 5-10). It will be seen that I have attempted to cover the same extent of history, in treating of which the standard musical histories of Naumann, Ambros, Fétis and others have employed from three times to ten times as much space. In the nature of the case there will be differences of opinion among competent judges concerning my success in this difficult undertaking. Upon this point I can only plead absolute sincerity of purpose, and a certain familiarity with the ground to be covered, due to having treated it in my lectures in the Chicago Musical College for five years, to the extent of about thirty-five lectures yearly. I have made free use of all the standard histories—those of Fétis, Ambros, Naumann, Brendel, Gevaert, Hawkins, Burney, the writings of Dr. Hugo Riemann, Dr. Ritter, Prof. Fillmore, and the dictionaries of Grove and Mendel, as well as many monographs in all the leading modern languages.]]></itunes:summary><itunes:duration>6142</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/2821d4241d0e2e67522beca93795965e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Magic of the Horse-Shoe - Robert Means Lawrence</title><link>https://www.spreaker.com/episode/magic-of-the-horse-shoe-robert-means-lawrence--73325854</link><description><![CDATA[Magic of the Horse-Shoe by Robert Means Lawrence delves into the fascinating history and folklore surrounding the horse-shoe, an object steeped in superstition and cultural significance. This exploration reveals how the horse-shoe has been viewed as a talisman of good luck and protection throughout the ages, embodying themes of belief and tradition that still resonate today. The enduring nature of its symbolism invites listeners to reflect on the intersection of practicality and magic in everyday life. Lawrence's insightful examination encourages a deeper appreciation for the rituals and objects that shape human experience, making this audiobook a captivating journey into the past that remains relevant in our contemporary world.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/73325854</guid><pubDate>Sat, 01 Aug 2026 20:43:58 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/73325854/magic_of_the_horse_shoe_robert_means_lawrence.mp3" length="238819065" type="audio/mpeg"/><itunes:author>W. S. B. Mathews</itunes:author><itunes:subtitle>Magic of the Horse-Shoe by Robert Means Lawrence delves into the fascinating history and folklore surrounding the horse-shoe, an object steeped in superstition and cultural significance. This exploration reveals how the horse-shoe has been viewed as a...</itunes:subtitle><itunes:summary><![CDATA[Magic of the Horse-Shoe by Robert Means Lawrence delves into the fascinating history and folklore surrounding the horse-shoe, an object steeped in superstition and cultural significance. This exploration reveals how the horse-shoe has been viewed as a talisman of good luck and protection throughout the ages, embodying themes of belief and tradition that still resonate today. The enduring nature of its symbolism invites listeners to reflect on the intersection of practicality and magic in everyday life. Lawrence's insightful examination encourages a deeper appreciation for the rituals and objects that shape human experience, making this audiobook a captivating journey into the past that remains relevant in our contemporary world.]]></itunes:summary><itunes:duration>29823</itunes:duration><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/2821d4241d0e2e67522beca93795965e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Popular History of the Art of Music - W S B Mathews - Part 2</title><link>https://www.spreaker.com/episode/popular-history-of-the-art-of-music-w-s-b-mathews-part-2--72281192</link><description><![CDATA[Preface by W.S.B. Mathews: I have here endeavored to provide a readable account of the entire history of the art of music, within the compass of a single small volume, and to treat the luxuriant and many-sided later development with the particularity proportionate to its importance, and the greater interest appertaining to it from its proximity to the times of the reader.The range of the work can be most easily estimated from the Table of Contents (pages 5-10). It will be seen that I have attempted to cover the same extent of history, in treating of which the standard musical histories of Naumann, Ambros, Fétis and others have employed from three times to ten times as much space. In the nature of the case there will be differences of opinion among competent judges concerning my success in this difficult undertaking. Upon this point I can only plead absolute sincerity of purpose, and a certain familiarity with the ground to be covered, due to having treated it in my lectures in the Chicago Musical College for five years, to the extent of about thirty-five lectures yearly. I have made free use of all the standard histories—those of Fétis, Ambros, Naumann, Brendel, Gevaert, Hawkins, Burney, the writings of Dr. Hugo Riemann, Dr. Ritter, Prof. Fillmore, and the dictionaries of Grove and Mendel, as well as many monographs in all the leading modern languages.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72281192</guid><pubDate>Tue, 02 Jun 2026 09:00:17 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72281192/popular_history_of_the_art_of_music_w_s_b_mathews_part_2.mp3" length="147815903" type="audio/mpeg"/><itunes:author>W. S. B. Mathews</itunes:author><itunes:subtitle>Preface by W.S.B. Mathews: I have here endeavored to provide a readable account of the entire history of the art of music, within the compass of a single small volume, and to treat the luxuriant and many-sided later development with the particularity...</itunes:subtitle><itunes:summary><![CDATA[Preface by W.S.B. Mathews: I have here endeavored to provide a readable account of the entire history of the art of music, within the compass of a single small volume, and to treat the luxuriant and many-sided later development with the particularity proportionate to its importance, and the greater interest appertaining to it from its proximity to the times of the reader.The range of the work can be most easily estimated from the Table of Contents (pages 5-10). It will be seen that I have attempted to cover the same extent of history, in treating of which the standard musical histories of Naumann, Ambros, Fétis and others have employed from three times to ten times as much space. In the nature of the case there will be differences of opinion among competent judges concerning my success in this difficult undertaking. Upon this point I can only plead absolute sincerity of purpose, and a certain familiarity with the ground to be covered, due to having treated it in my lectures in the Chicago Musical College for five years, to the extent of about thirty-five lectures yearly. I have made free use of all the standard histories—those of Fétis, Ambros, Naumann, Brendel, Gevaert, Hawkins, Burney, the writings of Dr. Hugo Riemann, Dr. Ritter, Prof. Fillmore, and the dictionaries of Grove and Mendel, as well as many monographs in all the leading modern languages.]]></itunes:summary><itunes:duration>18477</itunes:duration><itunes:keywords>ambros,art,extent,histories,history,mathews,music,musical,naumann,popular</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/2821d4241d0e2e67522beca93795965e.jpg"/><itunes:episodeType>full</itunes:episodeType></item><item><title>Popular History of the Art of Music - W S B Mathews - Part 1</title><link>https://www.spreaker.com/episode/popular-history-of-the-art-of-music-w-s-b-mathews-part-1--72281191</link><description><![CDATA[Preface by W.S.B. Mathews: I have here endeavored to provide a readable account of the entire history of the art of music, within the compass of a single small volume, and to treat the luxuriant and many-sided later development with the particularity proportionate to its importance, and the greater interest appertaining to it from its proximity to the times of the reader.The range of the work can be most easily estimated from the Table of Contents (pages 5-10). It will be seen that I have attempted to cover the same extent of history, in treating of which the standard musical histories of Naumann, Ambros, Fétis and others have employed from three times to ten times as much space. In the nature of the case there will be differences of opinion among competent judges concerning my success in this difficult undertaking. Upon this point I can only plead absolute sincerity of purpose, and a certain familiarity with the ground to be covered, due to having treated it in my lectures in the Chicago Musical College for five years, to the extent of about thirty-five lectures yearly. I have made free use of all the standard histories—those of Fétis, Ambros, Naumann, Brendel, Gevaert, Hawkins, Burney, the writings of Dr. Hugo Riemann, Dr. Ritter, Prof. Fillmore, and the dictionaries of Grove and Mendel, as well as many monographs in all the leading modern languages.]]></description><guid isPermaLink="false">https://api.spreaker.com/episode/72281191</guid><pubDate>Mon, 01 Jun 2026 16:54:10 +0000</pubDate><enclosure url="https://dts.podtrac.com/redirect.mp3/api.spreaker.com/download/episode/72281191/popular_history_of_the_art_of_music_w_s_b_mathews_part_1.mp3" length="279452556" type="audio/mpeg"/><itunes:author>W. S. B. Mathews</itunes:author><itunes:subtitle>Preface by W.S.B. Mathews: I have here endeavored to provide a readable account of the entire history of the art of music, within the compass of a single small volume, and to treat the luxuriant and many-sided later development with the particularity...</itunes:subtitle><itunes:summary><![CDATA[Preface by W.S.B. Mathews: I have here endeavored to provide a readable account of the entire history of the art of music, within the compass of a single small volume, and to treat the luxuriant and many-sided later development with the particularity proportionate to its importance, and the greater interest appertaining to it from its proximity to the times of the reader.The range of the work can be most easily estimated from the Table of Contents (pages 5-10). It will be seen that I have attempted to cover the same extent of history, in treating of which the standard musical histories of Naumann, Ambros, Fétis and others have employed from three times to ten times as much space. In the nature of the case there will be differences of opinion among competent judges concerning my success in this difficult undertaking. Upon this point I can only plead absolute sincerity of purpose, and a certain familiarity with the ground to be covered, due to having treated it in my lectures in the Chicago Musical College for five years, to the extent of about thirty-five lectures yearly. I have made free use of all the standard histories—those of Fétis, Ambros, Naumann, Brendel, Gevaert, Hawkins, Burney, the writings of Dr. Hugo Riemann, Dr. Ritter, Prof. Fillmore, and the dictionaries of Grove and Mendel, as well as many monographs in all the leading modern languages.]]></itunes:summary><itunes:duration>34932</itunes:duration><itunes:keywords>ambros,art,extent,histories,history,mathews,music,musical,naumann,popular</itunes:keywords><itunes:explicit>false</itunes:explicit><itunes:image href="https://d3wo5wojvuv7l.cloudfront.net/t_rss_itunes_square_1400/images.spreaker.com/original/2821d4241d0e2e67522beca93795965e.jpg"/><itunes:episodeType>full</itunes:episodeType></item></channel></rss>
